EMBROIDERED āPEACOCK FEATHERā CAPE
QING DYNASTY, LATE 19TH CENTURY
The long cape entirely constructed with layers of overlapping peacock feather shaped panels, each panel finely worked in satin stitch, the silk threads in tones of ivory, yellow and blue on the eye of the peacock feather, and the surround intricately worked in peacock feather filaments, with one cloth button on the collar and another near the waist, finished with Imperial yellow lining
Mary I and Katherine of Aragon by @francy-sketches
Guys. I have not been so excited for a commission in my life. I know itās not ASOIAF so definitely not as anticipated among my friends, but itās just so well done. I adore Katherine and Mary and this turned out so beautifully. I cannot sing Francyās praises high enough; after the initial reference pictures I sent her, I did not need to correct anything at all, she completely got the vision.
As anyone who has ever encountered me before will have known, I am incredibly particular about commissions and therefore very involved. I usually like to give pieces I pay for extra thought and historical authenticity. For this piece, I went and looked for available quotes and contemporary accounts of Katherineās fashion choices. I wanted to make sure from the base of the dress (the farthingale underneath) to the jewelry were all as accurate as was reasonably possible. I did even learn a thing or two, despite my initial intention of just checking to make sure everything I had previously believed was true. For example, I learned that Katherine sometimes wore a flemish hood, which I wouldnāt have thought that would align with her fashion sense; I was proven wrong. I have seen practically all the artworks available to the public that have been confirmed to be Katherine, so I had already guessed black was her favorite color to wear. But I did learn that her other favorites were purple and red. I decided to keep it simple with the black. Itās elegant and regal, black was an expensive color but still is not obnoxiously ostentatious. The jewels around her neckline as taken directly from portraits of her. The pearls seem a mainstay for her, but I did learn that her dresses had many other colored jewels tied into them. I just thought black looked the best. Her dresses were fur-lined, although I would definitely say we took some liberties on what the fur looked. The fur she wore was pretty much exclusively ermine. The sleeves also have true gold, which Spanish royalty traditionally loved (for hundreds of years, by this point, at least). Katherineās Spanish outfits, of which she had many, definitely collected dust in favor of more traditional English outfits. Thereās no indication that she was forced into this, as she did sometimes dress in the Spanish style when it struck her fancy, but it was important for her to present herself as English with English loyalties and priorities in mind. That being said, something as innocuous as gold embroidery, which was not completely foreign to the English court, was definitely something she could implement from back home without seeming like a foreigner. I have pomegranate embroidery on her sleeves, which is more of symbolism rather than something accurate. Thereās no proof she ever wore pomegranate embroidery on her sleeve, but her official symbol was of a pomegranate, so I figure that was something important to her.
Katherineās necklace is obviously a direct copy of the necklace she wears in several of the contemporary artworks depicting. This is pure speculation, but I personally believe that this necklace could have come from old English jewels that had been melted down and repurposed for her. Generally, people werenāt as sentimental in the same way we are today, nor worried about these aspects of preservation, so jewels were melted down and used for other purposes all the time. She also usually wore many strings of pearls, but it just would have looked like too much and would take away from the piece overall, so we decided just to do the necklace. Her gabled hood is also directly taken from her contemporary portraits, the gold and black with the red jewels was what she usually wore. She has a girdle belt with a long string of pearls. Sometimes she would wear a cross at the end or some black jewels that matched her necklace. Whatās depicted in this is actually a pomander that turns into a rudimentary clock when it is opened. Katherine is recorded as having one of these; I thought that was very cool. I also asked for her to have some rings. She did have a wedding ring, but I found no description of it, so the artist just did basic gold. Sheās wearing two which I think is pretty funny considering she was married twice, of course she wouldnāt have worn two wedding rings, but imagine if she did have the audacity to. Katherine had so much jewelry, more than any of Henry VIIIās wives. She had the royal collection available to her, pieces from Spain, and gifts from Henry specifically made for her. She usually decked herself out as expensively as possible.
Unfortunately, there is basically no information on how Mary dressed as a child. We know her mother dressed her and was having the clothes ordered herself, but beyond that, thereās really nothing available that I could find. I felt that Mary would be dressed similarly to her mother, but I wanted to give her a purple dress because purple fabric was generally the most expensive thing you could buy. I wanted to illustrate how loved and well taken care of she was. She has matching rings with her mother, but no girdle belt or necklace because Iām envisioning her as being 6-9 in this, so I wanted to give her something she could play in. Sheās wearing a French hood. Katherine ordered her one in 1520, when she was four. My references on how hers should look is from portraits of her aunts Mary and Juana. I felt that Katherine would probably want to buy a style she was familiar with. Maryās embroidery is of the Tudor rose. It turned out so beautifully. Similarly to Katherine, thereās no evidence that she actually wore that embroidery, but I wanted some symbolism in there.
My intention with this piece was to show the closeness between Katherine and Mary. Katherine loved Mary with all her heart and showed no outward indication of disappointment that Mary was a girl. She spent more time with Mary than any other highborn individual in this time period that I know of. I wanted to show that Katherine is someone that Mary deeply and completely trusted, even when court could be over the top and crowded, frightening for a child. I feel as if people other themselves from people in the past. People often feel as if people 500 years ago did not care as deeply about their children or werenāt attached to them. I believe this is true in some instances, but generally we are more like the people of the past than we like the believe. As far as any research Iāve done has shown, Katherine loved Mary as much as any mother of our time loves her children.
I believe Francy did a beautiful job, so all compliments go to her, I hope everyone checks out her page to see her amazing work. The caliber of this is unlike the commissions Iāve done in the past. I cannot thank her enough.
I hope this ended up being relatively historically accurate, Iām sure someone will let me know if itās not haha.
Hi my name is Gawain Son of King Lot of Orkney and I have a long red cloak and green silk girlde with gold streaks that ties around my waist and an earthy brown beard like the barren wasteland I traverse and a lot of people tell me I look like King Arthur (AN: if u don't know who he is get da hell out of here!). I'm not related to Morgan Le Fay but I wish I was because she's a major fucking hottie. I'm Arthur's nephew but my physical and mental abilities are lacking. I have a strong sense of chivalry. I'm also a knight, and I go to a magic castle called King Arthur's court in Camelot where I'm the youngest of the knights (my age is unknown). I'm a member of the high table (in case you couldn't tell) and I wear mostly red. I love Bertalik of Hautdesert and his wife and I buy all my clothes from them. For example today I was wearing a brown mantle with matching embroidery around it and a green silk chastity belt girdle, King Solomon's pentangle and a green tunic. I was wearing no lipstick, red and gold arms, black boots and a red ring. I was walking towards the Green Chapel. It was snowing and raining so there was no sun, which I was depressed about. The Green Knight pretended to swing his axe at me. I put up my middle finger at him.
Beatrice and Benedict are same-sex leaning disaster bisexuals who are both extremely surprised when they end up falling for someone of the opposite sex.
hot take: beatrice saying āhe hath EVERY month a new sworn brotherā about benedick is her teasing him for just having an endless string of boyfriends
Yes. Good. Excellent. Just as Shakespeare intended.
I would also like to add thatĀ āAnd a good soldier to a lady. But what is he to a Lord?ā is Beatrice asking for confirmation that Benedick is a bottom
[ID: Space, illustrated with beads sewn on black canvas. The canvas is black, and the beads are all kinds of shapes, colors and sizes. Most of the beads are yellow, white, orange, blue or green. There are nebulae, stars, galaxies and comets. The trails of comets are also sewn with small, yellow beads. End ID]
White leftist very aware of the consequences of colonialism suddenly unable to recognize colonial influence the moment it starts to affect spiritual beliefs
Anti-religion is also in like 60% of cases fundamentally just sanist arguments that hurt me more as a psychotic person than they hurt any religious hegemony, they just don't realize they're causing harm because they think they're targeting people with the right labels.
good: the Church/religious body as an institution is a cudgel of absolute power that historically has been wielded to hammer down those who don't conform. these structures have caused real harm to people
neutral: i have religious trauma that has given me a negative relationship with religion.
bad: what kind of CRAZY backwards fuck would let some INVISIBLE THING tell them what to do lol are they fucking stupid, can't they see they can't see anything? i'm happy i'm sooo much more advanced than they are lmao what kind of idiot believes in things they can't see? i have to tell them their reality is fake! i have to!