
tannertan36

Kiana Khansmith
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h
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he wasn't even looking at me and he found me
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@chain-chomp
conservation is worship to me. in a sense.
I'm not religious but I'm a very emotional scientist and I've been thinking about this a LOT lately. I love the earth enough to be its steward. and I have the necessary tools for the task. a complex brain. dexterous hands. legs made to walk long and far. millions and millions of years of Chance and Opportunity shaped me into something that can give back to the planet that has been a life-sustaining home for every person who ever lived. it's enough to make me teary eyed sometimes
"humans are pests that should be exterminated" I don't think that's true. the ecological niche of humans has shifted from persistence predation to stewardship of entire ecosystems. we've done a lot of wrong. but we have incredible potential to do so, so, so much good.
this post speaks very broadly! I know a lot of us have brains that find some tasks very difficult and hands that struggle and legs that hurt. you're a wonderful person if that's you. I'm more than happy to do enough for us both. we're stewards, but we're also a cooperative species with an incredible capacity for kindness. rest well for me. [:
Step into my office.
Flowery drawings 🌻
a tasty hoard for a tiny beast!🍓🐉✨
What’s CNC
Cookies n cream babie
I get in theory why people complain about het ships or whatever, I get wanting to watch queer media I really do, but I guess where y’all lose me is like. I saw some asshole on a post about Sinners complaining it was “hetslop”—this person was specifically doing so while also claiming Remmick was a queer character and thus they were justified in caring more about him than the Black protagonists. which is a whole other disgusting can of worms that has been well addressed by others at this point. but even in the absence of that part of the argument, like, no, i actually don’t think that a hunger for queer stories is an especially good excuse to deride and dismiss a piece of landmark Black filmmaking, especially as a non-Black person. I have a post that’s been going around encouraging folks to engage with more Native stories and characters, and I had someone come onto that post saying in the tags that they’d need these stories to be queer in order to care. and I just think that, you know, sucks! like obviously as a queer Native I also want to see more of those stories too. but idk how else to put it other than to say that Black people and people of color shouldn’t have to be like you in order for you to care about our narratives and experiences. and I think some of y’all are using this disdain for heterosexuality as a cover for your unexamined racial biases. it’s not okay to be racist to people just because those people happen to be straight, and you continue to be white before you are queer.
on an even more basic level than that, also, I simply just think some of y’all NEED to learn how to interact with media and storytelling without ships and fandom in mind. like if not being able to write fic about two men kissing is genuinely going to be a dealbreaker for you I think that’s actually something you need to work on within yourself because at that point I think you’re no longer really interacting with art and themes and narrative so much as just kind of playing with toys. which is, like, fine I guess. have fun. but it wouldn’t kill you to disengage from that from time to time. especially if would allow you to actually appreciate rich and deeply moving cultural stories from communities of color that you desperately need to learn how to see as human
Lapras is such a serene and pretty Pokemon, easily one of my faves 💙
and if you mess with any of my gang you'a goneing to be so sorry
and if yu omess with any of us it'sa gonna be a bad time for you!
how eerie to hear they're going to remake carrie. how eerie to hear they have made the mother into some kind of gentle well-meaning figure.
carrie is almost explicitly about the cycles of abuse. it is almost explicitly about how women and girls are taught to reproduce the patriarchy. it cannot be isolated from either message.
it shows cruel teenagers not as a random whacky plot point but instead to highlight that we are taught to mock other girls for not being fuckable; lest we ourselves be considered not-fuckable. we will eat our own kind to survive. nobody helps her because to help carrie would be to turn against the patriarchy.
carrie's mother has experienced abuse at the hands of her husband and religion not as a "sad backstory" but instead because it lampshades her behavior when she then turns and abuses her daughter while citing that same religion. we are forced to ask the question: what is the difference between the patriarchy and religion? aren't they both systems of control? we often see mothers as being the "ultimate" in innocence and kindness - but this book challenges that narrative. abusive mothers exist, and and always have. abusive women exist and always have. white women, after all, love voting for donald trump.
men are almost absent from the book, but their presence lingers. it feels almost like the red mark made after a slap - the men do not have to be there; the women will continue to abide by the rules without question. it is a devastating, haunting condemnation of the notion of feminine fragility. it accurately asserts that women are cruel, are capable, are power-hungry - and often are hiding behind perceived innocence to mask that cruelty. the abuse carrie experiences rests in a doubled betrayal: it is because of another woman. the supposed "sisterhood" is revealed to be thin, a guise of equanimity that is only offered to the "right" type of girl/woman.
many of us were not the right type of girl.
to go back on these main and obvious themes of the book - to rewrite the mother as some caring and sad creature is... a curious choice. i can't explain it, but it feels almost like censorship to me. it refuses a deeper meaning of the book (and one that questions the patriarchy) in favor of the incredibly thin plot of "what if scary girl had scary powers." i literally don't even know what level of misogyny it is that we have to defang everyone around her in order to tell her story. i'm baffled by it.
in the era of trad wives endlessly posting abusive content of their children online - the adaptation had plenty of meat to modernize her mother. in the era of AI and revenge porn and social media - there's a huge amount of space for a competent writer to play around in. after all, if the abuse is recorded and posted to media - and as the audience we're watching it without interfering - the story is now about us. it asks us who we are comfortable bullying.
it's okay if you feel like you don't have the writing chops to talk about how many religions are abusive and tacitly enable domestic violence. it's okay if you feel like you couldn't write a believable teenage bully. it's okay if you're just interested in "scary girl has scary powers."
but maybe, i don't know, choose a different fucking story?
alright but we can at least bring the Floradinns back with us right
asgore doesn't need his weed stash that badly right now does he
He has to try.
What is up with lefty types pushing to learn practical skills (sewing/gardening/etc whatever) as like "you'll need to know this after The Revolution:tm:" and not, like, "this is a useful skill to help yourself & others in your communities Right Now". You all sound like doomsday preppers and it's weirding me out. We don't have to prep for communist rapture maybe thee revolution starts with helping your neighbors
Hypno 💤
And the aftermath as well:
my favorite thing about crocodiles is yeah they're fantastic swimmers and yeah they can run pretty fast and yeah the smaller ones can even climb trees but also. they don't wanna do any of that shit. they just go no, no thanks. that's not for me. i think i'll just wait for someone to mistake me for a log and get too close. and then i'll eat them. many reptiles love this strategy but none pull it off like the humble croc