They’re back!!
Misplaced Lens Cap
hello vonnie
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One Nice Bug Per Day
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ellievsbear

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2025 on Tumblr: Trends That Defined the Year
todays bird

titsay
NASA
almost home

izzy's playlists!
wallacepolsom
Xuebing Du
PUT YOUR BEARD IN MY MOUTH

Discoholic 🪩
EXPECTATIONS
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@dutchfelix
They’re back!!
Crimson Peak (2015) 🎬 Guillermo del Toro
+ IMDb trivia
@brookietf GHOST FU, MATTRESS FU, WIRE FU!
Grauitous Actual Ghosts Re-Enacting a Murder trapped in a Stone Tape hell Backstory!
My brother saved this document and everytime he gets angry at our neighbours for being loud he prints it to their wireless printer and you can hear the wife shout “Why the fuck would you print this AGAIN?!” to her son.
every time we serve chicken at work i think of this post
1. If you were wondering, you can type the numbers in the works cited into google and they appear to be medical journal articles about using medical imaging to detect and diagnose a rare form of Gastritis.
2. Please enjoy the offical powerpoint presentation of this paper at an academic conference by the original author, complete with Q&A:
THIS IS GOLD
oh m god please watch the video it’s some of the most contagious laughter on the planet
When I saw this cross my dash tonight, I smiled and thought “yess, the chicken chicken chicken post, I get to reblog it again and inflict it on all of the people that have followed me since last time”, and then I scrolled down more and to my utter delight there was A VIDEO, needless to say my night has been made
I HAVE NOT SEEN THE CHICKEN VIDEO IN TEN DAMN YEARS HOLY SHIT
STILL FUNNY
The bell
The last question
The woman howling in laughter 90% of the time
It’s all beautiful
It’s all
So beautiful
I love that he was absolutely 100% prepared for a question in chickenese.
“I do not feel capable summarizing this article”
Same
Chicken chickens chickens
Chickens.
Chick chicken chicken chickens chiiiiicken. Chicken chicken.
Gotta be constantly vigilant for this bad boy
31 DAYS OF HALLOWEEN ↳ DAY #14: CORALINE (2009) • dir. Henry Selick
Reblog if its ok to spam you with boops
My latest cartoon for New Scientist
Dear Neil. Sometimes I think about the strength you must have to answer the fans' questions, I know that a lot has to do with marketing, but it must be tedious, and it must demotivate you a little from your work. Not only you but also the actors. Thanks for the patience.
It's really not about marketing. That's why I like Tumblr, I think. It's too small for marketing. It only works if it's for fun.
I will be the last one here when they finally turn off the lights, because Tumblr is *only* fun for me, in no small part because the Industry Machine hasn't polluted Tumblr the way it has all the other social networks.
I think that's because the Venn Diagram of Weird Tumblr and Not Weird Tumblr is a perfect circle we call a hellsite, and the marketing dweebs are so confounded by what we do here, they focus on other, more predictable, social networks.
I've read about the demise of Weird Twitter around 2016 (gasp), how once Twitter stopped being a safe place to be weird, it rapidly became what it is, now. Interesting people tend to be weird. Creative people tend to be weird. We who love those people tend to be weird, and we like to be around people who reflect our vibe back to us. Why would any of us stick around in a Nazi club full of Incels when we can hang out here and remember the first time we saw Goncharov, or how the Feast of Neil Gaiman is celebrated in our homes.
Oh, and fuckin' WONDER WOMAN brings her loving, supportive, I am your mom and I love you unconditionally energy to every single post. She's the only Tumblr I follow with alerts turned on, because I always feel uplifted after I read something from her.
And Tumblr is maybe the only place on the entire Internet where I can be the best Becky I can be.
That doesn't even touch on all the art and fanfic and vintage photos and the endless stream of Debbie Harry that comes across my dash.
If you're part of the reason I am here, part of the reason Tumblr is special, thank you.
You made me cry, Becky. ❤️
Everyone around me either has a pet or is getting one and I can't have the one that I want most (a cat) because I'm with a guy who is allergic to cats...
there’s something endlessly hilarious to me about the phrase “hotly debated” in an academic context. like i just picture a bunch of nerds at podiums & one’s like “of course there was a paleolithic bear cult in Northern Eurasia” and another one just looks him in the eye and says “i’l kill you in real life, kevin”
I heard a story once about two microbiologists at a conference who took it out into the parking lot to have a literal fistfight over taxonomy.
have i told this story yet? idk but it’s good. The Orangutan Story:
my american lit professor went to this poe conference. like to be clear this is a man who has a doctorate in being a book nerd. he reads moby dick to his four-year-old son. and poe is one of the cornerstones of american literature, right, so this should be right up his alley?
wrong. apparently poe scholars are like, advanced. there is a branch of edgar allen poe scholarship that specifically looks for coded messages based on the number of words per line and letters per word poe uses. my professor, who has a phd in american literature, realizes he is totally out of his depth. but he already committed his day to this so he thinks fuck it! and goes to a panel on racism in poe’s works, because that’s relevant to his interests.
background info: edgar allen poe was a broke white alcoholic from virginia who wrote horror in the first half of the 19th century. rule 1 of Horror Academia is that horror reflects the cultural anxieties of its time (see: my other professor’s sermon abt how zombie stories are popular when people are scared of immigrants, or that purge movie that was literally abt the election). since poe’s shit is a product of 1800s white southern culture, you can safely assume it’s at least a little about race. but the racial subtext is very open to interpretation, and scholars believe all kinds of different things about what poe says about race (if he says anything), and the poe stans get extremely tense about it.
so my professor sits down to watch this panel and within like five minutes a bunch of crusty academics get super heated about poe’s theoretical racism. because it’s academia, though, this is limited to poorly concealed passive aggression and forceful tones of inside voice. one professor is like “this isn’t even about race!” and another professor is like “this proves he’s a racist!” people are interrupting each other. tensions are rising. a panelist starts saying that poe is like writing a critique of how racist society was, and the racist stuff is there to prove that racism is stupid, and that on a metaphorical level the racist philosophy always loses—
then my professor, perhaps in a bid to prove that he too is a smart literature person, loudly calls: “BUT WHAT ABOUT THE ORANGUTAN?”
some more background: in poe’s well-known short story “the murder in the rue morgue,” two single ladies—a lovely old woman and her lovely daughter who takes care of her, aka super vulnerable and respectable people—are violently killed. the murderer turns out to be not a person, but an orangutan brought back by a sailor who went to like burma or something. and it’s pretty goddamn racially coded, like they reeeeally focus on all this stuff about coarse hairs and big hands and superhuman strength and chattering that sounds like people talking but isn’t actually. if that’s intentional, then he’s literally written an analogy about how black people are a threat to vulnerable white women, which is classic white supremacist shit. BUT if he really only meant for it to be an orangutan, then it’s a whole other metaphor about how colonialism pillages other countries and brings their wealth back to europe and that’s REALLY gonna bite them in the ass one day. klansman or komrade? it all hangs on this.
so the place goes dead fucking silent as every giant ass poe stan in the room is immediately thrust into a series of war flashbacks: the orangutan argument, violently carried out over seminar tables, in literary journals, at graduate student house parties, the spittle flying, the wine and coffee spilled, the friendships torn—the red faces and bulging veins—curses thrown and teaching posts abandoned—panels just like this one fallen into chaos—distant sirens, skies falling, the dog-eared norton critical editions slicing through the air like sabres—the textual support! o, the quotes! they gaze at this madman in numb disbelief, but he could not have known. nay, he was a literary theorist, a 17th-century man, only a visitor to their haunted land. he had never heard the whistle of the mortars overhead. he had never felt the cold earth under his cheek as he prayed for god’s deliverance. and yet he would have broken their fragile peace and brought them all back into the trenches.
much later, when my professor told this story to a poe nerd friend, the guy said the orangutan thing was a one of the biggest landmines in their field. he said it was a reliable discussion ruiner that had started so many shouting matches that some conferences had an actual ban on bringing it up.
so my professor sits there for a second, still totally clueless. then out of the dead silence, the panel moderator stands up in his tweed jacket and yells, with the raw panic of a once-broken man:
WE! DO NOT! TALK ABOUT! THE ORANGUTAN!
@posturingsimpleton
OMG
Ok that one wins
[ID: text reading: ‘The Milton scholars screamed and argued about how the serpent was supposed to move before it crawled on its belly. Dr. Matthews, enraged that Dr. Goldstein could believe the serpent bounced around on the coiled end of its tail, flipped over the conference table. “Satan is not a fucking pogo stick!” he howled.’]
We are ineffably elated to confirm that Good Omens will return for a third season! This calls for a round of hot chocolate and sweet treats!
@neil-gaiman
The chorus of Wahoos is deafening and delightful.
Me: *reads one book*
Me: *adds two new books to the to-be-read pile*
Costume appreciation series: The Craft (1996) dir Andrew Fleming
Costume Design by Deborah Everton
ミソサザイ(Eurasian Wren)
this is what makes us girls (decaying in our rooms fantasizing about scenarios with our non existent lovers)