Do we count this as a passive rickroll?
link to post
A very important addition from Rian Johnson himself
hello vonnie
will byers stan first human second
almost home
I'd rather be in outer space 🛸

pixel skylines

oozey mess
Lint Roller? I Barely Know Her
noise dept.
he wasn't even looking at me and he found me
Alisa U Zemlji Chuda
occasionally subtle

JVL
art blog(derogatory)
KIROKAZE

Kiana Khansmith

Kaledo Art
Peter Solarz
Keni

No title available
styofa doing anything
seen from United States

seen from United Kingdom
seen from Türkiye

seen from T1
seen from Germany
seen from United States
seen from Serbia

seen from United States

seen from Poland
seen from Brazil
seen from United States

seen from United States
seen from United States
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@creepsbodd
Do we count this as a passive rickroll?
link to post
A very important addition from Rian Johnson himself
i would rather see the information for an event handwritten in sharpie on a paper towel than see another AI generated flyer
Fact 1: In most versions of Dungeons & Dragons, when infected – as opposed to natural-born – lycanthropes transform under the full moon, they assume the default alignment of their type during the ensuing mindless rampage.
Fact 2: In most versions of Dungeons & Dragons, the default alignment of werebears is Lawful Good.
Conclusion: When an infected werebear transforms under the full moon, they go on a mindless Lawful Good rampage.
Picking up litter and helping direct traffic
SMOKEY THE BEAR
“Oh my gods… Who built this orphanage on the middle of the night? This… This… This is all up to building code!”
“It has all of its permits!”
"i think", i say, about my own ocs, who i made,
“my headcanon is…” i say about the canon that i made about my own characters
imagine someone thinking of you and buying you flowers
ok now imagine a horse as a skeleton with a blue fire mane
the horse ! It’s bringing you flowers !
GETTING OLDER IS CRAZY CAUSE YOU JUST START THINKING DIFFERENTLY OUT OF NOWHERE
Yes yes i know love is love. But they are still killing CHILDREN. over this.
"Love is love" is a milquetoast cishet marketing phrase
Pride is a FUCK YOU to a society that wants us dead.
Have you guys seen that clip
Go off Kermit
we're just normal men
Why the heck is this dude trying to confirm if the frog puppet is hetrosexual???
assessing the situation before he shoots his shot
Happy Pride to Kermit the Frog, questioning king
i know we’re both just messing around pretending to be whole but look at me. if the train was coming would you move. if the ground was falling from under your feet would you even notice or would it just be another tuesday for you. if somebody stabbed you could it hurt worse than you already do. what i’m saying is that i love you but i think we both drive over the speed limit when it’s raining. what i’m saying is that i want to hold your hand and i understand about how you sometimes have to sit down in the shower. what i’m saying is that i’m here for you and if the train comes please move.
i wrote this 7 years ago, somehow. every day someone else finds it and whispers to me - oh, i understand this. something always turns in the wash of my stomach: i am so, so glad you feel seen. i wish you had no idea what this post was about.
i wrote this while working in a program for new writers. on wednesdays, two of the teachers would be contractually obligated to read our writing aloud to the group of 300+ teens. i had never read my work in public before. i had something like 6k poems and was panicking about it. none of them are good enough. sometimes the train is howling. it is hard, actually, sometimes, even as an adult.
and then i thought - what is one thing i wish i could tell all of them. each of these 300 kids. what did i need to hear, at 16?
i wanted to tell them about the day you wake up, and the sun feels warm finally. i wanted to tell them about carving a life out of soapstone, your hands turning bloody. i wanted to tell them that sometimes yes - it actually does feel easy. i wanted to tell them about weddings and cookie dough and long road trips. about albums of new music and old friends laughing and the sound of snow falling.
you will learn the pattern of the train. you will learn to close your eyes when you hear the engine rumbling. you will learn to let yourself have the grey days in their lily-soft numbness. sometimes it will feel like life is wet paint, and god has smeared your canvas across a sewer grate. sometimes it will be so boring it isn’t even pronounceable - the tenacious, soundless blankness. survival isn’t just ugly nights and wild mornings. it is also the steady, unimportant moments. it is just driving with your seatbelt on. it is calling a friend on the way home. it is burying your face into the fur of your dog.
when i had finished reading this poem aloud, the auditorium was silent for a solid minute. someone stood up to take a picture of where it had been projected onto a screen, and then three more people followed the action, and then - like a bad internet story, people remembered they were supposed to be clapping. kids came up to me after it - thank you for writing that. i think i hear a train coming.
i would write this differently now, i think, but it has been 7 years. i still live by the tracks. i also haven’t picked up a blade in over 10 years. the scars are still there, but these days i only pick up scissors to cut my hair. i know why you can’t tell your mom about it. i know how the numbness slips over everything, a restless horrible cotton. i know how when you dropped the dish, you weren’t crying about the broken glass. i know about feeling like all the roads have closed their exits, that you aren’t supposed to still-be-here - and yet.
i am still here, and still yours, and i haven’t forgotten. what i’m saying is if any hope is calling to you - i know it’s hard, but you have to listen. i’m saying keep driving, but slow down the car. sit down in the shower, i’m not judging you. we can stay in the dark with the good hot water and do nothing but stare. notice the stab wound. make it through another tuesday.
i know what it is like to miss yourself. do what you need to. come home to me. i am writing to you, my past self, from the future. i’ll be waiting for you.
and when the train is coming - please move.
More people should get into poly shipping. Both because polyamory is awesome and because it's really fun to make complicated ass diagrams
Also sometimes the purpose of a sex scene is to be titillating and that's, like, fine. You wouldn't go out there and argue that movies shouldn't have jokes unless they "serve a narrative purpose" because you understand that generally the purpose of a joke is to make the audience laugh and perhaps release some tension. Being horny is a normal human emotion like being amused or being scared and sometimes media is trying to evoke that particular emotion; the artist doesn't owe you a 30-page double-spaced justification for trying to make you feel something through their art. Your separation of horniness and sex from other emotions and experiences is sex negative and deeply ingrained in cultural conservatism.
Common Words & Phrases from AAVE
Gullah & Early AAVE
Gumbo – From Bantu kingombo (okra), brought by enslaved Africans and became the name of the Creole stew thickened with okra.
Goober – From Kikongo nguba, the Bantu word for peanut that entered American English via enslaved Africans.
Yam – From West African languages (e.g., Wolof nyami, "to eat"), brought over during the slave trade and adopted into Southern cuisine.
Banjo – From a Bantu root (mbanza), the instrument was crafted by enslaved Africans based on West African string instruments.
Bogus – Likely from Hausa boko-boko (deceitful, fraudulent), entering American English through African American speech in the 19th century.
Juke (box/joint) – From Gullah juke (rowdy, disorderly), derived from Wolof dzug (to live wickedly), later attached to roadside bars.
Tote (to carry) – From West African languages (e.g., Kikongo tota, "to pick up"), recorded in Gullah before spreading to mainstream English.
Dig (to understand) – From Wolof degg (to understand), popularized by jazz musicians in the 1930s after entering English through AAVE.
Jazz – Possibly from West African or Creole slang for energy/sex, first documented in AAVE in Chicago around 1912.
Okay (OK) – Though its origin is debated, strong evidence traces it to West African languages (e.g., Wolof waw kay) via enslaved Gullah speakers.
Hip/Hep – From Wolof hipi (to open one's eyes, to be aware), entering jazz slang in the early 1900s before going mainstream.
Hepcat – A compound of "hep" + "cat" (jazz slang for a person), literally meaning "one who has his eyes open" in West African-influenced jazz culture.
Jazz, Blues & 1940s–60s Era
Cool (as in fashionable/calm) – Originated in jazz circles, likely from saxophonist Lester Young, and entered mainstream via West African aesthetic concepts of composure.
Cat – A jazz-era term for a skilled musician or cool person, derived from West African-influenced jive talk.
Crib – Jazz slang for a house or apartment, popularized in the 1940s before becoming mainstream in the 1990s.
Hokum – AAVE slang for nonsense or BS, used in blues and jazz before being adopted more widely.
Diss – Short for "disrespect," coined in AAVE and popularized through hip-hop in the 1980s and 1990s.
Bad (meaning good) – From AAVE, where inversion of meaning creates emphasis (something so "bad" it's actually good), used since early jazz era.
Jive – AAVE slang for deceptive talk or a style of jazz dancing, used by Cab Calloway in his 1930s Hepster Dictionary.
1970s–90s (Hip-Hop & Pre-Internet Era)
Homeboy/Homegirl – AAVE for a close friend from one's neighborhood, popularized in hip-hop and later shortened to "homes" in casual speech.
Dope (meaning great) – Shifted from "stupid" in standard English to "excellent" in AAVE during the 1980s hip-hop era.
Props – Short for "proper respects" in AAVE, used in hip-hop to acknowledge skill or achievement before entering mainstream slang.
Word (as in "I agree") – AAVE interjection ("Word!" or "Word is bond") meaning "I'm telling the truth," derived from Nation of Islam teachings.
Phat (meaning cool/great) – AAVE acronym believed to stand for "Pretty Hot And Tempting," though likely an invented backronym; popularized in 90s hip-hop.
The Bomb – AAVE phrase for something excellent or top-quality, widely used in hip-hop lyrics before mainstream adoption.
Def – AAVE slang for "excellent," popularized by Run-DMC's "King of Rock" and 80s hip-hop culture.
Fresh – AAVE for stylish or excellent, used in early hip-hop and 80s pop culture before spreading globally.
Wack – AAVE for "bad, inferior, uncool," popularized in hip-hop and later mainstream youth speech as the opposite of "cool."
Hella – AAVE intensifier meaning "very" or "a lot of," originating in Oakland/Bay Area AAVE in the 1970s-80s.
Cap / No Cap – AAVE meaning "lie" and "no lie," popularized by Bay Area rap in the 2010s, derived from "capping" (exaggerating).
1990s–2000s (Internet Adoption & Ballroom Culture)
Slay – From AAVE and Black ballroom culture (Paris is Burning, 1990), meaning to do something extremely well, now mainstream via social media.
Spill the Tea – From AAVE (originally "spill the T," with "T" meaning truth), popularized by drag culture and Black queer communities.
Shade (as in insult) – From Black ballroom culture (documented in Paris is Burning), meaning a subtle insult, now used broadly in pop culture.
Reading (as in insulting) – From ballroom culture ("reading" someone), meaning to publicly insult with wit, immortalized in Paris is Burning.
Kiki – AAVE from ballroom culture meaning a casual gathering for gossip or chatting, later mainstreamed through pop music (e.g., Kesha).
Fierce – AAVE and ballroom term meaning exceptionally good or intense, applied to fashion, performance, or attitude.
Woke – From AAVE meaning socially and politically aware, first used in 1940s Black activism before resurging with Black Lives Matter.
Shook – AAVE meaning startled or upset, used in 1990s New York hip-hop (e.g., Mobb Deep) before mainstream adoption in the 2010s.
On Fleek – AAVE phrase meaning perfectly executed, coined in a 2014 Vine by Peaches Monroee, one of the last pre-AI viral AAVE innovations.
Finna – From AAVE contraction of "fixing to" (preparing to), documented in Southern AAVE for decades before wider use and dictionary recognition.
Chile – A phonetic spelling of "child" in Southern AAVE, used as a term of endearment or exclamation since at least the 1970s (The Wiz, 1978).
2010s–Present (Social Media & Gen Z Slang Pipeline)
Lit – AAVE meaning exciting or excellent (originally "intoxicated" or "on fire"), popularized in hip-hop before becoming a Gen Z staple.
Bae – AAVE term of endearment meaning "before anyone else" or just a shortened form of "babe/baby," mainstreamed in the 2010s.
Ratchet – AAVE originally meaning a rowdy, aggressive woman (from "wretched"), later used to describe anything wild or out of control.
Turnt – AAVE meaning excited or intoxicated, from "turned up" in hip-hop lyrics, mainstreamed in early 2010s party slang.
Clap Back – AAVE for a sharp, witty comeback or retaliation, popularized in hip-hop (e.g., Ja Rule's 2003 song "Clap Back") before internet slang.
Bussin' – AAVE meaning delicious or excellent, applied to food or anything great, popularized on TikTok in the 2020s.
Sus – AAVE shortening of "suspicious" or "shady," used for decades before Among Us made it a global meme in 2020.
Snatched – AAVE originally describing flawless hair/makeup or a tight waist, now used to praise anything perfectly executed.
Periodt – AAVE emphatic form of "period" (meaning "end of discussion"), with a hard "t" for emphasis, popularized on Black Twitter before global use.
Bonus: My personal favorite AAVE term that I see used online religiously is receipts! AAVE meaning the proof shown to back up an accustation
one big thing i think people outside fandom (like, all fandoms, fandom in general, not any particular one) tend to misunderstand is they know it's a subculture of people who are weirdly deeply invested in fictional media, and they hear about drama caused by people in those subcultures being unhinged in not-fun ways, and they think the unhingedness comes from the fact of being overinvested in works of fiction.
which is a natural assumption, but in my experience that's not really the case? like in my experience the drama llamas in fandom are usually not the ones who are just genuinely very deeply into the fiction. i've known people who are basically thinking about star trek or x-men comics or supernatural pretty much 100% of their free time and ime that type of person is usually very nice and surprisingly functional in their regular life. when someone's a constant nexus of fandom drama it's usually not that they are obsessed with the actual work of fiction the fandom is about, it's at least one of the following:
what they're obsessed with is not the source material but their unhealthy parasocial relationships with one or more of the people who created it
what they're obsessed with is not the source material but some elaborate shared-universe subset of fanfic about it that's only barely related to the original at this point, and/or an esoteric reading-against-the-text reinterpretation of the source material (often if the canon is active and ongoing this leads to becoming actively hostile toward it for its inevitably increasing failure to conform to their preferred fanon)
what they're obsessed with is not the source material but the fandom itself and gathering clout within it, so that the source material basically only exists to them as a tool for scoring points in increasingly arcane fandom disputes
and very often you get the same person doing 2 and sometimes even all 3 of these, and that's where the trouble really starts
holy shit I've never seen this articulated but OP is EXACTLY RIGHT.
KICK THE CAN!
Let’s play the biggest game of kick the can on the internet.
To kick the can, reblog it. I wanna see how long this can go on for.
the oldest reblogs for this post that i can find are from january 2nd of 2013. this can has been getting kicked around tumblr for almost 13½ years now
i bet it feels good as fuck to intend to do something and then actually do it