"Come now, Jon, there's really no need for the scowl."

if i look back, i am lost
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Cosimo Galluzzi
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@theartofmadeline

Kiana Khansmith
we're not kids anymore.

JVL

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Monterey Bay Aquarium
The Bowery Presents
he wasn't even looking at me and he found me
Show & Tell
$LAYYYTER

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@gravitational-debauchery
"Come now, Jon, there's really no need for the scowl."
*comes out of Wikipedia, hair disheveled and body red, wearing a towel, smoking a cigarette, with clear kiss and bite marks* So, I've been reading about nuclear propulsion in spaceships,
i coul dnever be the captain of a ship. everyday id be like third lieutenant ..... do a backflip lol
“Life belongs to the living”
Goodbye the the Penumbra podcast! It was a really sweet finale! (Quote is from season 5, episode 24)
my tpp ramblings below the cut
You think he's at his limit guys?
Ref-
I love using this as a reaction, I might have to draw more reaction pics with Mark's egos..
Thinking about Them
It’s really important to me as a fat person that martin is never punished for being a fat person, especially one who can be mean and bitchy and rude.
Before i finished tma for the first time i had assumed people made him fat because they just tend to do that with kind characters because the stereotype that fat people are “soft” and “huggable”
I was really really happy when i fount out that he’s actually canonically big, and also he’s allowed to be flawed and angry. He isn’t just tea and soft sweaters instead he’s a very realistic considerate depiction of an abuse victim who happened to also be fat.
It blew my mind even more when i realized he was likely using the perceptions of fat people partially to his advantage and in later seasons had felt more himself and real.
It just means a lot to me he isn’t a one dimensional stereotype and that even though you barely get descriptions of any tma characters, it was still important to give good fat representation.
if you're a ceaseless watcher it must feel good as fuck to turn your gaze upon a wretched thing
i’ll blow myself up just to hold u again
happy birthday [general scuffling, gasping]
2025 Sexiest Podcast Character Round Robin Day 9 Poll 42
Who is sexier?
Glenn Close
Isabel Lovelace
Glenn Close — Dungeons & Daddies: Seasons 1 & 2
Captain Isabel Lovelace — Wolf 359
the rematch almost 2 years in the making!! the final matchup we've been anxiously awaiting!! best of luck to both combatants this time around and may the sexiest win <3 !!!
This doesn’t come up as much in later seasons but I suspect the Hephaestus’s shifting architecture, objects moving around, and the feeling that there’s more people on board comes from the aliens fucking with time so I’m convinced at least once Minkowski opened the door to the observation deck, saw Hui and Fourier there, shut the door, counted to ten, and opened it again to see an empty room and just never brought it up because she thought she was losing it.
#ah yes the ghost passengers we’ve all seen them #Maxwell: which of you assholes drank my protein shake #Mace Fisher simultaneously 5 minutes and 5 years in the past: #huh I wonder who put this in the fridge. oh well #Eiffel: sometimes you can unlock the secret chill Lovelace but she always seems really confused
Recommend me audio dramas were the main character is a woman
Hi! 2 of the 3 leads of our show are women! The Night Post is a supernatural mystery about the conscripted couriers of a land haunted by its past.
Some other women-led shows we love:
@vestaclinicpod - A space station doctor treats patients of a variety of species from all over the galaxy. Loooove the world building here.
Small Victories by @wgc-productions - Slice of life following a woman in recovery for drug addiction. Great characters who are also car crashes you can’t look away from.
@killjamxxx - Zany, violent mayhem! Faustina Fetamine is the thickest bitch in this murder arena, and I’d kill for her.
@starfallpod - Woman with a giant sword joins a magical acting troupe! I adore the huge ensemble cast.
This is the nicest thing anyone has ever said about us. Faustina would be touched 💙 Killjam is a show about an all-women death game in the future so it’s really a variety of deranged ladies all the way down.
We’ll share the love and rec some of our fave women-led shows!
@kingmakerpod - A magical alternate history crime show set in the 1910s. Colette Geise is the main character, an extremely awkward woman who has a diamond that can make people explode attached to her skull. She is absolute peak lovable failwoman.
@hinaypod - A show about battling the supernatural from Filipino folklore in modern day Canada. Mari is an awesome protagonist whose deep knowledge of monster fighting techniques makes her the go-to for this (also she’s hot.)
@georgieromeroisdonefor - Halloweeny comedy show where an undead dancer tries to solve her own murder. Georgie is a dogged zombie detective who’s still adjusting to her new unlife, with two other great female characters - a witch and a toiler ghost - at her side.
The main character of our show, Soul Operator, is a woman! We have been described as an emotional horror show, with the first season taking place in a liminal neighborhood that been pulled out of reality. No one knows who they are or how they got there. We just finished our first season, so check us out!
@forgedbondspod is a queer retelling of the love story between Aphrodite and Hephaestus.
@thesiltverses is an incredible commentary on capitalism and religion and what makes gods and what gods make us.
The latest season of @thewhitevault, Goshawk, primarily focuses on several female characters. The setting and lore are horrifying in a way that gets right under your skin.
Parkdale Haunt centers women and their relationships to each other with a paranormal and supernatural backdrop.
Nowhere, On Air is a great option, I adore Jess and the way the show is written. Who doesn't love a spooky radio show?
The Department of Variance of Somewhere Ohio is a psychedelic take on the Weird SCP like facility which primarily features women.
All these shows are phenomenal!
I’d like to add @theholmwoodfoundation, a continuation of the Dracula story in our modern day. One of the dual lead protagonists is Maddie Townsend, a trans woman, who is currently sharing her body with the consciousness of none other than Mina Harker. Currently airing!
Another brilliant show is Trice Forgotten — Captain Alestes is a woman who has been keeping her head down working as a merchant, until she finds herself taking on a crew of disparate travellers, and herself flung headlong into an adventure that threatens the community she has started to build. Queer pirate found family with an all-racialised POC cast! Season two was announced a bit ago!
An audio drama that certainly needs no introduction, but bears adding to this list: @thebrightsessions has multiple, dynamic women in the main character role. Dr. Joan Bright is a psychologist that specialises in working with Atypicals, people with supernatural abilities. Completed series, with spinoffs!
Also from Atypical Artists, we have @breakerwhiskey, a microfiction audio drama following one woman as she roadtrips across the United States in a world where she seems to be the only one left. Main series is complete!
Also, if you like Kingmaker Histories, then you might enjoy @victoriocity ! Clara Entwhistle is a journalist who joins forces with inspector Archibald Fleet to investigate a murder in the steampunky world of Even Greater London. Three seasons out so far!
The Antique Shop is a single-narrator about a young, Scottish woman named Maya who finds a strange antique shop. Follow her journey as she discovers the strange magics this shop holds, and the people who find it.
thank you so much @allatseapod for calling out both The Bright Sessions and Breaker Whiskey!!! it is an honor to be listed among such incredible shows.
I will also selfishly plug @maxinemilespod, my YA mystery starring a teenage girl who is determined to find her missing friend and uncover town corruption. and I'll have another female led show about a 36 year old woman who gets possessed by a demon and tries to unionize her workplace coming in the fall - follow #two thousand and late to keep up with that!
BUT in terms of other fantastic female-led shows, I have to shout-out Life With LEO(h). yes, I produced it, but I did because I genuinely am obsessed with Octavia Bray, who created, wrote, and starred in it and when she pitched me a "romcom about an uptight lawyer who is given an illegal android programmed to love her" I was like, okay, great, how can I personally pay for this so I can listen. and that's what I did.
it was the same deal with Greenhouse, a sapphic love story told entirely through letters between a cynic and an optimist.
but, okay, maybe you're not looking for frothy mysteries or romances, in which case may I recommend Steal the Stars, a sci-fi noir in which the hardboiled hero is a woman in her late 30s and the femme fatale with legs for days is her dreamy new younger male coworker. okay, I realized I've pitched a romance again, but this is also a brilliantly weird sci-fi show about aliens. I just also happen to think the romance part of it is very good.
@arsparadoxica!! brilliant asexual woman goes back in time and so many intricate time hijinks occur. this is a great show to sink your teeth into if you love really cerebral sci-fi with compelling characters.
I recently became obsessed with Un(con)Trolled, an extremely gripping thriller about a woman who goes after internet trolls - it has one season so far, but all these other shows are complete!
its like i never left........... *floats away peacefully
not enough people give lup credit for just being a colossal fucking dumbass. like shes so so smart and i love her so much so i mean this with the utmost affection but why the fuck did she make the phoenix fire gauntlet. what did she think was going to happen there. everyone else's relic was like. wildly dangerous but at least conceivably Could Have been used for good things. WHAT on earth could the phoenix fire gauntlet be used for other than mass destruction. like its just a straight up nuke. why did she make this. lup arson isnt the solution to every problem. it isnt the solution to MOST problems. lup.
Fascinating canonical answer to this one, actually!
[ID: transcript excerpt of Taako telling Lup: "You know you didn’t… mean… to make something like that. I understood the rationale you came up with. I mean… It was just damage, it was just… damage. The other ones that we made, they can be twisted and perverted in so many different ways. And I think… At least the way you explained it to me, that by making something that was just damage, you would limit it. You didn't mean for any of this to happen." End ID.]
And IMO, it paints a really interesting picture. Where most characters were entertaining the belief — whether consciously or subconsciously, whether subtly under the thrall or not — that their Relics could be used for good. But unlike everyone else, Lup wasn't.
Davenport, Merle, and Taako made Relics that could've brought about resources and abundance, something voidfished-Magnus even alludes to before agreeing to destroy the Oculus. Magnus himself and Lucretia made Relics that could be used to save and protect people — to say nothing of Lucretia still secretly clinging to her plan to defeat the Hunger, of which the Bulwark Staff was a part of (and in a way, she was eventually vindicated in her plan, though not in its original form and not by trying to do it alone). Then Barry is fascinating because the Animus Bell is so, so useful for a lich in his position — one of two immortal beings, on a plane where their bodies will suddenly start aging, and eventually fail to serve them.
But there's nothing like this that applies to the Gauntlet! There's no hint of a temptation we see Lup express, to create a Relic that could be used for any good — and according to Taako, this was something Lup was so deliberate about!
That's such a striking contrast with the rest of her characterization, over those last few cycles — because Lup herself invented and even spearheaded the plan to create the Relics altogether. That was all alongside Barry, of course — but after a point, Lup and Barry start to differ. Like Barry, Lup was fully, single-mindedly committed to the Relics plan — tunnel-visioning so hard on it as the way to stop the Hunger, that they both outwardly rejected Lucretia's criticisms and never thought through Lucretia's plan as much as they should've, even though it clearly could've been perfected once the whole crew put their heads together. But unlike Barry — who created one of the most complex and mysterious and jarringly specifically useful Relics — Lup did nothing of the sort. Lup was evidently terrified of not just what harm her Relic could do, but how it could do that harm.
Lup was terrified in a way that no one else in the IPRE was — because no one else made a Relic that was "just damage." Everyone else made a Relic with some potential appeal, subtle or obvious, to people who wanted to do good. But Lup just... didn't.
Lup herself, champion of the necessity to create the Relics, champion of the belief that they were the only way to save the world...
...was simultaneously terrified, as the nature of her own creation shows, of the Relics' thrall corrupting the intent of "greater good."
And that's what makes me lose my mind about her character! What makes the Phoenix Fire Gauntlet just as compelling as the Animus Bell to me, even though they seem like opposites! Lup is saying the Relics need to exist, for the greater good, all while she's designing her own Relic with the philosophy that if people think they can use it for good, the harm they do will turn out worse! That good intentions will lead to more pain, more suffering!
Lup has a hundred years of experience with the Light's thrall, and what it can do — what intentions it can prey off of! And as she crafts the Gauntlet in such a way to do damage control, we can tell Lup has already subconsciously admitted that the Grand Relics will do damage! That if crafted irresponsibly, they could do things even worse than leveling an entire town! So on some level, no matter how much she's arguing for the Relics' creation, Lup fears and maybe even knows that they'll be devastating!
Lup doesn't trust a Relic-wielder's intent for "greater good." Not through any fault of their own, but not while they're under the thrall. And it's because she already doesn't trust her own ability to do "greater good," either.
So this is how Lup replies, to Taako reminding her why she made the Gauntlet how she did:
[ID: continued transcript excerpt, of Lup replying to Taako: "I know that, Taako. I know. I… And I know it’s good. Like… The Hunger’s not here. And The Hunger’s worse than anything we've done. I get all that. I just… I can’t help but ask… Did we make the right decision?" End ID.]
She calls into question whether the decision that causes less harm than the Hunger — the decision she made despite knowing what it would lead to — was ever the right decision at all. Because it's antithetical to her own morals, and she knows it. It's antithetical to the promise she made the crew swear on the robot cycle, to never even think of destroying a civilization just to fight the Hunger.
Altogether, it's such fucking fascinating characterization for her. It's such a compelling web of both contradictions and resonances, in her morals and her choices. Going into the Stolen Century, knowing it's ultimately a retcon to explain the beginning of the podcast, it seems like the contradiction will be that Lup created the most brutal Relic — because why would Lup do it, as the moral compass as the team? As the compassionate woman we're getting to know, who's forever been the most dedicated to preventing collateral damage?
It sure seems like a contradiction, before Taako gives us this information. But from there, we see — the real contradiction lies not between Lup and the Gauntlet itself, but Lup and the Relic plan at large. Lup breaks her own promise from the robot cycle — by committing to creating the Relics, and with it, consigning a world to destruction in the name of stopping the Hunger. She does this out of desperation, out of a hundred years of exhaustion, and in the name of the greater good. But as if she can tell that a tiny, tiny sliver of the thrall is still embedded in her brain, urging her to let the Light be used — she silently realizes what a mistake she's making. And she loses faith in her own ability to bring about the greater good as a result.
The Relic plan contradicts Lup's own morals. But the design of the Gauntlet contradicts Lup's own faith in the Relic plan. The Gauntlet is her ugly disillusionment. It's her admission of having betrayed herself, betrayed what she held important, and failed a whole civilization as a result. It's her admission of resignment, to acceptance of one of the most recurring declarations in the story: that "the Grand Relics cannot be used for good."
Which isn't even true, as Lucretia proves with her staff in the end, despite the fact that that declaration comes out of her mouth the most. But it's what Lup believes — because when Lup doesn't yet see the way the shield plan could actually work, all she sees with the Grand Relics are a way to doom one world, no matter how many more worlds will be saved from the Hunger. And to Lup, and what she believes in? That isn't doing good. It's unjustifiable. And letting the thrall trick you into thinking it's good? That only brings about even more suffering.
She designs the Phoenix Fire Gauntlet such that if it must exist, no one will repeat her mistake. No one will think that they're doing good with it, either.
[I.D. an edited tumblr post with the first part by gothdrool reading "ppl who celebrate fictional character birthdays are annoying pass it on" and a reblog by cub2 reading "FUCK this post and happy birthday Doug eiffel". End I.D.]
Just finished my Season 1 Re-listen, so time for a Michael recap!!
Starting off strong with Episode 1 and the start of a very long name trend
back to back Michaels with Episode 2
wow a whole episode break before the next
yet another back to back
first big gap of Michaels mentioned
a repeat Michael and what has to be the funniest term for an academic year that I hadn’t heard before
because of course his name is Michael why wouldn't it be, also how could I not mention the German Becker family (obviously a different spelling than Colin Becher but still)
one of my favourite Michaels now
these ones are Michaels on a technicality, also Salesa was mentioned in an earlier statement but only by his surname
last Michael mention of Season 1, a repeat
🟨 - New Michael
🟦 - Technically a Michael
🟩 - Repeat Michael (repeat in the season not how many times the name is mentioned in an episode)
⬜ - Just Very Funny
And with that we have in Season One:
7 New Michaels
9 New Michaels Counting Technicalities
And a rate of Michaels being mentioned in 30% of Season One