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Lint Roller? I Barely Know Her
if i look back, i am lost
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let's talk about Bridgerton tea, my ask is open
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👻 multifandom, spooky things, & lamentable scribblings 👻
Taylor
30s, married
AO3 - you can find me here.
she/her
18+ blog
✨character growth through gratuitous smut✨
Carrd.co - https://chronic-ghost.carrd.co/
About Me - for personal asks and tags, I tag everything either taylor talks or taylor tags
Safe Space - Feel free to pop into my ask box, DM me, leave me comments… I’m always around! If you’re on discord, I’m probably lurking around there too!
Mia Wasikowska in Crimson Peak (2015)
Jessica Chastain as Lucille Sharpe Crimson Peak 2015, dir. Guillermo del Toro
Crimson peak fanart
horror + glasses
halloween (1978) beetlejuice (1988) jennifer's body (2009) may (2002) re-animator (1985) the tenant (1976) rabid (1977) it chapter one (2017) ghostbusters (1984) from beyond (1986) house of 1000 corpses (2003) murder party (2007) censor (2021) underwater (2022) tetsuo the iron man (1989) the auopsy of jane doe (2016) scream 3 (2000) crimson peak (2015) the hunger (1983) nightmare on elm street 4: the dream master (1988) the inteview with the vampire (1996) thirst (2009) jacob's ladder (1990) american psycho (2000)
call me terminally academia-brained but i do think a lot of the fun of character analysis is figuring out how to build a compelling argument for a particular reading using lines of evidence from canon as well as meta/intertextual support
and you could say that what i’m saying here is basically “a lot of the fun of doing character analysis is doing character analysis” but let’s be real a lot of fandom character analysis is pretty heavily vibes-based. and i think that’s where i really chafe up against the traditional thought-terminating fandom attitude of like, everyone’s opinions hold equal weight and any interrogation of that is inherently hostile. because i think it’s fascinating to dig into where others are coming from in terms of their views on characters or dynamics or whatever, especially when they differ significantly from more commonly expressed views, and part of that digging is asking people okay what parts of canon are you drawing from to support your opinion? what parts of canon are you disregarding or downplaying? how does this argument hold up in the light of how race, gender, class, ability, etc. operate both in the piece’s in-fiction and real world contexts?
I am so tired of short-attention-span, trim-the-fat culture. All writing advice these days is for how to write like Chuck Palahniuk. "Cut 'think', cut 'feel', cut 'wonder' - only action, only pushing forward, show and move and move and move." What if I could emulate this style, and still don't want to? What if I want to write like Henry James, with three paragraphs of introspective musings between each dialogue line? The music advice is, "make it shortform, make it Tik-Tok compatible, make it punchy, hit the refrain as soon as possible." What if I want that 10-minute prog rock piece? What if I want that symphony? What if I want it slow and luxurious and lazy? Movies. Series. Poetry. Bodies. Everything is "trimmed trimmed trimmed trimmed, stripped bare, you have three seconds to win me over, make it airport chic." I don't want to win you over, then, I guess. I want the fat left it. I want the pleasure and the indolence and the indulgence. Fuck this art-advice that's always "your art needs Ozempic."
the way teenagers are treated these days is wild. when i was a teenager we were all watching porn, jerking off, and going to horror movies with 3000 gallons of blood. Nowadays they make kids get a permission slip to watch anything darker than Barney the Dinosaur. Insane.
Every year we infantilize teenagers more and more and act surprised when they grow up to be terrified, angry, emotionally stunted adults.
bitches will hear a song and be like 'this makes me feel like i have a gaping hole in my chest' and then they put it on repeat. its me im bitches
Ayo Edebiri | EL PAÍS | May 23, 2025 | 📷 AB + DM STUDIO
BUFFY THE VAMPIRE SLAYER (1997-2003) 4.17 — Superstar
"This is a true story that happened in my town. So this one Wednesday is like a normal day for the whole school, but today was different. Every other class had all their kids, but Mrs. Gandy's room was totally empty. And do you know why? Because the night before, at 2:17 in the morning, every kid woke up, got out of bed, walked downstairs, and into the dark... and they never came back." Weapons (2025) dir. Zach Cregger
I think you should be able to afford to live on your own and completely independently off minimum wage.
And bein’ polite.
SINNERS (2025) dir. RYAN COOGLER
Actually, yes, at some point as an adult iIt is your responsibility to learn about history and politics outside of what you were taught in traditional k-12 education
(insp.) | original post
