I like to think there's an Ankh-Morpork show (perhaps a live stage show) that's a combination of Great British Bakeoff and Forged in Fire where they bake dwarf bread and then attack a ballistic dummy with it.
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I like to think there's an Ankh-Morpork show (perhaps a live stage show) that's a combination of Great British Bakeoff and Forged in Fire where they bake dwarf bread and then attack a ballistic dummy with it.
so. they made a new german discowrld essentials edition, with a new covers (which is good because the old ones are real bad)
and they are these manga-like ‘build a picture’ style, which i like
but. oh my god. look at that vimes
this isn’t samuel ‘worked the night-shift for 30 years, runs on coffee and spit, has probably not slept more than 3hours any given day’ vimes
this is the guy who played vimes in murder-mystery play, ‘inspired by real events’. hammy acting, horrible script, ‘Clues’ everywhere, heroic fightscenes, big speaches. Vimes threadened to shut the whole thing down for slander. Sybil probably got an autograph
I’ve been staring at this post for 15 minutes and I can’t stop laughing omg omg I’m seeing stars oh no.
Sybil invited the damn company to the house for their afterparty and you know it.
the actor earnestly explains at one point the fitness routine he undertook to ‘get in character’ for the part of the ‘heroic commander’ while pointing at various melon-sized muscle groups. vimes himself is sitting there shoveling something that’s 98% grease by volume into his face and also staring balefully. he’s never done a pushup in his life. he wouldn’t know a fucking pushup if it spat on him in the street. sybil is doing her absolute best not to laugh and her best is nowhere good enough. the actor, encouraged by the (presumably) admiring male stares and flirtatious female giggles, goes on to describe his hair-care regimen.
Nooooooo oooooonnnnne stops coups like Sam Vimes
Distrusts clues like Sam Vimes
No one lives off of Klatchian brews like Sam Vimes
He’s especially good at in-VEST-igating
My what a guy, that Sam Vimes
This post got better since I saw it last night oh my gods.
Thank you @roachpatrol I don’t think I’ll ever stop laughing now.
Sorry @roachpatrol for hijacking your post but that was just hilarious and i had to draw it….
(It’s hard to draw Vimes out of uniform! But I guess even he doesn’t wear armour 24/7…)
(Young Sam is like ‘daddy, I want an armour like that!’)
I’m sure Angua loved it too
And then she run
The carrier of carriers. A tribute to Terry Pratchett
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Discworld Textposts III
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Suddenly got hit with the concept plus a very detailed visual of Moist von Lipwig donning his famous Postmaster General suit via magical girl transformation. And now I am supposed to go about my day? As if I hadn't just experienced what I can only describe as a divine vision??
Good news, our deliverance is at hand!
(Deliverance, gettit? Hilarious, I know)
I also posted all of these in response to an ask here, but this version has some edits made to it so is by all accounts superior
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so our friend who goes by Irregular Joe in robot wars circles has crafted The Luggage, who is "a 13.6kg sportsman featherweight"
just look at it go!!!!
sound on, by the gods
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Okay, so, have I been missing something incredibly obvious this whole time? In Guards, Guards!
Errol, who's the tiny dragon with way more fight in him than his size would suggest he's capable of, even if he was that belligerent.
Against The Dragon which is huge, majestic, in possession (at least in theory) of a mighty hoard of wealth, typically associated with the nobility, and finds herself rather taken by this small ball of Fight.
That's a metaphor for Sam and Sybil, isn't it?
It's only taken me 20-fucking-years.
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It will come when you call
Originally posted at: https://blog.chrislegge.com/it-will-come-when-you-call/
I'm a deeply angry person. Not that I have a temper or anything like that, quite the opposite actually.[^1] No, it's more of a deeply ingrained anger at the world. I've come to find out it's described as an "autistic sense of justice". It's deep anger at my core about the way the world works and the injustices around us.
I was also extremely emotionally repressed for a large part of my life. No negative emotions were allowed in my mind. I was "above that". Eventually the negative emotions would build up, as they always do, and find new ways to come out. New health complications. Sure. Get into a fight on the phone with my brother and hurt my hand slamming my fist into the ground or punching a wall I knew I couldn't damage? All the time. Bite my nails and pick my cuticles until they bleed? Absolutely.
I hated that I couldn't control it. I would think “I should be better than that” and repressed harder. I followed this cycle of internal abuse until a few things happened. First I started seeing my now spouse who accepted me for who I was, not who I "should" be. Second, I first read what is now my favorite book, Night Watch by Terry Pratchett.
You do the job that's in front of you.
How did a fantasy book help me? Well, first you need to understand something about the book and the author.
Night Watch is the 29th book in the Discworld series, but it's also part of a sub series about the City Watch of the Disc's largest city. It was instantly my favorite sub-series. The arc of its main character, Sam Vimes, is one of the best I've ever read. He goes from being an alcoholic police sergeant to a man who reforms the profession for his city and, eventually, much of the wider world as well. Vimes would be the first person to say ACAB and that there’s a better way to do good than just "being a copper". He spends the length of the series moving the world to be better around him out of sheer force of will. One step at a time.
Then there's Terry Pratchett, who himself had a very righteous indignation and anger at the injustices of the world. I can't speak to whether he was neurodivergent or not, but I felt a real connection with this restrained, directed anger. I wanted that level of control that he seemed to have and that he wrote into his character.
It’s a real soldiers’ song: sentimental, with dirty bits.
The Glorious 25th of May is an extremely important day in the book. It's the date of a failed revolution that Vimes and several characters were a part of and they all hold a day of remembrance for it every year, wearing lilacs as symbol of their shared experience.
The story follows Vimes getting sent back in time and taking on the role of the sergeant who taught his younger self how to be a better person and not give in to what he called "The Beast" (the unrestrained anger that he knew would destroy everything if he let it). This builds up to the Glorious 25th and the formation of the People's Republic of Treacle Mine Road.
There’s a lot of humor and absurdity in the course of the story, but there’s so much heart and sentimentality as well. There are parts I still cry over even though I’ve read it dozens of times. There are passages I think about when things are dark and seem like they will never get better. When I feel like I'm going to lose myself in the anger, I think of two parts in particular.
"When we break down, it all breaks down. That’s just how it works. You can bend it, and if you make it hot enough you can bend it in a circle, but you can’t break it. When you break it, it all breaks down until there’s nothing unbroken."
That stays with me, but it didn't rewire part of my brain the way another did.
Hold it back! Tame it! Don't waste it!
There is a scene that resonates with me in a way that it has basically become a core belief of mine. Vimes is stopping his younger self from giving into the anger he feels at a jailer who committed unspeakable acts. Before The Beast wins, he steps in at the last minute and says, in my opinion, one the best lines of all time:
“No! That’s not the way! This is not the time! Hold it back! Tame it! Don’t waste it! Send it back! It’ll come when you call!”
I read that when I was discovering more about my anger and it all clicked. The anger I felt could be put to better use than just being locked away and forgotten about until it came out in uncontrollable ways. I could use it, direct it, not be a slave to it like I had seen in others so many times before.
This sentiment is continued in the next book in the series, Thud. In it there is a mental representation of this idea, called The Guarding Dark. It's how Vimes keeps himself in check when it would be easier to just let everything go and let The Beast take control. It results in a scar on his arm after he resisted being overtaken by the Summoning Dark (a spirit of vengeance).
All of this felt like a way forward when I read it. I found myself trying to overcome the anger not by repressing it and pretending it wasn’t there, but instead acknowledging it and trying to find a use for it. Let it fuel my art. Turn it into kindness for others. Give it a purpose. Drive me to be better than I was before.
They were remembering who they were not singing it with.
Terry Pratchett fans have been using the 25th of May as a kind of day of memorial since his passing in 2015. People wear lilacs and talk about how much both the book and Pratchett's other work means to them. I was already in the habit of rereading Night Watch in May, but I make sure I do it every year since then. It's cathartic and feels important that I do it.
Now, every year on the 25th of May, my partner and I wear lilacs. What's more, for the last couple of years I've been wearing the lilac everyday. You see, when I got my first tattoo I wanted to be something important, something that keeps me, me. So, there was only really one choice: I have a lilac sprig and a representation of the Guarding Dark on my arm. It's there to make sure I never forget who I am and why I'm here.
With everything going on in the world, this country, and my life in general, I'll admit my tolerance window has been very small. The emotions are always close to bubbling over lately. So, when I'm close to letting them take control, I have taken to tapping my arm where the tattoo is. It reminds me who is in control and the overwhelming feeling recedes.
Tame it. Don't waste it. It will come when you call.
¹ It's actually very difficult for my anger to rise to the surface. So much so that a friend I used to work with made it his mission to make me mad so he could see it. At one point he walked into my office, saw papers on my desk, and slid them off with the back of his hand like a cat knocking something off a counter. He stood there in defiance for a second and I went back to work. Exasperated, he picked up and organized the paper (it was just a random jumble when I had them on my desk before). He said a few swears and left the room. Poor guy still hasn't seen me get mad to this day.
happy glorious 25th of may
Okay so Dear My Followers Who Aren’t Discworld People,
I bet you get so FUCKING confused when I and dozens of others are putting all this “Glorious 25th of May” stuff on your dash and I’m sorry about that so let me TELL YOU what it’s ALL ABOUT okay but I had a couple shots too fast so bear with my lightweight ass.
It’s a thing from a book called Night Watch by Terry Pratchett. On May 25 in-universe, a thing happened called the “Glorious Revolution” where in this city called Ankh-Morpork the leader (Patrician) died (was sort of assassinated sort of induced into having a heart attack) and a new leader came to power. There was a lot of unrest in the city because the regular people were like Life Sucks We Want Things To Not Suck In These Particular Ways. So the Bad side of the police got dispatched to quell the rebellion and also the damn army got made involved, while there was a group of ragtag Good police who ended up just trying to actually keep the peace and protect the rebels so things would calm down, but a bunch of them got killed and the revolution ended with the new leader sucking almost as bad as the old leader and yeah everything still kinda sucked.
Fast forward a bunch of years to our hero Sam Vimes the commander of the Watch cops chasing a criminal and getting zapped back into the past by magical lightning no that’s not a joke. Vimes was a teenage new police recruit the first time the Glorious 25th happened and now he’s in the past having to pretend to be the guy who trained him the first time. As the same things happen as happened before in this pivotal moment in his life/the city’s history.
And like!! Vimes knows what’s going to happen! He knows people are going to die!! And he knows that if anything about the past changes too much, he won’t be able to go home to his proper present. But the criminal he was chasing got zapped back to the past too and could be fucking things up even worse due to being an asshole! So Vimes has to catch that guy so he can go back to the present and have justice be served.
BUT!!!! Even though he KNOWS he probably can’t save anyone who’s “supposed to die” and even though he KNOWS he’s doomed to lose everything he has in his present if things change too much (his wife! is about to have their child!)!!! HE TRIES TO SAVE PEOPLE. Because they’re good men!! And if the price of going home is NOT TRYING! and selling those good men to the night! He doesn’t want to pay it!!
So he TRIES. So fucking hard. Because if he didn’t, he wouldn’t be Sam Vimes.
And okay anyway let’s not spoil the whole book KidK but anyway! When the good cops are out doing their duty trying to just help things be peaceful in the city, one of them is like “we should have some kind of banner or plume to show we’re in this together” and one of them is like “how about sprigs of lilac I mean they’re all over the place.” So that’s why lilac.
And that’s why Glorious 25th.
And the fandom decided to celebrate it as a remembrance of Terry Pratchett and as a Thing to raise awareness for Alzheimer’s because that’s what PTerry died of.
So that’s what this is all about. A really good book about time travel and found family and comradeship and trying your best against the worst kind of odds. And a really good author who shouldn’t be dead and trying to help others with his same illness.
That’s why lilac, that’s why 25th of May. Okay? Okay.
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"You'd like Freedom, Truth, and Justice, wouldn't you, Comrade Sergeant?' said Reg encouragingly.
'I'd like a hard-boiled egg,' said Vimes, shaking the match out.
There was some nervous laughter, but Reg looked offended.
'In the circumstances, Sergeant, I think we should set our sights a little higher--'
'Well, yes, we could,' said Vimes, coming down the steps. He glanced at the sheets of papers in front of Reg. The man cared. He really did. And he was serious. He really was. 'But...well, Reg, tomorrow the sun will come up again, and I'm pretty sure that whatever happens we won't have found Freedom, and there won't be a whole lot of Justice, and I'm damn sure we won't have found Truth. But it's just possible that I might get a hard-boiled egg."
Terry Pratchett, Night Watch
once again unequivocally lost in the sauce at the implication that younger vimes suspects that john keel!vimes is his dad who left when he was young. my favorite subtext of night watch i love the way it just sits there just out of focus
when sam says here's your hard boiled egg i bet you like your toast cut into soldiers and the yolk still runny. because i do. thats the culmination of 'this strange man looks like me and looks at me like he seems almost afraid of me, took me under his wing over every other person in the watch house and acts protective of me even when he doesn't need to. he just came in from pseudopolis but knows this city too well to be anything but a local. and not from the nice part of town, the roughest of the rough part, where i came from, too. he asked after my mum but blew me off when i told him she wanted to meet him. he asked after my dad and looked distinctly unsurprised to hear he wasn't in the picture. he seems to know what i'll do before i do it. sometimes looking at him is like looking in the mirror. there's a tightly coiled anger in him, i can see it, and it looks like something in me i've felt before. on our first patrol he taught me how to walk. i know him i know him i know him'
unpopular opinion: Vimes is kind of drama queen
Sam “held a burning hot coal until it nearly took the skin off his hand while maintaining perfect calm and eye contact with the asshole in need of intimidation Just Because” Vimes? Sam “sitting on the stoop with a mug of cocoa and a cigar, cautiously aware of every inch of the scene he’s building” Vimes? Sam “could just tear his sleeve to show the mark of the Summoning Dark but instead tears off his whole goddamn shirt” Vimes? A drama queen? Reaching a bit don’t you think
Yep, certainly doesn’t seem to describe Sam “pretends to eat poison as a power move” Vimes. Not Sam “buries an axe in the table in the Rats Chamber” Vimes.
I mean are we really talking about Sam “yes a whole room full of candles with wicks dipped in holy water is the best way to beat this vampire” Vimes, here? Sam “has fought bad guys on top of a speeding train AND a riverboat during a flood” Vimes, really? Definitely Sam “nearly gets shot in the head by a crossbow bolt that shatters his shaving mirror and then uses the bolt to prop up a shard of said mirror to finish shaving” Vimes we’re discussing here?
excuse me?????
vimes did not resign from his post in protest, observe the rest of the watch resign from their posts in protest, recruit them into a militia, sail to the country they were at war with, and attempt to arrest two different armies for disturbing the peace so you could sit here and call him a drama queen, as though drama was some myffic quality bestowed by an accident of birth and not the inherent right of every creatively petty and histrionic citizen of ankh-morpork
vimes is a drama public employee
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Happy Glorious 25th of May, Discworlders! May your lilacs bloom and your angels rise up high!
Oh, and GNU Terry Pratchett of course :)
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I am using Discworld to figure out how to use Procreate. Also...it was nice challenge to draw just dialogue scene in slapstick way. Ughhh...I would love to spend year or two drawing Feet of Clay graphic novel, I love that book so much x_x ...and I have no job just now...I should ask around...about how licences works or something.... .
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commission for @sirkai , a toast to not quite health
important gossip between heads of state
Tangentially related, but: I have observed that a thing a lot of a certain kind of people miss about the Sam Vimes stories is how much time in them Vimes spends:
a) Being wrong. b) Fucking up. GENUINELY fucking up. And suffering consequences of fucking up. c) REALIZING he's been wrong. d) Trying as best he can to adjust to that.
I've noted before that you could subtitle every single Vimes book as "Vimes Finds Out He's Wrong About [Blank]". "Vimes Finds Out He's Wrong About The World Not Being Worth It". "Vimes Finds Out He's Wrong About Affirmative Action." "Vimes Finds Out He's REALLY REALLY Wrong About Golems." "Vimes Finds Out He's Wrong About Klatch And International Everything". "Vimes Finds Out He's Wrong About Dwarfs." "Vimes Finds Out He's Wrong About The Past Being Better/Not Wanting To Be A Commander." "Vimes Finds Out He's STILL Wrong About Dwarfs, and Also Vampires, and Also Trolls". "Vimes Finds Out He's Wrong About Goblins and Is Really Upset About It."
And so on. And that is actually a very important part of Vimes because if he was not both able and willing to realize that he's wrong about shit he would just be a very bad person. A very self-righteous bad person. Captain Swing, in Night Watch, is utterly correct: he and Vimes are very, very similar people. It's just Findthee Swing knows he's right.
And Vimes is actually always open to the possibility he's totally wrong, even if he's not happy about that.
Vimes isn't perfect. Vimes isn't even always in the moral right - Vimes starts out Feet of Clay just as bad as anyone else in the story, Dragon King of Arms included, about golems. He starts his place in the story as casually racist, sexist and everything else ist as is standard for the society around him, and his voyage to becoming something else is through his own failures and it too is imperfect.
My absolute favourite Samuel Vimes moment is actually from Thud! but it's not the one you think it is, probably. It's this one:
The dwarfs were clustered nervously by the duty officer's desk. They had that opulence of metalwork, sleekness of beard and thickness of girth that marked them out as dwarfs who were doing very well for themselves, or who had been right up until now.
Vimes appeared in front of them like a whirlwind of wrath.
You scum, you rat-sucking little worm eaters! You heads-down little scurriers in the dark! What did you bring to my city? What were you thinking? Did you want the deep-downers here? Did you dare deplore what Hamcrusher said, all that bile and ancient lies? Or did you say "Well, I don't agree with him, of course, but he's got a point"? Did you say, "Oh he goes too far but it's about time somebody said it"? And now, have you come here to wring your hands and say how dreadful, it was nothing to do with you? Who were the dwarfs in the mobs, then? Aren't you community leaders? Were you leading them? And why are you here now, you ugly snivelling grubbers? Is it possible, is it possible, that now, after that bastard's bodyguards tried to kill my family, you're here to complain? Have I broken some code, trodden on some ancient toe? To hell with it. To hell with you.
He could feel the words straining, fighting to get out, and the effort of restraining them filled his stomach with acid and made his temples throb. Just one whine, he thought. Just one pompous moan. Go on.
[...]
"Gentlemen," he said, keeping his eye on the grag but talking to the room at large, "I know all of you, you all know me. You're all respected dwarfs with a stake in this city. I want you to vouch for Mr Bashfullsson, because I've never met him before in my life. Come on, Setha, I've known you for years, what do you say?"
"They killed my son," said Ironcrust.
A knife dropped into Vimes's head. It slipped down his windpipe, sliced his heart, cut through his stomach and disappeared. Where the rage had been, there was a chill.
"I'm sorry, commander," said Bashfullsson quietly. "It's true. I don't think Gunder Ironcrust was interested in the politics, you understand. He just took a job at the mine because he wanted to feel like a real dwarf and work with a shovel for a few days."
"They left him to the mud," said Ironcrust, in a voice that was eerily without emotion. "Any help you need, we will give. Any help. But when you find them, kill them all."
Bolding mine. There's some bits in the middle there where the moment moves from the duty room to his office, etc, but the important through line is that one and it's a double-whammy: not only that in the moment of discovering the loss that faces another father, Vimes is absolutely thrown completely out of his righteous rage and resentment of days despite it being fed by a quasi-demonic force of vengeance?
But also that the narrative does that to him. That it takes us with him in a build up of days and days and days of genuinely infuriating things and GENUINELY the unfortunate enabling of Hamcrusher's bullshit by people who didn't speak out about it (he's not wrong about that!) right up to the attempted murder of his baby and his wife to this moment and then absolutely yanks the rug out from under him and tells him - and us, the readers - that actually no.
No you don't get it that simple.
They killed my son.
Where the rage had been, there was chill.
If you're going to try to have a Vimes, as a creator, and you want them to be anything other than a self-righteous twerp in their own right, you have to be willing to do that part. To have him stumble, trip up, fall over his own feet, and be confronted by his own misunderstandings, mistakes, just . . . his misses.
If you aren't, then you're just writing another self-righteous twerp.
Sam Vimes is an interesting stalking horse - a self-unpacking teaching mechanism as much as a character. A classic white male detective antihero, he’s a POV character who starts with a mainstream relatable POV that everyone’s seen so many times before, and then goes through tests of character in a logical sequence that change his mind. At the end you must agree with him.
So Sam Vimes can be used as (say) a 20-something-insular-white-boy’s First Examination of Their Own Prejudice. They identify with him at first on the axes that they find relatable (he’s a cool older man, very like them in superficial details; he’s positioned in a classic antihero role in the narrative; he’s jaded and cynical and his thoughts are amusing) and therefore they willingly come with him on his journey.
Anyway, as a tool of writing, Vimes is a fairly unique brain-training mechanism. There aren’t many similar ones. And while his character journeys are incredibly repetitive, especially towards the end of the series - the sheer success of the mechanism, having a POV character designed to reshape the reader’s brain for the general betterment of society, makes it a technical act of prestige, even ten books on. it’s accessible to the mainstream reader! It teaches social justice frameworks while slipping under the guard of the majority, simply through planned character design! It’s funky stuff! Not many writers try it. We may not even need any more characters like them. But what a nice bit of craft.
…All of this.
Yes to all of this.
Also, Granny Weatherwax is similar. This is what made me think of it:
Captain Swing, in Night Watch, is utterly correct: he and Vimes are very, very similar people. It's just Findthee Swing knows he's right.
In Carpe Jugulum, there’s a scene where Granny Weatherwax talks with the Omnian priest and says that religion, true religion, is believing something so much that you burn everything else because of it:
“You say that you people don’t burn folk and sacrifice people anymore, but that’s what true faith would mean, y’see? Sacrificin’ your own life, one day at a time, to the flame, declarin’ the truth of it, workin’ for it, breathin’ the soul of it. That’s religion. Anything else is just . . . is just bein’ nice. And a way of keepin’ in touch with the neighbors.”
(I don’t have the book to hand, so that’s from Goodreads and may be a little off, but that’s the one I have in mind.)
And the priest’s reaction (which I can’t find a quote for) is more or less: if she were to believe, what kind of force would come sweeping down out of these mountains and across the world?
(And the awe of that kind of shakes up his own crisis of faith, which is fascinating but beside the point I’m trying to make here.)
Another quote from Carpe Jugulum: “The Weatherwax women have always had one foot in shadow. It's in the blood. And most of their power comes from denying it.”
We don’t get to see inside Granny’s head the way we do Vimes’s, but it’s a similar process, I think. Witches have to have confidence in what they know, but in Granny’s case it’s very deliberately not that much confidence, not that way.
Or maybe with the witches it’s a little more about knowing that you’re right but also knowing how and when to intervene (*cough* “move the privy because ghouls live in it that make you sick,” not because “germs are getting into the drinking water” *cough*) and not just bowl everyone over with pure force of personality, which they could 100% do. See Nanny Ogg and her poor daughters-in-law--but she doesn’t bully them with or about anything magic-related, so that’s somehow OK. Each witch draws her own lines....
honestly Granny is much closer to Swing and I think it’s interesting watching Pterry realize that as he goes along in her books and slowly having more and more people check her hard.
It starts a BIT with realizing in Lords and Ladies that she read the signs completely wrong; but it really starts with Agnes|Perdita in Maskerade (I don’t have my copy with me so I won’t try Word for Word quote but there are multiple points where Agnes’ repeated rejection hits RIGHT at home, demonstrated by Granny’s very awkward attempt to connect at the end while digging her new outhouse and her outright invitation of Agnes into the coven) and then gets hit hard both by her own near catastrophic mistake of Stumping Off instead of unbending enough to ASK ANYONE including people who REPEATEDLY RISKED THEIR LIVES ON HER BEHALF, if maybe, just maybe, something unexpected happened to her invitation, and then REALLY hard by Oats. Repeatedly.
Which I’ve found people often miss about Carpe Jugulum: yes, absolutely, Oats learns lots from Granny. But he also builds the ABSOLUTE clearest picture of her as a PERSON, and scores several HARSH hits and just lets her stew with them.
And without him she would NOT have succeeded, and she knows it, and he also absolutely lets her go on presenting herself as invincible and that’s LETTING her, very much, and she knows that too.
That’s why she sends everyone to his service at the end.
And then you see it Most with Tiffany and most importantly with the way that Esmerelda Weatherwax goes out of her way to make sure that Tiffany DOESN’T end up like her.
The way she basically THROWS Tiff at other witches her own age to bond with and at multiple teachers and the way that she notes that Granny Aching was wise enough to not be a witch— Which is to say, not to be LIKE GRANNY.
Alone and frankly often very scared — not of the monsters, but of herself and of BEING alone, being truly unwanted, of the niggling uncertainty of whether all the work she’s done on their behalf IS enough to make up for the fact that honestly she’s often a hurtful bitch to those around her in ways that are unnecessary and counterproductive —even to her own goals.
And it’s in the way the narrative lets Tiffany SEE her. In how the narrative let’s Tiffany see that she’s afraid and alone and to give her a cat, and a beautiful midnight cloak.
It’s an interesting narrative transition and it’s actually one Pterry didn’t manage to do with Gytha; her massive flaws (she’s actively emotionally abusive of her daughters in law, at the least NEGLECTFUL of her own daughters and I have many other bones to pick with Gytha Ogg*) remain unexamined while being wincingly there on the page. But with Granny there’s a clear realization that the biggest risk, the thing that puts her in most danger of going Badly Wrong, isn’t actually her power, it’s the walls she puts up around her fear and the acid of it that undermines her foundations, that arise from holding herself apart from people, better than, and how that shifts but can only shift so far so that she figures out that now she’s found the next “her” it’s probably best to, you know. Not do that again.
*she’s EXTREMELY realistic and well drawn; I know five women like her off the top of my head, and they are treasures and pillars of their community who have done INCREDIBLY important things for many people, and they’re also shitty, toxic parents and family members, and both of these things exist at the same time.
Discworld Heritage Post