The year is 1848. You are Anne Brontë, and you have written a cautionary tale for young women about the dangers of marriage and how you cannot reform a rake, and that the notion that "women's gentle influence" can do anything towards fixing corrupted and vicious men is a perverse lie. To get this point across you insert a conversation between two characters close to the beginning of the novel where you logically argue "You would have us encourage our sons to prove all things by their own experience, while our daughters must not even profit by the experience of others." and then you illustrate your point through how, despite loving her aunt dearly, your main character cannot understand the extent of the danger she's in because her aunt will only allude to it in vagueries. Surely nothing can be clearer and more forcibly expressed, right?
Reviewer at Sharpe's London Magazine:
"we cannot but express our deep regret that a book in many respects eminently calculated to advance the cause of religion and right feeling, the moral of which is unimpeachable and most powerfully wrought out, should be rendered unfit for the perusal of the very class of persons to whom it would be most useful, (namely, imaginative girls likely to risk their happiness on the forlorn hope of marrying and reforming a captivating rake), owing to the profane expressions, inconceivably coarse language, and revolting scenes and descriptions by which its pages are disfigured."
(now you can better understand the tone of the preface to the second edition)
"we consider the evils which render the work unfit for perusal (for we go that length in regard to it,) to arise from a perverted taste and an absence of mental refinement in the writer, together with a total ignorance of the usages of good society... despite reports to the contrary, we will not believe any woman could have written such a work... at the first glance we should say, none but a man could have known so intimately each vile, dark fold of the civilized brute's corrupted nature; none but a man could make so daring an exhibition as this book presents to us. On the other hand, no man, we should imagine, would have written a work in which all the women, even the worst, are so far superior in every quality, moral and intellectual, to all the men; no man would have made his sex appear at once coarse, brutal, and contemptibly weak, at once disgusting and ridiculous. There are, besides, a thousand trifles which indicate a woman's mind, and several more important things which show a woman's peculiar virtues. Still there is a bold coarseness, a reckless freedom of language, and an apparent familiarity with the sayings and doings of the worst style of fast men, in their worst moments, which would induce us to believe it impossible that a woman could have written it. A possible solution of the enigma is, that it may be the production of an authoress assisted by her husband, or some other male friend: if this be not the case, we would rather decide on the whole, that it is a man's writing."
We love a person who can read a book about how women, even high class women, do not and cannot escape horrifying scenes of abuse and degradation by men in Victorian society, and are, because of their special legal and economic vulnerability, most often the target of it, and go "this couldn't have possibly been written by a woman because ladies cannot have any experience whatsoever of such things."
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