just gotta throw my all-time favourite Giles scene into the mix
RIP Anthony Head, a truly generational talent.
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@gossyreblogs
just gotta throw my all-time favourite Giles scene into the mix
RIP Anthony Head, a truly generational talent.
already kicking the hornet’s nest by criticizing Tolkien today so I may as well praise Steven Universe lmao. I listened to a few of the better songs last night and man that show really grappled with a level of interpersonal emotional complexity that even adult shows rarely handle. at the time all valid criticisms of the show really got lost in the deluge of arguments that boiled down to “it’s bad to depict toxic dynamics between humanized characters who care about each other” which lol.
obviously it was groundbreaking for depicting lesbian relationships and genderfluid characters but it was really quite a nuanced depiction of like. the parentified child forced to bear the burden of emotional intelligence because no one else will or can. Rose as a benevolent antagonist who’s avoidant and inconsiderate to the point of profound cruelty and the frustration of not really being able to have the catharsis of properly hating your mother. everthing going on with pearl lmao. genuinely a very ambitious exploration of what it means to hurt and be hurt by the people you love and the kind of toxic baggage literally everyone carries into their relationships without intending to. didn’t always hit the mark of course but imho it was usually a smarter show than tumblr gives it credit for.
@shrimpyfellow you mean like this?
I was a really soft-hearted little kid who cried a lot and liked to play games about making big families and nurturing things, which, since I was a boy, meant I got the shit kicked out of me a lot by other boys for being girly. Boys were supposed to be tough and fight and compete and try to be the best, you see, that's how our imagination games were supposed to go. And that's what media aimed at boys when I was a kid focused on - heroes who beat the shit out of people and are tough and don't cry et cetera et cetera.
And I learned to like that and see the appeal in that, sure. There are lots of stories that were made for an audience of little boys that I ended up liking. But I always wanted something that told me boys like me, who didn't want to be violent or competitive, who liked nurturing things and making friends, who avoided fights whenever allowed, were valid.
So I was really happy when Steven Universe came around and was exactly that - the kind of show a sensitive little boy like I used to be would have killed to see. And very shortly after that I was crushed when the growing criticism of the show repeated the refrain that it was bad mainly because Steven was a pacifist who cried and didn't want to be violent and liked nurturing things and making friends instead of killing people. I wasn't surprised, no, it made perfect sense people would hate it for being that, but I was crushed all the same.
Our society only accepts a very narrow definition of masculinity, and kindness isn't allowed to play a very big role in it. That's one of the reasons I quit it.
Anyway, I'm a daycare teacher now, and one of the kids in my class is a really sensitive little boy with big feelings and a bigger heart, who acts very nurturing to his little 3-D printed dragons, and gets very upset at how mean and rude the other little boys can be when they're trying to prove they're mature and tough. Recently he's been talking to me about a show he found and has fallen in love with called Steven Universe, and I've been delighted to hear him regale me about how much he loves it. I bet it's doing him some real good to see that it's ok for a little boy like him to have a big heart and to want to make friends instead of fight all the time. He's making up his own crystal gem OC too, isn't that nice?
watching s1/2/3 of farscape: oh i get it, while scorpius' torture of john only extends to what we saw on screen with the aurora chair, the violation of his mind and memories is a sci-fi plot device standing in for 'violation' as a concept, and can be applied in a number of ways to represent kinds of violation other than mind-reading, such as sexual assault (which is why the text so often references sexual violence in an oblique way in relation to it). john's jokes about scorpius 'screwing him' or telling him to 'find another girlfriend' show us that he is sometimes processing that violation through a sexual lens, likely related to real-world ideas of power and masculinity and his difficulty confronting his own victimhood. the show links scorpius to the idea of sexual violence to give a sense of real-world threat to his otherwise more abstract sci-fi violation of john's memories.
s4 of farscape: wrong. not a metaphor. here's john getting unambiguously drugged and raped by a woman on screen and saying at least it was better than what scorpius did to him. and a dozen other heavy handed scenes implying scorpius was a straightforward literal rapist in case that wasnt clear enough.
farscape 🤝 twin peaks
cultural footprint fools you into thinking its silly/quirky/absurd and then you watch it and its very explicitly about sexual violence. seriously why dont people talk about the sexual violence more the central character is a rape victim ik some parts of it are silly but why is this not the main takeaway
Reigen’s whole involvement in the season 1 Claw arc is extremely funny on its own but I’ve decided it’s funniest of all from Teru’s POV.
This man shows up to the cell you’re being detained and Kageyama addresses him as master. Kageyama is already the person Teru holds in highest regard of anyone he’s ever met, and now that boy’s master has walked in the door.
What’s more, Kageyama’s master has entirely fooled the 7th Division of Claw into thinking he is Claw’s boss. Was this high level mind control? Or is Kageyama’s master just an unmatched genius?
This man then scolds Kageyama for using his powers against people (and that’s part of the philosophy that changed Teru’s life! Echoed right back at them.) But! The circumstances were dire! They NEEDED to fight to survive.
And Kageyama’s master seems to understand this. He apologizes to Mob. He then turns on the Claw upper echelon members and scolds them, and fells two of them without even using his powers, which is also in line with the philosophy even if the drop-kick seemed a little violent…
But unfortunately, they don’t listen to reason. They escalate with their psychic powers and the fight is ON.
Sure, Kageyama’s master keeps insisting the kids NOT fight, but Teru is pragmatic! Claw won’t listen! The kids need to fight! KAGEYAMA needs to fight!
But his master keeps refusing. He tells Kageyama to run away. And at that moment one of the Claw members slices Kageyama’s master in half.
And this is bad, this is bad, surely—except, wait. Kageyama’s master stands right back up. He’s fine. He’s more than fine—he’s ANNOYED.
And, one can only assume this is because the master has decided to get serious. Because without breaking a sweat. Without lifting a finger. Without even showing a hint of aggression, he disarms every single Claw terrorist.
And WHILE he’s doing this? He’s yelling at them to grow up! Get a job! Stop being delusional idiots!! One Claw member asks if the master is telling them to go back to being commoners and the master says “No you idiot, you’ve been commoners this entire time. I’M A COMMONER, and I’m more powerful than you, so fucking tell me what that makes you.”
And all the while he’s wielding godlike power like it’s nothing. And Teru is listening to the origin of Mob’s “Our powers don’t make us special. We’re all commoners actually.” philosophy that altered Teru’s life. Right from the source. The master I s yelling about it passionately while disarming elite terrorists with his pinky finger.
So OF COURSE, NATURALLY, this is the man worthy of being Kageyama’s master. Teru understands entirely! This genius of infinite power who could fell nations but instead lives humbly and respectfully as a common man, because even the most elite psychics are not better than anyone else.
I think Teru went home with a new idol crafted in his eyes and Reigen went home going “what the fuck was all that? Well anyway I don’t have Mob’s powers anymore so it doesn’t matter. Why can I see this ghost.”
And this is actually all very unfortunate if Mob, Ritsu, and Teru all hang out. Because Mob will be like “Oh Master Reigen did something really cool today” *proceeds to describe something really lame* and Teru will be nodding and agreeing and hanging on with rapt attention and thinking “Well that all sounds really lame actually but I understand Kageyama is humbly downplaying the accomplishments of his great master.” and Ritsu will be mentally stabbing himself with a spoon.
Also the next time Teru hears anything about this man is when Reigen is being brutally canceled on Twitter for being a fake psychic.
And like. Teru definitely saw Reigen obliterate black holes with the sweep of his hand. That is a thing Reigen did that Teru witnessed. Among other things. Which weren't fake because you Do Not defeat the Claw 7th Division by faking your power.
And yet rather than prove his infinite powers, which exist because Teru saw them, Reigen is choosing to just sit there like 😒 in front of all the microphones while getting executed at the altar of public opinion over livestream and this has to be... like a plan of some kind... Kageyama's Great Master must have some great vision... for getting canceled on Twitter.
Whenever I see people going "teehee Hornet is doing things so much like PK" I have to sit on my hands and desperately, furiously stop myself from writing a thousand word rebuttal about how half the traits of Hornet choosing to live in the world and choose hope and connection instead of rejecting it are actually things that she either learned from her various mothers or from her fucking sibling who the entire last game was about
like fucking. I fucking. I fucking CANNOT STRESS ENOUGH that PK chose the OPPOSITE OF CONNECTION. HE WANTED IT AND WAS DESPERATE FOR IT AND HE NEVER EVER EVER MANAGED TO MAKE IT HAPPEN IN ANY SIGNIFICANT CAPACITY BECAUSE HE COULDN'T MAKE UP HIS DAMN MIND AND HE THOUGHT THE DUTY OF BEING KING WAS TO SUFFER ALONE IN A STUPID BOX!! HE DIED ALONE IN HIS STUPID SELF-INFLICTED BOX DESPITE BEING SURROUNDED BY PEOPLE WHO WOULD HAVE HELPED HIM IF HE ASKED
I'm trying really hard not to jump people's asses and shout DOES THE KNIGHT FORCING HORNET TO SELF-REFLECT AND CARE MEAN NOTHING TO YOU CAN YOU STOP ATTRIBUTING EVERYTHING TO THE FUCKING PALE KING FUCKING STOP IT but people are really really really making this difficult for me
Thinking about the first time Grace & Rocky inevitably get into a big argument on the journey to Erid. Because, like, they are obviously inseparable queerplatonic besties, but Grace is slowly getting more and more irritable as he, you know, dies of starvation, and Rocky started this trip with decades worth of survivor's guilt and PTSD and is now adding a hefty dose of caretaker fatigue on top of that.
It probably starts as a misunderstanding--they still don't even perfectly speak each others' languages, and there's plenty of room for cultural differences to get in the way, too. They're both on-edge and living in extremely close quarters and for whatever reason it explodes.
And neither of them know what to do with that.
Rocky ends up feeling hurt and guilty all at the same time, frustrated with Grace but also with himself, because he knows his friend is going through a hard time, it's just also terrible to have to watch and he doesn't know how to fix that. Grace probably finds a corner to cry in, convinced he's doomed himself by making Rocky angry because how is he going to convince everyone else on Erid to care about saving his life if he can't even stay on good terms with his friend?
Eventually they get over it. They talk about what happened and get to a less shaky place. It's still a scary couple of hours for both of them, and they know it could happen again. But they still care about each other so, so much, and that makes it worth it.
So maybe I haven't been able to stop turning this over in my head and wrote this today instead of my job applications. 4400 words, be warned :')
---
Since being sent to space, I’ve done a lot of human firsts: first human interstellar traveler, first human to visit an exoplanet, first human contact with an intelligent alien species, first human to eat a different alien species (unless Dmitri and Ilyukhina were serious about doing astrophage shots. I don’t think they were. But they might have been).
I think I might also be the first human to tell my best friend that I wished he and his whole species were dead because I can’t have cake anymore.
I’m a lot less proud of that one.
I think I’m a bad friend.
There is a quality of books (or movies or shows) that I can best describe as “stickiness,” which is separate from being good or even enjoyable: a sticky book is one I just keep thinking about. Sometimes it’s because a book is very good (e.g. The Locked Tomb), and sometimes it’s because a book is very bad (e.g. ACOTAR), but there are also very good and very bad books that are slippery, such that when I’m done reading them they slip from my thoughts like water from a hydrophobic surface.
The Silt Verses, The Hunger Games, and Project Hail Mary are all commentaries on amatonormativity, about what it means for your life to be worth saving and who is more or less deserving of sympathy, empathy, a happy ending, based on having or not having a romantic partner. And of those three only one and half of them know it
(Tags by OP)
SCREAMING
It's DONE. The damn Silksong journal is FINISHED. You can buy it for $2! Enjoy my chicken scratch writing in which I talk 172 pages worth of the game as I was playing it for the first time. *itch.io: https://goodshipskypirate.itch.io/silksongjournal *Ko-Fi: https://ko-fi.com/s/7289476a5c
And if I said Megamind is one of the few movies that understands Superman.
And if I said Megamind through its three subversions of Superman shows a deeper understanding that the point of Superman is that he was loved and taught to love by good, present parents, and because of that he is able to return that love to a world even if it doesn't always accept it, and he is not corrupted by his power, than many other films either subverting or playing the superman story straight.
Megamind has three Superman subversions. One is obviously Megamind himself. He was not raised loved by the world, but rather was loved by those hated by the world. Because he was still raised with love, he does care about other people, hence his character development. But because he didn't receive wider love growing up, his own is misplaced at first.
Metro Man was not loved growing up in a way that mattered. His adopted father was clearly very absent, and while we don't know much about his family, their relationship seems superficial. Because of this, his sense of duty to the world is also superficial, hence his boredom.
Hal wasn't raised with power. He gained it and was shown how to use it by a 'space dad' who only taught him power and not love. Hence, he sees it only as a grasping means to an end.
All three of these subversions, in their negative space, create the silhouette of the superhero that they are parodying. That silhouette is of a space child that came to earth and was cared for very deeply by the world, and taught love through his experience of love, and because of that holds fast to his duty to the world. Which is Superman.
help, these guys keep showing up on my canvas
(the most excellent stuart and herb belong to @furiouskettle --go give their comic a read if you want to see these guys having the worst day of their lives)
I AM GOING INSANE THESE ARE SO GOOD WHAT????
Rocky on the trip back to Erid registering that Grace has defaulted to using he/him for him for sexism reasons and that they don't actually have to go by he/him. xe does some research on the human computer and spends several weeks cycling through different pronoun sets. starts switching so frequently Grace becomes convinced sie has started being difficult on purpose. after a while Grace is like omg will you just pick one and stick with it. Rocky is like okay i have decided. rock/rocks. rockself. Grace like well i can't argue with that.
#see the hill that I will die on is that if Andy weir was cooler rockey would use either they them or xe xir#you’re telling me cool middle school teacher Ryland grace is unfamiliar with the concept of fun new genders#absolutely not. his students have taught him about singular they them and neopronouns
Grace trying to explain to Rocky that they can be whatever they want to be and presenting a whole list of different pronoun options and Rocky (who has no concept of gender) being like 'why would I care about any of this'
Rocky: which pronouns does Grace use question?
Grace: he/him
Rocky: okay. Rocky will use he/him too
Grace: okay but I feel like defaulting to he/him promotes a patriarchal kind of mindset and we should be more thoughtful about it
Rocky: okay so use the other standard pronouns
Grace: she/her?
Rocky: yeah
Grace: okay but that feels weird too
Rocky: why weird question
Grace:
Grace, later, lying awake: I never considered that Rocky might wanna be a she... Am I a bad person?
Rocky: Grace mix it up suggestion
Grace: I guess I could
Rocky: Rocky he/she/they/it
Grace: I don't know if you can use it
Rocky: why not question
Grace: it's just considered dehumanising?
Rocky:
Rocky, being a little shit: I choose it/its
Rocky: this conversation boring, let's go back to Grace tones
Grace: okay so you won't pick a pronoun but I have to pick a tonal inflection?
Rocky: my thing more important statement
Grace: okay fine can't you just your tones for me?
Rocky: but Grace not qualified engineer
Grace: well is there a schoolteacher tone?
Rocky: uhh no
Rocky: schoolteacher not
Rocky: schoolteacher not prestige profession statement
Grace:
Grace: WOW.
Grace: is there not like a default tone to use when you don't know all this stuff about a person?
Rocky: yes but very rude to use for close friend statement
Grace: wait hold up 🤔 you think of me as a close friend?
Rocky: yes maybe Grace shut up now
Grace several years into their voyage, finally getting good enough at understanding Eridian to clock when Rocky has switched back to using the Neutral Tone for him, thereby implying that they are no longer friends: HEY??
Grace, in the middle of a big argument: did you just. dead person inflection me?
Rocky: uh-huh
Grace: does that mean what I think it means
Rocky: it means what it means statement
Grace: come ON
I’m not going to tag any of the original PHM posts I’ve seen across various platforms with this take bc (1) they seem to be mainly informed by a movie-only perspective, and (2) I don’t respect Andy Weir enough as an author to insist that reading his work is vital to understanding this story. But I’ve seen various posts going around to the effect that “Ryland Grace loved his life and loved Earth so much, and this is why being forced onto the mission was such a Great Tragedy (TM)” when that’s…not really???? True???? At ALL??? Of Ryland Grace????
The ENTIRE POINT of Grace’s arc is that he is a Coward, with a capital C. He is a coward not only in his refusal of the Hail Mary mission, but in the way he lives his life before the Petrova Line was ever discovered. Grace has no close friends or coworkers, no pets or hobbies, no partners (short or long term), no family that we know of. His two main drives in life are (1) being a Cool Teacher to his students, and (2) nursing a grudge over getting kicked out of academia for proposing wild theories about life forms not based on water. As Stratt ACCURATELY points out, both of these things have large self-serving components. Grace genuinely loves his students and is good at teaching, but it’s at least partially because his classroom allows him to demand respect and attention without returning emotional vulnerability in the same way a peer relationship would. His academic theories were also largely motivated by a desire to be The Specialest Boy - and while Grace DOES prove himself very smart and capable, his pet theory wasn’t supported by his work with astrophage. Grace doesn’t jump at the chance to work with Stratt when she first approaches him, and he isn’t out there Living LIfe to the Fullest every day. He ADMITS to himself and to Stratt that he IS a coward, both for the way he’s lived up to PHM and for refusing to go on the mission when the timeline made it clear that there wasn’t enough time to bring another candidate up to speed and have the same odds of success. He straight up tells Stratt that he’ll sabotage Project Hail Mary if she tries to force him, DESPITE HIM KNOWING that Earth is headed for a literal apocalyptic Ice Age, and that everyone on the planet - including his beloved students!- has a pretty good chance of DYING if the mission doesn’t succeed! Stratt has to give him a coma cocktail that induces mild amnesia, and bet on him being at least good Enough (TM) not to kill the whole planet because he hated her for doing this to him.
(Also no hate for Eva Stratt, I love her and I will SUPPORT THIS WOMAN’S WRONGS until my dying day, she committed so many crimes and I cheered the whole way)
Despite Ryan Gosling’s very pretty Sad Boi eyes and sweaters, Ryland Grace is NOT a manic pixie dream scientist in love with Earth and its life and cultures. He just ISN’T. And if he WERE, then. Well. He certainly didn’t love Earth enough to fully embrace it while he was here, OR to volunteer to save it when he had the chance. This IS one of those situations where the distinction between “I love life” and “I don’t want to die” is a meaningful one. Does this make Grace a Cancelled Villain of All Time? No - it makes him a coward, but that doesn’t mean he inherently deserved to die. Does it ethically or morally justify forcing him onto a suicide mission while he fought and pleaded not to go? No! It makes Grace ORDINARY. Just some average fucking guy, not evil but not valiant, either. It’s like trying to claim Laika was the top search and rescue dog in the city when she got put into the pod. You don’t NEED to give Ryland Grace all these Tender Tragic Qualities of “loving Earth/Life” to have empathy for this poor dude who got launched into space.
In fact, Grace’s arc DEPENDS on him STARTING from that place of “I don’t really have a reason to be here” to “I have EVERY reason to turn my back on survival and do this act!” Grace wakes up on the Hail Mary, and has no context for why he’s on the ship but assumes that he was a Heroic Volunteer, like Yao and Ilyukhina. He sees their personal effects and Reasons Why They Volunteered, and keeps searching for his own Reason Why until he remembers that he didn’t HAVE a “reason why.” He was never a heroic volunteer. He comes to terms with the fact that he’s going to die, and IS. IN FACT. AS STRATT PREDICTED. A GOOD ENOUGH man to want to save the earth anyway rather than die alone without even trying to figure out the Petrova Problem out of spite. And he can do some pretty neat science along the way, which has always been one of his life motivations! At least he can do that before he dies, in the absence of anything else!
But the thing that Grace ACTUALLY loves enough to die for is ROCKY. The one in a million friend! Who saved his life and opened up his entire view of the universe! Grace’s core trait was NEVER “loving the Earth,” or “loving life.” The WHOLE FUCKING EARTH wasn’t enough to get Grace willingly onboard the Hail Mary! What made him turn the ship around was his GOTDAM SINGING ROCK FRIEND. The whole point is the change! Humanity’s capacity for massive apathetic cowardice and also astonishing bravery and hopefulness in connection. Andy Weir has his head in his ass about politics in his work, but you see?!?! You see, right!?!?!?!
And hey. If you really want protagonists who loved the Earth and life? Yao. Ilyukhina. Dubois. The original crew of Project Hail Mary. THEY loved the Earth. THEIR sacrifice was tragic in the specific narrow way that the “Grace loved life” posts want Grace’s to be. Dubois, who started a relationship with Annie even though he knew one or both of them was sure to die because why waste any time? Why not enjoy what they had in this moment? Ilyukhina, who had the absolute darkest sense of humor and packed a giant bag of vodka, who asked to go out via the most pleasurable cocktail of drugs imaginable bc why not enjoy herself after living such a straight edged life? Yao, who volunteered to go last after both Dubois and Ilyukhina were gone, just so he could make sure they didn’t suffer, who carried a picture of his family and never lost courage. THEY were the ones full of love for Earth and life, while the whole point of Grace is that he never really was, and he found it in space when he’d already left Earth behind.
Genuinely I think this might be the most important scene in the book
@carlyraejepsans how does it feel to be the most correct person ever. You're so right