Porcelain art by Nguyễn Duy Mạnh, 2021-22.
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@drowninginredink
Porcelain art by Nguyễn Duy Mạnh, 2021-22.
I'm gonna say it, I do think that even the laziest person imaginable should have a roof over their head, food in their stomach, and access to healthcare
“What if there’s no good reason for them to be lazy?” It’s a free country and I refuse to think about anyone’s decisions for how they live their life that do not impact me in any meaningful way
the year is 2035. the new beauty standard is for women to cut their ears off, as ears are a masculine trait which make the face look too big and hearing isnt necessary as it doesnt align with being demure. evil feminists say perhaps this is unnecessary and ears are natural. women are agressively proclaiming they are cutting their ears off due to sensory issues
"shipping and blorbofication are not inherently at odds with understanding a story's deep themes" and "some people can't grasp the themes of a story because they never learned how to engage with stories outside of the lens of shipping and blorbofication" are two statements that can coexist
blorbofication to me is when you love a character in such a laser focus way that you somewhat detach them from the narrative from which they are inserted and treat them in a way roughly similar to how you'd treat an oc for which you still have no story and just like to put them in situations just for fun. which there's nothing wrong with btw, it's just that it can easily lead to people forgetting the character engine in a narrative and not just a barbie doll
as an example of blorbofication taken to the extreme without the acknowledgement of the story context to ground it please refer to the thomas jefferson miku binder
i like a trans headcanon as much as the next guy but sometimes it really boils down to “that character has not had enough agency and/or introspective freedom in their life to have transitioned by the time we meet them in their story”
"I really tried to be, you know, not a cliche of a world leading woman that we all see, that you have to be harder than the others and tougher, and then you have to look a certain way. There are so many wrong things going on thinking about these women. So that was the first thing. And I think she really believes that the world is worth saving and that we can actually do it if we make an effort." - Sandra Hüller
It turns out the cookies are real — sort of.
They are baked at the home of Lara MacLean, who has been a “puppet wrangler” for the Jim Henson Company for almost three decades. MacLean started as an intern for Sesame Workshop in 1992 and has been working for the team ever since.
The recipe, roughly: Pancake mix, puffed rice, Grape-Nuts and instant coffee, with water in the mixture. The chocolate chips are made using hot glue sticks — essentially colored gobs of glue.
The cookies do not have oils, fats or sugars. Those would stain Cookie Monster. They’re edible, but barely. “Kind of like a dog treat,” MacLean says.
Before she reinvented the recipe in the 2000s, the creative team behind “Sesame Street” used versions of rice crackers and foams to make the cookies. The challenge was that the rice crackers would make more of a mess and get stuck in Cookie’s fur. And the foams didn’t look like cookies once they broke apart.
Cookie has been portrayed since 2001 by David Rudman, who took over the role from Frank Oz. Rudman’s right hand moves the mouth, which is eating, and his left hand holds the cookies. Both work in concert to break the cookies, which means they have to be soft enough to fall apart.
Rudman said soft cookies are best, adding, “The more crumbs, the funnier it is. If he eats the cookie, and it only breaks into two pieces if it’s too hard, it’s just not funny,” he said. “It looks almost painful. But if he eats a cookie and it explodes into a hundred crumbs, that’s where the comedy comes from.”
MacLean has perfected a recipe that is “thin enough that it’ll explode into a hundred crumbs,” Rudman said. “But it’s not too thin that it’ll break in my hand when I’m holding it.”
Not every (human) guest realizes that the cookies aren’t meant to be eaten. Adam Sandler appeared on an episode and decided to share in the muppet's delight by spontaneously eating a cookie with him on set.
“As soon as the cameras cut, he was like, ‘Blech!' ” MacLean said.
Really hate how “mommy and daddy issues” just a jab at the child and not the parent
Oh, so your parent(s) traumatized you when you were vulnerable and defenseless, and they let you down when you were reliant on them for your emotional needs? Lol idiot.
My ENTIRE world just shifted to the left a bit. Thanks.
self-compassion: an antidote to shame mb
i must say, i am a huge fan of when a book is in the middle of a very exciting plot containing many interesting problems when out of nowhere for a few pages it's like, "hey by the way, real quick, here's a detailed explanation of the city's water filtration system! i'm telling you this for a reason and you should worry about it. anyway! haha okay back to the plot" and you just get to be Scared for a while
i am kissing you on the mouth right now
you are the only person who understands me. you and the person who tagged a series of unfortunate events
i swear to god if people don't start understanding that responding to doylist critique of a piece of media with watsonian exonerations is not an actual rebuttal
somebody saying "hey i don't like that the only gay man in this story is a weird pervert and it portrays gay sexual promiscuity as a moral failing and character flaw" cannot be rebuked by arguing about how the character's backstory or personality traits explain their behaviour. the choices made by a writer are all fundamentally mutable; somebody saying an author's choices should have been different is not going to be persuaded by an argument that takes those choices as immovable fact
deriding things as performative is anti third space
im sitting on a patio at my favorite cafe rn and im hand stitching them hem of a dress im working on. and i can see why someone would say im being performative by working on something like this in a public space. but frankly theres no element of that. i just want to work somewhere that isnt my apartment. i want to be in public, i wanna chat with strangers, i wanna see the world. it’s nice to hang out somewhere that isnt my home!
what i mean is when you say people are being performative you discourage them from doing shit they love in public. and thats no way to foster the world we want to see.
me when I'm a member of a social species that finds connection in performance: is this performative?
how do people hatewatch things, i can barely find the time to read and watch all the things i actively want to, how the fuck are you putting time aside to watch an entire season of dogshit telly thats just gonna make you mad
thank god the culture on this website has made it so easy to dismiss any marginalized man speaking about how his masculinity intersects with his marginalization as just another misogynistic MRA type, otherwise people wanting to call themselves feminists might actually have to deconstruct their gender essentialism first, and that would just be soooo uncomfortable for them!
for some people their wheelchair made their world lot bigger
for some people their wheelchair made their world lot smaller
for some people it feel both at same time. or neither.
other people realities different from what you know shouldn’t feel threatening to you n if it does it yours to work thru
favorite series of tweets