Sherlock: “This is John. He’s not my assistant; he’s some other word.”
John: “I’m his carer.”
Sherlock: “Yeah, my carer. He cares so I don’t have to.”
Game of Thrones Daily
KIROKAZE
No title available
tumblr dot com
let's talk about Bridgerton tea, my ask is open
RMH
No title available

Janaina Medeiros
🪼

blake kathryn
h

❣ Chile in a Photography ❣
wallacepolsom

⁂
Monterey Bay Aquarium
cherry valley forever
Not today Justin
Sweet Seals For You, Always

#extradirty

roma★

seen from Italy
seen from Netherlands
seen from T1
seen from Sweden
seen from Malaysia
seen from France

seen from Australia
seen from United States

seen from United States

seen from Türkiye
seen from United States

seen from Netherlands
seen from Mexico
seen from United States
seen from United States

seen from United Kingdom
seen from United States

seen from Malaysia

seen from United States

seen from United States
@incorrectsherlockquotesofmyown
Sherlock: “This is John. He’s not my assistant; he’s some other word.”
John: “I’m his carer.”
Sherlock: “Yeah, my carer. He cares so I don’t have to.”
how do u actually save bees?
Plant bee-friendly flowers
Support your local beekeepers
Set up bee hotels for solitary bees
If you see a lethargic bee feed it sugar water
Spread awareness of the importance off bees
+Don’t eat honey✌🏻
NO.
That will not help save the bees at all. They need the excess honey removed from their hives. That’s the beekeepers entire livelihood.
Seriously refusing to eat honey is one of those well-meaning but ultimately terrible ideas. The bees make way too much honey and need it out in order to thrive (not being funny but that was literally a side effect in Bee Movie). Plus that’s the only way for the beekeepers to make the money they need to keep the bees healthy. Do not stop eating honey because somebody on Tumblr told you too.
excess honey, if not removed, can ferment and poison the bees. even if it doesn’t, it attracts animals and other insects which can hurt the bees or even damage the hive. why vegans think letting bees stew in their own drippings is ‘cruelty-free’ is beyond me. >:[
the fact that we find honey yummy and nutritious is part of why we keep bees, true, but the truth is we mostly keep them to pollinate our crops. the vegetable crops you seem to imagine would still magically sustain us if we stopped cultivating bees.
and when you get right down to it… domestic bees aren’t confined in any way. if they wanted to fly away, they could, and would. they come back to the wood frame hives humans build because those are nice places to nest.
so pretending domestic bees have it worse than wild bees is just the most childish kind of anthropomorphizing.
If anything, man-made hives are MORE suitable for bees to live in because we have mathematically determined their optimal living space and conditions, and can control them better in our hives. We also can treat them for diseases and pests much easier than we could if they were living in, say, a tree.
Tl;dr for all of this: eating honey saves the bees from themselves, and keeping them in man-made hives is good for them.
✌️✌️✌️
Plus, buying honey supports bee owners, which helps them maintain the hives, and if they get more money they can buy more hives, which means more bees!
I tell people this. About the honey and what to do to save bees. I also have two large bottles of honey in my cabinet currently. Trying to get some flowers for them to thrive on. Support your bees guys
Prompt of the Day
To cover her butt during New Year’s Eurus lies and tells mummy that Sherlock has a wife, and Mycroft borrows her ‘Sherlock’s wife’ excuse whenever he wants to avoid sticky topics during holidays. The lie gets bigger the more Sherlock avoids family meetings. Until December when Sherlock finds out he’s married to a forensic (E), sex addicted(E), petite (E), intelligent (M), very forgiving (M) paragon of virtue (M). Now he needs to find a stranger that fits the description before Christmas. - @escaily
Open Call for Prompts
As always, we are open to accepting Sherlolly themed prompts.
We’ve been compiling the prompt lists for nearly a year now and have yet to turn down an ask or suggestion.
If there is a Sherlolly fic theme or piece of artwork that you have been dying to see, feel free to send us a prompt and we’ll add it to the lists.
We will accept anonymous asks and messages, and will be happy to leave your name off the prompt when posted if you would prefer.
In addition to the two weekly (mostly) list posts, we have begun featuring a prompt of the day (usually three times a week, unless your forgetful mod gets distracted by shiny things and forgets to update the queue).
If you feel like signal boosting this post, that would be lovely. Thank you.
Sherlolly Prompt Fest Info Post
We’ve all done it. Come up with a particularly inspired head canon or prompt to share, but haven’t felt up to writing the fic or drawing the art. So we post the prompt, and hope someone from our followers list will reblog it until someone decides to take it and run with it. Or we submit it to a prompt fest and cross our fingers.
Our hope is that this collection can be a bit of both.
What we will be doing:
The plan is to accept Sherlolly specific prompts and head canons through Asks, Submits, or Messages. We’ll compile those prompts into a list, and post that list on @holidaysat221b with periodic updates if we continue to get submissions.
If someone decides to write a fic or create a piece of artwork that answers one of those prompts, we would ask them to add their work to the Sherlolly Prompt Fest Collection on Ao3 or post on Tumblr with a link back to us. That would allow us to share their work and reference the prompt they’ve filled on @holidaysat221b.
What we won’t be doing:
We’re doing this to kill some time before we give the Halloween and Winter Holiday fests another go later this year. That means no pressure, no deadlines, no gift exchange sign-ups, and barely any rules.
To sum up:
All we’re doing is offering a space to leave your prompts and feature your fic/artwork/videos.
Honestly, @darnedchild really enjoys making lists and sorting things so this kind of thing is like Christmas for her.
How this works:
From now to March 1st we will ask for any prompts you may want to offer up.
These prompts can be in any form—a quote or song title, a set of words to inspire someone, a head canon, a more detailed outline, etc.—as long as they are Sherlolly themed. Gen-fic, friendship, and romance are all fine as long as the main relationship is between Sherlock Holmes and Molly Hooper. Prompts that do not meet this criteria will not be added to the list.
There will not be a limit to the number of prompts you can submit BUT there is no guarantee that any of your prompts will be answered.
When submitting a prompt, let us know if you want your name attached to it on the list. A name to link to will help us notify you (through tagging on Tumblr) if you we hear that your prompt has been filled. If you don’t want your name linked to the prompt, let us know that as well. We will default to adding your name if not otherwise indicated. Anonymous prompts will also be accepted.
In March, the initial list of prompts will go up on @holidaysat221b. If we continue to receive prompts after that date, the list will be updated periodically. Please feel free to continue to submit prompts after the first of March.
Once the list is up, authors and creators are welcome to pick anything that catches their eye. There will be no limit to the number of people who may want to work with a particular prompt.
There will be no deadline to finish your fic or art. Just let us know when you’ve reached the point that you would like your work shared as a prompt fill. That can be when you’ve only just posted the first chapter, the fic is finished, you’ve made a rough sketch, or you’ve got a detailed and completed piece of art.
There are no restrictions on word count, art medium, or rating. Please remember to tag warnings and ships so people can avoid things they find objectionable. We reserve the right not to feature works that do not meet the Sherlolly criteria (ie – Sherlock and Molly must be the focus of the work, but they do not necessarily need to end up in a romantic relationship. A clear Ad*lock or J*hnlock fic with Molly hanging around in the background does not count as a Sherlolly themed work. A threesome fic with Sherlock, J*hn or Ir*ne, and Molly does count, but MUST be properly labeled to be included on our list.).
If someone fills a prompt and lets us know, we’ll add a link to their piece (complete with the prompt they’ve filled) on a second list and share it on @holidaysat221b. As long as submissions come in, the list will continue to be updated.
We ask that if you publish your work on Ao3, you also add it to the Sherlolly Prompt Fest collection so that we can put it on the master list of filled prompts on @holidaysat221b. If you are only planning to publish your work on Tumblr, please send us a message so that we can add your work to the master list. Either way, make sure you mention the prompt you are filling (and the prompters name if there is one included on the original prompt) in your fic description, summary, or notes.
To add your work to the Ao3 collection: Post your fic to Ao3 as you normally would, but in the “Post to Collections / Challenges” box you need to type Sherlolly_Prompt_Fest. This should add your work to the Sherlolly Prompt Fest collection. The collection will open for submissions when the prompt list goes up (hopefully around the first of March). If you have any problems, please message a mod so we can help you out.
Feel free to tag your work with ‘#sherlolly prompt fest’ on Tumblr.
aww nasa has a page for space technology terms you can use in science fiction
nerds
THIS IS THE BEST THING
AAAAAAHHH
Holy crap!!
omg
Helpful things for action writers to remember
Sticking a landing will royally fuck up your joints and possibly shatter your ankles, depending on how high you’re jumping/falling from. There’s a very good reason free-runners dive and roll.
Hand-to-hand fights usually only last a matter of seconds, sometimes a few minutes. It’s exhausting work and unless you have a lot of training and history with hand-to-hand combat, you’re going to tire out really fast.
Arrows are very effective and you can’t just yank them out without doing a lot of damage. Most of the time the head of the arrow will break off inside the body if you try pulling it out, and arrows are built to pierce deep. An arrow wound demands medical attention.
Throwing your opponent across the room is really not all that smart. You’re giving them the chance to get up and run away. Unless you’re trying to put distance between you so you can shoot them or something, don’t throw them.
Everyone has something called a “flinch response” when they fight. This is pretty much the brain’s way of telling you “get the fuck out of here or we’re gonna die.” Experienced fighters have trained to suppress this. Think about how long your character has been fighting. A character in a fist fight for the first time is going to take a few hits before their survival instinct kicks in and they start hitting back. A character in a fist fight for the eighth time that week is going to respond a little differently.
ADRENALINE WORKS AGAINST YOU WHEN YOU FIGHT. THIS IS IMPORTANT. A lot of times people think that adrenaline will kick in and give you some badass fighting skills, but it’s actually the opposite. Adrenaline is what tires you out in a battle and it also affects the fighter’s efficacy - meaning it makes them shaky and inaccurate, and overall they lose about 60% of their fighting skill because their brain is focusing on not dying. Adrenaline keeps you alive, it doesn’t give you the skill to pull off a perfect roundhouse kick to the opponent’s face.
Swords WILL bend or break if you hit something hard enough. They also dull easily and take a lot of maintenance. In reality, someone who fights with a sword would have to have to repair or replace it constantly.
Fights get messy. There’s blood and sweat everywhere, and that will make it hard to hold your weapon or get a good grip on someone.
A serious battle also smells horrible. There’s lots of sweat, but also the smell of urine and feces. After someone dies, their bowels and bladder empty. There might also be some questionable things on the ground which can be very psychologically traumatizing. Remember to think about all of the character’s senses when they’re in a fight. Everything WILL affect them in some way.
If your sword is sharpened down to a fine edge, the rest of the blade can’t go through the cut you make. You’ll just end up putting a tiny, shallow scratch in the surface of whatever you strike, and you could probably break your sword.
ARCHERS ARE STRONG TOO. Have you ever drawn a bow? It takes a lot of strength, especially when you’re shooting a bow with a higher draw weight. Draw weight basically means “the amount of force you have to use to pull this sucker back enough to fire it.” To give you an idea of how that works, here’s a helpful link to tell you about finding bow sizes and draw weights for your characters. (CLICK ME)
If an archer has to use a bow they’re not used to, it will probably throw them off a little until they’ve done a few practice shots with it and figured out its draw weight and stability.
People bleed. If they get punched in the face, they’ll probably get a bloody nose. If they get stabbed or cut somehow, they’ll bleed accordingly. And if they’ve been fighting for a while, they’ve got a LOT of blood rushing around to provide them with oxygen. They’re going to bleed a lot.
Here’s a link to a chart to show you how much blood a person can lose without dying. (CLICK ME)
If you want a more in-depth medical chart, try this one. (CLICK ME)
Hopefully this helps someone out there. If you reblog, feel free to add more tips for writers or correct anything I’ve gotten wrong here.
How to apply Writing techniques for action scenes:
- Short sentences. Choppy. One action, then another. When there’s a lull in the fight, take a moment, using longer phrases to analyze the situation–then dive back in. Snap, snap, snap. - Same thing with words - short, simple, and strong in the thick of battle. Save the longer syllables for elsewhere. - Characters do not dwell on things when they are in the heat of the moment. They will get punched in the face. Focus on actions, not thoughts. - Go back and cut out as many adverbs as possible. - No seriously, if there’s ever a time to use the strongest verbs in your vocabulary - Bellow, thrash, heave, shriek, snarl, splinter, bolt, hurtle, crumble, shatter, charge, raze - it’s now. - Don’t forget your other senses. People might not even be sure what they saw during a fight, but they always know how they felt. - Taste: Dry mouth, salt from sweat, copper tang from blood, etc - Smell: OP nailed it - Touch: Headache, sore muscles, tense muscles, exhaustion, blood pounding. Bruised knuckles/bowstring fingers. Injuries that ache and pulse, sting and flare white hot with pain. - Pain will stay with a character. Even if it’s minor. - Sound and sight might blur or sharpen depending on the character and their experience/exhaustion. Colors and quick movements will catch the eye. Loud sounds or noises from behind may serve as a fighter’s only alert before an attack. - If something unexpected happens, shifting the character’s whole attention to that thing will shift the Audience’s attention, too. - Aftermath. This is where the details resurface, the characters pick up things they cast aside during the fight, both literally and metaphorically. Fights are chaotic, fast paced, and self-centered. Characters know only their self, their goals, what’s in their way, and the quickest way around those threats. The aftermath is when people can regain their emotions, their relationships, their rationality/introspection, and anything else they couldn’t afford to think or feel while their lives were on the line.
Do everything you can to keep the fight here and now. Maximize the physical, minimize the theoretical. Keep things immediate - no theories or what ifs.
If writing a strategist, who needs to think ahead, try this: keep strategy to before-and-after fights. Lay out plans in calm periods, try to guess what enemies are thinking or what they will do. During combat, however, the character should think about his options, enemies, and terrain in immediate terms; that is, in shapes and direction. (Large enemy rushing me; dive left, circle around / Scaffolding on fire, pool below me / two foes helping each other, separate them.)
Lastly, after writing, read it aloud. Anyplace your tongue catches up on a fast moving scene, edit. Smooth action scenes rarely come on the first try.
More for martial arts or hand-to-hand in general
What a character’s wearing will affect how they fight. The more restricting the clothes, the harder it will be. If they’re wearing a skirt that is loose enough to fight in, modesty will be lost in a life or death situation.
Jewelry can also be very bad. Necklaces can be grabbed onto. Bracelets also can be grabbed onto or inhibit movement. Rings it can depend on the person.
Shoes also matter. Tennis shoes are good and solid, but if you’re unused to them there’s a chance of accidentally hurting your ankle. High heels can definitely be a problem. However, they can also make very good weapons, especially for someone used to balancing on the balls of their feet. Side kicks and thrusting kicks in soft areas (like the solar plexus) or the feet are good ideas. They can also (hopefully) be taken off quickly and used as a hand weapon. Combat boots are great but if someone relies more on speed or aren’t used to them, they can weigh a person down. Cowboy boots can be surprisingly good. Spin kicks (if a character is quick enough to use them) are especially nasty in these shoes.
If a character is going to fight barefoot, please keep location in mind. Concrete can mess up your feet quick. Lawns, yards, etc often have hidden holes and other obstacles that can mess up a fighter. Tile floors or waxed wood can be very slippery if you’re not careful or used to them.
Likewise, if it’s outside be aware of how weather will affect the fight. The sun’s glare can really impede a fighter’s sight. A wet location, inside or outside, can cause a fighter to slip and fall. Sweat on the body can cause a fighter to lose a grip on an opponent too.
Pressure points for a trained fighter are great places to aim for in a fight. The solar plexus is another great place to aim for. It will knock the wind out of anyone and immediately weaken your opponent.
It your character is hit in the solar plexus and isn’t trained, they’re going down. The first time you get hit there you are out of breath and most people double over in confusion and pain. If a fighter is more used to it, they will stand tall and expand themselves in order to get some breath. They will likely keep fighting, but until their breath returns to normal, they will be considerably weaker.
Do not be afraid to have your character use obstacles in their environment. Pillars, boxes, bookshelves, doors, etc. They put distance between you and an opponent which can allow you to catch your breath.
Do not be afraid to have your character use objects in their environment. Someone’s coming at you with a spear, trident, etc, then pick up a chair and get it caught in the legs or use it as a shield. Bedsheets can make a good distraction and tangle someone up. Someone’s invading your home and you need to defend yourself? Throw a lamp. Anything can be turned into a weapon.
Guns often miss their targets at longer distances, even by those who have trained heavily with them. They can also be easier to disarm as they only shoot in one direction. However, depending on the type, grabbing onto the top is a very very bad idea. There is a good likelihood you WILL get hurt.
Knives are nasty weapons by someone who knows what they’re doing. Good fighters never hold a knife the way you would when cutting food. It is best used when held against the forearm. In defense, this makes a block more effective and in offense, slashing movement from any direction are going to be bad. If a character is in a fight with a knife or trying to disarm one, they will get hurt.
Soft areas hit with hard body parts. Hard areas hit with soft body parts. The neck, stomach, and other soft areas are best hit with punches, side kicks, elbows, and other hard body parts. Head and other hard parts are best hit using a knife hand, palm strike, etc. Spin kicks will be nasty regardless of what you’re aiming for it they land.
Common misconception with round house kicks is that you’re hitting with the top of the foot. You’re hitting with the ball. You’re likely to break your foot when hitting with the top.
When punching, the thumb is outside of the fist. You’ll break something if you’re hitting with the thumb inside, which a lot of inexperienced fighters do.
Also, punching the face or jaw can hurt.
It can be hard to grab a punch if you’re not experienced with it despite how easy movies make it seem. It’s best to dodge or redirect it.
Hitting to the head is not always the best idea. It can take a bit of training to be able to reach for the head with a kick because of the height. Flexibility is very much needed. If there are problems with their hips or they just aren’t very flexible, kicks to the head aren’t happening.
Jump kicks are a good way to hit the head, but an opponent will see it coming if it’s too slow or they are fast/experienced.
A good kick can throw an opponent back or knock them to the ground. If the person you’ve hit has experience though, they’ll immediately be getting up again.
Even if they’ve trained for years in a martial art, if they haven’t actually hit anything before or gotten hit, it will be slightly stunning for the person. It does not feel the way you expect it too.
Those yells in martial arts are not just for show. If done right, they tighten your core making it easier to take a hit in that area. Also, they can be used to intimidate an opponent. Yelling or screaming right by their ear can startle someone. (Generally, KHR fans look at Squalo for yelling)
Biting can also be used if someone’s grabbing you. Spitting in someone’s eyes can’t hurt. Also, in a chokehold or if someone is trying to grab your neck in general, PUT YOU CHIN DOWN. This cuts off access and if they’re grabbing in the front can dig into their hand and hurt.
Wrist grabs and other grabs can be good. Especially if it’s the first move an opponent makes and the character is trained, there are simple ways to counter that will have a person on their knees in seconds..
Use what your character has to their advantage. If they’re smaller or have less mass, then they’ll be relying on speed, intelligence, evasion, and other similar tactics. Larger opponents will be able to take hits better, they’re hits may be slower depending on who it is but will hurt like hell if they land, and size can be intimidating. Taller people with longer legs will want to rely on kicking and keeping their distance since they have the advantage there. Shorter people will want to keep the distance closer where it’s easier for them but harder for a taller opponent. Punching is a good idea.
Using a person’s momentum against them is great. There’s martial arts that revolve around this whole concept. They throw a punch? Grab it and pull them forward and around. Their momentum will keep them going and knock them off balance.
Leverage can used in the same way. If used right, you can flip a person, dislocate a shoulder, throw out a knee, etc.
One note on adrenaline: All that was said above is true about it. But, in a fight, it can also make you more aware of what’s going on. A fight that lasts twenty seconds can feel like a minute because time seems to almost slow down while moving extremely rapidly. You only have so much time to think about what you’re doing. You’re taking in information constantly and trying to adjust. Even in the slow down adrenaline gives you, everything is moving very rapidly.
Feelings will be your downfall even more so than adrenaline. Adrenaline can make those feelings more intense, but a good fighter has learned not to listen to those feelings. A good fighter may feel anger at being knocked down or in some way humiliated - their pride taken down. Yet they will not act on the anger. Acting on it makes a fighter more instinctive and many will charge without thinking. Losing control of anything (adrenaline rush, emotions, technique, etc) can be a terrible thing in a fight.
Just thought I’d add in here.
YES. YES.
Such good writing tips! @myebi
@jmlascar you’ve probably seen this already, but in case you haven’t, it’s got some good info on fight scenes :)
So I found this caterpillar on my way to class
We’re bros
I named him chicken nugget
Aaaa he’s turning a duller color… I hope he’s alright
So apparently chicken nugget is a spicebush swallowtail and they turn yellow before they pupate. He was making little silk things everywhere Bruh this caterpie is going to evolve to metapod today my boy isn’t messing around
update hes entirely yellow now
i made him a tube room
hes crawlin all over the place checking it out
its happening
False alarm he moved a bit This guy
??? caterpie doesnt evolve into kakuna
whats he doing
its happening part 2 For Real This Time
chicken nugget using those advanced tactics balancing my man doesnt do anything halfway
i put on some tunez for him so he can get into the metamorphazone
sorry for keeping you all in suspense but chicken nugget is doing fine and he has a cool hat now
hes been chillin like this for a couple days
hes been in cocoon for 10 days now 🎉🐛🎉
let me know how he’s doing soon
HES BUSTIN OUT
im going to sleep, chicken nugget is snoozin and ill check up on him as soon as i wake up
hope he doesnt party too hard
🐛 💤 💤
hes gone goth hes in his emoteen stage
CHICKEN NUGGET IS A CHICKEN WING NOW BABY WE HAVE LIFTOFF!!!!!
chicken nugget flew away one year ago today. Happy birthday, nugget boy ! 🍰
Write a villain who is terrifying not just because of what they do, but because they almost convince us they’re doing the right thing.
This is not just a prompt, it’s good writing advice.
It has to be “almost” or else your just writting about the hero.
This.
Or someone who outwardly conforms to conventions of mundane respectability so that their evil becomes frightfully banal, which is a different kind of horror altogether because it is one that we don’t see because it is a kind of bigotry that has been “normalized”.
tag your vibe
days of the week;
monday: snoozing your alarm clock, navy, seeing the moon in the morning, vanilla ice cream, writing poetry, blurry photographs, windswept hair, iced coffee
tuesday: seeing a cat on the street, a light rain shower, untied shoelaces, indistinct music from someone else’s earphones, empty coffee shops, denim jackets, long train rides
wednesday: pastel highlighters, drinking water, group laughter, plucking daisy petals, floral scents, counting down to a birthday, peonies
thursday: old books, a downpour, telling the truth, comfortable silence, hand holding, wrapping a gift, the smell of leather, reminiscence
friday: neon lights, sweet cravings, a little bit drunk, falling in love with a stranger, remembering your dreams, cherry red, late night showers, desserts at midnight
saturday: watering plants, childhood cartoons, a bowl of cereal, meeting someone new, waking up early and laying in bed, spontaneous plans, sitting on a rooftop
sunday: strawberry smoothies, golden hour, a soft feeling of wistfulness, lazy afternoons, 4pm naps, lofi mixes, deja vu, long daydreams, lighting sparklers
katy perry kissed a 19 year old american idol contestant without his consent during an audition. he was uncomfortable and had been saving his first kiss for somebody special. please don’t let this be ignored just because the victim is male.
If you’re having trouble pushing past sexist socialization to see just how creepy this is, imagine if a 33 year old guy did this to a 19 year old girl who was auditioning.
one time i went on a date with this guy who kept tucking my hair behind my ear and i kept untucking it but like 5 minutes later he would reach out and do it again and eventually i just ducked away when he tried and then the next day he tweeted about girls not appreciating a gentleman and i’m pretty sure it was about me
I just love sleep so much ……. like u just close ur eyes and ur gone bitch ………… brain logged the fuck off ……… powerful
A small list of random ass sites I’ve found useful when writing:
Fragrantica: perfume enthusiast site that has a long list of scents. v helpful when you’re writing your guilty pleasure abo fics
Just One Cookbook: recipe site that centers on Japanese cuisine. Lots of different recipes to browse, plenty of inspiration so you’re not just “ramen and sushi”
This comparing heights page: gives you a visual on height differences between characters
A page on the colors of bruises+healing stages: well just that. there you go. describe your bruises properly
McCormick Science Institute: yes this is a real thing. the site shows off research on spices and gives the history on them. be historically accurate or just indulge in mindless fascination. boost your restaurant au with it
A Glossary of Astronomy Terms: to pepper in that sweet terminology for your astrophysics major college au needs
Adding to this since I’m working on a shifter au one-shot:
Canine Body Language
Feline Body Language
More:
Cocktail Flow: a site with a variety of cocktails that’s pretty easy to navigate and offers photos of the drinks. You can sort by themes, strengths, type and base. My only real annoyance with this site is that the drinks are sometimes sorted into ~masculine~ and ~feminine~ but ehhhh. It’s great otherwise.
Tie-A-Tie: a site centered around ties, obviously. I stumbled upon it while researching tie fabrics but there’s a lot more to look at. It offers insight into dress code for events, tells you how to tie your ties, and has a section on the often forgotten about tie accessories
Even more:
Types of High Heels: A page describing twenty five different types of high heels. It gives a description and pictures. Shake it up from just “stilettos and kitten heels”
Random Job Generator: Exactly as it says. The site offer more generators like characters, plots, or town names.
Glossary of Hosiery Terms: Figure out what is what on a pair of stockings.
Men’s Dress Shoe Guide: A quick guide describing the eight most common types of men’s dress shoes. Pics included.
Types of Women’s Coats: Descriptions and pics of various different types of coats.
WRITING REFERENCES
straight boys often have literally no idea how makeup works, it’s absolutely fucking wild like they really think it’s ALL lipstick and eyeshadow??? i’ll mention wearing makeup (i’m a gay dude) n they’ll be like “so you do drag?” and i’m “uh no i actually wear it to look more masculine if anything” and they’ll look SO fucking confused
“i’m literally wearing makeup right now,” i’ll say.
“what?? no you’re not!!!” they all vehemently insist, now searching for the Femininity in my face.
“i have concealer on to cover up my acne and make my whole face less red in general, my eyebrows are filled in to make them look bushier, and i’ve contoured my cheekbones, my jawline, and around my eyes all to look more defined so i look both more masculine and older. yall have never seen, and WILL never see me without makeup on.”
and even with that explanation, they remain baffled more often than not. they’ve gone their whole lives only knowing that makeup is a Girly Substance with no thought given to the actual purpose of each type of makeup, to the point that they’re completely unable to conceptualize it as a thing that could alter your face in a non-feminine way. they’ll have expressions that make it seem like their brain is rebooting so that they don’t actually have to process any of that information.
it’s so fucking sad tbh
Reblogging. Trans men out there could probably do with this boost actually. I’m not sure if it would necessarily occur to folk to use makeup to look more masculine!
i am trans actually! and makeup definitely is part of how i manage to pass. darkening eyebrows and cheek n jaw contouring does fucking wonders
The new Thor movie is amazing if only for one reason.
I want a whole movie of just Loki and Doctor Strange. A fight scene between them would be amazing and then hilarious because I reckon Doctor Strange would win because Loki would underestimate him. Who’s with me?
I so want themmmmmm
Thor Ragnarok was so amazing, I want Hela back too and so much sass hehe
Molly: See? Unisex.
Sherlock: Maybe you need sex. I certainly don’t.
Molly: No, you don’t get it. U-N-I-Sex.
Sherlock: …
Sherlock: Okay, i can’t say no to that.