Prompts And Inspiration @i-like-prompts - Tumblr Blog

starting a new fuck/marry/kill called aro/crack/attack where you take three characters and decide who you're making aromantic, whose egg you're cracking, and who you're doing grievous bodily harm

writing-prompt-s

A tragedy at sea ended with a spoiled rich kid/teen and a poor kid/teen marooned on an island. Years pass; they're found. Both have become hardened, scarred survivors. Their families struggle to reconcile the people they knew to who they are now, especially since they're now fond of each other.

prokopetz

Fantasy hospital procedural episode where the patient initially appears to have severe narcolepsy, and at the end it turns out that they keep doing stupid shit that results in them clinically dying and as a result their body is being forced to time-share their soul with like four separate hauntings.

quietwingsinthesky

like the betrayal’s always going to be worse if they cared about you and it didn’t matter. someone discards you because they didn’t give a shit, then you can be angry about that, you can feel vindicated in that, you can get over it. but if they can look you in the eyes and say “I love you. I would make the same choice again.” You will never sleep peacefully again, is all.

quietwingsinthesky

“I thought they cared about me, but they were lying this whole time.” <- tired. boring. removes all the nuance of this relationship to make it easier to move on from.

“I thought they cared about me, and I was right, and every minute they were there for me, every time they said they were proud, every laugh we shared leaning against each other bruised and breathless, all of it was real. and they still left me behind. They could put their love aside. I couldn’t.” <- insane. will never leave you alone. reminds you that even the worst people are still people and can still care about even the ones they hurt the most and that undoes neither the harm nor the love.

writing-prompt-s

You are a traitor, or at least, that was your intention. You decide to come clean to them, when you hear them say the words, “I know.”

hemipenal-system

just watched jurassic park and from a meta perspective im thinking sadly about how the behavior the carnivores display is way more indicative (at least to me) of wanting to play and lacking stimulation in their lives than actually wanting to eat the human characters. and they got so so demonized for it

hemipenal-system

JP dinosaur behavior analysis with a healthy dose of headcanon included from someone who doesnt know much about behavioral science. for funsies

ok so first of all lets start with the t rex. her very first moment is the goat leg ending up on the car, but we can see in the next shot that she is very capable of swallowing the goat whole. so how did that leg get there? given evidence that t. rexes were likely social creatures, i like to imagine that the leg on the car was more “here you go have part of my meal because you’re small” for the humans

next is her communication. i want to look at one specific thing, which was actually the thing that prompted the post

to me, that certainly looks like eye pinning. eye pinning is a behavior in birds that signals high stimulation. here’s what it looks like in a bird

it can be positive or negative, but in this case it’s probably not negative, because there’s nothing forcing the rex to stay there. if she wanted to leave the situation she could hit the bricks

the continual roaring also sort of suggests play behavior to me. there’s not really any sense in making a shitload of noise at your prey (unless you’re trying to scare them out of cover, but we know she doesn’t need to do that because we see she’s strong enough to just break into the car) so, especially because they keep screaming, that reads way more like “im making noises and they’re making noises back ^w^” then it does as trying to intimidate prey for some reason

play behavior also makes sense because we know, canonically, she’s crazy understimulated. alan grant says as much when he mentions that they aren’t feeding her in a way that promotes hunting behavior. the way she noses at the jeep and spins it really just looks more like curious interaction than anything, as well as all the chasing people she does

next, the raptors. their really famous scene is the kitchen, but first let’s establish some facts about them. we know from muldoon and what we’re shown that:

- they’re smart enough to use one of their own as a distraction for flanking maneuvers

- they’re good at problem solving enough to wait until the electric fences are turned off to systematically test them for vulnerabilities

- they’re absurdly fast. “60 mph on open ground” fast

- they are absolutely not in a big enough enclosure

- they’re not fed in a way that promotes hunting behavior either

so when you put all this information together and then look at the kitchen scene, i don’t believe for even one second that the “hide behind the counter” routine is fooling those two raptors for any time at all. that entire sequence of loudly scrambling around the kitchen while something that can keep pace with a cheetah pretends it can’t catch you? yeah that makes WAY more sense as play behavior than it does hunting, especially since we see numerous times that there are many things on the island easier to catch and eat than a bunch of skinny humans (this goes for the rex, too!)

the bit with the noises is also true here. more true, if anything. muldoon tells us the raptors are ambush predators, so why on earth would they get into a hunting ground and then risk scaring their prey off with the loud barking calls? “hi we’re here come out and play” is a much more sensible use of a call loud enough to hurt a human’s ears from across a room in that situation

in conclusion: damnit john your girls are bored as fuck. give them a horse ball or a frozen pumpkin stuffed with meat or something

shitty-fanfic-prompts

Kpop Demon Hunters but Bobby is replaced by Robb Stark from A Song of Ice and Fire

brainstreams

Underused Ways to Show Two Characters Have History

Everyone writes: “We’ve known each other for years!"

But we can do better than that—let's make things actually interesting.

Here are some quick tips for writing two characters with history (without saying, "we've known each for years"):

• They reach for the same object at the same time without looking

• One of them uses a nickname no one else is allowed to use

• They start arguing mid-conversation like the first half already happened

• They move closer when the other looks uncomfortable

• One of them says, “Don’t start,” before the other has said anything

• They know exactly which buttons to press (and press them immediately)

• They unconsciously drift toward each other in crowded spaces

• They anticipate each other’s reactions before they happen

• One quietly moves something (a drink, weapon, chair) because they know the other will reach for it

• Someone might say something, and the other immediately responds with: “You’re still doing that?”

• They suppress laughter at the same time over something no one else noticed

• One character still treats the other based on who they used to be

• A certain place, smell, or song causes them to exchange a look

• Their arguments sound rehearsed, like they’ve had them before

• They touch each other casually without asking (fixing clothing, nudging, taking something from their hand)

• They stand closer than strangers normally would

• They borrow items from each other

• They bring up something embarrassing from ten years ago

• They sit in silence together and it’s either very comfortable or extremely tense

• One of them automatically orders the other’s drink

• They interrupt each other and still somehow finish the same sentence

• One starts a story and the other finishes it automatically

• They argue about the details of shared memories

• They mention people or events without explaining them

• A simple phrase or nickname triggers an entire inside joke

• They notice tiny things about each other no one else would catch

Real history sounds like unfinished conversations, old habits, and arguments that never really ended. When you show shared history (instead of telling) your characters seem that much more alive and believable.

On a similar note: Not all shared history is comfortable. Sometimes shared history means unresolved tension or an old rivalry:

• They refer to something only as “that” or “before.”

• Someone says “You know why.” without explaining further

• Standing slightly farther apart than expected

• Fingers drumming or fidgeting when they’re forced to talk

• Avoiding eye contact for just a second too long.

• A small disagreement suddenly becomes heated.

• One character reacts sharply to something that shouldn’t matter anymore.

• A casual comment triggers silence or defensiveness.

• One character starts explaining themselves but trails off

• One character makes small, cutting remarks disguised as jokes

• They still know each other’s preferences or weaknesses

• They speak in fragments when the past comes up

• They fall into familiar conversations and then awkwardly break them

If you enjoy digging into character dynamics like this, my printable novel planner has detailed sections for relationships, character arcs, and story structure. It’s perfect for organizing a fanfic or mapping out an entire novel!

⤷ my printable novel planner

the-punforgiven

I do love the thought of body swap stories that highlight when characters have like, chronic pain or other bodily issues

Like two characters swap bodies and one immediately turns to the other and is just like "You really need glasses, man", and the other one's just like "Holy shit I can see"

whumpster-dumpster

Bonus points if 1) Character A has been downplaying their issues big time and Character B is hit by it like a ton of bricks and "Dude, ow, you should've said it was this bad!"

Or 2) Character B has been kinda dismissive of it like "Oh, don't exaggerate, it can't be that bad" and then they find out exactly how bad it is firsthand

pixeljade

i am a SUCKER for characters who start out as copies of other characters but eventually become their own people, their own identities, completely different from who they once reflected

awesomebutunpractical

"He wouldn't say that" has a beautiful cousin, and her name is "That's Not What This Story is About".

bread-in-the-void

um?

#fun objects to leave in public places to confuse people #< prev tags

exhuastedpigeon

Sometimes you hear a song and a fic pops into your head full formed. This is a trap. The fic may be fully formed in your brain, but you still Have to write it down. This is an important step that most people forget about.