"I'm Dorothy Gale from Kansas"

Origami Around

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shark vs the universe
Keni
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todays bird
he wasn't even looking at me and he found me
NASA

Kiana Khansmith
Monterey Bay Aquarium
2025 on Tumblr: Trends That Defined the Year
🩵 avery cochrane 🩵
cherry valley forever

❣ Chile in a Photography ❣
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Show & Tell

Love Begins
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Andulka
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@elenilote
Neither femme nor masc but a third more wicked thing....... Boring
okay let's actually do this properly
Where do you write your fics/stories
Word
Google Docs
Scrivener
LibreOffice
Obsidian/Notion
ProtonDocs
Notes App
Directly into AO3
Ellipsus
Handwriting
Other (explain in tags?)
me watching monsters inc as a kid: how did it take so long for anyone to figure out that human child laughter not only produced energy like screams, but was more effective, and that children aren’t actually dangerous at all?
me watching monsters inc now: monsters incorporated, a multi-billion dollar corporate giant, stood to make extra profits off a scream shortage because low supply with high demand makes it possible to charge a fortune for a necessary commodity and everyone has no choice but to pay the high prices because they can’t go without electricity. Therefore Monsters Inc, as well as any other major powers that may have existed at the start of the era of using scream energy, fabricated the idea that only screams could generate sustainable energy sources in order to create artificial scarcity, because laugh energy was far easier to obtain and far more efficient, and therefore stood to lower the value of energy due to surplus. They also fabricated the idea that human children were toxic, in order to a) make other monsters too afraid to go near them to do research and possibly discover the secret of laugh energy, and b) to make monsters so afraid of going near them that there is a shortage of scarers, making it harder for rival companies to rise up and create competition. Even in the monster world, capitalism is based on lies, greed and cruelty, and even monster companies have no qualms about using and abusing children to maximize profits.
Watching people understand the plot lol
damn u right sorry i didn’t understand the complexities of capitalist propaganda when I was 4, I’ll try to be a better person going forward 🙏
I feel like this theory ignores the differences between Monsters, Inc and (real world) fossil fuel industry.
Switching from from Scream to Laughter is a lot easier than switching from being a coal or oil plant to, e.g. Solar. It’s the same technology (closet doors) and the same distribution and collection system. The only change is the front line workers, and given that laughter is so much more powerful, even a bad comedian could keep their job.
Waternoose isn’t running the De Beers company, happily creating/exploiting a fake shortage to get richer. The City is suffering from regular brownouts and he’s about to lose the Company, that’s why he needed to start kidnapping and soul-sucking random kids. If he knew about Laughter, he could’ve switched over for the cost of a few nights of comedy training for the scarers.
“Corrupt Executives will do horrible things to stay in business” is true; “Corrupt executives will ignore obvious, cheap, and legal solutions to problems even as they’re about to lose their riches” is not.
The funny thing is, the movie does have things to say about Capitalism and Business, it’s just not what OP insists it is.
Monsters, Incorporated, in the movie, is the lie of the Old Company, and Sully is the Company Man. If you show up, and do your work, the Company will take care of you and your community. Sully is proud to be a Scarer, not because it proves he’s cool or because he’s the best, but because hes proud to be part of this Great Work that supports the city. Monsters, Inc makes electricity and he gets to be part of that.
Mr Waternoose isn’t his Boss, some old coot in charge who doesn’t get the little guy: he’s a former scarer himself, a mentor to Sully. He might own and run the factory because it’s been in his family for generations, but he gets it! He presents himself as wanting good scarers not just because it makes him money but because the Company Needs It. He doesn’t want to lose the company not just because he wants to be rich but because he’s presenting himself as part of a system the city needs.
It’s a very out of the 50s idea, the company you work for your whole life and in exchange it takes care of you. It’s a very liberal sort of idea, honestly, this marriage of Labor and Capital.
And the film’s criticism is that The Company was a lie, it was not this happy family here to care for you, it was willing to do atrocities to keep from collapsing and it was willing to kill anyone—even the Golden Boy Sully—that might threaten that. You cannot, actually, trust Waternoose, however he presents himself—he is not your Dad, he is your Boss.
It’s a kids movie, of course, and not a strong polemic against the system—so it does end with the same system in place, Screams changed to Laughter and the Evil CEO replaced with a Good Boss.
King Icarius of Sparta teaching his daughter Penelope how to walk.
"I did not realise then, that the steps I taught you to take would one day lead you to walking far away from me"
— commissioned from the talented sammilcoisas!
i found the absolute hottest take of 2017
NO
Me: feeds my hermit crabs bc I enjoy the hobby of their husbandry
Someone who got all their feminist theory from Tumblr: actually you’re doing that because of the patriarchy and it’s unpaid emotional labor :/ liberate yourself :/
@whomever tf wrote that text, I’m truly sorry that your cats don’t love you
It’s now problematic.. to like cats…?
I read the article and apparently this person genuinely thinks cats have the foresight and mental capacity to manipulate people?
We love cats because we understand something doesn’t need to obey us to love us. If we’re going to go all feminist about the situation.
omfg my post. I made this lmfao
omfg you ppl can't do anything
as a fat person who's always clamoring for more interesting fat characters in media, I honestly think one of my all-time favorite depictions of a fat character is Jumba from the original Lilo and Stitch - both visually and personality wise
from a design perspective, even though he's an alien, he has so many little anatomy quirks that make him a more believable fat character than many fat human designs in other media. I love the realistic sag and layering of the fat on his arms, the lack of neck definition, the rim of chub around his face and upper back, the way his back is rounded. his clothes pull taut and pinch in anatomically accurate places (e.g. shoulders are firmer = smoother outlines, the sides and back are squishier = bumpier outlines).
and he's stylized so well! all these great details boiled down to some simple shapes and pen strokes. IMO the Lilo and Stitch art style is extremely appealing - it's warm and clean and visually pleasing, but every character is super unique. Jumba isn't supposed to be pretty, but even though he's a very large, very fat, bald older guy who spends most of the movie in crop tops, the way he's stylized and staged makes it clear the audience is supposed to find him interesting to look at, and variably intimidating/cool/powerful/capable. he's often funny, but the physical aspect of his comedy is derived from being so hefty the other characters struggle to prevent him from barreling ahead and doing whatever he wants; being fat makes him come off more in control of the funny situations he gets into, not less. also, because the art style is what it is, a lot of his character acting also just makes him look kind of cute ... though that's universal across the cast
I also really like the fact that his size clearly gives him both realistic advantages and realistic disadvantages. along with having a stronger sense of agency in the comedic scenes, his size in combination with his impulsivity also makes him a more intimidating antagonist. you never know what he's going to do, and his size makes it difficult for other characters to stop him when he's made up his mind. at the same time, it seems to take him longer to catch his breath, he sometimes grunts when moving around a lot to imply it takes more effort, and he clearly struggled to find clothes that fit him when putting together his disguise. I think it's awesome that the character's size impacts how he interacts with the world so much, and again, in relatable ways
and personality wise, it is ALWAYS great to see fat characters portrayed as intelligent - not only is Jumba an accomplished scientist, he's also crafty and witty! a few quiet scenes imply a philosophical side, as he ponders on Stitch's existence and feelings as a living weapon. with Stitch explicitly being made in his own image to an extent, I'd argue there's even room to interpret some of the things he says about Stitch being hints to how he sees himself; we never learn much about Jumba's past, but it's clear he's a social misfit and strongly defiant. I don't think it's a stretch to assume some of what he said to Stitch about being a monster who can never belong anywhere was intended to read as projection (which makes it all the more heartwarming when both of them find a place to belong on Earth)
it's also a nice twist that toward the end, Jumba is the one who is unexpectedly compassionate toward Nani, while Pleakley tries to urge him to ignore her. again alluding to a level of emotional depth and intelligence that is often missing from even well-intentioned depictions of fat people. his character isn't even fully explored, and yet he's one of the most dynamic and interesting supporting characters in a movie full of fantastic characters. the audience is expected to find him fascinating and even sort of mysterious, and he is!
the sequels and spinoffs were more merchandise-driven franchise fluff for kids than the artsy direction of the original movie, but even so, I remember Jumba went on to become Lilo's lovable, amoral uncle figure, which I also thought was so fun as a kid. I love that they committed to the fact that he was more caring and compassionate than he seemed. not only was he a cool evil mad scientist character, but he was also eventually ... a friend ...
and he was even gay
I am a huge fan of retiring to my quarters
In this economy you'll be lucky to retire to your nickels
i think i found my new favorite artist on twitter
(source)
👆 me
i agree so much about making your blorbos pathetic but i do fear that many take this to mean 'make them more traditionally feminine/submissive' which genuinely hurts my soul. make your blorbos pathetic in interesting character-oriented ways. understand their neuroses and turn the dials up to eleven. juxtapose the parts of life they handle extremely well with the parts of their lives that make them eat shit. make them angry. make them cold. make them pave their own way to hell while building walls preventing them from seeing any other way. please i'm begging you no more pathetic as an euphemism for bottoming im gonna mclose it.
Last year, I befriended a Catholic seminarian. We've gotten to be pretty decent friends. Seeing as he was staying in town for the summer and I wasn't, I entrusted him with caring for my plant.
He did a wonderful job, but as he was returning my plant to my custody, he explained "I watered her every other day, I gave her new dirt, moved her into the sunshine, prayed the rosary-"
"What?"
He looked at me, confused. "Isn't she a plant you pray with?"
"No," I said slowly. "She's a prayer plant. That's the... colloquial name of the plant."
Upon seeing his stricken face, I realized something went wrong. Turns out, this entire time, he's been including my plant in on his prayers and leaving her near icons.
Listen, totally cool. My plant becoming Catholic is a great deal for her not dying over the summer. But now I must navigate this interfaith household. Keep me in your thoughts.
ENOUGH “submissive and breedable”. what about “bloody, eyes glinting with resentful rage, and breedable” huh. what about that.
Keeping an alive tumblr in 2026 is proof of one's sincerity and authenticity - a type of person who enjoys posting for the sake of it with absolutely nothing to be gained....just the enjoyment of curation and self expression untainted by opportunity and relevance
today i learned that the finnish word for ‘hazardous waste’ is ongelmajäte, which can also translate as ‘problematic garbage’ and my roommate and i immediately agreed this is a word that belongs on tumblr.
Your fave is ongelmajäte
in german it’s Sondermüll which means special trash and that too belongs on tumblr
One man’s ongelmajäte is another man’s sondermüll.