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Andulka
EXPECTATIONS
Lint Roller? I Barely Know Her
let's talk about Bridgerton tea, my ask is open

oozey mess
KIROKAZE

gracie abrams

@theartofmadeline
Cosimo Galluzzi

Kiana Khansmith
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bliss lane
Today's Document
h

Game Changer & Make Some Noise
YOU ARE THE REASON
Cosmic Funnies

ellievsbear

izzy's playlists!

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@costcocoffins
Not every story is about seeing yourself in it. Sometimes it’s about learning to see other people too.
@tearyeyedcat this was beautifully written, thank you for adding it!
Another excuse for me to post Head Writer of ATLA Aaron Ehasz’s great characters board:
Tips for Describing Sensory Experiences
Sensory Focus: describing every single experience is going to overwhelm the reader. instead focus on those that stand out or actually advance the story.
Show, don‘t tell… unless you should tell: yes, usually showing is better than telling, but not everything needs to be packaged in wonderful words and metaphors. if it has no grander impact other than context or setting the mood, you can just say that the character is cold
Narrative Focus: depending on the narrator, the focus might be on different things. This can be influenced by interests, fears, emotional state, experience, ... (For example, someone who enjoys art/architectue/ fashion/... will focus on that particular aspect of their surroundings...)
Noticeable Abnormality: people are creatures of habit, they are unlikely to take conscious notice of things that are the exact same way they always are. Focus rather on things sensory experiences that are unusual; like an unusual scent when coming into a room, unusual heat, a car that doesn't fit into this part of the city, ...
Emotional State: someone‘s emotional state is going to influence how well they pay attention to their surroundings and which details they focus on (For example, someone who is frantic might miss details)
[Prompt Calender: June 24th, Celebration of the Senses Day]
Actually, my therapist has told me this is a healthy way of processing things. Because you can get the trauma out of your head And you can write the ending you wish it had. The trusted person rescue, the catharsis of getting to kill the one who hurt you.
It's good for your brain. It's healthier than bottling it up. Fiction is where we go for emotional release. That can be true with trauma too.
so what you're saying is
character: NO
therapist: YES
Adding @dear-massacre's tags because they are so true:
#this is why it's important to remember that fictional characters are fake #they have no agency. they're made up #it hurts no one to make any character go through the horrors #it is healthy and cathartic
yeah okay ill reblog that
absolutely love abusing the power that comes with 3rd person limited pov and just ignoring things and being vague sometimes. does the character know all the details? no? then I don't have to either.
how do y'all get past the embarrassment that comes with editing
These are the important push notifications that matter
On the Em Dash and AI
Apparently we’ve reached the stage of internet literacy where seeing an em dash in prose is now considered forensic proof of AI.
Genuine question. Do you guys know grammar. Like. At all.
I’m asking as a non-native speaker because I honestly don’t know what the baseline is in English-speaking countries anymore.
I started learning English when I was three. Yes, three. My parents found the only kindergarten in our entire district that had English on the schedule in the 90s in a post-communist country and tossed me in there. I’m pretty sure the teacher herself was operating on vibes and a phrasebook, but it was enough for my child brain to latch onto the language like a white tablecloth latching onto pinot noir.
(Literally nothing better at three than learning that pies is dog and kot is cat.)
And I loved it. Capital L loved it in the way other kids love dinosaurs or Peppa Pig. I was obsessed with words. With structure. With how sentences could work.
I literally prefer English to Polish so much that I sometimes have to use the translator to find words in Polish when I write a fuckin’ work email. My brain is half this half that when offline. I am just glad my hubs is the same, because he doesn’t double take when my sentences end up bilingual.
I learned half of my vocabulary reading Harry Potter pornfic on FF.net (yes, do the math). This was before the second-to-last instalment even came out. Insane. But I wasn’t there for the porn. I genuinely could not have cared less about what was going on in those scenes. I was there for the new words. The sentence structures. The pauses that conveyed emotion. The ellipses. The broken words. The punctuation I didn’t fully understand yet. The grammar that made my head spin in the best possible way.
I’ll never forget my British Council teacher asking us to list sentence connectors in class, and me saying “albeit” because I’d just encountered it the previous day. “Did you just say ‘albeit’,” asked the freckled, ginger-haired, ginger-bearded man—the epitome of Ireland, except from Tennessee.
I took notes on the difference between hyphens, en dashes, and em dashes when I was fifteen. I made flashcards for punctuation rules. Entire lessons of literature classes were spent discussing when to use a colon, when a semicolon actually strengthens a sentence, when a dash introduces interruption versus expansion.
And now I’m on the precipice of thirty-six, being told that using an em dash makes my writing look like ChatGPT.
Also, as implied before, I am Polish. The em dash as it’s used rhetorically inside English prose doesn’t really exist in Polish writing in the same way. Our punctuation rules are entirely different, to the point that we format dialogue differently, using what looks like an em dash at the start of a line to indicate that a character is speaking.
So yeah, my use of the em dash is entirely learned. Taught as a stylistic tool in English prose by English literature enthusiasts.
Foreign speakers often have to learn these conventions consciously.
And now apparently using them correctly is suspicious.
Fuck this.
but writing out the lore is so fun
writing is so funny because i could write nonstop for 9hrs and then hit a block where im like "how do i transition between this moment and the next?" and then i just dont touch it for 6 months
Serious advice tho if this happens, it's likely because you already wrote past the end of the scene and wandered too far from the more logical transition point, and you should go back to the last time the writing felt "unforced" and cut everything after.
You can also just skip the transition. Really good writing can span years in a single sentence, like you can just authoritatively state fact and your reader will go with it.
This is GOLD! You just saved me like thousands of therapy costs lmao
today's warm up: Too many missing posters in this town.
finally, someone for tumblr
[Image description: Screenshot that reads: St. Julian the Hospitaller is the patron saint of clowns and circus workers, innkeepers, fiddle players, jugglers, childless people, and murderers. End description.]
looks like his feast day is in TWO DAYS
happy this guy's day, everybody
I've always thought it's too bad that disco is the only kind of dance that comes with an artifact. It's compelling that disco has a Ball. I want to know what secrets will be revealed if I gaze into it. There should be a hip-hop Cube. A ballroom Amulet. A swing Diadem.
"haha the artist behind this must've been cRaZyYyYyYYYyyyy" and then it's like. Imagery assembled in a calculated effort to be disturbing to as wide an audience as possible by playing on near-universal human fears.
hey. you realize this post is about how creating horror is an artform with skill and intention behind it, right? that playing on universal human fears in an effective way is an admirable thing to succeed at? that more niche horror is also, in fact, assembled with artistic skill rather than a look into the TwIsTeD mInD oF tHe CrEaToR???
This is why comedians who turn their hands to horror often do so well at it. Horror is satire that keeps going past the point you wanted to laugh, slapstick that doesn't let you see it coming, absurdity that doesn't give you space to step back, and the skill of knowing where thosr points are and how to cross them or not is a vital tool in both skillsets.
gothic horror is when there's a location. cosmic horror is when there's an unauthorized fucking Thing. folk horror is when you're outside.