How the fuck does one pin a post
The little three dots at the top right
No you get consent first then you grab it by the wrists and everything after that is down hill
YOU ARE THE REASON

Origami Around
Claire Keane
i don't do bad sauce passes

ellievsbear
ojovivo

roma★

JVL
he wasn't even looking at me and he found me
sheepfilms
Alisa U Zemlji Chuda
Peter Solarz

blake kathryn
trying on a metaphor
I'd rather be in outer space 🛸
NASA
art blog(derogatory)
d e v o n
$LAYYYTER
Game of Thrones Daily
seen from United States
seen from United States
seen from Germany

seen from Malaysia
seen from United States
seen from India

seen from Malaysia

seen from Australia
seen from United States
seen from Hong Kong SAR China
seen from United States
seen from United States
seen from Canada

seen from Malaysia

seen from United States

seen from Romania
seen from United States

seen from United States
seen from United States
seen from India
@catrinecat
How the fuck does one pin a post
The little three dots at the top right
No you get consent first then you grab it by the wrists and everything after that is down hill
ad poster
Something I’ve noticed is
THAT PEOPLE POKE THEIR NOSE WHERE IT DOESN’T BELONG!
Oh boy free pie
I didn't have hunter biden being the funniest person on twitter in 2026 on my bingo card yet here we are
"it would be so good if it was good" will haunt you but "it's extremely good, except for the one or two parts which are so bad it's genuinely kind of insulting" will straight up drive you insane
one has you making posts like "okay but if the author UNDERSTOOD the POLITICAL IMPLICATIONS of the story they were telling, and leaned into it, it would actually be a really interesting exploration of..."
the other has you pacing your bedroom at one in the morning going "why. why would you ever in a million years do it like that. genuinely what possible thought process was involved. was the writer possessed by a fucking ghost or something."
I have an original signed copy of the communist manifesto and marx wrote a note at the front saying that he hopes people use this text to be racist on the internet and divide as many people as possible. He also said that RPF is okay.
He said that RPF is okay
Yeah we heard you the first time
just making sure.
they call me leads guy
What do you mean that you can actually do stuff
I'm glad you think of me as a fetid enfeebled sack of hard clay that can't do anything at all.
japanese game dev in the 90s: hey dude can you make some music for our game about anime girls getting fucked sloppy style
guy who's about to push the PC-98 sound card to its absolute limit and create the most heartachingly beautiful music you've ever heard: Yeah okay
Look, I know it's funny to say the PC-98 eroge had a stellar soundtrack for 'just an eroge'. But that is extremely dismissive of what YU-NO is and how it shaped the landscape of future releases in the era. Like we're talking about a game with time travel that lets you set down checkpoints in time, so you can collect items across multiple timelines and solve a series of mysteries. It's a story so long and complicated, it had been in Kanno's mind and developing for over a decade. It's a story that doesn't even properly work as a show or movie, it has to be a game. This title was extremely influential to how the sci-fi genre evolved in the adventure game medium of this era in japan. Titles like Steins;Gate wouldn't exist in nearly the same fashion, KEY works would be entirely different, other adventure game producing companies started trying to push themselves to match YU-NO's high production values. I'm sorry but you can be funny without being dismissive of something that had a huge cultural impact on a medium of storytelling.
the composer Ryu Umemoto left his well-paying job scoring licensed games at FamilySoft to work in the pc-98 eroge scene because of the creative freedom it allowed him. he and the writer Hiroyuki Kanno worked together on several ambitious games for various small erotic games companies. there's a great obituary that talks about his life, here: click.
Damn I need to play this game wtf.
count dracula? uhhh ok. one
🧛 nathing vrong vith me
“The Sisters” by Tecla, from “Transvestia” magazine #26 (April 1964).
alright I've got to do some quick math to explain attitudes towards AI to my boss.
we're looking to create an AI policy, and when we were talking about this, my boss (older millennial) was genuinely shocked to hear that younger people do not (seem) to view AI positively (a la the recent commencement speakers being booed)
please rb for larger sample size!
Question 1/3
What is your age, and do you feel AI is a net positive or net negative in our lives today?
under 18, AI is a net positive
under 18, AI is a net negative
18-29, AI is a net positive
18-29, AI is a net negative
30-45, AI is a net positive
30-45, AI is a net negative
46-60, AI is a net positive
46-60, AI is a net negative
over 60, AI is a net postive
over 60, AI is a net negative
Question 2/3
How often do you visit or interact with museums/archives (whether in person or online)?
Frequently (multiple times per month)
Often (multiple times per year)
Occasionally (a couple times per year)
Rarely (once every couple of years)
Never :(
Question 3/3
If you saw a museum was using AI in exhibits, marketing, research, etc., would you be more or less inclined to visit that museum?
under 18, more inclined
under 18, less inclined
18-29, more inclined
18-29, less inclined
30-45, more inclined
30-45, less inclined
46-60, more inclined
46-60, less inclined
over 60, more inclined
over 60, less inclined
Thank you for helping with this data collection. Please rb for as big a sample as possible!
🫶
I'm genuinely crying right now
danganronpa if it was good
Man notices an Eagle eyeing the fish he just caught
*gets back to the nest* baby you are NEVER gonna believe how i got this fish
DC x Sonic the Hedgehog: Metal Legion #1 (2026)
written by Ian Flynn art by Adam Bryce Thomas & Matt Herms
I can’t believe they’re making him dress up
Monster Ecologies: Nibelsnarf
Entry 46 - Nibelsnarf
Name: Nibelsnarf
Aliases: Lurking Mouth Wyvern, Hapurubokka, Nibel
Classification: Reptile, Leviathan
Biology: A strange monster with little relation to many others in its classification, Nibelsnarfs are desert-dwelling Leviathans. They are easily identified by their flat bodies and gigantic mouths in relation to their body size. They possess a yellowish-brown shell across the tops of their bodies, with the rest being covered in navy scales. Peculiarly, their underbelly is vibrantly decorated in bright colours. This is believed to intimidate any opponents that may uproot it from the sand during battle, giving it a vital moment to recover. Numerous adaptations help Nibelsnarfs to thrive in their sandy environment, such as shovel-like limbs to aid in digging, highly advanced hearing and eyes on the top of their heads to more easily navigate the dunes, high water retention due to internal fluids, and gill-like organs to filter out sand and other debris that enters the monster's mouth. Some of this sand and debris is instead swallowed and stored in a specially evolved organ. The monster can layer eject the contents of this organ alongside large amounts of air through their gills, useful for both getting rid of irritants and creating a spray that can deter intruders into its personal space.
Behaviour: As to be expected from their somewhat doofy appearance, Nibelsnarfs are simple-minded monsters. Their average day consists of patrolling their territory looking for something to eat, with not much variation to speak off. It only attacks other monsters if it sees them as possible food, rather than a potential threat to its territory. However, due to their gluttonus behaviour, almost anything that enters its territory is considered a potential meal. They are also more prone to conflict with humans either living in or passing through deserts, as they are more prone to attacking caravans than most other monsters that share their habitat. Nibelsnarf habitats can often be recognised by sand “casts” that match the shape of the monster’s shell, formed when the monster camouflages itself as a sand dune above ground.
Habitat: Nibelsnarfs are exclusively desert-dwelling monsters that require massive amounts of sand in order to hunt and maneuver properly. Some Hunters have even known to use the phrase “Nibelsnarf out of sand” as an alternative to “Fish out of water”. The species is also rather wide-spread, being found in numerous deserts throughout the Old World. However, on extremely rare cases, there have been accounts of particularly strong Nibelsnarfs managing to dig their way through solid rock, which in turn widens their habitat range. These more exotic Nibelsnarf have even been known to inhabit the entire opposite of their usual biome in cold tundra environments.
Diet: Nibelsnarf are exclusively carnivores and are known to be quite the gluttons, eating anything they can fit in their massive mouths. It’s diet mostly consists of small monsters such as Apceros, Rhenoplos, Hermitaurs, Delex, Genprey, Jaggis and Cephalos. On occasion they may go after larger monsters such as Great Jaggi, Gendrome, Volvidon, Qurupeco or even Barroth that spend too much time out on the open dunes. Sometimes Nibelsnarfs will bite off more than they can chew however, as attempts to feed on the young of more aggressive monsters like Sand Barioth, Rathian, Rust Duramboros, and the Blos wyverns often lead to rather disastrous results once the parents fight back. For a similar reason, Nibelsnarf will often refrain from including adults of such higher tier species on their menus, as the damage they could inflict to the Leviathan would outweigh the potential meal.
Attack Method: Other than the occasional tail slap, body slam and sand expulsion, the attack method of Nibelsnarfs consists almost entirely of biting. As Nibelsnarf are primarily ambush predators, they do not have as more intricately developed fighting adaptations as many other monsters. Despite being incredibly simple however, the tactic works wonders thanks to the monsters massive maw lined with razor-sharp teeth and possessing immense jaw strength. Utilising its excellent burrowing skills, it swims through the sand with biting breaches and gnashing charges in order to crunch and bite its opponents to shreds. It is often blind during these charges however, so many Hunters can trick the Leviathan into eating Barrel Bombs by placing them in its charging path. These explosives will then detonate in its mouth, stunning the monster out of the sand and allowing an opportune moment to attack it in turn.
Place in the Food Chain: In the many deserts where Nibelsnarfs can be found, they always occupy a spot around the middle of the food chain. While they indeed prey on numerous monsters both smaller than them and around the same size, they in turn have to be wary of larger creatures such as the Blos wyverns, Sand Barioth or Rust Duramboros that can more easily fight them off. The fact that the Leviathan has a habit of trying to eat their young despite this often results in the monster having just as many wounded retreats as successful hunts. On the other hand, all Nibelsnard needs is one good ambush in order to catch many monsters by surprise and drag them under the sand for consumption.
This has been a report on the Nibelsnarf. Thank you for reading.