''i wasted those years'' who cares. you lived the only life you could've lived in those moments

Origami Around

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PUT YOUR BEARD IN MY MOUTH
let's talk about Bridgerton tea, my ask is open
Claire Keane
2025 on Tumblr: Trends That Defined the Year
Fai_Ryy

★

❣ Chile in a Photography ❣

Love Begins

Kiana Khansmith

tannertan36

Andulka

@theartofmadeline

Kaledo Art
almost home
I'd rather be in outer space 🛸
Lint Roller? I Barely Know Her
Monterey Bay Aquarium
Stranger Things
seen from Italy
seen from Argentina

seen from Argentina
seen from Jordan
seen from Türkiye

seen from Brazil
seen from United States
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seen from United States
seen from United States
seen from United States

seen from United States
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seen from United States
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seen from Hong Kong SAR China
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@hallucinogenicmagpie
''i wasted those years'' who cares. you lived the only life you could've lived in those moments
I mustn't let grief consume me. I must remember to find joy in things, or create joy in things I do. I must seek for it, like an antidote for snake venom that's creeping up my veins, aiming straight for the heart.
“Seeking joy has been an active practice, because joy doesn’t come easily for me. I’m prone to long periods of fog, as you’ve called it, and if I don’t seek (and make) light, I would stay in it even longer, would possibly never emerge. I swear by keeping routines, which includes taking care of my body—eating enough, sleeping and waking at regular times, getting fresh air, that sort of thing. I also put limits on things that smother my joy; for me, this is primarily the internet, which provides endless messaging that I am not doing enough, am not good enough, and just generally steals my attention and energy, which I would prefer to use on things which nourish me. I believe in the power of creating small joys, instead of waiting for a big one to arrive miraculously in your life. I made a list of these joys so I can refer to it when I’m deeper in the fog, like a menu to order from. 100 joys. They’re simple, but effective—things like bubble baths, calling a friend, dancing, buying flowers, eating dark chocolate, a cup of tea. Some months, I have to challenge myself to meet a quota, when I’m feeling very down. It helps. Little step after little step. Little light after little light.”
— Leila Chatti, from an interview with Sneha Subramanian Kanta in Parentheses Journal, Issue 10 (via skgroutpoetry)
the impossible return
Gandalf throwing his staff at gollum is what really makes this
Thank you for commenting because I was going to scroll past this.
[Image Description: Screenshot of a tweet by damita jo (@KiaSpeaks) reading “For the first time in 30years, Muslims, Jews, Christains, Sikhs, Baha’is, Hindus, Buddhists & Indigenous nations will observe holidays simultaneously, with Ramadan, Passover, Easter, Vaisakhi, Mahavir Jayanti, Theravada New year, and the Gathering of Nations all occurring in April.” End Image Description.]
Happy Everything
It was also Bengali new year yesterday!
I cannot stress how important this is to me, to my people, to my country. We were divided by religion and race and nationalality. Divided by corrupt politicians for their own agendas. Now we are united, throwing a big fat middle finger in the air. We will take our country back. Just you watch.
#gohomegota2022
#happyeaster2022 #happysinhalatamilnewyear2022 #happyramadan
#blesssrilanka
Source
Video of Tama
Follow Ultrafacts for more facts
The picture in the background of the second one
Tama is boss
THE TRAINS HAVE CARTOON TAMAS ON THEM
Sad update everyone, Tama recently passed away… An estimated 3,000 people, including railway officials, attended Tama the cat’s funeral on Sunday, days after she died of heart failure aged 16. [x]
For those who haven’t read articles about it, the local shrine elevated her to a god. She’s now the Eternal Stationmaster and patron god of the station.
Beautiful.
Now I’m crying thanks
and a new cat was hired right?
yep! her name is Nitama (essentially ”second tama” or “tama II”) and she served under Tama as an apprentice before being appointed her deputy
she works very hard
Everytime this crosses my dash, I reblog. It is the law.
I’m crying at 11pm over train cats
Nitama, already now a mature cat (born 2010), has a protege named Yontama (fourth Tama, b. 2016). There is no information available for either the physical befellment or tragic self-disgrace which has removed Santama from contention.
^Nitama majestic, and below with Yontama
Yontama.
a legacy
okay but actually what happened to santama (or sun-tama-tama, which is her name because it’s a pun on santama) was that she was basically sent to train for the position in okayama and they liked her so much they refused to send her back
“Sun-tama-tama” (a pun off of “Santama”, lit. “third Tama”) was a calico cat sent for training in Okayama. Sun-tama-tama was considered as a candidate for Tama’s successor, but the Okayama Public Relations representative who had been caring for Sun-tama-tama refused to give the cat up writing, “I will not let go of this child, she will stay in Okayama.” [25]
As of September 2018, Sun-tama-tama is working as the stationmaster in Naka-ku, Okayama and appears occasionally on Tama’s Twitter account.
Every time I see this post there’s new info and it gets better
You are only allowed to scroll pass this after you pay tribute to the great Tama Station masters.
The shrine of Tama Daimyōjin (Great gracious deity Tama), next to the Kishi station where she worked.
Nitama presenting her yearly offerings to Tama Daimyōjin on the anniversary of Tama’s Death, June 23 (The offerings are presented by the company president, as Nitama is a cat and thus can’t hold the offerings herself) (Not pictured, but also present, Yontama)
you cannot pass without reblogging guys. i’m sorry, i don’t make the rules.
You can’t not reblog a goddess. It’s just what’s so. :)
So, fun fact- the manga Noragami has an arc where the main character, Yato (a minor kami/God that is down on his luck but trying to make it big time) goes to a council/conference for all the Gods in Japan.
And they are announcing the winner of the “up and coming god” award, and of course, Yato thinks it’s him.
But no-
ITS TAMA!
The Third Age of the world is ended, and the new age is begun; and it is your task to order its beginning and to preserve what must be preserved.
THE LORD OF THE RINGS TRILOGY 1954-1955, writ. J.R.R. Tolkien / 2001-2003, dir. Peter Jackson
hello loves! today im doing a masterclass on why tropes are important but should not be the entirety of your wip. this topic has been cropping up so much on writeblr and writingtwt and i think its time we had a chat about it <3
what are tropes?
tropes are "a storytelling device or convention, a shortcut for describing situations the storyteller can reasonably assume the audience will recognize. tropes are the means by which a story is told by anyone who has a story to tell."
tropes are a form of tool we use to write our wips. like a motif, they're a recurring word/phrase/theme/etc. that can be used to impart certain ideas or messages that an author wishes to communicate to their audience.
there are many different types of tropes! from genre to media and narrative tropes, there's something in there for everyone. some popular examples include:
enemies to lovers
the chosen one
secretly royal
pseudo-european medieval setting
the quest
why are tropes important?
firstly, tropes are recognisable. they allow us to find pieces of media that are intriguing to us, to connect with our fears and desires and the things we're discovering about ourselves. for example, as an avid supporter of enemies to lovers (me? loving enemies to lovers? who knew /j) i can recognise my own inabilities to form attachments to others because of anxieties about my own flaws as a person. its another way for us to relate to characters, to a plot, to see ourselves in the progression of a story.
secondly, from the perspective of an author, we are able to understand audience expectations. if we write about having a pseudo-europeans medieval setting, it gives us guidance. we know - and the audience knows - that the characters are not going to exist in a world made of futuristic technologies.
thirdly, originality is dead. there are no new original ideas, no tropes that have gone unused. but as authors, these tropes can be subverted or followed or what-have-you to give our own spin on common and recognisable conventions within the media. its about how we use these tropes - these ideas - to convey a story that is our own.
why shouldn't tropes be our entire work?
but molly, you might say, if tropes are so important, why can't they be my entire wip? and its a good question! and the answer is this:
tropes are a tool. repeat after me: tropes are a tool.
tropes are not a plot or characterisation or story development. they're a device authors use to communicate messages; they are not the foundation for a story, but rather a way in which you use to build upon what's already there.
the thing is that overuse of tropes can detract from they story you're trying to write. if all you're giving me is tropes when i ask for a blurb, then i have no real reason to care about the story you're trying to tell. "fantasy political intrigue slowburn rivals to lovers in a dark academia setting" is a cool vibe but why should i want to read your story? you've told me the tropes, and yet there's no plot, no synopsis, no conflict that gives me the drive to be like oh, this sounds interesting.
"fantasy political intrigue slowburn rivals to lovers in a dark academia setting" leaves me with nothing but questions that i don't really have any want to find the answer for. who are your characters? what is the main conflict? where is your story located? why should i root for the development of the characters and their relationships?
if you, the author, cannot even tell me what your story is truly about, then why should we, the audience, want to read it?
instead, give us something. tell us about the two boys who have been fighting for academic validation since the beginning of high school, who have nothing but begrudging respect for each other despite their hatred. show us how one day they realise the school they go to is corrupt and its only up to them to uncover its secrets. how they go from rivals to allies to friends to maybe something even more.
that gives me a plot. that gives me two characters who i want to know more about. it tells me a conflict. and it leaves me with questions i actually want the answer to: why do the boys hate each other? what secrets do they uncover? what leads them to becoming friends after years of rivalry?
tropes are good.
tropes are important
but please, know they are not replacements for the necessary foundations within your wip. they are a device, a tool, a convention for telling your ultimate story.
i want to care for the book you are writing.
give me a reason to care beyond the surface.
tl;dr tropes ≠ plot and characterisation. they are devices, not the story itself and while they are good to use, they cannot be your entire wip.
Sad things you can do in a book other than killing of a character
Character death is sad, but it also has huge consequences on your plot that can’t be reversed. Not to mention, depending on your genre, character deaths are often reserved for later in the series as a way of telling the reader that things are getting serious.
So, until that moment, here’s a quick list of things you can do to tug at your readers emotions:
1.- Destruction of an item of value. For this to work you’re going to have to set this up early on, it could be a childhood toy they need to sleep at night, a necklace they swear gives them good luck, and old family trinket or any number of things. The important thing is you show just how important it is to the character, make them happy and excited just to talk about it. Later on your character will feel loss and so will the audience.
2.- Arguing. Two characters with a strong bond arguing can be heartbreaking, even if you know the argument is going to resolve itself eventually, going from cuddles and banter to cold looks and the silent treatment, can easily hurt the audience just as much as the characters.
3.- Betrayal. When well done, it’s worst than character death. When you as a reader fall head over heels in love with a character, only for them to betray the rest, it’s heartbreaking, especially if when you read back the foreshadowing was there. It was so obvious yet you were all so blind! As blind as the other characters. Also, unlike character death, they’re still there, there to taunt you with their mere existence.
4.- Failure. We have probably all felt that emptiness, that feeling as the world crumbles around us, haplessness, when we failed an exam in school or just couldn’t get the house clean in time for that visit. Take that feeling and reflect it into your characters, it doesn’t have to be an exam, it can be anything, a task they’re parents asked them to do and they tried their best, a mission, anything. Just let them fail and feel the world crumble.
5.- Being forced to stay behind. Following from point four, if a character is not good enough they can be left behind, perhaps it comes from a place of love, an attempt to protect them from enemies too strong, yet it still hurts. Perhaps they haven’t failed, perhaps they are left behind for another reason, because they are “too valuable”, or because they’ll be more useful back home. Either way, watching those close to you go of to fight for what you believe in, without you, can be painful.
6.- Finding out something they believed in was a lie. It can be something relatively insignificant, an assumption they never bothered to question. Or something world shattering. Allow me to offer up an example with an unimportant spoiler from my second book (it’s not even out yet but oh well): in this book, while talking about some law, Henry realises his daughter believes he and her mother were married. This is an assumption Itazu made and never questioned. It affects nothing, nothing changes, yet finding out her mother and her father were not the happy married couple she’d always pictured, it’s painful.
This could also be something huge, finding out you’re adopted for example.
7.- History. Oh, history, how depressing it can be. And if you have a fantasy world you have many opportunities to go into this. From slaughters to slavery, finding out how society got to where it is, the base on which it is built. Well, it’s pretty depressing. Obviously be careful how much inspiration you take from real world history and always be respectful and do your research!
8.- Scarring. An injury can be painful, it can be scary. And depending on what caused it, leave you with traumatising memories. Now add to that a physical visible reminder on your skin you can never remove. Well, that can be pretty horrible. Imagine the scar came from a battle the protagonist longs to forget, but can’t because every night before going to sleep they can’t help but glance at their arm where the nasty scars forever lies.
As usual, check out my book, stories I’ve written plus other social medias: here.
This another post I could probably do a part two on someday. Can you think of any books where any of these are done effectively? Do any of these happen in your owns book? Please tell me! I love hearing from you all.
Hi! I feel like dungeons and dragons is such a cool game but I don't know the rules, and I don't know how to play. Would you be able to give me a summary?
Well, first of all, we have links to the sourcebooks pinned- if you're not the dungeon master(DM) for your group, the only book you NEED is the Players' Handbook(PHB), which is a mix of general rules and specific situational abilities you don't need to care about. It's generally clear which are which- for instance, if you play a fighter, you can ignore all the other classes' abilities, and you probably don't need to know spells either.
... turns out the PHB link was broken, though. Should be fixed now.
As for how to actually play, here's a messy little tl;dr. There's a lot of rules and the PHB is very long but this should let you know what to expect. Ideally your group will also have someone able and willing to clarify any specific confusion, but if you're playing with all newbies, the answer is probably either in the PHB or online.
Step 1: You make your character sheet (the official template is here) basically copying over all the bits of the PHB that are relevant to your character- so the abilities and perks of one background, one race, and one class (ignoring any stuff for a level higher than your starting level, you add those later)- plus your ability scores and some stuff you can just pick, like name, age, appearance, etc.
Step 2: Your DM describes the world, and you tell them what your character's doing. If you have a relevant ability on your character sheet, you reference it. If you don't have rules for it, or nobody at the table remembers the rules for it, either you use common sense- yes, your paladin can approach the questgiver without tripping over their own feet. No, your paladin can't snap their fingers and make all undead cease to exist- or the DM tells you what to do.
-Mod Meme
Drafting
The Draft Notebook
Be More Productive with Ambient Noise
How to Steal: Know Your Tropes
How to Steal: Good Writers Borrow
Write What You Know (Not What You’ve Experienced)
The Best Way to End a Writing Session
How To Finish a Draft
A Few Tips on Chapters
Language, Description, & Dialog
“To Be” Or Not “To Be”: What Exactly Is Passive Voice?
Tagging Dialog
Narrative Voice
Writing Better Descriptions
Basic Rules for Metaphors and Similes
Character, Plot, & Setting
Creating Characters: a 4-Step Process
Writing Relationships Your Reader Can Get Behind
Informative Character Names
The Strength of a Symmetrical Plot
How to Foreshadow
Crafting Homes of Paper, Ink, and Neutral PH Glue
Motivation
On Writing Flawed Books
How to Return to Your Manuscript
The Acknowledgements Page
Staring at Blank Pages
What to Do When You Can’t Write
Motivational Writing Posters
Publishing
Writing the Perfect Query Letter
How to Write a Synopsis
How to Pitch Your Novel in Under a Minute
A Glossary of Publishing Terms: Vol 1
Writing Tools
Why You Should Give Scrivener a Try
Outlining, Brainstorming, and Researching with Scrivener
Drafting with Scrivener
Editing with Scrivener
CTRL+F
The Forest Productivity App
Editsaurus
NaNoWriMo
Why Try NaNoWriMo
October Prep
Why Listen to Writing Podcasts
Pick a New Daily Word Count Goal
How to Write 2000 Words a Day
How to Plan a Novel without a Story
Pacemaker: Custom Daily Word Count Website
NaNoWriMo Master Post
Other
How to Read an Absurd Number of Books
Writing Workshops: An Introduction
Writing Groups
Different Types of Fantasy Novels
Ambient Soundscapes Based on Famous Writers
Ko-Fi & Other Support
If you enjoy my posts and can afford it, I would greatly appreciate it if you donated to my new ko-fi page! Each of these posts represents multiple hours of unpaid labor. I love writing for this blog, but I’m also an underpaid 20-something trying to stay afloat. I’ve made this master post of every essay I’ve written for this blog as a way to show my appreciation in advance of any support. If you donate, to further show my gratitude and appreciation, I’ll take requests for essay topics in the ‘messages of support.’
If you can’t afford to donate via ko-fi, another great way to show your support is simply by reblogging posts that you find useful and helping my blog reach new writers.
Thanks so much!
How to Steal: Know Your Tropes
“Good writers borrow; great writers steal.” Most aspiring writers have heard this in some form or other. It’s common advice: steal from the books you love!
But you’re pretty sure you’d get sued if you wrote a novel about a boy who goes to wizarding school, and befriends a redhead boy and girl with frizzy brown hair.
So what exactly can you steal if you want to be a great writer?
One answer is: tropes.
Tropes are story elements that reoccur through literature. They’re the motifs of all literature. This is vague because there’s a huge variety of tropes: they can be reoccurring setting types, characters, plot events, etc.
Some examples:
The hero pulls a book on the bookshelf and the bookcase swings open to reveal a hidden passage.
All of those myths and legends your main character has heard stories of growing up? They’re all true says the new character and/or encounter with a mythical beast.
“What a coincidence!” says character A. “There are no coincidences,” says wizened character B. It wasn’t a coincidence.
Two characters are headed into battle and still haven’t admitted they have feelings for each other. Then, thinking it’ll be the last chance, one pulls the other into a desperate kiss.
The crazy person everyone in The Town ignores predicts the future and/or pulls The Tower from the Tarot deck again and again! “It’s coming!” they warn as everyone ignores them! “The vague bad thing is coming!”
We all have our favorite tropes.
You’ll recognize the feeling. You reach that point in the book: so far, character A and B hate each other. Then, their hands touch. They pull back in shock. You swoon! You knew it! They’re going to fall in love! It’s everything you’ve ever wanted.
Maybe The Hand Touch isn’t your trope (only because you’ve never experienced the gloriousness of the Kiera Knightley Pride & Prejudice), but you have one. You do. It’s that moment that appears in your favorite stories, that makes you squeal in delight every time you see it. Sometimes stories become your favorites because enough of those tropes are in there.
And those tropes?
Go ahead.
Steal them.
Steal them.
All stories contain tropes, purposefully or not. The least you can do is make sure the ones you love appear in your stories.
Can’t name your favorite tropes off of the top of your head? No worries.
As you read, keep a list. As you watch movies and tv shows, keep a list. Have a notebook by your side and take note whenever you find a moment makes you say “I love it when this happens!” Pay attention to that feeling. It’s one you want readers to experience when reading your own story.
(You can also do the complete opposite of this and take note of tropes you hate and want to keep far away from your own work.)
If you aren’t patient enough to do that: here’s a giant list of tropes from A Song of Ice and Fire on TVTropes for inspiration. You can browse the rest of the site to look at a truly enormous collection of tropes in fiction.
Don’t force tropes into your story. You want them to feel organic and new, as though they aren’t just storytelling devices found in dozens and dozens of books. You have to make sure they’re in line with your characters and plot. Fit tropes to your story, don’t fit your story to tropes. Your character shouldn’t come across a Secret Bookcase Passage unless it actually leads somewhere.
You also want to be wary of including tropes that have oversaturated a genre to the point of becoming cliche. If you’re bored with it, readers are bored with it. ex. the YA love triangle
That said, if you want to show that your characters are falling in love against their better judgement and you’re not sure how to go about it: consider your favorite tropes. Write the best f%@~ing Hand Touch scene that’s ever been written. I promise you, someone will read it and think, “yes, I love it when this happens!”
This advice was stolen in part from the PubCrawl Podcast, who put into words what I’ve been failing to articulate for the past few weeks. I’ve been calling it “including plot happenings I love.” Plot happenings. smh.
“I wish I wasn't such a dreamer. I’ve ruined this life for myself.”
— N.M. Sanchez
where is my morally grey villain that pushes me against a wall and threatens me with a knife looking me in the eyes after their eyes lingered on my lips for just a split second?
love is stored in the kitchen part ii
text post - @july-19th-club // the haunting of bly manor (2020) - created by mike flanagan // dancing in the kitchen - lany // text post - @hjarta // making soup - @bagginshield // god’s work - anne carson // twin peaks (1990-1991) - created by david lynch & mark frost // little weirds - jenny slate // moonlight (2016) - dir. barry jenkins // writing prompts for the broken-hearted - eden robinson
Each year several hundred thousand people sit down to write with the goal of composing 50,000 words on a novel. That’s a challenge for a new writer. So how many people reach that goal? From some surveys that I’ve taken informally, I think about 15%. Are those novels any good? Certainly, some will go on to be published. The question becomes, how can you have a successful Nanowrimo experience? As a writer with over fifty novel-length works published, I know the secrets. Here are a couple of keys.
Turn your inspiration into discipline. Sit down each day and write, so that writing becomes a habit. Don’t beat yourself up if you don’t hit your writing goal for a day. The fact that you sit down and write every day will help you reach your goals. Some days, you will exceed your goals. As the month wears on, and you feel worn out, keep writing every day. Like exercise, writing can become addictive. You’ll soon find that you don’t feel whole until you’ve written that day. People often get writer’s block simply because their whole brain—both left and right halves—aren’t focused on writing. The creative mind is occupied trying to solve other problems, the ones that you are thinking about at work, or in your family life. So you have to focus your mind on your writing by working on your prose every day, both first thing in the morning and last at night.
Practice isn’t enough. You must also study. If you’re going to proceed with confidence, you need to understand stories. You need to feel assured as to what your next steps may be. With that in mind, I’ve put together a little Nanowrimo guide, filled with daily lessons and inspirational thoughts in order to keep you writing and to help you write better.