theres a pink blue and white flower at rhe grocery store i have to make. a joke
call that a transplant
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@doomedredshirt
theres a pink blue and white flower at rhe grocery store i have to make. a joke
call that a transplant
I know you don't keep chickens. but look at this chicken. (screenshot from lord of the rings online. This is in Radagast's home in Rhosgobel, and I assume he knows his chickens, so I can only take his word for it.)
Well, that's a pheasant...
How dare you call Radagast a peasant!
Man notices an Eagle eyeing the fish he just caught
*gets back to the nest* baby you are NEVER gonna believe how i got this fish
2016:
2026:
I'd like to think I improved a little bit over the last decade ;u;
Thinking about the way Billy has an eyebrow slit when Dacre doesn't, so you know it's an intentional character design choice. But it was before eyebrow slits were popularised, which means the most likely explanation is a subtle scar preventing hair growth. One guess as to how he might have gotten a facial scar?
Hi! Thanks so much for this question. It's a great one, and one that I think really delves into the subtle nuances to Billy's characterization.
Before I jump directly into what I think may have happened, allow me to provide some context.
When did this eyebrow injury happen?
The first important detail to acknowledge is that Billy does not have an eyebrow slit in S2, but he does in S3 (and we see Billy's eyebrow slit immediately in the first episode).
S2 Photos Showing No Eyebrow Slit
S3 Photos Showing Eyebrow Slit
This means something happened between S2 and S3. We're looking at something occurring roughly between mid-December 1984 and end of June 1985. That's ~6 months for some type of eyebrow injury to occur and then heal to the point that we see it in S3.
When considering eyebrow injuries, hair loss implies that the injury was deep enough to damage the hair follicles. Generally speaking, if the cut is deep enough to damage hair follicles, it is likely that the cut also warrants medical attention, specifically stitches to help with healing, reduce risk of infection, and reduce the effect of scarring. Healing time for the cut (and the removal of the stitches) may take under 2 weeks, but it can take months to see just how much hair will (or will not) grow back. Any scarring also will take significantly longer to heal, too, and could also take several months (roughly 6-12 months, though there are numerous variables that will affect this healing process). Eyebrow injuries can sometimes hide scarring because of the hair, but when we look at Billy's eyebrow slit, there's no apparent visible indentation (obviously because this was Dacre's choice and not a real injury, but walk with me for the purpose of this post).
The other thing I would like to point out is the hair regrowth is not even. The shape of the missing hair line is a bit jagged.
So, considering all of the above, I think it's safe to say that Billy suffered some type of injury to his eyebrow fairly soon after the Epilogue of S2 (so after December 15, 1984) that was deep enough to damage the hair follicle, thereby requiring stitches that helped with the healing process (including some level of healing from scarring). I think a general range for this injury to occur that makes sense for Billy's eyebrow to look as it does in S3 could be between December 1984 - January 1985.
What is one possible explanation for the injury?
Stay with me for a second here. In Season 3, we know that Dacre made the intentional choice in his acting to convey Billy in the eyes and the Mind Flayer in the body. When El comes to Billy, she says, "I want to see what happened." Of course, this is because she's going into Billy's mind, and Billy shows her what happens. REMEMBER: When El asks this question of Billy, she asks this because she wants to know what the Mind Flayer did to Billy. El has NO IDEA about Neil yet. The question was not about Neil. But Billy has been abused since he was a child and has been living in a constant state of traumatic stress (CPTSD). Billy therefore cannot differentiate the trauma from Neil versus the Mind Flayer. And so when he hears, "I want to see what happened," it's not about the Mind Flayer. It's about Neil. Because it started with Neil and continues with Neil. It is hard for Billy to emotionally separate what Neil does to him from any additional trauma and abuse that others inflict on him.
El (and the audience) then visually sees what happens to Billy. Thematically, what's going on with all of this is: Billy (the real Billy) and the truth of the abuse and trauma he's suffered is all there in the eyes.
For an implied history of some injury that occurred on Billy's eyebrow (of all places!) when Dacre's whole point in S3 is to convey the real Billy and the pain that he's suffering as a victim of abuse through Billy's eyes, I think that missing hair implies a recent past injury Billy suffered from the hands of Neil.
Now I need to stress a point: I think Neil's abuse is extremely calculated. Neil is all about power and control. The physical violence Neil inflicts onto Billy is just one part of the abuse. Neil manipulates, gaslights, emotionally abuses, verbally abuses, psychologically abuses, emasculates, isolates, intimidates, parentifies (thereby encouraging resentment between Billy and Max), verbally threatens, and (implied) economically abuses Billy. He makes sure that Billy is always trapped no matter where he turns, creating and instilling near constant fear and anxiety that takes away Billy's agency, body, and defiance until Billy cannot fight back against Neil because he has lost hope.
Again, Neil loves control and power. He curates an image of a perfect family to the outside world that enables him to continue on with the abuse at home. He runs the risk of losing that if his violence onto Billy requires medical attention. I don't think Neil is hurting Billy all the time with injuries that require medical attention regularly. It runs a risk of putting up warning flags to the outside world, and it could come back on Neil if investigations are launched from suspected child abuse.
That said, we also know Neil's rage. The way he breathes and almost holds in his rage with his downturned and pressed facial expression when he throws Billy into shelves in Billy's bedroom shows that he's trying to hold back. He wants to hurt Billy more. And no matter how controlled an abuser is in their tactics, abusers can lapse in their curated abuse.
And I do think a lapse in Neil could have happened.
I think it's also worthy to point out the (rough) timeline as to when Billy's eyebrow injury occurred. It likely happened over the holidays, a time of year that increases the frequency and magnitude of violence in abusive situations. We must also consider Billy's personal situation in the immediate aftermath of the epilogue, which you can read more about here. Through Billy's clothing, styling, and body language, we see a different Billy in the epilogue of S2, one that reveals the effects of abuse and how abuse and violence is perpetuated in such a way that has beaten, emotionally manipulated, and drugged him into a withdrawn silence with nervous energy.
Billy is living in a home where Neil abuses him, Susan has looked away while Billy is abused and doesn't acknowledge Billy, and Max has drugged him with an unknown drug and in such a way that should have killed him. There is no support system at home. Billy is alone and helpless.
There could also be some potential twisted source of power that Neil derives from kicking Billy when he's already emotionally down at this point in the timeline. Allow me a moment to explain this: I do fully believe that Billy's advice to Steve, "Plant your feet; draw a charge" comes from his own experiences of Neil's abuse. Billy has learned that no matter what swings come his way, no matter how many tears he wants to cry, no matter how much Neal beats the defiance out of him, Billy still stands. He still keeps his feet planted. He won't be knocked completely down. And it's important to note that even while Billy is emotionally down at this point, he's not physically down. Could this have pushed Neil over the edge in a moment of rage where he just wants to knock Billy off his feet? And in so doing, Billy does fall and hit his head on the edge of some surface that cuts his brow? Possibly.
I also did a little digging into the weather in Indiana in December of 1984 and January 1985. In December 1984, the weather was a bit milder for the time of year and rainy. In January 1985, Indiana went through an extremely cold spell with record breaking cold (in negative degrees Fahrenheit) that forced school and business closures throughout the state. Several towns didn't have access to water because of burst pipes, and there were multiple deaths across the state because of the extreme cold. There was also heavy snow in January 1985 that shut down major highways, with blizzard-like conditions. In short, Billy (and his whole family) had significantly less ability to get out of the house in January. That's incubating an extremely dangerous situation at home for Billy.
The ingredients are all there, but what stays the most with me is how an injury to the eyebrow from the hands of Neil is just too thematically close to Dacre's choice to show the real Billy and the pain that he's suffering as a victim of abuse through Billy's eyes. It's that subtle hint that if people just looked, just acknowledged him, just showed one act of kindness and care to Billy, he could have been helped.
They just had to see him. They just had to see the signs.
Wei Weaving is a Chinese artist
Okay, but the runs in her stockings! She starts out with beautiful, clearly new stockings, and then over the course of the video they get shredded, then there's a close up on a scrape on her leg that looks like it's from a wire - oh there's themes there!
Uh oh, I've got bad news for you, Grace
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I've seen so many posts about Mensah's perspective of ART/Network Effect, how have I not seen one's about ART's crew's perspective. Network Effect as told by Seth.
You have a child who is an extremely powerful (somewhat illegal) machine intelligence. It's a good kid, mostly, except it doesn't play well with others. Your kid periodically goes on short trips by itself, and this has always been fine.
One time, it comes back and it's acting... weird. It keeps bringing up things it has no reason to know about and then dodging questions about it. Finally, you get it to admit that it picked up a hitchhiker on this on this trip, even though you have very strict rules about never picking up hitchhikers. This hitchhiker is obviously it's new favorite person. They watched soap operas together. Your kid loves soap operas now. Your kid shows you a bunch of pictures of this hitchhiker, but won't tell you details because the hitchhiker in question is a wanted criminal on the run and also an escaped slave. This is probably fine (you sure hope it's fine).
Then, you and the rest of your family/friends get fucking kidnapped and used as hostages to make your kid behave. You know that your kid 1) will do anything to protect you, and 2) pretty much always goes for violence first, so you have your doubts about any of this going well.
Then, the hitchhiker your kid will not shut up about appears out of thin air in the middle of a firefight on a planet pretty much no one has any reason to be near and says your kid sent it. It proves this by telling you your kid is a dickhead (this is true and works, but still).
After a lot of mutual rescuing, you're back on board the ship that is also your kid, and find out that your kid kidnapped it's wanted-criminal-hitchhiker-friend and all of it's friends, and has been telling them all of your top secret confidential spy information. The hitchhiker is responsible for 90% of the top news stories you've seen in the last six months. Three different governments want this person dead or alive.
Your kid pushes the hitchhiker's resume across the table at you and makes big sad puppy eyes.
i have a Persian agenda where i encourage every man i know to grow the longest and prettiest hair possible
personal agenda. Personal.
i’m speechless. there’s a guy for everything.
I can't find the original meme but we need to bring this back.
Ryan Gosling’s career has just been one long quest to climb the Warner Bros water tower
that man has been trying to climb this tower since he was 16. he has asked multiple times, and every time they said no, but now he’s famous enough & variety was able to convince them to do a shoot on the tower. it all led here. it was all for this.
I’m obsessed with the implication that this was a coming-of-age ritual where a boy becomes a man, like a bar mitzvah
Oops! You accidentally forgot about your tea for too long 🐥🌸
Not to brag but my cats are Artists™
[Medium: Claws on rainbow scratchboard]
Remi works with a hesitant, erratic violence, creating a piece as light and fluffy as she is, and signing her work by hole-punching it with her teeth.
Timmy uses bold, strong lines to evoke some kind of powerful event, echoing his powerful presence and loud voice.
Nubbins, truly inspired, creates a high-energy piece that symbolizes the void where his brain should be, surrounded by chaos and mischief.
Kona, a reclusive avante garde artist, refused to work with me around. Only in quiet solitude did she create this haunting, introspective work.
Sailor Moon is so important
A terrible fact of fandom is that sometimes people who absolutely suck and have stupid takes are going to enjoy the exact same things you do and the only thing you can do about it is sit there with your mutuals who don’t suck like:
"the block button, my liege?" will enter my vocabulary now
happy pride
okay so spock (the alien in blue) essentially goes into heat. like literal heat like an animal. Anyway, spock’s in bloodlust in this episode and must go back to vulcan to have sex with his finace (or someone. but its supposed to be his fiance) or he’ll literally die. this is called pon farr and some backstory spock is half human and thought he wouldnt go through pon farr so he abandoned his HOT fiance to fuck around in space except oops pon farr happens so. he and kirk (in yellow getting his tits cut open, he’s also spocks captain and best friend) and their other friend mccoy go to vulcan so he can have sex with his fiance or get married or whatever so he doesn’t die. but then spock’s fiance (t’pring) is like no i dont want to marry spock i want to have him fight someone to death (which she can do) and spock at this point is fully in the ‘blood lust’ and is basically not in his right mind and doesnt get what’s happening. and t’pring picks kirk to be her ‘champion’ in the fight (her logic is that if spock dies in the fight she doesnt have to marry him and if kirk dies, spock will be so upset with her he won’t marry her anymore anyway). anyway kirk doesnt know that its a fight to the death and so he’s like of course i’ll do this fight if it’ll help spock and then he gets told it’s a fight to the death and he goes WHAT and right afterwards spock slices his titties open like in the gif. also eventually spock and kirk roll around in the sand and kirk fakes his death and THIS somehow knocks spock out of his blood lust and he goes back to the ship super sad bc he’s killed his ‘best friend’ only to discover kirk’s alive and we see one of his biggest smiles of the series (a big deal bc spock is vulcan and they dont show emotion). anyway this aired as the season opener in 1967. know your history and all that happy pride
star trek heritage post (June 1st, 2022)