Mark Vomit (2020)
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Mark Vomit (2020)
So apparently Ask a Mortician has gotten told this video “violates community guidelines” for showing “non-graphic dead bodies without educational intent,” “excessive law enforcement without educational intent,” and “blood and gore.” (Spoiler: none of those things happened.)
It’s a documentary on a disaster you may never have heard of, the USS Eastland. It’s done with incredible quality, research, and heart, and it’s all but been delisted. YouTube is refusing to give answers as to why. (I have my suspicions, which are “she came down pretty hard on a shitty corporation in this video and it hit just a liiiiittle close to home.”)
Caitlin has asked that if viewers enjoyed the documentary or found it helpful, we share it directly with others. So I am here. Y’all know how important history is to me.
Make this important to you too.
anyone who told you much ado about nothing is good and worth watching was RIGHT and you should listen to them
In Much Ado About Nothing, Beatrice and Benedick are adamant in their mutual dislike, while Claudio and Hero are deep in love, and the two s
Ah here we go! Free full play for anyone who needs it, i watched it last week so i still had the link in my history heh :D enjoy!
God I love this version
spectacular version. Tennant and Tate are on fire. Their comedic and dramatic chops are outstanding. They both should have gotten Tonys for this production. Tennant has always had the gift of making Shakespeare sound spontaneous and contemporary, but Tate more than holds her own with him.
Reblogging, because frankly I can’t get enough of these two. :)
honestly tho that scene in the incredibles where mr. incredible sees the names of all the old super heroes that used to be his friends / that he knew from Back in the Day and how every one of them has been killed by syndrome is such a chilling scene for so many reasons
like for one, everyone he knew is dead at this point and has been killed on the same island he’s at now and two, its heartbreaking bc that means that almost every hero wanted to try out being a hero again despite the laws against it and wanted to try and help someone out and relive their glory days, only to be straight up murdered like fuck that scene is just so fuckin intense
I think the core of that scene for me is, when you’re insane like me and you go through it frame by frame, you can work out that Gazerbeam defeated the omnidroid twice - the only super we have enough information to confirm did so. I always wondered about his body in the cave, how and why he got the password… But it makes sense. This thing goes haywire, gets an upgrade, and goes haywire again? He must have been hella suspicious! So he does what any good superhero would do - tries to get to the bottom of what’s really happening on Nomanisan Island. During the process he’s clearly caught and wounded but has just enough time to get himself somewhere he can leave a final message, just praying that the next super to come along will find it and break the cycle. Gazerbeam is my hero.
Incredibles 2 has a lot to live up to
All of this and…
I’m just realizing that the name is No Man Is An Island???? As in, everyone needs someone to depend on and connect with, no one is ever completely alone or should act all on their own.
Also Gazerbeam probably has X-ray vision–so he not only survived long enough to defeat the Omnidroid, he had the ability to see Syndrome entering the password.
Holy guacamole! I should pay more attention, I don’t think I got any of that stuff!
does anyone think about the fact that now mr. incredibles has to live w/ the fact that all his friends getting killed by syndrome could have been avoided if he had just been nicer to syndrome from the beginning
^I was thinking that from the beginning reading this and was shocked it went through so many comments before anyone pointed that out.
Syndrome waited until his machine was almost ready to go before asking Bob to come to Nomanisan. He also was surprised to find out that he was married to “Elastigirl”, which means he likely built his list and went through everyone else before finally deciding it was time to kill Bob.
Also, Syndrome literally didn’t find Bob until the start of the movie. He found Frozone and was stalking him. If Lucius hadn’t hung out with Bob, then Frozone was going to be the next one lured. There’s literally a scene of Mirage realizing that the guy in the car with her target is Mr. Incredible. He wasn’t going through the list, he was stalking and finding every former Super he could, luring them to the island, and then killing them, for the sake of improving his robot. Finding Bob was just a happy accident, and Syndromes obsession with him meant that upon finding a bot that could beat Bob, he figured he’d hit perfection and was ready.
and like, let’s be real here in the intro Buddy was crossing the line the second he showed up, Mr. Incredible mentioned he’d been very nice to Buddy, via signing a ridiculous amount of autographs and doing pictures and stuff, and that he was not going to risk a childs life as a sidekick (albeit in less words). Buddy literally showed up by breaking into his car, and then stalked him all evening until he was arrested. That’s disturbingly obsessive behavior, there’s no amount of niceness that would stop Syndrome, it was an impossible situation. No amount of nice was going to appease Syndrome, the second he faced any sort of rejection from Mr. Incredible he was going to lose it and go supervillain. After his arrest he should have gotten put into therapy, but yknow, set in like. the 50′s. so it makes sense he fell through the cracks when the cracks were a goddamn canyon. Don’t victim blame Mr. Incredible.
reblogging for the last comment because blaming mr incredible for the deaths of his comrades is honestly such a weird take and i dislike how it’s framed as “fact” when it’s not. it’s syndrome’s fault and syndrome’s fault alone. full stop. he murdered them because he was selfish, entitled, and obsessed with mr incredible to a fanatical degree.
You know what’s really great
In the beginning when Mr. Incredible says, “Go home, Buddy. I work alone.” He’s holding up Bomb Voyage
In Syndrome’s flashback, he’s looking down on him, no bad guy in sight
Do with that info what you will
oh
damn
This is such good analysis, but it’s also worth mentioning the difference between these two scenes which, supposedly depict the same thing. In the first, Bob is clearly busy, trying to keep his eyes on Bomb Voyage (a fantastic supervillain name!!!), so he is distractedly telling Buddy that he is busy and that he doesn’t need help. The lighting is realistic, and although he is CLEARLY fed up with dealing with this obsessive and toxic fan, he keeps an even tone and doesn’t snap at him.
In the flashback, it’s a different scenario completely!! The lighting is all focused on Bob as if he’s under a spotlight and it is only the two of them. Bob’s pose here is also ridiculously condescending. He has his hands on his hips like a superhero and is looking down at Buddy with contempt and scorn. In addition, when he turns to leave, he dismissively waves his hand as if saying “Get out of here.”
It’s also interesting to note Buddy’s position here. His arms are extended either in worship or as an expression of all he has to offer in this relationship. He sees himself as a victim because he thinks he gave all of himself to Mr Incredible, just got him to reject him.
It’s also amazing to me how much Buddy’s suit is a reflection of himself. Everything from the black and white color scheme representing his black and white way of thinking, to the huge S because here only thinks of himself.
Bob’s suit, however, is blue. In addition to being associated with a calming and rational thought process, I think it’s also to represent that he’s on the side of the police. He’s not here for his own glory, he’s essentially working as an extension of the police force
Also, let’s not forget when Bob is catching Bomb Voyage and trying to keep Buddy from yeeting himself towards almost certain death, he’s on his way to his own wedding.
That makes two things abundantly clear:
Bob doesn’t have an aversion to working with other people. Remember when he runs into Elastigirl earlier in the day? She reminds him not to “forget”, and he promises he won’t. They were standing over a thief they ended up accidentally nabbing together, or so we thought. They bantered back and forth about working alone, yet they nabbed that thief so seamlessly, you’d think they’d done it before. Then you find out later, Elastigirl is the woman at the altar. Making it clear that they had to have worked together, very frequently, enough to end up trusting each other to the point that they revealed their secret identities and had a romantic relationship outside of Super work, culminating in literally marrying each other. Bob is more than fine with a partner because he married his.
The other is that, Bob is trying to protect Helen. She may be more than capable of handling herself, as she flirtatiously reminds Bob on the rooftop just hours before their nuptials. But the one thing that’s priceless to the Supers are their secret identities. With Syndrome following Bob begging to partner with him, it puts Helen in danger. A fanatical fan like that can end up possessive, meaning once Syndrome discovers her, could see her as a direct threat stealing “his” position working with Bob. And because he obviously has a knack for following people undetected (he was right on Bob’s heels all over a huge metropolitan city for literal hours), he could very well stalk Helen, discover her secret identity and expose her in order to eliminate her, putting her directly in danger. Bob isn’t an idiot, he knows working with this kid doesn’t just put this child in danger, but also his own wife and their identities. It’s better to say he works alone and let this kid down as gently as possible, hoping to finally shake him off for good so he can work in safety and peace.
Which leads me to my next point. Blaming Bob for all his friends getting killed is buying directly into Syndrome’s revisionist history of Bob “rejecting” him. Remember, if Syndrome hadn’t shown up to Mr. Incredible busting Bomb Voyage, none of the ensuing chaos with the bomb on the rocket boots getting dropped on the train tracks and blowing them up, causing Bob to lose Bomb Voyage, then forced to stop a speeding train, resulting in the passengers getting injured, the attempted suicide being thwarted which injured the guy, and everybody suing Bob for it, ultimately culminating in the Super’s fall from public grace and forced retirement. All of those consequences are because Syndrome refused to listen to Bob and meddled in dangerous affairs, making everything indescribably worse. If he had never showed up, none of the above would have happened and Supers would have never been forced into retirement, meaning none of Bob’s friends would have been lured from said retirement by Mirage and Syndrome’s private contract offers which resulted in their deaths.
this post got SO much longer AND better
Not sure if this matters by now but
A couple of things:
- The reason Syndrome found all the other supers first (including Frozone) was because Bob kept getting fired from his jobs, forcing the government to wipe his existence from multiple companies and forcing his family to move each time that happened. He unintentionally saved his family by forcing them to relocate so often.
- Two of the biggest differences between the two versions of “go home, Buddy” is the focus, and length. In Mr Incredible’s version, “Go Home, Buddy” is a midpoint, a random event that just happened to stick because it was weirdly specific, and it was right before the important parts. The attempted suicide, train crash, and wedding are much more important because those were more important to Mr Incredible (since the first two ended the superhero movement, and the last was his wedding). Buddy, on the other hand, only flashes back to “Go home, Buddy”. Which is weird because Buddy almost died later that night from a bomb on his cape, and he almost killed dozens of people on a train by dropping a bomb on them, and because of that, he was indirectly responsible for the death of supers. All three of those things should be much more important to Buddy, but it’s a sign of his psychosis that the one thing he remembers is not Mr Incredible saving his life, or his life being in danger, but instead Mr Incredible rejecting him. Buddy was unstable, and an extremely unreliable narrator who edited out massive chunks of his own story to better justify his hero syndrome.
- Also, on a more sobering note, some have brought up how Incredibles 2 seems a step down from Incredibles 1, and while that’s arguable, there’s some related bits in there I’d like to mention. You know how there were a slew of superhero’s in the movie for when they made superhero-ing legal again?
Notice anything funny about that lineup? Anything at all? Okay, here’s a hint then. How many of these heroes were working before heroes got banned? How many of these new heroes are from Mr Incredible’s era?
Answer: None.
Frozone, Elastigirl, and Mr Incredible are the only ones who were active before the ban, or more specifically, were left from those active before the ban.
Think about it, Elastigirl was on the news basically continuously, there was a UN declaration on supers, any super left who had even been five degrees of separation away from Elastigirl back in their heyday would’ve come up to talk to her and her movement. But when Elastigirl was brought in to meet other supers, she didn’t know any of them.
And it’s not like she and Bob were loners who never interacted with anyone, look at their wedding day, it’s packed to the gills with capes (and possibly some secret identities too):
So…what happened?
Syndrome happened. This isn’t just some serial killer picking people at random, Syndrome systematically wiped out an entire community of people, arguably, an entire generation of supers, since Violet, Dash, and Jack-Jack seem to be the only kid-supers in existence.
That’s why Elastigirl is so emotional when she’s introduced to these new supers, she thought her people, barring her family and Frozone, were wiped out by Syndrome. And in a way…they were.
Nobody’s left from her era of superheroics. None of her old friends survived. It’s just her, Bob, and Frozone left out of what was once a thriving, vibrant community. All those bright lights snuffed out because some kid couldn’t handle being rejected but his hero.
- Honestly, this allegory kind of brings to mind the AIDS crisis and the gay community. A “syndrome” almost specifically targeting a subset of the population with a flair for dramatic outfits and superheroics, picking off members one by one until the population is decimated. The members of the community have to intervene themselves to slow/stop this “syndrome” because the government, which was supposed to protect them, is unaware of, or is blatantly ignoring the crisis until it starts hurting the “normal” community. Because of this “syndrome” there’s just this gap in this community, where an entire generation is just…missing…with the few survivors having to counsel the new, untouched generation, and helping them achieve widespread support and acceptance they could only dream of.
- Side note: I just realized something. Take a look at Syndrome’s kill list:
And take a look at that wedding shot again.
Anyone look familiar?
If it’s to hard to tell, at least four of the people Syndrome killed were at Bob’s wedding.
Mr Incredible wasn’t watching supers getting killed, he was watching his friends getting killed. People he trusted enough to share his secret identity with people he trusted enough to share his wife’s secret identity with. Hell, our poor boy Gazerbeam got a front row seat with Edna and their NSA agent that’s usually reserved for family only.
And that’s bad enough, but something else occurred to me, Bob and Helen clearly haven’t been keeping in close contact with their superheroic friends, Bob asks Frozone if he’s been keeping in contact with Gazerbeam, implying they haven’t talked in a while.
Additionally, Bob’s life, and the superhero community’s life, went tits up basically immediately after his wedding night. So if there was any point for them to stop talking with other supers, it’d be then.
So what does that mean?
It means, in all likelihood that when Mr Incredible looked at that list of dead friends and superheroes, he realized with growing horror that, his wedding?
The happiest point of his life?
That was the last time Mr Incredible saw his friends alive.
Also like to point out that in the scene where he’s seeing all of his friend’s and their identities exposed and that they’ve been killed, he IMMEDIATELY in shock and horror realizes that elastagirl could be a target and SEARCHES her super identity. The relief on his face when he sees that she’s unknown is honestly so raw. Incredibles, both of them, are just absolutely stunning films.
#but in all seriousness THIS is the kind of media analysis I feel is the best#and also the BIGGEST casualty of the shift to ‘New-Fandom’
Thinking about how Gordon Ramsay can’t resist touching every horrible disgusting thing on Kitchen Nightmares……
It always surprises me how many deactivated users there are here. And maybe most of them are the natural consequence of URL-hopping, but beyond those, the ones that intentionally deactivated--just the idea of actively deciding to terminate an account is so foreign to me.
I'm in the business of atrophy.
My Neopets exist, and persist, and are dying and continue to die for the last ten years my account has been dark. My penguin lived until the day Club Penguin died, immobile in its igloo, decoration among the puffles. My Webkinz stand in rooms which time refuses to allow even the dignity of gathering dust. My footprint stuffs the digital shelves of datacenters for sites and accounts I do not remember making.
I've made a horde of scattered exoskeletons, shells which I cannot even call ghosts because that implies a presence. They are husks. They are archives. They are records. I do not ever consider the mercy of allowing them to die.
Well this got real eldritch real fast
this was under a puppet history video
friendly reminder that findtags is the best way to search tumblr’s absolutely destroyed tag system. it actually accurately looks through the tags without omitting results. it’s the only thing i use at this point because it’s the only thing that works
i was today years old learning about this and it’s great!
For further reference, the link above says findtags is being rewritten, in some bizarre case the link on that page doesn’t display, the new link is right here
Look at this! Look at this fucking thing! This was done in 1986, and used absolutely no CGI whatsoever. It was ALL practical, and ALL done through puppetry. Look at the last gif. Over a dozen vines are moving at once along with its head, lips, and tongue! In interviews Rick Moranis has stated he often forgot he was working with a puppet, as opposed to a really ugly guy. Even today it looks so real. Audrey ii is nothing short of miraculous
IM SORRY WHAT
WHAT
It took over 60 puppeteers to operate Audrey II’s final form in the film. You can read more about the puppet’s creation and operation here.
The practical effects of Little Shop of Horrors was fucking astounding. It’s worth it to mention that, in the scenes where the plant is moving, the filming was slowed to 12 to 16 frames a second, so that the film could be sped up to give the Audrey II a more lifelike appearance. In such scenes where actors like Rick Moranis had to speak with the plant, he had to mouth his lines at a slower-than-normal speed while still looking convincing, only to have his voice added in post.
It’s also worth mentioning that a crew of 60+ puppeteers were needed to operate the plant, as the entire puppet weighed over a ton.
It’s no coincidence that the movie was directed by Frank Oz, whom Jim Henson called the best puppeteer in the world.
some very important info re: paid accounts~
I am not a lawyer, but I can decently interpret legalese and, being as I also suffer from tl;dr syndrome and assume others may as well, I took one for the team and went through the updated TOS for the post+ accounts and highlighted (what I understand to be) the most pertinent information, which ultimately comes down to this:
You cannot monetize copyrighted works (aka charge and earn money from fanfic, fanworks, etc) and if you do decide to put your fanworks behind a paywall via Tumblr, when you are inevitably sued, Tumblr will not protect you and will not defend you and you alone, personally, will be responsible for whatever monetary damages said lawsuit results in.
If anyone is a lawyer and knows I've gotten any of this wrong, please do not hesitate to correct me/this post.
Screenshots taken from Tumblr's TOS (updated 7-21-21), Stripe's Account Agreement, and the post+ FAQs.
1. Your paid account will not be hosted by tumblr; it is routed through a 3rd party.
2. By signing up for a paid account, you're entering into an agreement with Stripe, so in addition to Tumblr's TOS, you are also bound to Stripe's TOS.
3. Stripe, like Tumblr, will not defend you or protect you against any lawsuits.
4. Furthermore, you may end up owing Stripe money (indemnify = compensate)
5. Tumblr's TOS specifically states that you can't put any content on your post+ account that violates any laws, including laws that protect intellectual property rights of others. This is super important, because Tumblr's post+ FAQ also states that you can post anything that you would regularly post on tumblr, which I'm sure many will take to mean that gifsets, fanworks, etc are fair game, since all of that stuff can be posted on tumblr now. However, the difference is, you're not making money from the fanworks you're posting or reblogging now. Once money enters the equation, the game changes.
Tumblr is making it seem like any and all content goes for post+ accounts, knowing 90% of this site is fanworks. This is not true and you'll be opening yourself up for lawsuits if you charge for fanworks.
6. Tumblr further disclaims any and all liability in any legal issues.
tl;dr: Please do not make a post+ account, bc you will be opening yourself to lawsuits and if that happens, Tumblr's response will be not our problem, you agreed to all the terms which said you couldn't do that, sorry not sorry. Please protect yourself.
i don't really understand why you would be pro-zoo. like i understand nature reserves and sanctuaries where people can observe from afar, but it doesn't seem right to me when they're locked up in generally small confined areas for people to watch them do nothing all day. idk maybe i'm getting this wrong, and i still really respect you, i just don't understand this. like i interned at a zoo and felt uncomfortable with how small their living areas were and how they had no stimulation
Zoos don’t look like this anymore.
They look like this:
Good zoos do not keep their animals in “tiny spaces” with no enrichment. I’m not pro-roadside zoo. I’m pro-accredited zoo. Zoos are incredibly important for conservation and education.
Are Zoos Necessary?
The Importance of Zoos: Resource Post
Why Zoos and Aquariums Matter: Assessing the Impact of a Visit to a Zoo or Aquarium
Why I Want to be a Keeper
Why I Believe in Zoos
There should be way more pictures of modern zoos so i just add some more
Seriously zoos do so much important conservation work as well I hate when people shit all over zoos as if the animals are locked up and not looked after
The SF Zoo has two sea lions. Now, if you know SF, you know that sea lions are a Thing. They’re all over Pier 39 and various other beaches in N California. In fact, the zoo is near the ocean, so there are sea lions not 200 yards from the zoo entrance. So having sea lions in the zoo seems sort of superfluous.
Except the sea lions are blind. One was found as an adult after suffering a gun shot wound to the face that destroyed his eyes. The other was found as an adolescent, weak and starving because it had been blinded and unable to hunt. So they were rescued and introduced and the zoo built them a nice pool where they can swim and sunbathe and people toss them fish. It’s not the biggest exhibit, or the fanciest. But it’s a home for them, where they’re safe and well fed. Sea lions aren’t the most romantic of animals, but they’re a part of SF culture and a lot of us have a soft spot for the loud, bulbous things. And because of zoos, these two get to live long, happy lives.
Whenever anyone complains about zoos, I think about Silent Knight and Henry.
I think it’s St. Louis zoo that is saving big cats in Africa. Scientists couldn’t figure out what was killing off the local lion population. They were dying off from Canine Distemper. The local unvaccinated dogs of the towns would spread the disease to other animals or have it themselves. When the lions ate the infected animals they would catch it as well. You know what that Zoo is doing to stop this disease? They are going over to those towns and vaccinating the dogs for free. The community loves it and people from other villages comes for miles to get their dogs vaccinated as well.
They also do work with camel populations because the local human population use the camels for food sources the zoos help monitor the camels health.
Another zoo, I want to say it’s the Oregon zoo but don’t quote me on that, is helping female inmates. The zoo works with the female prisons by encouraging the inmates to assist in the breeding and raising of endangered species of butterflies. They plant the specific plants that the butterflies and catapillars need, raise them, and release them. These inmates get noted in any scientific journals that get published. They are giving these inmates a sense of accomplishment and validation.
Zoos not only save species but bring together and assist communities in an effort to save the environment. Zoos, good zoos, are essential to the future and I will fight anyone who tries to say otherwise.
PS you don’t see PETA doing any of this.
One of the local zoos in my area at one point rescued a bald eagle that had been shot and kept it in the zoo to let it recuperate until they freed it again. Some of the zoos in my state will keep injured animals there until they heal again.
Helsinki Zoo is the world leader in snow leopard and Amur leopard conservation, in their care these endangered species have managed to breed more than anywhere else in captivity and this in turn has enabled the re-introduction of these animals back to their native habitats. https://www.korkeasaari.fi/helsinki-zoo/
I work at a zoo that is instrumental in the California Condor recovery program (among dozens of other conservation projects). We went from 42 surviving individuals left to over 400, over 200 of whom are in the wild. We’re part of the amur leopard species survival plan with two young animals who are eagerly attempting to make babies. We host one of North America’s only bachelor troops of western lowland gorillas, preserving the social structure of wild gorillas. All of our bald eagles are rescues who would not survive in the wild. All our keepers participate in field research and conservation work in addition to a full time team of conservationists. We host the most genetically valuable male Masai giraffe in North America, who has sired 5 offspring with 1 on the way, increasing the genetic diversity of his entire species. If you’re against zoos, you don’t know what zoos do.
Super, SUPER important thread.
Also zoos tend to do a lot of breeding and conservation work with smaller, less charismatic species like invertebrates and amphibians. Those species are extremely important in the ecosystem but don’t get the same notoriety as the charismatic megafauna.
re: st. louis- used to live in that area, and took a class that allowed me to see behind the scenes there and that zoo also does a LOT of conservation work. they've been researching the cause of population decline in hellbenders (a native amphibian that is essential to the local environment) and working on rebuilding that population. they are also (if i recall correctly) one of the few places in the US that collects venom from snakes to process into antivenom. If not them, then I know there are other zoos in the US that do this, which is important.
Flute for the Nøkken by eiryls_nordictales
Animomal on Etsy
Decomposers’ waltz.
roadside diner gothic
Do you know that one diner, just off the little highway outside of town? There’s no other buildings around for miles so there is no telling where the cook and the waitress live. You don’t know the diner? Well it isn’t always there. You’ll only see it if you’re lost on that little highway outside of town. Stop and eat if you do catch sight of it. The food is good, but something is a little different. You can’t be quite sure what.
Silver foil prints came in right before con was cancelled and /oof/ they look good. A much-needed serene gaze for the current times.
They’re available online! Grab ‘em here:
https://www.etsy.com/listing/736744280/moon-owl?ref=shop_home_active_4&pro=1