PUT YOUR BEARD IN MY MOUTH
Peter Solarz

Kaledo Art

if i look back, i am lost
No title available
dirt enthusiast
noise dept.
Misplaced Lens Cap
Today's Document
I'd rather be in outer space 🛸

shark vs the universe
Three Goblin Art
Aqua Utopia|海の底で記憶を紡ぐ
NASA

祝日 / Permanent Vacation

JVL

izzy's playlists!
Acquired Stardust

oozey mess
RMH

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@cutebroccoli
roald dahl was antisemitic and misogynistic. george orwell was openly homophobic. edgar allan poe married his 13 year old cousin. dr seuss cheated on his wife (and was racist as well as antisemitic!). hp lovecraft was racist as fuck. anyways they’re fucking dead it’s not like you’re enabling their behaviors in the afterlife or something. then again I think they bleed into the books so uh keep an eye out for that
the difference between these old white guys and jk rowling is that the former group is all dead. jk rowling is alive and using your money to oppress trans people
people telling you they reread your fic is the biggest compliment you could ever receive. there are thousands of stories out there begging to be found, to be explored, but your story meant so much to someone that they came back to it eagerly, they went over every word again. to love is to return and loving a fic is rereading it. thank you to all readers and rereaders <3333
There are many of you who’ve returned to read Don’t Fall Away From Me in the wake of the finale, and it’s been emotional to see everyone commenting and leaving love on it. It’s twice the length of the source material and you guys are reading it multiple times??!! Honoured. Amazed. Humbled. Love you all so so much.
you should get a second evening for reading fan fiction. And you should get an extra day in the week to do arts and crafts.
sorry to be a broken record every month but christ menstruation is a stupid concept. oooooh excuse me for not getting pregnant, why the fuck is there goo falling out of me about it? grow the fuck up and reabsorb that shit for nutrients.
Always bear in mind that there is absolutely no legitimate evidence that Luigi was actually the one who killed the insurance company guy.
Of course he wasn't. He was at a party with me that day.
No but like literally, actually. All bits aside.
He didn't do it.
The cops very clearly planted evidence on him because they had to make an arrest because all eyes were on them and whoever actually did the deed was making them look stupid.
Why would the real killer hero have kept the weapon on his person and traveled two states over while carrying it and a manifesto in his bag, conveniently turning the crime into a federal matter? The same guy whose bag they found in a park, filled with monopoly money? Why did the police turn off their bodycams, take Luigi's stuff, drive a block away, turn their bodycams back on, go back into the restaurant, and then arrest him?
From the moment of his arrest, even left-of-center media has been presuming his guilt without examining anything (e.g. calling him "the killer" instead of "alleged" or "accused") and then when I say he didn't do it, the nearest person chimes in with some quip that tells me they think he did do it but should go free anyway. Don't get me wrong, I would have the same attitude if he had done it. But he didn't. It makes me feel like the only sane person in the world, even among my staunchly leftist friends.
i love my pervert mutuals #mypervertmutuals
I went to a library book sale this weekend and I found a very old book called “Electronic Life: How to Think About Computers,” which was published in I think 1975? I’ve been reading it kind of like how I would read a historical document, and it’s lowkey fascinating
There’s a whole paragraph that’s like “okay, find the keyboard. Don’t panic if it has more keys than a typewriter, that’s normal. Really, it’s fine. The extra keys don’t make things harder. It’s FINE”
Thought this section was particularly interesting:
Can the computer create something? At first glance it seems obvious that it can. Animated computer graphics, with their fluid transitions and whiplash perspectives, look strikingly new. And if one watches the machine doing animation work, there seem to be lengthy periods when the computer is acting “on its own.”
But if one observes these processes in more detail, it becomes clear that creation is not occurring within the machine. First of all, computer graphics are not unique. Computers have yet to generate anything that cannot be done by hand—and usually already has been done. Second, the apparent ability of the computer to “act on its own” is the outcome of thousands of hours of patient human effort to refine its instructions. The computer can manipulate a shape for us if we have already informed it what a shape is, what the rules for shape manipulation are, what this specific shape is, and so forth.
You can start an automobile engine and it will run by itself, too, but that doesn’t mean it’s being creative. It’s just running.
Somebody in 1975 had a better understanding of why artificial intelligence is not in any way “intelligence” than the majority of today’s intellectual minds.
how life feels when there's a sicko on the same disgusting freak wavelength as you
this is for a part-time job as a barista
on an application to work the front desk of a hotel
If minimum wage you'd like to make, This ancient quiz you'll have to take.
Step right up, but be prepared. Those who fail are poverty-snared. Question One! If your labor proves most fruitful, Raking quarters by the bootful, Who should excess profits reap, Me the wolf or you the sheep? Question Two! If, by merit, you're made pope, What will be your fervent hope? Law and order justly paired? Or mercy and the guilty spared?
Question Three! If a train should leave Topeka Driven by a solar squeaker, How then should the cat behave? Give it milk or give it grave? Question Four! Do you have a criminal record?
Put my most popular tumblr post, my family would be traumatized
Alright your Discord avatar and tumblr avatar are locked in a closet for 7 minutes ala 7 Minutes In Heaven. What happens
Sorry but thank you for staying
A mark on your forehead identifies the god you must worship to stay alive, usually by joining its local church or temple. Your mark is unknown, meaning an old, forgotten god sponsored you. To survive, you must either find an old temple to worship at, or do the arduous task of building a new one
Nobody in your small coastal village has ever seen the Godmark that you were born with. It’s a dark russet sequence of criss-crossing lines, with a vertical arrowhead on the left and a circle on the right, just over where your brow meets your temple. Some of the traders who come down from the mountain say it looks like one of the scripts used in the hinterlands, but not a language that any of them recognize.
“If she’s got the temperament for it, she should try her luck inland,” they advise. “No point her starting a temple here if she’d find her people elsewhere, with a little searching.”
At first, your parents are reluctant to send you away. Though you’re well-behaved and diligent in your chores, you’re a sickly child with no God to worship. And besides, you’ve always been the dreamy type–inclined to lose track of time watching the path of rain droplets chasing down the window, or the fronds of an anemone as it sways in a rock pool.
Instead, they send you to the temple of the Storm to learn all you’ll need for your own God. You are happy there, for a time: making up beds and serving food to the castaways who pass through, keeping vigil at the lighthouse, burning incense and praying with the loyal widows and orphans of the drowned.
One such widow, an old, old lady, touches the mark on your forehead. “I recognise those letters. We wrote this way in the town where I grew up, way off past the mountains.”
Your heartbeat quickens. “What does it say!?”
She squints, eyes engulfed by wrinkles and hidden behind smudged glass. “A… Ar… Oh, I can’t remember how to speak it. I left before I learnt my letters properly. There was a war, you know. But I remember,” she says, mistily, “the most beautiful pink and white flowers used to grow, on the borders of the wheat fields…”
You try to ask more questions, but remembering the war distresses her, and so you speak of other things. When she’s drifted off to sleep, you get to your feet, go home and tell your parents: you are leaving in search of your God.
You've heard of Earth is space australia now get ready for: Earth is the space Amazon Rainforest. Aliens land on Earth and they are losing their goddamn minds because every square inch of the ground is absolutely PACKED with life like there are hundreds of species just in this one site, there are winged animals flying through the sky and multiple colonies of sophisticated social insects just in the shadow of their ship, this ONE ROCK is covered in MULTIPLE SPECIES OF ORGANISMS that are themselves MULTIPLE ORGANISMS LIVING SYMBIOTICALLY, the tall, woody autotrophs look so different from each other because they're...holy shit that's like 5, 6, 7???? different species on this one site???
they start talking to a human and the human is like "haha yeah that's a crow!" and the alien researcher is like "you called it a 'bird' earlier, is that a different name?" and the human is like "oh a crow is just one species of bird, there's like, 10 others out there"
"On this planet?"
"No, in the back yard right now."
imagine aliens that come from a tidally locked planet where only a thin band of the planet is habitable, or a planet life was only able to develop in small areas at the poles, or in the few pools of liquid water on the planet's surface, or just in isolated areas where geologic activity causes geysers and springs, visiting Earth. They seem completely unprepared for the shock of realizing that Earth's continents appear green because the continents are absolutely covered with green organisms.
The alien biologists are so uncomfortable because there are certain protocols for maintaining certain distances from life signatures to avoid harming unfamiliar organisms, and groves of plant like autotrophs and pools where aquatic life dwells are carefully protected and respected, with very important rules for approach
On Earth, the inhabitants are just. Playing and walking LITERALLY STEPPING ON CARPETS OF ORGANISMS the whole time. the aliens are like "it doesn't hurt them??? Can't you just...move them to a place where you don't have to step on them?" and the humans are like "no of course not, grasses evolved to tolerate being stepped on, and besides, more plants would grow there if we tried to move the existing ones"
It then must be explained that humans would need to regularly spray poisons on the ground to prevent any given area of bare soil from filling up with plant life, and that "regularly" means "multiple times within a single solar cycle." And that the poisons stop working within a few decades because the plants evolve to resist them that fast.
Human: yeah solar is the dominant energy source these days but some of the recent solar farm projects are pretty controversial because they're in reclaimed strip mining sites that others argue should be restored as best as we can to their previous ecological state
Alien: I don't understand...why would you not place the solar farms in an area of the planet with no existing ecosystem?
Human: ...what?
Alien: You have rather sophisticated protective gear and have done some space exploration, surely you could establish them in an area of the planet to which life is not yet adapted?
Human: ...there isn't one.
Alien: ...what do you mean there isn't one
"WHAT DO YOU MEAN YOU 'DON'T KNOW' HOW MANY SPECIES THERE ARE"
"Our biologists would love to collaborate with your Earth scientists to draw up a definitive listing of Earth species and resolve any inconsistencies in the records."
"I don't think you understand what I'm saying. Only 25% of Earth's species have been formally described, at most."
"that's...that's most of them."
"Yes?"
"Well...I suppose the ocean trenches and abyssal plains must be difficult for you to reach...where did you have to travel for your discoveries?"
"Travel? I moved here to Alabama in the first place to study its aquatic ecosystems. The crayfish I discovered live in that creek I showed you earlier."
The goblin looked at the orc. The orc looked at the goblin. They both looked down at the crumpled shape of the Overlord, His Unholy Majesty, in his obsidian armor.
His final spasms had been mesmerizingly acrobatic. The fall down the steps leading up to his iron throne had pretzelled his body quite impressively, both arms folded behind his back and one leg bent at a jaunty angle.
The goblin looked at the orc. The orc looked at the goblin.
"Shit," said the goblin.
"Shit," said the orc.
"We're likely to get blamed for this," the goblin said. She walked over to the head of the glittering mangled heap and started pulling the helmet off.
"It's not our fault," the orc said. "It's hard to help someone choking when they wear two-hundred pounds of spiked armor at all times."
"Yeah, well," the goblin grunted. The helmet came free, and the bald head of the Overlord bounced on the stone with a hollow, coconut noise. "You know how it is in this bloody country - thieves get their heads cut off so they can't think about thieving, and all that." She fished in the Overlord's mouth with a finger and pulled out the obstructing olive on the end of her claw.
She popped it into her mouth and chewed. "What do you reckon they do for a regicide?" she said.
"We should run," the orc said. She had started bouncing her leg. "I hear that there's some places in the Alliance where they just kill you and let you stay dead. That's got to be nicer than what'll happen if we stay here."
The goblin started to nod - and then her gaze fell on the helmet.
It looked like a pineapple designed by a deranged blacksmith. It was all thorns and spikes and hard edges, as though the maker had been very determined to not let pigeons roost on it. The only bits that weren't solid iron were eyeholes. Nobody had ever seen the Overlord's face.
She held up the helmet and squinted from it to the orc. One of the thorns had been bent badly in the fall.
Nobody had ever seen the Overlord's face...
"Right," she muttered. "Right. Could work - or."
The orc had a sudden vision of the immediate future. "No," she said.
"I mean you're about his height-"
"No."
"It would just be for a-"
"Absolutely not."
"Just hear me out," the goblin said. "Outside of this room are two-thousand men and orcs and goblins who are absolutely gonzo about this man, and there's a whole country of them outside of the castle, and at any moment someone's going to walk in that door and see one dead tit in black armor and two unbelievably dead idiots next to him.
"Or." She tossed the helmet up like a basketball to the orc, who fumbled and tried to find somewhere to hold it that wasn't a knife's edge. "We chuck him out the window now, walk out the door in the armor, and ditch the armor as soon as nobody sees us."
The orc had started bouncing her leg again. "They'll know something's up the second I walk out of the room."
"No worries," said the goblin. "Leave that to me."
---
It had been a very strange year for the Empire.
Change had rolled across the land as slow and inevitable as a glacier. Roads and bridges carved the gray, blasted wildlands, and a number of social reforms had made the country a place where you could be miserable, yes, but miserable in comfort and safety, and that was an improvement.
Barely anyone got boiled alive in molten metal, and even if the disgusted sun never rose to light the Empire, at least you had a roof over your head to protect yourself from the acid rain.
Character concept:
An oracle who relays messages they don't understand, to people whom they don't know, through graffiti. Most of it seems like completely random nonsense, in completely random places, but whatever compels them to write this instruction in this exact place ensures that whoever needs to see it will see it at just the right time, and make the right choice.
Not knowing the question, only the answer, the oracle frequently feels compelled to write these messages, such as "turn left", "no", "the greener one", "it's in his shoe", "garlic bread", or "the dog knows", to random things and places like on a trash can, on the bottom of a park bench, on a post-it note in the bathroom of a coffee shop. The oracle doesn't know that these messages sometimes solve matters of life and death.
And at one point while on a walk, passing under a bridge, the oracle feels compelled to write, "stop searching for these. You will not find me this way." And then, on the complete opposite side of the city, they see a bicycle, can sense that this is a place for a message, but this time one isn't dictated - they can freely choose what to write. And this time, they vaguely know whom it's for. So the Oracle leaves a message.
"I would like to be friends, though."
Hello tumblr I heard you like changeling stories
Edit: If you want a physical copy of this comic!