Yes yes i know love is love. But they are still killing CHILDREN. over this.
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@cops-beware-custard
Yes yes i know love is love. But they are still killing CHILDREN. over this.
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What possesed me.
Check this out
I absolutely HATED the final episode, but the scene in the garden/bookshop was so pretty đ
I canât with TikTok. I canât even appreciate a good GO edit anymore. The comments are still full of:
ITS THE ONLY WAY IT COULD HAVE ENDED BEST ENDING EVER YOURE ALL JUST MISERABLE HATERS ITS THE ONLY WAY IT COULD HAVE ENDED BEST ENDING EVER YOURE ALL JUST MISERABLE HATERS ITS THE ONLY WAY IT COULD HAVE ENDED BEST ENDING EVER YOURE ALL JUST MISERABLE HATERS ITS THE ONLY WAY IT COULD HAVE ENDED BEST ENDING EVER YOURE ALL JUST MISERABLE HATERS ITS THE ONLY WAY IT COULD HAVE ENDED BEST ENDING EVER YOURE ALL JUST MISERABLE HATERS ITS THE ONLY WAY IT COULD HAVE ENDED BEST ENDING EVER YOURE ALL JUST MISERABLE HATERS ITS THE ONLY WAY IT COULD HAVE ENDED BEST ENDING EVER YOURE ALL JUST MISERABLE HATERS ITS THE ONLY WAY IT COULD HAVE ENDED BEST ENDING EVER YOURE ALL JUST MISERABLE HATERS ITS THE ONLY WAY IT COULD HAVE ENDED BEST ENDING EVER YOURE ALL JUST MISERABLE HATERS ITS THE ONLY WAY IT COULD HAVE ENDED BEST ENDING EVER YOURE ALL JUST MISERABLE HATERS ITS THE ONLY WAY IT COULD HAVE ENDED BEST ENDING EVER YOURE ALL JUST MISERABLE HATERS
Honorary eridian
Utterly ADORE how much incredible art has been put into pondering how the Eridians would handle accessibility for an aging Grace đđ
To my sorrowful good omens friends:
Gandalf says choose joy! Make art, read what you love, have a cocoa, talk to a friend. Write it better, choose to fill the world with love and hope. (And dump s3 into mount doom)
The Writers Had One Job: a review of sorts
We canât know for sure how those of us who are having a lot of grief, anger, betrayal, and so on would have felt if âa cottage in the South Downsâ had never been uttered publicly by TP or NG. But Iâm guessing I would have the same feelings, although probably not as intense. The Good Omens finale still betrayed the Agreement (see what I did there) that it had made with the audience. I am in no way an expert or professional critic, but I do have quite a bit of media literacy and these are some of my Thoughts*.
Genres have specific conventions, expectations, tropes, etc. that audiences know they will see at least some of. If a tv series was giving all the signs of following a particular path, without foreshadowing (even subtly and only viewed in retrospect) that it would actually be making a sharp right turn up ahead, the audience is going to be rightfully shocked. Indeed this is wanted and expected by the writers, otherwise they would have stayed on the road most traveled.
Writers are making choices at every step of the story. And these writers decided, in this condensed final episode, to abruptly take what has been building for 12 previous episodes of a fairly lighthearted, considering the apocalyptic content, fantasy romcom** and make it neither a romcom (thereâs nothing comedic about the unexpected death of everyone- especially your romantic leads) nor a fantasy (they opted to create an ostensibly supernatural-free universe). The audience was definitely flabbergasted, at a minimum. We were supposed to believe that an omnipotent, omniscient being has only two options moving forward. And that Crowley, the notably creative demon, who has been literally and figuratively burned by Heaven before, is going to both abandon all attempts to think outside of the box and trust God at her word?
Thus far we also entirely jumped over the uneven Swiss cheese that constituted the preceding hour plus of plot. Much of the stress and anguish it contained seemed unnecessary and was ultimately futile. Many of the characters seemed to be behaving inconsistently within the episode and also not as they had before. Nothing in this story prepared the audience in any way for what was coming. No previously dangling strings were tied up, even while entirely new ones were unraveled from the previous seasonâs story.*** And no satisfying conclusion resulted from any of this.
The writers did, however, tack onto the end a fluffy little sketch of a romcom, which almost seemed mocking in its milquetoastery. It gave us the very beginning and the very end and NONE of the substance that makes us care about the characters or their relationship. This was right after they had nuked the Characters of all time, who we were there to see! Itâs as if Crowley had all of the swagger and sarcasm drained out of him along with his cherry red hair dye. Then apply that to everyone.
The camera in the pub gliding past groups of two humans that look a bit like demons and angels from a previous universe, long ago and far away, also seemed like an attempt to manufacture a feeling of closure. The extremely improbable circumstances which led to all of these lookalikes not only knowing each other but also being in the same place at the same time does seem to stretch the belief that god has not put more of a spin on things than she told Crowley.
Seeing (but not hearing or knowing) these couples felt a bit like the Great British Bake-off catching you up on what all the contestants have been doing with their lives but instead itâs just the same phrase for each person âLook- they still exist!â Actually they donât because they were all turned into Thanos sparkle dust. These are simulacrums. Asa and Anthony are fine! But we expected our vintage of awkward nerds living a happily ever after to be a particular flavor of angel and demon, not unfamiliar human.
As much as I love Cyndi Lauper, it feels like one more Queen song might have been more appropriate for this ending- âWho Wants To Live Foreverâ.
*Many of these Thoughts are the same ones that a lot of us have had and shared in quite a few convos.
**If anyone thinks itâs not a romcom or that it only became one in season two, I have a whole other essay I can give about that! đ
*** The song just kept going through my head as I was writing this, so Iâm passing on the earworm đ
If you got this far đ how would you describe the One Job the writers had? Doesnât have to be the same job I think they had
Fuck ever news outlet for naming the murderer and blasting his face all over the internet, but the trans woman he murdered is never shown and only referred to as "transgender woman."
Her name was Juniper Blessing, and she was just doing her laundry.
remember how Terry Pratchett used to write little New Year's resolutions for Aziraphale?? does anyone have these?? đ
incidentally, the notion of an ageless immortal being committing to something like New Year's resolutions so perfectly encapsulates what Good Omens is all about. what could be flimsier, more subjective, more human than accounting for who you are now--and who you might become in one trip-round-the-sun?
Good Omens is about the ephemera of being human: lignin-infested shelves and James Bond memorabilia, filigreed snuffboxes alongside stickers and potting soil and whatever pomade the barber recommended last Tuesday. it's a story that understands that all life happens in the incidentals; that stuff becomes something more for being cherished.
Crowley and Aziraphale are doggedly, determinedly materialistic. that's not a bad thing! and it's not just a part they're playing, like Gabriel in his off-the-rack suits. they're able to understand each other--to love each other--because they love the world: selfishly, joyously, materially.
glory, victory, all that jazz? they're abstracts. but love is a thing made of atoms.
this is something the S3 writers, headed by that evil man, don't acknowledge: love doesn't cave in the universe. it stores up every trifle, because those vacant wine glasses (still streaky with a long-legged red) and half-emptied teacups (tannins softened into something algal)--they're the things we share to build a life, a world, an us.
the idea of an ageless immortal being devising little nitpicky changes for himself!!! the ritual of marking time by choosing what you'll do with it!!! (and failing! and trying again! and forgetting about it all entirely until next year, when you try again!!!)
I thinkâŚ. As a sci-fi community⌠we donât have as much of DOCTOR WHO x PROJECT HAIL MARY content as we should. I should write on that.
Like, I canât stop thinking about how much those two yapping ace guys would be perfect as companions for each other. AND I AM SO SURE THE DOCTOR WOULD SHOW RYLAND A PLANET THAT WOULD VALIDATE HIS THEORY OMG.
Yes yes yes yes do it do it do it yes
The 5 real themes of good omens that the finale completely botched
I know we only had 1 episode and whole plotlines were scrapped but I was just left feeling so empty after the finale given how powerful and moving and profound the themes of season 1/the book were. So buckle up for a long ride let's talk about it
Theme 1: Human Incarnate
The book and the show established that humanity is unique because it is neither purely good or purely bad. From the book: "Most of the great triumphs and tragedies of history are caused not by people being fundamentally good or fundamentally evil, but by people being fundamentally people." This Aziraphale describes as "much better" than either Heaven or Hell
This is one of my favorite sequences in the whole show. And the music is soaring and gorgeous (but was never released in the official soundtrack, unfortunately, but I digress). Adam recalls the things in his life he has come to know and love; his parents, his friends, his dog, his home. He makes it have nice weather all year. Aziraphale could feel that love at the Tadfield Manor. Heaven and Hell tried to create an instrument of destruction. But by putting that inside a human boy, they didn't realize the strength of that boy's love would be strong enough to literally burn the hell out of him. He told Satan himself to shove it and rewrote reality to have the dad he truly loved. The power of humanity's love is stronger than any immortal power could ever be.
This is the idea that would have been so cool for the finale but unfortunately never paid off. As the second coming prepares to destroy Earth again, Aziraphale and Crowley could have teamed up with the power of humanity to reshape heaven and hell for good. Adam and Jesus as the Antichrist and Christ born to end the world and instead used their humanity to save it. Instead we got the book-of-life arc and humans were literally left to dust
Theme 2: Free Will
Good omens establishes that angels and demons are just puppets but humans are the ones with real free will because they have the ability to be good or bad. Even with heaven and hell, the humans on Earth always have a choice. Aziraphale even describes free will as the defining characteristic of humanity, as the crucial element that angels should exist to protect. In seasons 1+2, they agree on this, but Crowley's main grievance is the inequity of it all. Humans have free will but it still isn't fair.
God made angels and demons and humans but the humans never had to follow her 'plan.' Free will and the ability to recognize what is truly right outside the propaganda of good vs evil is what saves the world.
Humans always had free will, even if God was around to kill a bunch of them with floods or take their stuff to win bets or something. Creating a new universe without God wouldn't change that. They would still have free will, just less threats from above/below, I guess. What Crowley's established character really should have wanted here was to fix the inequity inherent in human society. That's what is truly holding them back, not a lack of will. Removing God from the universe doesn't actually solve the root problem.
Theme 3: Our Own Side
This is something Crowley learned very early and spends the whole show trying to teach Aziraphale. That good must be separated from heaven and bad must be separated from hell.
Heaven can do some truly appalling horrors and demons, at least Crowley (and somewhat Beelzebub I guess) have the potential to be kind. 'Their own side' is one where they have the freedom of humanity, to do what is objectively right. Not of heaven or hell, but true morality. Aziraphale and Crowley sort of found their way there in the finale, but it was all rushed and Aziraphale never really turned his back on heaven, it sort of just became irrelevant when everything started disappearing. What a beautiful world they could have created together, not one of good or evil, but one that--for all its flaws--is kind.
Theme 4: Love Conquers All
What was it all for? Love. God implies Aziraphale and Crowley were made for each other because she liked to smile at the silliness of their love. The literal only constant in the entire universe. Their love for the world and each other saved it. I think the decision to turn Aziraphale and Crowley's queer love story into a tragedy was the biggest mistake of seasons 2/3. Forcing the soft and romantic comedy of good omens into a queer tragedy was the moment it all crashed and burned. Now everything is tainted leading up to the pain and destruction of it all and the whimsy and lightness is gone. There were moments of it, but it was all leading toward the end. And queer love deserves to not be a tragedy. We have far too much tragic queer love in our society. Yes we got the south downs, but Aziraphale and Crowley never got to experience that freedom. They finally came together just to instantly be destroyed. We deserve happy and fulfilling queer love that is sweet without the bitter parts. Good omens was intended to be a comedy, not a tragedy
And then this was SUCH A COOL IDEA they introduced. Perhaps the first time ever an angel and a demon performed a miracle together. The power of their love could create magic stronger than anything heaven or hell had ever seen. I was so excited to see the wonders they were going to create, they ways in which they could have rebuilt the world better using that love. If they had this kind of power doing a tiny miracle, what could they have accomplished if they really put their minds to it??? God herself couldn't have stopped them. And instead, the finale literally revoked Crowley's miracles for the entire episode. They sacrifice themselves for a new earth and people that didnât even exist yet instead of using any of their power to change it. The god awful execution of this theme is probably the biggest letdown of the entire finale imo
Theme 5: Fix It, Don't Replace It
This is so obviously established in seasons 1/2 I cannot believe how badly they missed the mark with this one
Literally shows us the horror of replacing the Earth with all new people. Even children can recognize that just because something is broken, it doesn't mean you throw it away and start over. They loved the world enough to want to save it. The world is inherently worth saving, flaws and all. If you love something, you don't abandon it. The ENTIRE PLOT of season 1 explores the horrors of humanity and yet humans, Aziraphale and Crowley do everything in their power to save it.
It absolutely blows my mind how directly this scene contradicts the entire message of the finale. Job didn't want new children, he quite liked the old ones. Aziraphale and Crowley didn't want the antichrist's new Earth, they quite liked the old one. We didn't want new human versions of Aziraphale and Crowley, we QUITE LIKED THE OLD ONES. Where the hell did that mentality go when they told God to create an entirely new universe?????????? Season 1 said the world is flawed but it deserves saving exactly as it is. Season 1 said an angel and a demon go off to the ritz together, exactly as they are. The finale said the world is too broken, we have to make it disappear and start over. The finale said Aziraphale and Crowley have too many issues/traumas to be happy, we have to destroy them and start over. That's why as cute as Asa and Anthony's love is, we quite liked them exactly as they were, angel/demon trauma + history and all. They deserved saving too.
Good omens has always been so special to me for how much it pokes fun at but also celebrates the messiness and wonder of humanity and love. The 6-to-1 episodes was a major setback but somehow the finale still managed to drop basically every one of its most endearing and powerful messages. What is the "real world" the finale is trying to make us value? One without a god to screw things up sometimes??? The best parts of humanity always shined through anyway--and not despite, but sometimes even BECAUSE of the heavenly challenges they overcame. It's very clear good omens as a whole was always meant to be a one-season/one-book story. There was so much potential and missed opportunities and I wish we could have had the finale we dreamt of. I will always love the world of good omens season 1/the book, so that is the world I'll keep in my heart. And all the nightingales therein
I canât hit reblog hard enough.
I mean the absolute disregard of value 5 nearly gave me an aneurysm. To COMPLETELY ignore THE original message of the source material in such a critical way feels damn near illegal.
AND, the goddamn ALLERGY that writers seem to have nowadays, to just absolutely REFUSE to give us a queer story with a happy ending, at this point itâs like stepping out into an angsty minefield every time I get my feelers into some queer media, WHAT ARE THEY DOING GAHHHHHH
âď¸Gomens 3 spoilers!âď¸
I've seen so many amazing fan versions of the ending that I absolutely love. But I started drawing this comic, that changes very little from the one we got and decided to finish it!
In my mind everything stays the same, except there is no hell and heaven. So there's no need for angels and demons and their influence on humanity. The angelic and demonic characters can remain immortal just like Aziracrow, If they want to. Or they can choose to become humans and live their new, free live just as they want :)
I just feel like heaven, Hell, and the whole system were what kept Aziracrow from being happy- not the universe and humanity.
canât believe itâs been 1 whole year since we lost him⌠fumbling ncuti gatwa will forever be one of the worst things that ever happened in doctor who history iâm so serious. cannot even begin to describe how badly i miss him đđ
Ncuti Gatwa, in a sense, is a kind of dead wife
i think you will like ao3 fic:
https://archiveofourown.org/works/85156351
In which Aziraphale and Crowley get second opinion or two.
Oh my godddddd I just finished reading it GAH ITS SO GOOD UGGGGHHH
Seriously fantastic, itâs honestly just so perfect, this is EXACTLY WHAT THEY SHOULDA DONE IN THOSE LAST MINUTES.
Cause you just know they wouldâve found a third option, and to tie Adam into all of it was just brilliant
i got to say one thing....the lady who played god in GO3 ATE! Her outfit was nice, she looked nice...no, beautiful đĽ°đĽ°đĽ°đĽ°
RIGHT?? Gorgeous woman, absolutely. And I honestly donât think the writing touched on her too much, she was a pretty solid character when looking at the finale as a whole, just seemed like Aziracrow werenât written to interact with her all that well
what if the Jesus and gang plot lines that when no where really, were combined? After all Jesus was all about taking in misfortune people, why not have him with the gang.
And see itâs that plot connecting thinking of yours that they desperately needed in that writers room.
There were so many ways they couldâve tied these things up that they just didnât think to do! It all ended up a mess really, with the gang sub-plot feeling useless, and the Jesus sub-plot, in my opinion, not really feeling impactful in any way!
I wouldâve much preferred if the Jesus plot was more so entangled with the main one, and that through him Aziraphale and Crowley learn to talk to each other, and say what they really feel
So we can all agree that the gang subplot was irrelevant, yes?
Mightâve worked for a show, definitely not for a 90-min special where there are a thousand more important things to discuss.
There were many other ways they couldâve had the Bentley obstructed, or better yet, just not obstructed at all, leave room for other things.
Obviously it wasnât the gang subplot that led to us not getting that well needed talk, but I do find it to be one of many straws on this camelâs back of a finale, in which each and every straw was the final one that broke it.
Both the mob and Jesus should have either 1) been cut or 2) actually gone somewhere
They ended up in a weird middle space of taking time but not actually contributing much (or what was contributed could have been done in less time)
Meanwhile Aziracrow get like 5 minutes of reconciliation before they stop existing
And Crowley takes like 2 seconds to make a radical decision when God didn't give a deadline.
I compare it to a criminal court case -- if the jury comes back too quickly then did they do their job correctly no matter the verdict?
A decision like that you need to weigh pros and cons for every option -- the audience needs to clearly see both the reasoning and that the character but due thought into it.
A friend described the logic as:
They wanted to have a climactic scene of the Bentley being one of the only ways to get to the Eternal Flame. To do that, they needed a high-stakes plot of Crowley losing the Bentley and both of them desperately needing to get it back, because then once they have it back, the audience has the emotional grounding of understanding that the Bentley is narratively important. That means they don't actually have to explain in any way why the only things that can reach the Eternal Flame are the Book of Life and-also-the-Bentley, because people know how narratives work and the Bentley has been set up as something the protagonists need so now they get to use it.
(My friend and I also fully agreed that they could have simply had Crowley steal some of the Eternal Flame when Aziraphale left him alone with it at the end of the War in Heaven. He could reveal that he's been keeping it lit in the engine of his Bentley, alongside the celestial engineering tool he used at the end of Season 1 to stop time. That would have given a purpose to Crowley being left alone with the Eternal Flame at the start of S3, let them cut out the entire mob arc, and even given a clear way for him to get the Bentley off Earth without him having access to his miracles, if they wanted to keep that aspect for some reason.)
THAT IS SO MUCH COOLER, WHAT!! To have the reason the Bentley is seemingly so special be that itâs powered by the eternal flame is fucking AWESOME, and wouldâve TOTALLY WORKED.
Step 1: Have a time where Crowley had access to the flame â
Step 2: Reveal it once they get to the Bentley, in turn explaining why, as a mortal object, it is able to reach the eternal flame â
It just works!
(Also side note just because. They already established how the Bentley can have a mind of its own, as well as that it likes Aziraphale, they couldâve just had the Bentley run away!)
Crowley comes out of the pub late one night, finds the Bentley not parked where it was. Maybe he finds it but it doesnât open to him, only when they both come back do the doors unlock, because the Bentley likes when itâs the two of them! đŤś