
tannertan36
wallacepolsom
KIROKAZE

JBB: An Artblog!

Love Begins

blake kathryn

titsay

Kaledo Art
TVSTRANGERTHINGS
RMH
trying on a metaphor
Jules of Nature
Stranger Things
Peter Solarz
ojovivo
Aqua Utopia|海の底で記憶を紡ぐ
Show & Tell
No title available
"I'm Dorothy Gale from Kansas"
dirt enthusiast
seen from Indonesia

seen from Tunisia

seen from South Africa

seen from Argentina

seen from Germany
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from Germany
seen from Türkiye
seen from United States

seen from United States
seen from Philippines

seen from Russia

seen from United States
seen from Czechia
@fuyunokikyou
Ha I wonder how many strokes the most complex Chinese character has like maybe eightee-
Has a Chinese son, names him bèng-dá, and he hates me
My beloved son 䨻龘 just trying to write his name in kindergarten
Mozilla’s privacy-heavy browser is flatlining. What it does next is crucial for the future of the web.
Despite some of its misses, Firefox still matters. Mozilla is pushing companies to be more private, and its key product is different at its core. The browser market is dominated by Google’s Chromium codebase and its underlying browser engine, Blink, the component that turns code into visual web pages. Microsoft’s Edge Browser, Brave, Vivaldi, and Opera all use adapted versions of Chromium. Apple makes developers use its WebKit browser engine on iOS. Other than that, Firefox’s Gecko browser engine is the only alternative in existence.
“This market needs variety,” Willemsen says. If Firefox diminishes further, there’ll be less competition for Chrome. “We need that difference for open internet standards, for the sake of preventing monopolies,” Willemsen says. Others agree. Everyone we spoke with for this story—inside and outside of Mozilla—says having Firefox flourish makes the web a better place. The trick is figuring out how to get there.
Download and start using Firefox if you don’t already, I made the switch back to Firefox after not using it for years and being a chrome person until 2020 and have never regretted it
firefox is so amazing. Seriously. If you haven’t, give it a try. At the very least, you can watch youtube videos with 0 (zero) ads.
how to stop isolating yourself?? the answer is give up on code and hidden messages. love fully and loudly and truthfully and always. be deliberate. be open. feel everything. but won’t it be hard? won’t it hurt? yes!!!! yes.
I think that more fanfiction should be written with the aim to tackle the original meaning of hanahaki. Because when the concept of hanahaki disease was originally created, it was intended to be a metaphor for suppressing one’s feelings.
Your feelings are this beautiful garden of flora inside of your chest. When you express how you feel honestly, you allow for it to grow freely. But when you hide how you feel out of fear of rejection, and try to make it smaller and smaller, the flowers become cramped inside of you, until you choke on your own feelings. Every flower you cough up is something you’ve felt, but refused to say.
The whole “dying” thing is intended to be more symbolic especially. You’re killing off bits and pieces of yourself and how you feel, because you’re afraid to express yourself.
It’s not really supposed to be, “The one I love doesn’t love me back, and I’m dying from it.” Rather, it’s more along the lines of, “Repressing your emotions is bad for you, and it’s better and healthier to express them freely, even when it’s scary.”
Which is to say that, one, the cure for the disease should be telling the person that you are in love with how you feel. How the other person feels about the person afflicted should have nothing to do with it, as the trope is meant to be about feeling your emotions unapologetically.
And that, two, it’s not an inherently romantic trope. Obviously, it has romantic applications, but it can be written for any situation where a character is hiding how they truly feel. This can include a refusal to address a specific trauma, a desire to indulge in something that they’re ashamed of, and even really practical things, like wanting to ask one’s boss for a higher position.
Although (as an aromantic person myself) I don’t agree with this conclusion about the trope, this application would also avoid people calling it arophobic. When the thing killing the character is a refusal to be honest with themselves, rather than an unrequited love, it’s on nobody’s hands but their own to save their life.
There are a ton of ways that this interpretation of the hanahaki disease could be applied in new and interesting ways in fanfiction, and I’d love to read what things people could come up with!
was in the car with my friend when I saw the car we passed had the license plate "SADNESS" and I went oh wait we gotta slow down so I can get a pic, but every time we went slower the other car also slowed down. so I looked behind us to see what was going on and the passenger also had their phone up and wheezing the same way I was, and that's when I remembered my friend's license plate is "LOSSJPG"
you think I would do that? just go on the internet and tell lies?
to put it simply, the right people will get you. you will not have to fight for breadcrumbs of love. you will not have to beg for attention. the right people will love you freely and easily, and will carve out space in their life for you. the right people will check up on you on your bad days & laugh with you on your good. you will find friends who embrace every part of you, and who will push you to grow. someday, any trace of those who hurt you will be filled with warmth from those who never will.
microdosing on catharsis by watching a fictional character or persona i relate to have an emotional breakdown until my chest starts to ache from the amount i've repressed
Tumblr staff: ten options is enough for polls, right? No one needs more than that on a regular basis. The average tumblr user: Hey guys which element of the periodic table do you think is the most fuckable?
to be fair this is the only thing protecting us from Do You Love The Colour Of The Poll
Day 812: 🐢 & 🥽
Ko-Fi | Patreon
idk who needs to hear this rn but suffering is not noble. take the tylenol
One time when I was younger I was refusing to take headache medicine and my mom said “the person who invented that medicine is probably so sad you won’t let them help you” and now every time I find myself denying medicine I just imagine the saddest scientist making those big wet eyes like “why won’t you let me help” and whoop then I take the medicine
scientist when you don't take the medicine they developed to help your pain
As long as you are taking a SAFE dose of it, then it's *good* for you. Pain is bad for the body. The inflammation from prolonged pain can worsen chronic issues and make it harder to heal.
Ibuprofen is best for pain that has inflammation, while acetaminophen doesn't help with inflammation but is more broadly effective on other types of pain. As long as you are taking the recommended dose, you can even take them TOGETHER, since they have different mechanisms of action.
You do need to be aware of how much and how often you are taking any pain medication. Overdoses can be very painful (even lethal.) And if you are in chronic pain often enough that you need more than the safe dose, then you need to look into other medications to manage that pain.
(Also, if you are specifically taking Acetaminophen/Tylenol for your go-to pain management, getting some NAC and taking that with it reduces the risk of overdose AND may strengthen the effect.)
One other thing: NSAIDS (ibuprofen, aspirin, and naproxen being the three big ones) can cause digestive issues with chronic use, including stomach ulcers. That doesn't mean "don't take them," it means "if you're at the point where you're on them all the time, every day, constantly, you should talk to a doctor about either reducing that risk or switching to another medication that doesn't have those side effects."
this is making me CRY
POV you are Benny
Unmute !
Thought process of announcers: why don’t we get another ball…?
OR MayBE WE SHOULD GET A CHEERLEADER! THEY’RE USED TO GOING UP HIGH
OH LOOK, THE CHEERLEADER HAS DONE IT
You ever think about how they made the minions immortal so that they wouldn’t have to explain how they reproduce
?? they made the minions immortal???
Yeah it’s like the same 200 minions forever
They also trapped them in the Arctic for a long time so they wouldn’t have to show them working for hitler because canonically they’re evil and serve the most evil master around and they’re clearly ok with serving dictators because they were depicted helping Napoleon so the solution to keep hitler out of the story was just to trap the yellow blobs on an iceberg.
So these things have been alive since the dinosaurs and are basically minor spirits or gods that exist to serve the side of evil and during that whole time they remained grossly incompetent.
Does the universe in despicable me want evil to fail or win? Or are these stupid yellow sexless idiots meant to keep a balance of some kind? Because they do not seem to have a niche in any ecosystem that I know of so their origin must be divine somehow.
since the minions are technically the last of their kind (since they seem to not be able to reproduce) does this mean that they are a protected species?
See, I don’t think that they’re a species. I think that they’re something else. Because everything else in that universe seems to follow ordinary rules of evolution but the same however many hundred minions keep changing their appearance and not dying. I think that the minions were intelligently designed.
Roman, my guy, are you really saying that minions are evidence of a god in despicable me lore?
Not god per se but… something.
Evil vs good. Evil made minions, good made them stupid yellow blobs
So are you positing that maybe they came to be because of some primordial yin/yang type battle between energies in the ocean or something?
But they have to reproduce somehow, there are way more minions in the Despicable Me movies than the Minions movie
there's a blueprint hanging on a wall in the first movie that shows Gru developed a way to create minions out of corn kernels
please i don’t want to learn these things
No one wants to talk about the fact that they worked with Napoleon means the minions canonically participated in the trans Atlantic slave trade
Finally a new observation that doesn’t have to do with corn
At 18, everyone receive a superpower. Your childhood friend got a power-absorption, your best friends got time control, and they quickly rise into top 100 most powerful superheroes. You got a mediocre superpower, but somehow got into the top 10. Today they visit you asking how you did it.
“Power absorption?” you ask him over your pasta, which you are currently absorbing powerfully. in the background, a tv is reading out what the Phoenix extremeist group has done recently. bodies, stacking.
tim nods, pushing his salad around. “it’s kind of annoying.” he’s gone vegan ever since he could talk to animals. his cheeks are sallow. “yesterday i absorbed static and i can’t stop shocking myself.”
“you don’t know what from,” shay is detangling her hair at the table, even though it’s not polite. about a second ago, her hair was perfect, which implies she’s been somewhere in the inbetween. “try millions of multiverses that your powers conflict with.”
“did we die in the last one?” you grin and she grins and tim grins but nobody answers the question.
now she has a cut over her left eye and her hair is shorter. she looks tired and tim looks tired and you look down at your 18-year-old hands, which are nothing.
they ship out tomorrow. they go out to the frontlines or wherever it is that superheroes go to fight supervillains; the cream of the crop. the starlight banner kids.
“you both are trying too hard,” you tell them, “couldn’t you have been, like, really good at surfing?”
“god,” shay groans, “what i’d give to only be in the olympics.”
xxx in the night, tim is asleep. on the way home, he absorbed telekinesis, and hates it too.
shay looks at you. “i’m scared,” she says.
you must not have died recently, because she looks the same she did at dinner, cut healing slowly over her eye the way it’s supposed to, not the hyper-quickness of a timejump. just shay, living in the moment when the moment is something everyone lives in. her eyes are wide and dark the way brown eyes can be, that swelling fullness that feels so familiar and warm, that piercing darkness that feels like a stone at the back of your tongue.
“you should be,” you say.
her nose wrinkles, she opens her mouth, but you plow on.
“they’re going to take one look at you and be like, ‘gross, shay? no thanks. you’re too pretty. it’s bringing down like, morale, and things’. then they’ll kick you out and i’ll live with you in a box and we’ll sell stolen cans of ravioli.”
she’s grinning. “like chef boyardee or like store brand?”
“store brand but we print out chef boyardee labels and tape them over the can so we can mark up the price.”
“where do we get the tape?”
“we, uh,” you look into those endless dark eyes, so much like the night, so much like a good hot chocolate, so much like every sleepover you’ve had with the two of your best friends, and you say, “it’s actually just your hair. i tie your hair around the cans to keep the label on.”
she throws a pillow at you.
you both spend a night planning what you’ll do in the morning when shay is kicked out of Squadron 8, Division 1; top rankers that are all young. you’ll both run away to the beach and tim will be your intel and you’ll burn down the whole thing. you’re both going to open a bakery where you will do the baking and she’ll use her time abilities to just, like, speed things up so you don’t have to wake up at dawn. you’re both going to become wedding planners that only do really extreme weddings.
she falls asleep on your shoulder. you do not sleep at all.
in the morning, they are gone.
xxx
squadron 434678, Division 23467 is basically “civilian status.” you still have to know what to expect and all that stuff. you’re glad that you’re taking extra classes at college; you’re kind of bored re-learning the stuff you were already taught in high school. there are a lot of people who need help, and you’re good at that, so you help them.
tim and shay check in from time to time, but they’re busy saving the world, so you don’t fault them for it. in the meantime, you put your head down and work, and when your work is done, you help the people who can’t finish their work. and it kind of feels good. kind of.
xxx
at twenty, squadron 340067, division 2346 feels like a good fit. tim and you go out for ice cream in a new place that rebuilt after the Phoenix group burned it down. you’ve chosen nurse-practitioner as your civilian job, because it seems to fit, but you’re not released for full status as civilian until you’re thirty, so it’s been a lot of office work.
tim’s been on the fritz a lot lately, overloading. you’re worried they’ll try to force him out on the field. he’s so young to be like this.
“i feel,” he says, “like it all comes down to this puzzle. like i’m never my own. i steal from other people’s boxes.”
you wrap your hand around his. “sometimes,” you say, “we love a river because it is a reflection.”
he’s quiet a long time after that. a spurt of flame licks from under his eyes.
“i wish,” he says, “i could believe that.”
xxx
twenty three has you in squad 4637, division 18. really you’ve just gotten here because you’re good at making connections. you know someone who knows someone who knows you as a good kid. you helped a woman onto a bus and she told her neighbor who told his friend. you’re mostly in the filing department, but you like watching the real superheroes come in, get to know some of them. at this level, people have good powers but not dangerous ones. you learn how to help an 18 year old who is a loaded weapon by shifting him into a non-violent front. you get those with pstd home where they belong. you put your head down and work, which is what you’re good at.
long nights and long days and no vacations is fine until everyone is out of the office for candlenights eve. you’re the only one who didn’t mind staying, just in case someone showed up needing something.
the door blows open. when you look up, he’s bleeding. you jump to your feet.
“oh,” you say, because you recognize the burning bird insignia on his chest, “I think you have the wrong office.”
“i just need,” he spits onto the ground, sways, collapses.
well, okay. so, that’s, not, like. great. “uh,” you say, and you miss shay desperately, “okay.”
you find the source of the bleeding, stabilize him for when the shock sets in, get him set up on a desk, sew him shut. two hours later, you’ve gotten him a candlenights present and stabilized his vitals. you’ve also filed him into a separate folder (it’s good to be organized) and found him a home, far from the warfront.
when he wakes up, you give him hot chocolate (god, how you miss shay), and he doesn’t smile. he doesn’t smile at the gift you’ve gotten him (a better bulletproof vest, one without the Phoenix on it), or the stitches. that’s okay. you tell him to take the right medications, hand them over to him, suggest a doctor’s input. and then you hand over his folder with a new identity in it and a new house and civilian status. you take a deep breath.
he opens it and bursts into tears. he doesn’t say anything. he just leaves and you have to clean up the blood, which isn’t very nice of him. but it’s candlenights. so whatever. hopefully he’ll learn to like his gift.
xxx
squadron 3046, division 2356 is incredibly high for a person like you to fit. but still, you fit, because you’re good at organization and at hard work, and at knowing how to hold on when other people don’t see a handhold.
shay is home. you’re still close, the two of you, even though she feels like she exists on another planet. the more security you’re privy to, the more she can tell you.
you brush her hair as she speaks about the endless man who never dies, and how they had to split him up and hide him throughout the planet. she cries when she talks about how much pain he must be in.
“can you imagine?” she whispers, “i mean, i know he’s phoenix, but can you imagine?”
“one time i had to work retail on black friday,” you say.
she sniffles.
“one time my boss put his butt directly on my hand by accident and i couldn’t say anything so i spent a whole meeting with my hand directly up his ass,” you say.
her eyes are so brown, and filling, and there are scars on her you’ve never noticed that might be new or very, very, very old; and neither of you know exactly how much time she’s actually been alive for.
“i mean,” you say, “yeah that might hurt but one time i said goodbye to someone but they were walking in the same direction. i mean can you imagine.”
she laughs, finally, even though it’s weakly, and says, “one time even though i can manipulate time i slept in and forgot to go to work even though i was leading a presentation and i had to look them in the face later to tell them that.”
“you’re a compete animal,” you tell her, and look into those eyes, so sad and full of timelines you’ll never witness, “you should be kicked out completely.”
she wipes her face. “find me in a box,” she croaks, “selling discount ravioli.”
xxx
you don’t know how it happens. but you guess the word gets around. you don’t think you like being known to them as someone they can go to, but it’s not like they’ve got a lot of options. many of them just want to be out of it, so you get them out, you guess.
you explain to them multiple times you haven’t done a residency yet and you really only know what an emt would, but they still swing by. every time they show up at your office, you feel your heart in your chest: this is it, this is how you die, this is how it ends.
“so, like, this group” you say, trying to work the system’s loopholes to find her a way out of it, “from ashes come all things, or whatever?”
she shrugs. you can tell by looking at her that she’s dangerous. “it’s corny,” she says. another shrug. “i didn’t mean to wind up a criminal.”
you don’t tell her that you sort of don’t know how one accidentally becomes a criminal, since you kind-of-sort-of help criminals out, accidentally.
“i don’t believe any of that stuff,” she tells you, “none of that whole… burn it down to start it over.” she swallows. “stuff just happens. and happens. and you wake up and it’s still happening, even though you wish it wasn’t.”
you think about shay, and how she’s covered in scars, and her crying late at night because of things nobody else ever saw.
“yeah,” you say, and print out a form, “i get that.”
and you find a dangerous woman a normal home.
xxx
“you’re squadron 905?”
“division 34754,” you tell him. watch him look down at your ID and certification and read your superpower on the card and then look back up to you and then back down to the card and then back up at you, and so on. he licks his chapped lips and stands in the cold.
this happens a lot. but you smile. the gatekeeper is frowning, but then hanson walks by. “oh shit,” he says, “it’s you! come right on in!” he gives you a hug through your rolled-down window.
the gatekeeper is in a stiff salute now. gulping in terror. hanson is one of the strongest people in this sector, and he just hugged you.
the gate opens. hanson swaggers through. you shrug to the gatekeeper. “i helped him out one time.”
inside they’re debriefing. someone has shifted sides, someone powerful, someone wild. it’s not something you’re allowed to know about, but you know it’s bad. so you put your head down, and you work, because that’s what you’re good at, after all. you find out the gatekeeper’s name and send him a thank-you card and also handmade chapstick and some good earmuffs.
shay messages you that night. i have to go somewhere, she says, i can’t explain it, but there’s a mission and i might be gone a long time.
you stare at the screen for a long time. your fingers type out three words. you erase them. you instead write where could possibly better than stealing chef boyardee with me?
she doesn’t read it. you close the tab.
and you put your head down. and work.
xxx
it’s in a chili’s. like, you don’t even like chili’s? chili’s sucks, but the boss ordered it so you’re here to pick it up, wondering if he gave you enough money to cover. things have been bad recently. thousands dying. whoever switched sides is too powerful to stop. they destroy anyone and anything, no matter the cost.
the phoenix fire smells like pistachios, you realize. you feel at once part of yourself and very far. it happens so quickly, but you feel it slowly. you wonder if shay is involved, but know she is not.
the doors burst in. there’s screaming. those in the area try their powers to defend themselves, but everyone is civilian division. the smell of pistachios is cloying.
then they see you. and you see them. and you put your hands on your hips.
“excuse me, tris,” you say, “what are you doing?”
there’s tears in her eyes. “i need the money,” she croaks.
“From a chili’s?” you want to know, “who in their right mind robs a chili’s? what are you going to do, steal their mozzarella sticks?”
“it’s connected to a bank on the east wall,” she explains, “but i thought it was stupid too.”
you shake your head. you pull out your personal checkbook. you ask her how much she needs, and you see her crying. you promise her the rest when you get your paycheck.
someone bursts into the room. shouts things. demands they start killing.
but you’re standing in the way, and none of them will kill you or hurt you, because they all know you, and you helped them at some point or another, or helped their friend, or helped their children.
tris takes the money, everyone leaves. by the time the heroes show up, you’ve gotten everyone out of the building.
the next time you see tris, she’s marrying a beautiful woman, and living happily, having sent her cancer running. you’re a bridesmaid at the wedding.
xxx
“you just,” the director wants to know now, “sent them running?”
hanson stands between her and you, although you don’t need the protection.
“no,” you say again, for the millionth time, “i just gave her the money she needed and told her to stop it.”
“the phoenix group,” the director of squadron 300 has a vein showing, “does not just stop it.”
you don’t mention the social issues which confound to make criminal activity a necessity for some people, or how certain stereotypes forced people into negative roles to begin with, or how an uneven balance of power punished those with any neurodivergence. instead you say, “yeah, they do.”
“i’m telling you,” hanson says, “we brought her out a few times. it happens every time. they won’t hurt her. we need her on our team.”
your spine is stiff. “i don’t do well as a weapon,” you say, voice low, knowing these two people could obliterate you if they wished. but you won’t use people’s trust against them, not for anything. besides, it’s not like trust is your superpower. you’re just a normal person.
hanson snorts. “no,” he says, “but i like that when you show up, the fighting just… stops. that’s pretty nice, kid.”
“do you know… what we are dealing with…. since agent 25… shifted….?” the director’s voice is thin.
“yeah,” hanson says, “that’s why i think she’d be useful, you know? add some peace to things.”
the director sits down. sighs. waves her hand. “whatever,” she croaks, “do what you want. reassign her.”
hanson leads you out. over your shoulder, you see her put her head in her hands. later, you get her a homemade spa kit, and make sure to help her out by making her a real dinner from time to time, something she’s too busy for, mostly.
at night, you write shay messages you don’t send. telling her things you cannot manage.
one morning you wake up to a terrible message: shay is gone. never to be seen again.
xxx
you’re eating ice cream when you find him.
behind you, the city is burning. hundreds dead, if not thousands.
he’s staring at the river. maybe half-crying. it’s hard to tell, his body is shifting, seemingly caught between all things and being nothing.
“ooh buddy,” you say, passing him a cone-in-a-cup, the way he likes it, “talk about a night on the town.”
the bench is burning beside him, so you put your jacket down and snuff it out. it’s hard sitting next to him. he emits so much.
“hey tim?” you say.
“yeah?” his voice is a million voices, a million powers, a terrible curse.
“can i help?” you ask.
he eats a spoonful of ice cream.
“yeah,” he says eventually. “i think i give up.”
xxx
later, when they praise you for defeating him, you won’t smile. they try to put you in the media; an all-time hero. you decline every interview and press conference. you attend his funeral with a veil over your head.
the box goes into the ground. you can’t stop crying.
you’re the only one left at the site. it’s dark now, the subtle night.
you feel her at your side and something in your heart stops hurting. a healing you didn’t know you needed. her hands find yours.
“they wanted me to kill him,” she says, “they thought i’d be the only one who could.” her hands are warm. you aren’t breathing.
“beat you to it,” you say.
“i see that,” she tells you.
you both stand there. crickets nestle the silence.
“you know,” she says eventually, “i have no idea which side is the good one.”
“i think that’s the point of a good metaphor about power and control,” you say, “it reflects the human spirit. no tool or talent is good or bad.”
“just useful,” she whispers. after a long time, she wonders, “so what does that make us?”
xxx
it’s a long trek up into the mountains. shay seems better every day. more solid. less like she’s on another plane.
“heard you’re a top ten,” she tells me, her breath coming out in a fog. you’ve reclassed her to civilian. it took calling in a few favors, but you’ve got a lot.
“yeah,” you say, “invulnerable.”
“oh, is that your superpower?” she laughs. she knows it’s not.
“that’s what they’re calling it,” you tell her, out of breath the way she is not, “it’s how they explain a person like me at the top.”
“if that means ‘nobody wants to kill me’, i think i’m the opposite.” but she’s laughing, in a light way, a way that’s been missing from her.
the cabin is around the corner. the lights are already on.
“somebody’s home,” i grin.
tim, just tim, tim who isn’t forced into war and a million reflections, opens the door. “come on in.” xxx squadron one, division three. a picture of shay in a wedding dress is on my desk. she looks radiant, even though she’s marrying little old me.
what do i do? just what i’m best at. what’s not a superpower. what anyone is capable of: just plain old helping.
I don't even know how to feel about these
Unlike billionaires, pickpockets often recognize they have a lot in common with the potential victims of their crime.
This reminds me of Rhys Nicholson the comedian who got mugged and the mugger said "I promise this isn't a hate crime, my sister is a lesbian im pro gay rights"
this is missing the one story about the guy who got mugged in Germany by teenagers who referred to him with “Sie” the entire time
My friend’s little brother (non-verbal) used to hide people’s shoes if he liked the person, because it meant they had to stay longer. The more difficult it was to find your shoes, the more he liked you.
One day my cousin came over, and she was a bitch. When it was time to leave, my friend’s brother handed her shoes directly to her and she went on and on about how he must have a crush on her because he only “helped” her.