Be yourself as best you can whenever you can.
Aqua Utopia|海の底で記憶を紡ぐ

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@iamindifferenttolamp
Be yourself as best you can whenever you can.
I think one of the things I most disliked about the Good Omens finale was how they made God both tangible and undeniably sadistic.
First of all, I never wanted to see God. I think God has to be an offscreen character for Her to work at all because the whole POINT of God in Good Omens is that NO ONE actually knows who She is or what She wants. It’s INEFFABLE. But what makes me even more upset is that they took away the mystery behind her motivations and just made her cruel.
In S1 and the book, you get the sense that God is well-meaning, but perhaps got a bit carried away as time went on. She’s a workaholic parent that might have started off with good intentions, but is ultimately an absent parent, and her children all suffer for it. Heaven and Hell don’t actually KNOW what God wants, they’re just doing what they think God wants because she’s left them all alone at home with no instructions and no babysitter.
God is a CEO with too many projects on their plate and doesn’t check their email, and Heaven and Hell are middle managers doing their best not to become the reason she starts checking it again.
And so in S1 and the book, it’s easy to see God as more indifferent than cruel- in fact, I’d argue that’s one of the main themes of the book, that indifference is often just as harmful (or even more so) than “pure evil,” if that even exists. The whole POINT of Good Omens originally was that there’s no such thing as “pure good” or “pure evil.”
But God in the finale is undeniably cruel, because she is fully aware of what she’s been doing and what’s been going on. She’s been watching gleefully through it all. She’s not the absent parent with good intentions anymore, she’s the parent manipulating and encouraging her children to fight and hurt each other for her own amusement. It’s sick, it’s evil. It’s cartoonishly evil. There is no way to argue that it was all “ineffable,” because she explains it quite clearly: she wanted to watch them suffer.
It’s like the CEO has gone from not knowing what happens in the office when they’re gone, to a CEO purposefully hiring terrible managers and underpaying staff so they can LAUGH ABOUT IT.
Now, of course, you could have interpreted God that way all along. But the point was that you had a choice- you, the reader/viewer, got to decide if God was aware of what was going on, or fully “checked out.” You were able to argue that God isn’t fully good or bad, She just is. But a God who sits there and knowingly, gleefully watches her Creation play out just for pure entertainment? That’s intent. She did this to keep herself amused when She got bored.
They tried to give God fangs, and in doing so, took away her claws. The whole reason God is so scary and wonderful in S1 is because you don’t actually know if She’s paying attention. You don’t know if She is listening or not, just like real life. You talk to Her anyway. And now we know that She was taking notes so She could use pain points against her children at a later date to see how they’d respond. God’s no longer scary or mysterious or anything like that, she’s just cruel, and that is the most boring interpretation I can think of.
Not to oversimplify a complex issue, but i think we could reduce the number of deadly car crashes by increasing wages and having shorter work weeks.
people who are like "but with universal healthcare you'll have to pay taxes!!! Up to 8%!!!" Are so funny. Like as opposed to the 16% of my gross paycheck that goes to private insurance, that won't cover shit unless i call my insurance company, then my doctor, then my pharmacy, then my doctor again because theyre pretty sure insurance got approved then my insurance company because they didn't get the letter, then my doctor again, then the pharmacy again, and then the copay i still am on the hook for.
I will never forgive Netflix for mothballing the Redwall adaptation by the guy who did Over the Garden Wall. The children yearn for the mice.
LOOK AT WHAT WE COULD HAVE HAD
it bothers me when someone brings up misogyny in shounen anime and people shrug it off with "its designed for teenage boys, what can you expect." like well. idk i think its actually pretty important that shows for teenage boys are normal about women. i mean i think all media should be normal about women but teenagers are impressionable i think we could put a little bit of feminism in the teenage boy shows. it might do some good. you never know.
and this isnt just about shounen i just mean like. if you're excusing misogynistic writing with "well it wasn't written for girls" then i'm seriously questioning your approach to all this.
"the Hadestown proshot exceeds box office expectations" truly, who could have predicted fans going repeated times, to see the musical whose entire concept is about the musical repeating
having the Aviation Accident Investigations Autism™️ has actually done wonders for the way I process and respond to my own fuck-ups
And I don't just mean "oh, my little work mistake is actually nothing compared to a fiery crash that kills people," either. The reason commercial flight is so many orders of magnitude safer than any other form of transportation is because after every accident and incident, an independent regulatory body investigated it with the express goal of figuring out exactly what happened, why, and how to prevent the same thing from ever happening again—not to root out which person deserved the blame or the liability.
It's a simple, shockingly effective idea. It's also worlds away from how most people approach their own mistakes and the mistakes of others.
Because it’s never just one person’s fault. And even when it is, it still isn’t.
The sharpest, best-trained pilots make worse decisions when they're tired or sick or stressed out, so there's two of them. The most dedicated and experienced air traffic controllers garble an instruction over the radio sometimes, so pilots are trained to always repeat clearances back to catch misunderstandings quickly. The best and brightest maintenance mechanic still overlooks a screw or misconnects a wire once or twice in her career, so aircraft systems are built with two or three or four layers of redundancy, and pilots are exhaustively trained to deal with failures safely.
Everyone eventually has a bad day. Every component breaks down. Every computer gets a bad a Windows update and spirals into a reboot doom loop. If it’s possible for one person’s mistake to domino into a mushroom cloud of a fuckup, then that task is too critical to be one person's sole responsibility. The accident sequence starts with the design of the system—so how do you improve the system to keep it from happening again?
i can’t stop thinking about this button i found a few months ago online
!! I have this button, and it's one of my favorite things ever!
it's by the artist Zach Ozma, and it's really important to me that you know where to buy it (if you want one), and also that the same design is on sweatshirts and t-shirts now too!
only the true king could remove the sword from the stone…. no one else could…… they didn’t have…. arthurization
There is definitely a phenomena where people try SO hard to avoid anthropomorphism they end up looping around into this quasi-religious stance that humans have some essential non-biological quality that sets us apart from other animals. Like being so cautious about how you describe emotion experienced by a nonhuman animal that you go "that animal is not 'happy' it's just demonstrating a response to positive stimuli and receiving chemical reward signals" as if that's not also what human emotion is at the fundamental level.
agab isn't a thing you are, its a thing you were
'assigned' is past tense. it was an event, coercive, forced without your approval because you were only minutes old. its not a label, its not an identity
"i am afab" no, you WERE afab. you ARE whatever gender you currently are. stop identifying with an event forced upon you at birth, even if you are cis.
Nothing exposes the inability of people to navigate power imbalances quite like the relationship between drivers and pedestrians.
For example, I just had a driver get screaming-at-me mad because I stopped walking at a slip lane to make sure he was going to stop. And like, buddy, I know I have the right of way, but if I assume you are going to stop and I guess wrong, I will literally die. Whereas if I wait to see if you're actually going to slow down, I am just delaying both of us by a couple of seconds. And that might have more to do with why I made the choice that I did than my being a stupid bitch who needs to learn the rules. Like, if you can't understand why the fact that you could effortlessly accidentally kill me (and likely face no consequences) means I am reticent to assume the best from you, maybe you just shouldn't have any power over anyone ever.
so they're putting that amazing, life-changing proshot of hadestown on dvd for posterity right? :)
right?
"he has the kind of love for her that you and i once had."
I've only seen Hadestown once. It was in a high school theater, put on by a relatively new youth theater collective. Nothing terribly special, but there's one thing I'll remember forever.
The Fates, in myth, weave threads of life. This performance gave the fates a red string. In Doubt Comes In, the moment Orpheus turned around, they cut the string and used the two halves to pull Eurydice back to Hades and to hold Orpheus back from going to her. And, more than that, Orpheus didn't sing her name. He screamed it.
That moment, that Orpheus screaming and lunging after Eurydice despite being literally held back by fate, is something I'm never going to forget.
I am a really really big fan of this whole filming and putting pro-shots of musicals in theater