POV you're Madeleine walking into your shop after hearing slurping noises
we're not kids anymore.
todays bird

Product Placement

gracie abrams
EXPECTATIONS
macklin celebrini has autism
Monterey Bay Aquarium

roma★
he wasn't even looking at me and he found me

Discoholic 🪩
Keni

Kiana Khansmith

if i look back, i am lost
taylor price
RMH
art blog(derogatory)
untitled
$LAYYYTER
Mike Driver
Claire Keane

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@claudiaapologist
POV you're Madeleine walking into your shop after hearing slurping noises
it’s amazing how women are able to navigate crowded rooms without ever touching a palm to a man’s lower back
guys you gotta stop thinking of women in their 30s as elderly it’s just misogyny
you also gotta stop thinking about actual elderly women as lesser human beings. Youth is not a measure of one’s worth.
Sure Nice Ok heres what i think * Mimes the action of falling to my knees and curling inwards and wordlessly stabbing my self in the stomach with a dagger Over and over and over and over and over and over again*
Stigmata cookies.
anyone else notice how when "digital assistants" were just supposed to do specific tasks when you asked for them we had Alexa and Siri and Cortana, but now that they're being marketed as smart enough to take actions and make decisions on their own they've got names like Claude and Devin
one of my friends in a discord server was talking about how they were nervous about their first scheduled acupuncture appointment. another friend offered to do a tarot reading for them. sent this picture.
Something I genuinely wish was explored more in the ATLA universe/fandom is how Katara is the last waterbender of the Southern Tribe. Like, I understand why it's not spoken about as much as Aang being the last airbender, because he is simply the only airbender left. But Katara is the last link in her entire tribes history of bending.
Sure, the Northern Tribe might have benders, but they have such a different culture/identity around bending compared to the South. We see in Hama's flashbacks that the Southern Tribe had male and female benders at the helm, fighting equally, learning the same things, sharing the same tactics. They weren't left behind as strictly healers or defenseless women given a man's gift, they were strong.
And the thing that separates Katara and Aang's stories being the last benders of their nations is that Aang remembers what it means to be an Air Nomad. There are obviously blind spots because of how young he was, but Aang knows the customs and the culture and spiritual practices. He was able to pass those down to Tenzin and his grandchildren, he was able to start the process of rebuilding what was lost.
But Katara? She was even younger than Aang was when the Southern waterbenders were eradicated. There are Southern practices that are most definetly just... a fractured part of history because she never got to experience them. There are ways of hunting, of building, of navigating the waters, ways of healing, probably even spiritbending, that are simply lost to time.
And maybe her grandmother can clue her into it, memories from a nonbender living aside benders, but it's not the same. She didn't get to hear it from the waterbenders, she didn't get to learn from a Southern waterbender, she doesn't even know what to rebuild because it was never something she was versed in.
That's why The Puppet Master is such a heartbreaking episode. Because Hama could have been the Southern teacher Katara clearly wanted, she could have shown her more, but ended up passing on her legacy of Bloodbending. And on the inverse, I can't even fully call Hama a villain for wanting Katara to know how to bloodbend, because the ache of thinking you were the only one left for so long, the rage against a Nation known for destroying nations, would've driven anyone insane.
We know that Tenzin felt an intense pressure to keep rebuilding Air Nomad culture, but I'm so convinced that Kya probably felt something similar with Southern waterbending.
These are the very first paintings I made for Avatar Aang: The Last Airbender. I designed the art style for the Sonam and Tagah scenes throughout the film! I want to thank PD Jake Panian and AD Aaron Loftis for trusting me so much with these parts of the movie; their incredible leadership and support carried our entire team.
Me: Wow! You really used to write fan fiction, Grandma? What did you write about?
Grandma: Oh, it was for Star Trek. Just little stories about Kirk and Spock, you know?
Me:
Hell yeah CLRG!
a couple weeks ago this guy posted in the chicago pagan facebook group saying that he’s a djinn and that there’s a portal between here and egypt and only he and one other person had the power to close it and there was going to be a massive sandstorm… like dude, close the fucking portal, why are you even telling us this
OHHHHH the phrase "go off half-cocked" refers to a gun that fires before the firing pin is fully in position. that makes sense I thought it was like. a different thing
This is a worm? Or perhaps some sort of slug?
And it's gonna getcha
This is what I was alluding to when I discussed that the volume of name changes you have to make as a trans person highlights the ridiculous amount of documentation attached to you.