Lizzo and Harry performing Juice in Miami
let's talk about Bridgerton tea, my ask is open

if i look back, i am lost
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Lint Roller? I Barely Know Her
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untitled
YOU ARE THE REASON
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@helentheross
Lizzo and Harry performing Juice in Miami
adults pretending to be teens in us shows
adults pretending to be teens in european shows
Via @prettyaveragewhiteshark
my entire life is an example of idiot plot
tbh people mock harry for going back to rescue fleurs sister in the second triwizard task but harry knows dumbledore better than anyone else. he probably looked at the situation and thought “would dumbledore let an eight year old drown just because fleur couldnt do this bit? yes. yes he would.”
it’s also possible he was acting off of the lessons he learned in the abusive dursley household. that’s why he does a lot of his so-called “hero complex” shit. he takes a lot of personal responsibility for other people bc he learned growing up that “no one’s here for you, no one will help you, you will not catch any breaks”. he helps bc if he didn’t, who would? certainly not the dursleys, and that’s what he grew up with.
he does things by himself and the two people he actually trusts, bc he’s learned that authority figures are no help and will only make things worse. he takes situations at face value bc he’s never seen other options in his life, he’s never HAD other options in his life. speaking very personally, that was a serious marker of abuse that i saw in myself - i never thought abt escape, or what i could do to improve my situation, bc i didn’t even see that as an option. the options were survive or don’t, deal w it or don’t, acclimate or implode.
maybe he wasn’t thinking abt what DUMBLEDORE would do, what anyone at hogwarts would do. maybe he was acting off what he knew the dursleys (his main authority figures) would do. the dursleys would let the girl drown. and harry was there, and harry could do something, and so harry did. he took personal responsibility for fleur’s sister’s safety bc all his life he’s learned that authority figures cannot be trusted to do so.
people characterize these aspects of harry as a “hero complex” or a “stupid nobility” or a “lack of common sense”, but i don’t agree with that. i can’t put my finger on exactly what it is. it’s not completely unhealthy; it’s even very useful and responsible on occasion.
it’s called “complex ptsd” and if you get out of the abusive situation before you’re old enough to understand how fucked up it was, like Harry did, you don’t end up with the classic flashbacks so much, just atypical behavior patterns and a high risk of other shit. That’s why Harry is so fucked up by everything that Umbridge does, it’s because he’s being retraumatized in his safe space.
Seriously, the Dursleys would have not only let her drown, they would have let her drown so they could blame Harry for it afterwards. (Although the loudest “Potter, too busy winning to care about anyone else” voice in his head would probably be Snape’s.)
Incidentally this is even more clear in the first and second books, to me. Because Harry DID go to adults and say someone’s trying to steal the stone, and what did the adults do? Did they say, yes, we know, we’re taking precautions, real, good protective measures? Noooo. Did they say, thank you, we’ll look into it, even? Noooo. They said, don’t be silly, it’s not your concern, nothing to see here, little boy, run along and do your schoolwork.
And they said this to a boy whose entire life experience has never involved an adult that can be depended on. And they lied, lied about their own knowledge, said “that’s silly” when they know “that’s true.” And they were too convincing: since he as well knew the truth, what they ended up convincing him was that they didn’t know. And it fit right in with his expectations. Adults, whether actively malicious (the Dursleys, Snape) or well-meaning but oblivious (Mrs. Figg, Harry’s primary-school teachers, the other Hogwarts teachers), can’t be depended on. If anything’s got to be done, Harry and his friends have got to do it himself.
Second book, same thing—they’re headed for the teacher’s lounge to tell the teachers it’s a basilisk, and overhear the teachers saying that Ginny Weasley’s been taken by the monster, and they need to close Hogwarts, and their only plan to rescue Ginny is to send Gilderoy Lockhart—knowing full well he’s a fraud, a coward, and no match for a Cornish pixie, let alone a basilisk. Once again, the adults are flat-out useless and if anyone is going to save Ginny, it’s gotta be Harry and Ron.Â
Notably, this is after another ball-drop on the part of the adults: when Harry’s been framed for underage magic and locked up in his room and starved by people who have every intention of keeping him out of Hogwarts forever, it’s other kids, Ron, Fred, and George, who go rescue him, and when the adults find out, one of them punishes and scolds and the other is only interested in how his car worked.
In book three, we meet a couple of adults that are competent, helpful, and willing to listen—Sirius and Remus—and the other adults come in and the end result is, one’s fired and the other has to go on the run lest he have his soul sucked out by dementors. Dumbledore does listen and give them the necessary hints, but it’s Harry, and Hermione this time, who have to do the work.
And then in Order of the Phoenix, in comes the smothering bullshit about how he’s too young to be in the Order and needs to leave everything to the grownups, after the grownups have dropped the ball four years running and are batting zero on the trust-and-listening factor—no wonder he threw a tantrum, I would’ve thrown a tantrum, he was fucking entitled to one.
“Well, that was a bit stupid of you,” said Ginny angrily, “seeing as you don’t know anyone but me who’s been possessed by You-Know-Who, and I can tell you how it feels.” Harry remained quite still as the impact of these words hit him. Then he turned on the spot to face her. “I forgot,” he said.
 – OotP
“he does things by himself and the two people he actually trusts… it’s not completely unhealthy; it’s even very useful and responsible on occasion.” - @gaelissfelin
…this.  Harry sees people as: a. him and people he trusts, b. people to be evaded, and c. people in need of help.  When he gets backed into a corner (Voldemort inside his head, heading down the trapdoor alone, off to the DoM alone, into the Forest alone), the circle of people he trusts shrinks down from the DA/OotP, to the Trio, to just himself.  Harry never wants to be a hero or gets off on it, he’s just a person who’s suffered from the bystander effect and doesn’t want to be a bystander himself.
…that’s what it is, why it’s useful, I think.  It’s not a hero complex, it’s an anti-bystander complex.  Sometimes it only takes one person standing up.
When I was younger I never understood why people thought Harry wasn’t thinking things through. But now that I am older and have my diagnosis of PTSD I realize that I was just one abused child identifying with another. It was logical to me that Harry not trust the adults in his life because I couldn’t trust any in mine. No one ever believed me when I told them I was being bullied, my parents were too wrapped up in screaming at each other to give a fuck about me. You go that long feeling like a shadow without a voice and you just start doing things on your own because who the fuck cares about you. You wind up with a protective streak a mile wide because in the back of your mind you know that things can’t change for you but maybe you can change them for someone else even if it means taking their pain as your own. No wonder Harry winds up an Auror, he’s been saving people and getting himself hurt since birth, he needs a psychiatrist to help him but he doesn’t trust anyone so he just throws himself into the only thing he knows how to do rather than healing. It’s by sheer force of will that he’s not catatonic or having PTSD flashbacks every time he goes to work.
I will never not reblog this.
man the crazy thing about babies is that like, some people would think that reading a baby a book about farm animals is teaching them about farm animals, but really it’s teaching them about the concept of a book and how there’s new information on each page of a single object, but really, beyond that, it’s teaching them how language works, and beyond that it’s really actually teaching them about human interaction, and really really it’s them learning about existing in a three-dimensional space and how they can navigate that space, but actually, above all it is teaching them that mama loves them.
zendaya: I will not succumb to your peer pressure lol
2008 // 2020
simple plan: what's new scooby doo? we're coming after you, we're gonna solve that mystery, i see you scooby doo, the trail leads back to you, what's new scooby doo?
me and my siblings every evening after school:
me now:
This judge had exactly the right reaction to the shameful way nonviolent prisoners are treated in US jails
A woman was denied pants or tampons after being arrested for not completing a diversion course that was part of her sentencing from a shoplifting charge. But see how the judge reacts when she finds out that the prisoner’s humiliating treatment is apparently routine.
Gifs: Raw Leak
WATCH THE VIDEO
This is why it’s so important to vote for your local judges after doing a minimal amount of research. Most people just pick whatever judge is there or has a funny name, but this woman is changing the way prisoners are treated and she was voted in by the county. Always do your research before voting for judges, but don’t discount it as unomportant. You may need someone like her on your side one day.
i was checking out who was on my blog and
whY
ARE YOU
IN THE MIDDLE OF THE OCEANÂ
i have been informed that this is  hawaiiÂ
This is the exact same response that the intergalactic counsel had in Lilo and Stitch and I think that is beautiful
Watching this (and fearing broken ankles with each loop) I can’t helping thinking about that old quote Ginger Rogers did everything Fred Astaire did, except backwards and in high heels.
But no, if you watch closely you’ll see she doesn’t even step on the last chair. That means she had to trust that fucker to lift her gently to the ground while he was spinning down onto that chair. That takes major guts. I’d be pissing myself and fearing a broken neck if I were in her place. Kudos to her.Â
I can’t stop watching this.Â
#I watched this for too long to not reblog
Whoa.
Okay so this is true, but a tiny part of a wider truth.Â
Ginger Rogers was a FUCKING BADASS. Ignore for a sec the rampant sexism in Hollywood (they once bleached  her hair blonde in wardrobe without telling her beforehand), the fact that she fought her whole career against typecasting and stereotyping from fellow actors (Katharine Hepburn famously said of the Astaire/Rogers partnership “she gave him sex. He gave her class” ) for starting out in musicals, and went on to have a career lasting over fifty years, winning a Best Actress Oscar (Kitty Foyle, 1940). But… JUST focusing on the Astaire movies…
Not only did she dance “backwards” in high heels, the dances were a task in themselves. Astaire was an absolute perfectionist and choreographed for himself, so as a younger, less experienced dancer Rogers came in at a disadvantage and worked her ass off to match him.Â
Then there’s the filming complications… these numbers were filmed in ONE TAKE. So one thing goes wrong and you have to start over. Maybe you make a mistake or maybe your dress flies up because…
Ginger had to contend with her wardrobe. Dancing in heels is the norm at this time, but dancing in a dress designed for cinema cameras… not so much. They were heavy, embellished, uncomfortable, restrictive and cumbersome and essentially a third member of the dance, strapped to the body of one partner.Not only did she have to dance and look good, she had to control the dress too!
Take this routine from Swing Time… (it gets going proper at 1:30ish)
This dress has weights, YES WEIGHTS, sewn in to the hem to make it fly out and create a visual effect. So it’s heavy, it hurts if it hits you, and your partner gets mad if it hits him. So you gotta control it.Â
Well it turns out all these factors on this set, this particular day aren’t going so well. So you’re doing take after take, here’s no labour laws, so at 4am after 18 hours you’re still going, even though part of the routine requires you to spin up those curved stairs with no rail at high speed….
Okay so now back to those high heels. In Ginger’s autobiography she vividly remembers this night as the night she bled though her shoes. They did so many takes, her feet blistered, bled, and the white satin high heels she was wearing finished he night pink because they were literally full of blood. And still they keep shooting. She keeps dancing.
The take they use in the film is the last. Early hours. Bloody feet. And she spins, acts and bosses out until that last second. Because she was that professional, talented and bloody minded. This is the last set of spins…Â
So I say once again. Ginger Rogers was a badass.
She did everything Fred Astaire did backwards, in high heels, wearing a 20 pound dress, exhausted, injured and standing in a pool of her own blood. And watching her perform, you would never know.
im screaming
Truth climbing in the ceiling to shame student kind
Catching rain drops