thought of this immediately and was delighted to discover it’s the same op

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@hypnogogeek
thought of this immediately and was delighted to discover it’s the same op
thinking again about TvTropes and how it’s genuinely such an amazing resource for learning the mechanics of storytelling, honestly more so than a lot of formally taught literature classes
reasons for this:
basically TvTropes breaks down stories mechanically, using a perspective that’s not…ABOUT mechanics. Another way I like to put it, is that it’s an inductive, instead of deductive, approach to analyzing storytelling.
like in a literature or writing class you’re learning the elements that are part of the basic functioning of a story, so, character, plot, setting, et cetera. You’re learning the things that make a story a story, and why. Like, you learn what setting is, what defines it, and work from there to what makes it effective, and the range of ways it can be effective.
here’s the thing, though: everyone has some intuitive understanding of how stories work. if we didn’t, we couldn’t…understand stories.
TvTropes’s approach is bottom-up instead of top-down: instead of trying to exhaustively explore the broad, general elements of story, it identifies very small, specific elements, and explores the absolute shit out of how they fit, what they do, where they go, how they work.
Every TvTropes article is basically, “Here is a piece of a story that is part of many different stories. You have probably seen it before, but if not, here is a list of stories that use it, where it is, and what it’s doing in those stories. Here are some things it does. Here is why it is functionally different than other, similar story pieces. Here is some background on its origins and how audiences respond to it.”
all of this is BRILLIANT for a lot of reasons. one of the major ones is that the site has long lists of media that utilizes any given trope, ranging from classic literature to cartoons to video games to advertisements. the Iliad and Adventure Time ARE different things, but they are MADE OF the same stuff. And being able to study dozens of examples of a trope in action teaches you to see the common thread in what the trope does and why its specific characteristics let it do that
I love TvTropes because a great, renowned work of literature and a shitty, derivative YA novel will appear on the same list, because they’re Made Of The Same Stuff. And breaking down that mental barrier between them is good on its own for developing a mechanical understanding of storytelling.
But also? I think one of the biggest blessings of TvTropes’s commitment to cataloguing examples of tropes regardless of their “merit” or literary value or whatever…is that we get to see the full range of effectiveness or ineffectiveness of storytelling tools. Like, this is how you see what makes one book good and another book crappy. Tropes are Tools, and when you observe how a master craftsman uses a tool vs. a novice, you can break down not only what the tool is most effective for but how it is best used.
In fact? There are trope pages devoted to what happens when storytelling tools just unilaterally fail. e.g. Narm is when creators intend something to be frightening, but audiences find it hilarious instead.
On that note, TvTropes is also great in that its analysis of stories is very grounded in authors, audiences, and culture; it’s not solely focused on in-story elements. A lot of the trope pages are categories for audience responses to tropes, or for real-world occurrences that affected the storytelling, or just the human failings that creep into storytelling and affect it, like Early Installment Weirdness. There are categories for censorship-driven storytelling decisions. There are “lineages” of tropes that show how storytelling has changed over time, and how audience responses change as culture changes. Tropes like Draco in Leather Pants or Narm are catalogued because the audience reaction to a story is as much a part of that story—the story of that story?—as the “canon.”
like, storytelling is inextricable from context. it’s inextricable from how big the writers’ budget was, and how accepting of homophobia the audience was, and what was acceptable to be shown on film at the time. Tropes beget other tropes, one trope is exchanged for another, they are all linked. A Dead Horse Trope becomes an Undead Horse Trope, and sometimes it was a Dead Unicorn Trope all along. What was this work responding to? And all works are responding to something, whether they know it or not
An incomplete list of really useful or interesting reads from TvTropes.
please note that yes many of these are concepts that exist elsewhere and a few are even taught in fiction writing classes but TvTropes just does an amazing job at displaying the range of things that can be done with them
legitimately so much of the terminology I use to talk about storytelling, and even think about it in my own head, i learned about from TvTropes
Willing Suspension of Disbelief
Watsonian vs. Doylist
Trope Tropes, for all the ways tropes are used, deconstructed, subverted, and played with.
The Oldest Ones in the Book, which is basically my favorite thing on the entire Internet
Punk Punk, for -punk subgenres
Sliding Scale of Silliness vs. Seriousness, Sliding Scale of Idealism vs. Cynicism
The Weird Al Effect is a fun one
Chekhov’s Gun, Chekhov’s Boomerang, Chekhov’s Skill, and further variations
Law of Conservation of Detail
Law of Conservation of Normality
Anthropic Principle
Word of God, Death of the Author
Sliding Scale of Fourth Wall Hardness
Mohs Scale of Science Fiction Hardness
Genre Savvy
Flashbacks and Chronology breaks down all the ways you can handle chronology in storytelling
Show, Don’t Tell is a very good breakdown of what is showing, what is telling, and how both can be used effectively.
Lampshade Hanging
Noodle Incident is just fun imo
Genre Title Grab Bag
Fridge Horror
Rule of Cool, and also Cool of Rule
The Smurfette Principle
The Hays Code - not a trope but a very good breakdown of how the Hays Code affected storytelling in film
this is just a really short list of examples I encourage people who write or otherwise create stories to browse around on this site it’s so useful
Informed Attribute is one of the ones I reference most often as an editor.
Theory of Narrative Causality is one of my personal favorites, because it's kind of fun when a story acknowledges that things are happening in the story because that's what makes it a good story.
Also Applied Phlebotinum, because sometimes you don't need to know how something works, it just does, and that's all that matters for the purposes of the narrative.
you should get a second evening for reading fan fiction. And you should get an extra day in the week to do arts and crafts.
it's so wild when your parent changes when you become an adult. my dad is very cordial and non confrontational - he regularly helps me with adult stuff like changing the oil or providing insurance tips. he's always smiling when i call him on video and providing jokes when i complain about college
when i was a kid, i would have to tiptoe around his anger issues often, sometimes running quietly past his work table until he got his own place completely separate from our family, locked away for days. every so often he would start screaming in the car and trying to hit me or my brother for talking too loud while my mom attempted to calm him down as he swerved on the road. and now he, smiling, helps me with car insurance.
like oh, this is just who you are when you have power over someone, and this is who you are when you dont have power over someone. no wonder you can have a normal life, friends, work while scaring the shit out of your kids and wife. i see it now. i see why no one would have believed me. that, i think, is one of the core fears of trauma - seeing the outside of it from the perspective of other adults that brushed you aside, and understanding. of course, that understanding gives the opposite of solace; it just gives you more grief with nowhere for it to go
Peaceful pro-Palestine protest at the White House. Photos by me.
[Image descriptions: peaceful protesters wave giant Palestine flags and Lebanon flags in front of the White House. End description.]
the weird thing about being a leftist is the government calling you a radical extremist and your family believing that youre a radical extremist and the whole times your main political beliefs are shit like "we live in a world where we could very easily end world hunger, homelessness, most disease, poverty, ect. and the people in power are choosing not to, and thats evil and should change" and that bigotry is bad
CAMPBELL RIVER, B.C. - Overt racist speech has narrowly won out over the more traditional dogwhistle racist messaging this past Sunday, with
Every day I handle more money than I will ever make. Every day.
At the start of my employment, my boss showed me videos of people stealing, and we both had a chuckle about it. How silly they were! There was a camera overhead, and it’s not to watch the shoppers. See, we can’t actually stop shoplifters. They get away with it maybe nine out of ten times. But we, who are watched and tallied and witnessed? We are always caught.
At first it was hard to hold one hundred dollars bills. An amount I had never seen before. An amount that didn’t exist in my household. It’s normal now. Here is something that is not for me.
“What the hell, I’ll take another,” says the man, pondering our 200 dollar watches. What the hell. Total comes to 580 and not even a flinch in his face. I have been working for 11 hours today and made only 110 dollars. It will go to my rent. Today I work for free, it feels. When I get my check, I will have 35 dollars left for food and saving.
The six hundreds he hands me go into the cash register. For a moment, I imagine having money. Then I put it away, counting out his change.
I know for a fact we sell our products for double what they are worth. That I could be making commission. That they could hand me those 580 dollars and change my life and not even mark the difference in their checkbooks. He’s not the only sale they make today, but I am the reason they made it. He’s not the only one spending 600 dollars, but if I hadn’t spent two hours with him telling me about his life, he wouldn’t have spent any. I go home. I don’t own a watch.
I have watched and rewatched a video on how to make salmon four ways. My shopping list is always the same. Pasta. Rice. Tuna. If I can afford butter it was a good week. I dream of the world I will never walk in, where I can throw the best fish fillet in the cart with a shrug. I hold hundreds in my hand and look up at the camera. I put them under the cash drawer.
I go to work. I scrap together my savings. I eat my bowl of rice slowly. My manager takes a paid week off from work just for his birthday. He owns a yacht.
I’m not worth the cost of a watch.
i wrote this while i was working at orlando’s walt disney world parks.
i was part of their college program. i moved to the state for it. they legally owned the building i was living in and still charged me rent. i ostensibly was being charged to work for them. it was a 2 bedroom apartment and they placed 6 adult women in it in forced triples.
as many as one in ten disney employees have experienced homelessness while working for the company. despite huge efforts to unionize, strike, or otherwise demand fair treatment; disney has refused to increase employee quality of life.
disney admits publicly that a good portion of their success is because the employees (“cast members”) are dedicated, passionate, and selfless. this is never reflected in pay. even “face” characters (ie those that are princesses etc) make barely above a minimum wage.
at the time that i worked there, i made $8.50 an hour. at one point i was asked to create a human shield around a bag because a bomb dog had alerted to it. for eight fucking dollars an hour.
i now work a very cushy office job. i have bought the salmon and cooked it all four ways.
i go to the store. i am nice to the person behind the counter. she looks up at the camera while she counts out my change. there is nothing fundamentally different about her and i.
we are both worth more than the watch, anyway.
Jonathan Joss was an Indigenous, gay man who was murdered on the first day of Pride month as well as Indigenous History Month. He died protecting his trans husband. Homophobia and racism aren’t marks of the past, and this is a heart breaking reminder of that.
Praying for a safe journey back to the spirit world, Uncle ❤️🩹🦅
Today is the anniversary of the death of Jonathan Joss (King of the Hill, Parks and Rec). Jonathan Joss was an Indigenous, gay man who died protecting his transgender husband, on the first day of Pride month. Today we remember him and how he protected his family.
“Life after menopause is exceptionally rare in animals. It can evolve only in creatures where grannies help younger family members survive. Only human, killer whale, and short-finned pilot whale females routinely live for substantial periods after they stop breeding. Like humans, killer and pilot whales have roughly twenty-five to thirty childbearing years, then can live another thirty or so. And as Ken’s just explained, some live a lot longer. Up to a quarter of the females in a group are postreproductive. These whales are not waiting to die; they are helping their children survive. As human children often benefit from their grandmothers’ attention, killer whale grandmothers boost their grandkids’ survival. A rather bizarre twist of killer whale society is that killer whale mothers remain crucial to the survival of their adult children. When older killer whale females die, their adult children start dying at high rates, especially males. Male killer whales who are under thirty years old when their mothers die suffer a tripling of the annual mortality rate compared to males in their age group whose mothers are still alive. Male killer whales who are more than thirty years old when their mothers die face death rates more than eight times as high as males in their age group whose mothers are still living. Daughters under thirty show no mortality increase after their mothers’ death. But daughters older than thirty when their mothers die have more than two and a half times the death rate of same-age females whose mothers are alive. Males’ handicaps of the extra drag of their huge dorsal and pectoral fins and the extra food required for their immense size (at around 20,000 pounds, males can be one-third more massive than females) seem to make them reliant on their working mothers for food. Females don’t have the males’ impediments, but while raising young, females may rely on food shared by their no-longer-breeding mothers. Adult females share essentially all the fish they catch, and more than half goes to their children. Adult males share their catch only about 15 percent of the time—usually with their mothers. While no one fully understands their strange death pattern following the loss of a mother, extreme parental care is likely at the root. Toothed whales are the world’s champion nursers. Short-finned pilot whales continue to produce milk for up to fifteen years after the birth of their last calf, likely nursing other females’ young. In bottlenose and Atlantic spotted dolphins (further study might reveal others), some females never give birth. Denise Herzing dubbed them “career females,” because their role in society does not include motherhood. They might be infertile. They might be gay. But their contribution is crucial: they do a lot of babysitting. When Herzing entered the ocean with a visiting nine-year-old girl, “White Patches, the eternal babysitter herself, had never seen me babysitting a young human before. Her excitement vocalizations were audible and electric and she continued to swim around us, eyeing the human youngster attached to me.” (Researchers sometimes call babysitters “aunts.” That’s precisely who they often are.)”
— Beyond Words, by Carl Safina
i love writing out numbers and then putting them in parentheses like "one (1)" even when i dont need to i think its funny
no but the “”ai”” boom is crazy bc they made the entire internet so shitty that the only reason to use it is because it’s where all the people are and now they’re getting rid of the people. like i’m straight up logging off and going to the library there’s nothing on here anymore
‘here’s how to tell if an image is ai’ ‘signs the person you’re talking to is a bot’ ‘how to tell if a song is ai generated’ ah but consider this: i am shutting my laptop and walking outside
I saw a bsky post last year where someone said their grandma couldn't tell what was real on the internet anymore so she stopped using it and I really, genuinely think the techbros currently ruining everything have never even considered that possibility. their projections and pie charts and market share research and whatever simply do not take into account a scenario where people lose interest in being online. like yeah we're pretty much all gonna keep using the internet to book travel and look up words and order pizza, but in terms of how we spend our leisure time? I'm still extremely online, but in the last few years I've been learning candlemaking and carpentry and sewing, and I was already spending a lot of time cooking and reading books and skating at the rink and hiking, and an afternoon spent on any of those things always leaves me feeling better about myself than an afternoon spent doomscrolling. I think my daily life is going to keep reflecting that more and more as the slop encroaches, and it sounds like I'm far from the only one feeling that way. silver lining the everything, I suppose.