I, uh, thought I’d add my coin to the pile. ‘Fraid I don’t have the time to go through the archives (another time, for sure) but a couple pages come to mind for my theory. Nope, I’m diving into it now, point of no return.
So, I can’t shake the feeling that’s Oscar’s dying.
Wow that sounds extreme, but the first page does end with the line, “Ask them about death, and they tell you about life.” That does kinda sound like what Oscar could be doing. Give him some crushing news and he avoids it by doing the opposite. Living a new life to escape the eventual death. I mean, he is doing something rash and seemingly out of character.
Chapter Two’s words of wisdom states that hiding allows one to see other hidden things. This may imply that Oscar is hiding from something...and that could be anything, including death. The Wolf at the Door is a song (as every chapter name is, I think) that deals with fear and keeping it at bay. When you’re sick not only are you afraid, but so is everyone else. That gets to you after awhile.
It’s worth mentioning that, at least to me, Oscar doesn’t seem so...afraid of these new things happening around him. Surprised, fascinated (surprisingly nonchalant about things that should terrify people?) but never truly out of his mind with fear. You could argue a case for the wolf chase. Death can do this, it can make you feel invulnerable. It’s subtle, but it could be the after effects of shock.
When he sees the couple walking hand-in-hand, maybe he’s reminded of his mortality, of the fact that growing old with someone isn’t an option for him. And how about we mention that blurb at the bottom of the page 96: “You think it can last.” Major death vibes here.
Even more telling is the next chapter A Ghost is Born. He literally says out loud that he thought he was done with hospitals. Plus he’s being framed by every pair of angel wings you can cram into a hospital -- and that’s lot of angel wings right there. On page 110, he looks like he’s about to share a death story with Becky, but then gets cut off by the phone ringing.
Bringing this into big picture mode, I think Oscar is being shown the consequences of running from death. We see Sylvia, who appears to be a ghost who is at peace with her situation, accepting the goods and bads. Then we see Dani, who terrorizes her parents because she can’t cope with the stress of her ghostly situation. For Dani, it’s painful and unnatural, but for Sylvia, it’s a welcome chance to see life go on, even if she isn’t a part of it. I could argue that Oscar feels comfortable around her, and fascinated by her, because this is his optimal alternative. His best case scenario. Maybe he wants to figure this out with her because he’ll NEED it later. Even her backstory works with this theory. She thought it curious that she herself died young, while her mother survived the sickness. Life sometimes works out that way.
Then the next chapter, The Season of the Witch. Oscar has a casual encounter, but after it’s done...well, he doesn’t seem to savor it much, does he? That sadness returns. The drugs may hide it but the feeling remains. Hm.
Cutting to the phone call with River, we see she’s worried about him. Like, REALLY worried. Worried enough that her first move is to send Franklin (husband I assume) to go get him. Oscar quickly anticipates this, so he’s run away before. Double hm. Suspicious, since you usually send someone to fetch either a kid, or someone with an illness. Right? Maybe Oscar was living with River because they wanted to look after him. It’s assumed that he fainted from the stress of the wolf chase in Chapter Two, but what if he was sick and put too much stress on his body? He’s not exactly an active guy. He strolls, reads the newspaper, listens to audiobooks with Sylvia. Pretty laid back to me, and there could be something to that.
Granted, that is a lot of maybes and could-be’s. So it’s my theory for now. One final thing I found interesting was Oscar’s glasses. People keep messing with them, and could be a metaphor for him seeing “the other side”. Peeling away the mundane and seeing with that third eye. And with Oscar dying, he could be even more sensitive to these elements. Having one foot in the grave puts you in a unique position to see things from a different perspective, mystical or not.
So that’s my piece. This is a theory, and if I’ve learned anything from Game of Thrones, it’s that even if I’m not right, I’ll still love the results. Hats off to the amazing writer/artist Pascalle. Everything about this comic feels so deliberate and planned out that deciphering it doesn’t feel interpretive. Eventually, we’ll learn the truth, things will click into place, and the story will feel that much more complete. Can’t wait to see it!
Note: Writing this took awhile, so I hope I submitted something new to the conversation haha!
(Wilde Life: http://www.wildelifecomic.com/)