Mythical musings

Pieces of my thoughts, as they arrive, about my book and other writings

[kiriti-savyasachin]

Formal writerblr introduction!

Hi!

This is the revival of a defunct writerblr, formerly under the url @ambidextrousarcher​, which is my main blog right now. Before I proceed into my usual long rambles about my WIP’s (which is kind of the point of this blog), let me introduce myself first.

Personal info: I go by Nila. I’m a 23 year old Indian medical student. Writing is both a hobby and a catharsis for me, channeling out my emotions, both positive and negative. I am also an avid reader, who tends to get lost in research more often than not, and an amateur singer.

[Image ID: A white, square piece of paper in the center of a black background, a golden satin ribbon rippling across it at top-left, a pen with a black matte body and a golden cap, capped at the behind, with the golden nib visible, leaning slanted at bottom-left of the paper. In the middle of the white paper square, the words ‘Writerblr Intro’ are written in marine blue, flowing, script. End ID]

Writing Background: I started writing in earnest when I was 8, for a short story competition. My first story was a sci-fi story about cloning, which was one of the winning pieces of the competition in question.

At 13, I started work on a historical novel about the Russian Revolution, which I discontinued when I realized the inadequacy of my research. Unfortunately, that novel is still in its research phase.

At 18, I started to work on my most beloved mythological WIP, Antraatman, which is still in the process of being written.

My WIP’s

Note: Most of these works are based on the Mahabharata, Indian mythical history, and the interpretations of the characters I write about are mine alone. Every reader is requested to respect the same. In case of disagreements, polite discussions are always welcome, although I request each of you to refrain from abuse, bullying, anon hate and thinly veiled blame games, due to such disagreements. In return, I can promise you that in spite of any such issues, I will be polite and not malign you in public, either.

That said, here we are with the first and foremost of my works:

1.      Antraatman: My first proper novel-length piece of writing, Antraatman is a first-person retelling of the main story of the Mahabharata through the eyes of one of its main protagonists and a hero in his own right, Arjun. It is currently at Draupadi (another of the three main protagonists) Swayamvara.

*Swayamvara/Swayamvar- Self-choice ceremony aka a ceremony where a bride chooses her groom.

It is written in first person PoV, the prologue in Pritha’s (Arjun’s mother’s) point of view, and the rest of the book in Arjun’s own.

2.     A King’s Fortune: Based on the AU idea of ‘What if Arjun, the third-born Pandava, was instead the first-born?’, it is a work that tracks the butterfly effects of the switching of order of birth between Yudhisthir, Arjun’s eldest brother, and Arjun himself, written in third person PoV. First chapter is available on Ao3. See below for the link.

https://archiveofourown.org/works/25716493

3.     Vith Vithi Cha: Sanskrit for ‘Lost and Found’, this work explores the possibility of Arjun managing to save his son from an untimely death in the Kurukshetra war (the major war in the Mahabharata), written in first person alternating PoV. See below for the link.

https://archiveofourown.org/works/25971619

4.     Child of Prophecy: A work which ventures rather strictly into fanfiction territory, this is one of my fond universes, where the world of Harry Potter and the Mahabharata, two of my favourite literary works in terms of worlds, are fused with each other. In other words, the characters of the Mahabharata are in the world of Harry Potter, creating entirely new story possibilities. Here, too, the focal character, as in all the works discussed above, is Arjun, and the story, bar a short prologue written in his mother’s first person PoV, is his first person PoV. See below for the link.

https://archiveofourown.org/works/25996552

I’ll make proper introduction posts of all these works soon!

Thank you for giving your time to my works. You can reach me at my main blog, @ambidextrousarcher​.

[stygiusfic]

early morning writing hack (real) (it's been working for about a month now):

think about the scene you're going to work on that morning not when you sit down to write, but the previous evening. this is daydreaming but with purpose. think about what might happen and how the characters feel about it. get excited. don't write a single word.

go about your evening normally, doing whatever else you do. your subconscious is a slow cooker and while you do other stuff, it's working on your idea for you.

get up early, like an hour before you'd need to start your day if you were cutting it close. everyone else in the world is snoozing their alarm, so no one can bother you rn. you're free! no one can judge your writing, not even you!

(optional i guess but it really helps me) unless the first few words of your scene are already clear in your mind, warm up. I've abandoned the idea of warm-up drabbles or whatever the hell people recommend. instead, I pull up a story by someone whose writing I love, and I type out a fragment of it in a blank doc, reading the words out loud as I go. this wakes up my writing brain as I become aware of how their prose and dialogue work their magic, when and where they reveal new information, how each detail leads to the next. I'd advise doing this with work that is of high quality and purposeful, so you can learn their tricks, but I'm not the boss of you.

write!!!!!!!

don't stop to judge if it's good or not!! it's too early for that shit!! if the draft sucks you can fix it later but you need the draft done first!!

do stop once yesterday evening's daydreaming prep has run out and you're out of steam. (sometimes the momentum can reveal the next part of the story you hadn't actively considered yet, but don't depend on it.) if you hit a wall where you have no idea how to continue, or it's still too vague to put words down, trying to push through will only bring frustration. and even if you do manage to write a bit more, the chances you'll end up scrapping it later because it doesn't fit are significant. just call it there, you're done.

take a minute to appreciate what you accomplished. you now have words you didn't have yesterday. you won the day, and meanwhile everyone else is still asleep, the absolute losers

if you use a word tracker, go ahead and input your word count for the day. maybe you got a lot done, or maybe you didn't; it's a victory either way. on mornings when I've been struggling, writing and then erasing and writing again, if I'm too pissed off to check the word count I just put down a symbolic number, like 50 words. it may not look like much, but when I look at the month's stats it feels good to have proof that I showed up and did the thing even when it was hard.

now you can start your day. and frankly at this point I don't give a shit how annoying my day is, because I already did the thing I care about getting done, so I'm not going through work resenting every task for stealing brain juice I could've used for writing in the evening. "I'll write when I'm done with work" is the ADHD hubris devil speaking.

and now it's the evening and you're free to daydream again!! and use absolutely zero brain power!! wheee!!

[luna-azzurra]

Body Language Cheat Sheet For Writers 

╰ Facial expressions

These are your micro-signals, like the blinking neon signs of the soul. But they’re small, quick, and often lie harder than words.

Raised eyebrows — This can mean surprise or disbelief, sure. But it can also be a full-on, silent “Are you serious right now?” when someone’s being ridiculous. Or even curiosity when someone’s too emotionally repressed to askthe damn question.

Furrowed brow — That face people make when they’re doing long division in their head or trying to emotionally process a compliment. It’s thinking, yes—but also confusion, deep frustration, or quiet simmering rage.

Smiling — Can be happiness… or total fake-it-till-you-make-it energy. Some smiles are stiff. Some don’t reach the eyes. Show that.

Frowning — Sure, sadness. But also: disappointment, judgment, or the universal “I’m about to say something blunt, brace yourself.”

Lip biting — It’s not just nervousness, it’s pressure. Self-control. Anticipation. It’s the thing people do when they want to say something and decide, at the last second, not to.

╰ Eye movement

The window to the soul? Yeah. But also the window to when someone’s lying, flirting, or deeply trying not to cry in public.

Eye contact — Confidence or challenge. Eye contact can be gentle, curious, sharp like a blade. Sometimes it’s desperate: “Please understand me.”

Avoiding eye contact — Not always guilt. Sometimes it’s protectiveness. Sometimes it’s “I’m afraid if I look at you, you’ll see everything I’m trying to hide.”

Narrowed eyes — Calculating. Suspicious. The look someone gives when their brain’s saying “hmmm...” and it’s not a good hmm.

Wide eyes — Surprise, yes. But also sudden fear. The oh-God-it’s-happening look. Or when someone just found out they’re not as in control as they thought.

Eye roll — Classic. But try using it with tension, like when someone’s annoyed and trying very hard not to lose it in public.

╰ Gestures

This is where characters’ emotions go when their mouths are lying.

Crossing arms — Not just defensive. Sometimes it’s comfort. A self-hug. A barrier when the conversation is getting too personal.

Fidgeting — This is nervous energy with nowhere to go. Watch fingers tapping, rings spinning, sleeves tugged. It says: I’m not okay, but I’m trying not to show it.

Pointing — It’s a stab in the air. Aggressive, usually. But sometimes a desperate plea: Look. Understand this.

Open palms — Vulnerability. Honesty. Or a gesture that says, “I have nothing left to hide.”

Hand on chin — Not just thinking. It’s stalling. It’s delaying. It’s “I’m about to say something that might get me in trouble.”

╰ Posture and movement

These are your vibes. How someone occupies space says everything.

Slumped shoulders — Exhaustion. Defeat. Or someone trying to take up less space because they feel small.

Upright posture — Not always confidence. Sometimes it’s forced. Sometimes it’s a character trying really, really hard to look like they’re fine.

Pacing — Inner chaos externalized. Thinking so loudly it needs movement. Waiting for something. Running from your own thoughts.

Tapping foot — Tension. Irritation. Sometimes a buildup to an explosion.

Leaning in — Intimacy. Interest. Or subtle manipulation. (You matter to me. I’m listening. Let’s get closer.)

╰ Touch

This is intimacy in all its forms, comforting, protective, romantic, or invasive.

Hugging — Doesn’t always mean closeness. Could be a goodbye. Could be an apology they can’t say out loud. Could be awkward as hell.

Handshake — Stiff or crushing or slippery. How someone shakes hands says more than their words do.

Back patting — Casual warmth. Bro culture. Awkward emotional support when someone doesn’t know how to comfort but wants to try.

Clenched fists — Holding something in. Rage, tears, restraint. Fists mean tension that needs somewhere to go.

Hair tuck — Sure, flirtation or nerves. But also a subtle shield. A way to hide. A habit from childhood when someone didn’t want to be seen.

╰ Mirroring:

If two characters start syncing their body language, something is happening. Empathy. Chemistry. Shared grief. If someone shifts their body when the other does? Take notice. Other human bits that say everything without words...

Nodding — Not just yes. Could be an “I hear you,” even if they don’t agree. Could be the “keep going” nod. Could be patronizing if done too slow.

Crossed legs — Chill. Casual. Or closed-off, depending on context. Especially if their arms are crossed too.

Finger tapping — Time is ticking. Brain is pacing. Something’s coming.

Hand to chest — Sincerity, yes. But also shock. Or grounding—a subconscious attempt to stay present when everything feels like too much.

Tilting the head — Curiosity. Playfulness. Or someone listening so hard they forget to hide it.

Temple rub — “I can’t deal.” Could be physical pain. Could be stress. Could be emotional overload in disguise.

Chin stroking — Your classic “I’m judging you politely.” Often used in arguments between characters pretending to be calm.

Hands behind the back — Authority. Control. Or rigid fear masked as control.

Leaning body — This is the body betraying the brain. A tilt toward someone means they care—even if their words are cold.

Nail biting — Classic anxiety. But also habit. Something learned. Sometimes people bite because that’s how they self-soothe.

Squinting — Focusing. Doubting. Suspicion without confrontation.

Shifting weight — Uncomfortable. Unsure. Someone who wants to leave but doesn’t.

Covering the mouth — Guilt. Hesitation. The “should I say this?” moment before something big drops.

Body language is more honest than dialogue. If you really want to show your character’s internal world, don’t just give them lines. Give them a hand that won’t stop shaking. Give them a foot that won’t stop bouncing. Give them a mouth that smiles when their eyes don’t. And if you’re not sure what your character would do in a moment of fear, or love, or heartbreak, try acting it out yourself. Seriously. Get weird. Feel what your body does. Then write that down.

[somepsychopomp]

Tips for Writing a Good Fic Summary:

I firmly believe that no writer should ever have to say "I suck at summaries", "my summary is bad but my story is good", "idk what to put in my summary" etc.

Why?

It makes you seem unconfident or disinterested in your own writing, which therefore puts off a lot of potential readers

It can come off like you didn't try

When tons of people say "I suck at summaries", it lowkey lumps you in with all the other writers who also don't know how to write summaries, and can make the premise of your fic seem less interesting or unique as a result

And quite frankly, I think every person who's ever slapped this kind of disclaimer on their fic absolutely can write a good summary if only they had some guidance and practice!

So, here are my go-to strategies for how to write a summary that functionally conveys the premise of your fic while also making it sound fun and interesting:

(Disclaimer, a lot of fellow fic writers out there have already internalized at least a good portion of what I've written below. This guide is designed for fanfic newcomers who may or may not still be learning how to write, largely because I most often see them posting the dreaded "I suck at summaries" as a shield, excuse, or preemptive defense of their works. I also want to say- no shame. We all have to start somewhere, and I just want to help out as much as I can.)

1) The In-Universe & Out Strategy:

I'm explaining this one first because if you've ever spared even a passing glance at Ao3, you've definitely come across this summary archetype before. And I'm super guilty of using it, too. But hey, if it works, it works!

This strategy is actually two summaries in one, the first being a blurb explaining the plot in a way similar to those you'd find printed in published books, with the goal of highlighting the drama or central conflict in the story and/or main character(s).

But it's also combined with an "out of character", typically much shorter summary that explains the premise by referencing its tropes or general format. The example below is one of my own fic summaries:

Let's start with the easier "out of character" component of this two-parter, that being the very last line of the example summary. This portion is technically optional in any summary, but has its many uses. The most important of which is that it offers clarity and guidance for your readers, and informs them of what exactly they're getting into if they were to click on your fic.

Also, it always comes second because the technical, "out of character" component is not you as a fandom participant trying to sell your story in an engaging way, it's you as the author explaining what it is you've made using familiar terms like "pre-canon"/"AU", etc.

And to be clear, I personally believe it's always better that your potential readers' first taste of your story (that being your summary) is immersive and enticing rather than plain and technical. So this smaller blurb should always go after your actual summary. Think of it as the cherry on top.

And you can make this portion of your summary very easily. Just state if your fic is an AU, if it's a "5 times X happened and the 1 time Y happened" fic, etc. All you have to do is tell your audience plainly what the main draw of the fic is, and all that takes is 1 sentence.

Aside from that, why does this format work and why is it so common in fandom spaces?

Well I referenced it before, but it offers something that most summaries in published books do not: clarity.

Yes, a good fic summary should tell you who the central character(s) are and a general idea of what happens in it. But summaries are also often used to build intrigue. You want your audience's curiosity to be piqued, so if you make your summary (and by extension your story) sound cool and mysterious, or full of adventure, or intensely cerebral and thought-provoking, readers will be inclined to click on your fic to find out how it ends.

But also, mystique offers uncertainty. And some readers might not like a fic if they can't quite parse out what exactly it'll be about. So, having an additional line or two after your "real" summary to explain the premise the way you might quickly explain it to a friend, gives that balance of intrigue and clarity.

But how do you write that first part? The actual summary?

2) The Cheater's Strategy:

It sounds a little dramatic, but honestly I consider this my "cheat sheet" way of making a summary because it's very much a shortcut that works.

And that strategy is: you sum up the first chapter of your fic. Nothing more. You do not allude to what the overarching plot is, you act as if chapter 1 is all you've got. But why would you do that?

Here's the thing about fanfics, based heavily on my experience in both writing and reading them. When you've got a fic that's more than 5-8 chapters long, or it stretches beyond 10-15k, oftentimes the first few chapters are all set up for your premise and the real meat of the story (the solving of the mystery, the big battles, the winding adventure, the burning portion of the slowburn) will come after.

When it comes to the cheater's strategy, you're going to ignore all the best portions of your story just so you can explain the boring set-up period where you position all your characters in the right places so they're ready to go on their (mis)adventure.

If you think that sounds like a bad idea, let me ask you this: When you pick up a mystery novel at the bookshop, does the summary give away who did it?

No! And you're not going to, either.

Also, it's implied and expected that the longer your story is, the more it will develop, change, and grow. So if you can sell your initial concept idea enough for a reader to click and read the first chapter, you very well could hook them and keep them seated for the rest of your story.

And remember what I said about building intrigue? This strategy is designed to build intrigue by suggesting there's more than what meets the eye.

Here's another example:

That might sound dense. And it's long. And it sounds like maybe a lot of stuff goes on in chapter one, but literally all I've done is explain the initial premise of my fic. (Note- this summary is for an Epic the Musical fic, which is a musical based of the Odyssey. Would highly recommend but that's beside the point)

The point is, this is an AU. But I didn't employ the Out of Universe strategy this time around and say it's an AU because it's obvious to anyone in the Epic fandom and it does not need to be further clarified.

What mattered to me in this scenario is that my potential reader sees my summary and knows that Odysseus the main character is a man who is married to the goddess Calypso, and is currently living in paradise. But in canon (both in Epic and in the actual Odyssey), Odysseus rebuked Calypso's advances because he wished to remain faithful to his actual wife Penelope.

The suggestion or implied understanding here is that something bad happened that caused Odysseus to discard Penelope in favor of Calypso. (Spoiler alert: the bad thing was him being brainwashed by a woman who would eventually become his abuser.)

And in this case, it's the suggestion of something gone wrong that builds the intrigue and curiosity for me without me having to add anything extra.

In the bulk of King of Ogygia, Odysseus goes on a strenuous mental journey to rediscover his true self with the help of various Greek gods, while also physically fighting back against his abuser. That all sounds pretty important to the story, right?

And it is! But I didn't want to include any of that and risk spoiling the overarching story. Anyone who'll be interested in chapter 1 will probably willingly continue reading to see how the story develops because that's just what you do when you find a story you like.

But let's say you're not writing an AU or a complicated, multi-chapter story spanning tens or hundreds of thousands of words.

If your fic is short and sweet, your summary should be as well. Next up,

3) Keep it Simple Strategies

(Yes, plural. This section is more like two different ideas lumped into one sum, but it made the most sense to put them together so please bear with me.)

Maybe you've got a neat little one-shot or a short fic (like 10k words or less) and you're not sure how to write it's summary precisely because it's so short. Or maybe you just prefer simple, direct summaries as opposed to the lengthy, dramatic kind.

Here's my next example from a 3k one shot I once wrote:

To be clear, this is a NOT an ideal summary. Far from it. But it's from a fic I wrote 6 years ago and I've definitely grown and changed as a writer since then. Let's dissect and rewrite this summary together.

Firstly, it does the bare minimum of telling you who the main character is (Kirishima), who he's being shipped with (Izuku), and the setting (a gym). And from a technical standpoint, that's almost all you have to write in order to reach the textbook definition of a summary.

But I didn't even really explain what the conflict or actual plot is, only suggested that that plot would be Kirishima trying to get together with another character who, in this setting, is a personal trainer.

It's succinct, I can at least give it that. But it's so short and plain that it doesn't really spark much imagination, does it? In all honesty, if I saw this exact summary posted at the top of Ao3, I'd skip right past it because it's so unimaginative and bland 😭

But the fic itself is only 3k, how do you build intrigue for a story that most readers can digest in about 30 minutes or less?

Let's start by identifying the main character and make a short list of their most important emotions or characteristics. Here, I would characterize Kirishima as being hopeful (that he can score a date), in love, and active (in a physical sense).

So I should try to channel these primary components into my summary. I could say something to the effect of:

Kirishima has been hitting the gym a lot more often, but it's not to improve his strength. There's a new personal trainer and he's got Kirishima's heart rate spiking better than cardio day. But can he work up the nerve to actually ask Izuku out?

Obviously, he'll ask out the cute trainer and they'll go on a date, but that's not what's important to a ship fic. It's the journey to the inevitable getting together that we want.

What makes this summary a little more engaging is that it's a lot more playful than the original. The gym pun and usage of "strength", "heart rate", and "cardio" really emphasizes the setting and premise. It helps sell the idea that this fic is a lighthearted romp while also hitting all the basics of who we're supposed to care about and where they are.

Here's a marginally better example summary:

Same fandom, different ship, similar premise. One character has a crush on the other, their crush is unaware of their affection at first, and the name of the game is winning them over.

But what makes this summary better than the previous example?

Well, it explains itself quite well by hitting all the minimum details. With four short sentences, it introduces who the two most important characters are and what their deal is. One of them is a god, the other is a mortal. It's a fantasy setting. The romance is one-sided.

But those minimum details coalesce into something greater than the sum of its parts. You also get the sense that Katsuki is dangerous and hot headed because he's the god of war, and you know that the object of his affections is more bookish and not quite interested in the brutish type.

How will they ever get along?

You thereby implicitly understand that the conflict of the story is figuring out how the ship will inevitably become a ship despite their initial differences. We could call this the Opposites Attract strategy, where the summary focuses on the juxtaposition between the two characters in the central ship, and makes that the central defining feature of the story. Got all that?

Good!

But making lists or divvying up character traits might seem confusing or tedious for some. (IMO if you're a new fanfic writer just starting out, it's worth a try to treat these simple strategies as writing exercises for your stories/summaries, even if you end up not using/posting them.)

If you as a writer want a more direct approach, try:

4) The Excerpt Strategy

All that stuff I said earlier about generating intrigue and hiding the meat of your story?

Well, you're still sort of doing that with this strategy, but not really. Instead, you're going to let the fic do the talking for you.

And by that, I mean your summary isn't really a summary at all, and is instead a brief excerpt from the fic itself. Here's some examples from various fandoms I've written for, including some where I've let the fic speak entirely for itself and others that I've combined with Strategy 1:

But how do you choose the right excerpt to represent your entire story?

In my opinion, a good excerpt needs to fulfill a few key requirements:

It has to convey who the main character is or what the plot is, so it will probably be from early in your fic.

Likewise, it can't give away the ending/big reveal because it looks careless. (And does not build intrigue!)

It can't be too long or else it'll seem bloated and readers might skip over it.

It also can't be so short that it ends up being confusing.

And most of all, it can't be so out of context that it ends up being baffling. Like if my fic's summary was just the line "And then all the kangaroos got wet" sure that could convey that my fic might be wacky and/or crack, but it's also distracting, uninformative, and doesn't really convey anything about your characters or plot.

Yes, oftentimes all of the above can be a hard checklist to fulfill, I know from experience. Hence why a lot of writers, myself included, combine it with a brief out-of-character explanation of the fic to cover all our bases.

The third and shortest example is arguably too brief for a proper summary, but it does one thing I really like by establishing the tone. It's sensual and a little sarcastic, offering a hint of danger, and is cushioned from failing by not fulfilling requirement #4 b/c of its supplementary summary.

So, why choose this strategy over any other?

Well, it advertises your writing style and unique voice more than a typical summary would. Sure, a regular summary kind of reflects who you are as a writer already, but I've definitely noticed in my own experience that the way I write a summary might be more formal, less formal, more dramatic, less dramatic, or just plain different from the voice/tone/perspective used in my actual fic.

And remember- that's because a summary is designed to GRAB attention. A fic is designed to MAINTAIN attention. They aren't quite the same and each has its own needs & goals.

And last but not at all least:

5) No man is an island

You really want to learn how to write good summaries?

Read more fics. Read more books. Read their summaries.

Go to your local bookstore or library, or visit your own book shelf, and study how others have written their summaries. What's important to each story in order to make a publishable summary? Is it the character's powers, the world they live in, the time period, the setting, their relationships, their enemies, their conflicts? Or something else? Or is it a combination of the factors above? And how do you make each factor as enticing as possible?

Does a sci fi novel have the same summary structure as a Jane Austin novel? Probably not! So if you have a sci fi fic in mind, it might do you some good to see how sci fi authors characterize their works. (Or maybe think outside the box and do take inspiration from an Austin blurb? Anything is possible in the world of fiction.)

Alternatively, go to Ao3 (or your preferred platform) and read how others in your community portray their fics. Comb through the fics you've bookmarked and study their summaries. Did they entice you? If so, try to figure out how and why. If not, what compelled you to click on the fic regardless?

And don't be afraid to draft out your summaries and revise them the same way you'd do so with your actual fics. Granted, I know there's lots of people out there that post fanfics without editing them, and that's fine. This should all be for fun, after all.

But if you want to put your best foot forward and give your story a strong advertisement, experimenting with the wording and structure of your summaries might do you some good!

Ultimately, when I say no man is an island, I mean it in the sense that artists study other artists all the time, and have been doing so for thousands of years. Crafting an effective and compelling summary is arguably an art itself. So, learn from those around you. Take advantage of your predecessors and the fellow writers in your community.

And that's that!

But we're not quite done here. My parting gift to you all is one last strategy, one that can be readily combined with nearly all others. It's called the Try & Try Again Strategy:

Start with a shitty first draft of your summary. It can be as bad and uninformative and bland as you want because it's just for you and no one else will ever see it. In fact, it should intentionally be as simple and plain as possible. Something like "Percy Jackson goes to the store"

Then tack on an extra detail, something to make it a little more exciting or elaborate. Maybe you've identified that your summary needs to convey what the initial premise or inciting incident is, as opposed to something like a romantic pairing or the setting. So you write a newly revised summary: "Percy Jackson goes to a store and a bomb goes off inside."

But you want to add a few more details to make it just a little more exciting and informative: "Percy Jackson thought he was about to have an ordinary day when he's framed for a pipe bomb explosion inside a deli market." (Now we have the central conflict- Percy is being framed for a crime! But how can we make it even better? How do we build even more intrigue?)

Keep trying: "Percy Jackson's day went from mediocre to horrible as he's framed for an explosion inside a New York bodega. Follow his misadventure as he runs from the local cops, finds the perpetrator, and most important of all- gets his groceries home by dinner time."

But wait, you might say. That's not a strategy. That's just doing the same thing over and over again to varying degrees of success.

To that I say yes, it most certainly is. And that's basically all writing is. It's trying to bring your idea to life, identifying what's not working along the way, and fixing it.

But starting with a seed is how you get a flower.

And if you've made it this far, I just wanted to say thanks for stopping by! Have fun writing! ♥️

[snakebites-and-ink]

I've already said that my number one piece of writing advice is to read.

But my number two piece of advice is this: be deliberate.

Honestly this would fix so many pieces of bad writing advice. Don't forbid people from doing something, tell them to be conscious and deliberate about it. This could help stop people from falling into common mistakes without limiting their creativity. Black and white imperatives may stop a few annoying beginner habits, but ultimately they will restrict artistic expression.

Instead of "don't use epithets": "Know the effect epithets have and be deliberate about using them." Because yes, beginners often misuse them, but they can be useful when a character's name isn't known or when you want to reduce them to a particular trait they have.

Instead of "don't use 'said'" or "just use 'said'": "Be deliberate about your use of dialogue tags." Because sometimes you'll want "said" which fades into the background nicely, but sometimes you will need a more descriptive alternative to convey what a character is doing.

Instead of "don't use passive voice": "Be deliberate about when you use passive voice." Because using it when it's not needed can detract from your writing, but sometimes it can be useful to change the emphasis of a sentence or to portray a particular state of mind.

Instead of blindly following or ignorantly neglecting the rules of writing, familiarize yourself with them and their consequences so you can choose when and if breaking them would serve what you're trying to get across.

Your writing is yours. Take control of it.

It probably sounds like I'm preaching to the choir here because most of my mutuals are already great writers. But I'm hoping this will make it to the right people.

[ladynephthyss]

words to use when writing

Appetite:

craving, demand, gluttony, greed, hunger, inclination, insatiable, longing, lust, passion, ravenousness, relish, taste, thirst, urge, voracity, weakness, willingness, yearning, ardor, dedication, desire, devotion, enthusiasm, excitement, fervor, horny, intensity, keenness, wholeheartedness, zeal

Arouse:

agitate, awaken, electrify, enliven, excite, entice, foment, goad, incite, inflame, instigate, kindle, provoke, rally, rouse, spark, stimulate, stir, thrill, waken, warm, whet, attract, charm, coax, fire up, fuel, heat up, lure, produce, stir up, tantalize, tease, tempt, thrum, torment, wind up, work up

Assault:

attack, advancing, aggressive, assailing, charging, incursion, inundated, invasion, offensive, onset, onslaught, overwhelmed, ruinous, tempestuous, strike, violation, ambush, assail, barrage, bombard, bombardment, crackdown, wound

Beautiful: 

admirable, alluring, angelic, appealing, bewitching, charming, dazzling, delicate, delightful, divine, elegant, enticing, exquisite, fascinating, gorgeous, graceful, grand, magnificent, marvelous, pleasing, radiant, ravishing, resplendent, splendid, stunning, sublime, attractive, beguiling, captivating, enchanting, engaging, enthralling, eye-catching, fetching, fine, fine-looking, good-looking, handsome, inviting, lovely, mesmeric, mesmerizing, pretty, rakish, refined, striking, tantalizing, tempting

Brutal:

atrocious, barbarous, bloodthirsty, callous, cruel, feral, ferocious, hard, harsh, heartless, inhuman, merciless, murderous, pitiless, remorseless, rough, rude, ruthless, savage, severe, terrible, unmerciful, vicious, bestial, brute, brutish, cold-blooded, fierce, gory, nasty, rancorous, sadistic, uncompromising, unfeeling, unforgiving, unpitying, violent, wild

Burly:

able-bodied, athletic, beefy, big, brawny, broad-shouldered, bulky, dense, enormous, great, hard, hardy, hearty, heavily built, heavy, hefty, huge, husky, immense, large, massive, muscular, mighty, outsized, oversized, powerful, powerfully built, prodigious, robust, solid, stalwart, stocky, stout, strapping, strong, strongly built, sturdy, thick, thickset, tough, well-built, well-developed

Carnal:

animalistic, bodily, impure, lascivious, lecherous, lewd, libidinous, licentious, lustful, physical, prurient, salacious, sensuous, voluptuous, vulgar, wanton, , coarse, crude, dirty, raunchy, rough, unclean

Dangerous:

alarming, critical, fatal, formidable, impending, malignant, menacing, mortal, nasty, perilous, precarious, pressing, serious, terrible, threatening, treacherous, urgent, vulnerable, wicked, acute, damaging, deadly, death-defying, deathly, destructive, detrimental, explosive, grave, harmful, hazardous, injurious, lethal, life-threatening, noxious, poisonous, risky, severe, terrifying, toxic, unsafe, unstable, venomous

Dark:

atrocious, corrupt, forbidding, foul, infernal, midnight, morbid, ominous, sinful, sinister, somber, threatening, twilight, vile, wicked, abject, alarming, appalling, baleful, bizarre, bleak, bloodcurdling, boding evil, chilling, cold, condemned, creepy, damned, daunting, demented, desolate, dire, dismal, disturbing, doomed, dour, dread, dreary, dusk, eerie, fear, fearsome, frightening, ghastly, ghostly, ghoulish, gloom, gloomy, grave, grim, grisly, gruesome, hair-raising, haunted, hideous, hopeless, horrendous, horrible, horrid, horrific, horrifying, horror, ill-fated, ill-omened, ill-starred, inauspicious, inhospitable, looming, lost, macabre, malice, malignant, menacing, murky, mysterious, night, panic, pessimistic, petrifying, scary, shadows, shadowy, shade, shady, shocking, soul-destroying, sour, spine-chilling, spine-tingling, strange, terrifying, uncanny, unearthly, unlucky, unnatural, unnerving, weird, wretched

Delicious:

enticing, exquisite, luscious, lush, rich, savory, sweet, tasty, tempting, appetizing, delectable, flavorsome, full of flavor, juicy, lip-smacking, mouth-watering, piquant, relish, ripe, salty, spicy, scrummy, scrumptious, succulent, tangy, tart, tasty, yummy, zesty

Ecstasy:

delectation, delirium, elation, euphoria, fervor, frenzy, joy, rapture, transport, bliss, excitement, happiness, heaven, high, paradise, rhapsody, thrill, blissful, delighted, elated, extremely happy, in raptures (of delight), in seventh heaven, jubilant, on cloud nine, overexcited, overjoyed, rapturous, thrilled

Ecstatic:

delirious, enraptured, euphoric, fervent, frenzied, joyous, transported, wild

Erotic:

amatory, amorous, aphrodisiac, carnal, earthy, erogenous, fervid, filthy, hot, impassioned, lascivious, lecherous, lewd, raw, romantic, rousing, salacious, seductive, sensual, sexual, spicy, steamy, stimulating, suggestive, titillating, voluptuous, tantalizing

Gasp:

catch of breath, choke, gulp, heave, inhale, pant, puff, snort, wheeze, huff, rasp, sharp intake of air, short of breath, struggle for breath, swallow, winded 

Heated:

ardent, avid, excited, fervent, fervid, fierce, fiery, frenzied, furious, impassioned, intense, passionate, raging, scalding, scorched, stormy, tempestuous, vehement, violent, ablaze, aflame, all-consuming, blazing, blistering, burning, crazed, explosive, febrile, feverish, fired up, flaming, flushed, frantic, hot, hot-blooded, impatient, incensed, maddening, obsessed, possessed, randy, searing, sizzling, smoldering, sweltering, torrid, turbulent, volatile, worked up, zealous

Hunger:

appetite, ache, craving, gluttony, greed, longing, lust, mania, mouth-watering, ravenous, voracious, want, yearning, thirst

Hungry:

avid, carnivorous, covetous, craving, eager, greedy, hungered, rapacious, ravenous, starved, unsatisfied, voracious, avaricious, desirous, famished, grasping, insatiable, keen, longing, predatory, ravening, starving, thirsty, wanting

Intense:

forceful, severe, passionate, acute, agonizing, ardent, anxious, biting, bitter, burning, close, consuming, cutting, deep, eager, earnest, excessive, exquisite, extreme, fervent, fervid, fierce, forcible, great, harsh, impassioned, keen, marked, piercing, powerful, profound, severe, sharp, strong, vehement, violent, vivid, vigorous

Liquid:

damp, cream, creamy, dripping, ichorous, juicy, moist, luscious, melted, moist, pulpy, sappy, soaking, solvent, sopping, succulent, viscous, wet / aqueous, broth, elixir, extract, flux, juice, liquor, nectar, sap, sauce, secretion, solution, vitae, awash, moisture, boggy, dewy, drenched, drip, drop, droplet, drowning, flood, flooded, flowing, fountain, jewel, leaky, milky, overflowing, saturated, slick, slippery, soaked, sodden, soggy, stream, swamp, tear, teardrop, torrent, waterlogged, watery, weeping

Lithe:

agile, lean, pliant, slight, spare, sinewy, slender, supple, deft, fit, flexible, lanky, leggy, limber, lissom, lissome, nimble, sinuous, skinny, sleek, slender, slim, svelte, trim, thin, willowy, wiry

Moan:

beef, cry, gripe, grouse, grumble, lament, lamentation, plaint, sob, wail, whine, bemoan, bewail, carp, deplore, grieve, gripe, grouse, grumble, keen, lament, sigh, sob, wail, whine, mewl

Moving:

(exciting,) affecting, effective  arousing, awakening, breathless, dynamic, eloquent, emotional, emotive, expressive, fecund, far-out, felt in gut, grabbed by, gripping, heartbreaking, heartrending, impelling, impressive, inspirational, meaningful, mind-bending, mind-blowing, motivating, persuasive, poignant, propelling, provoking, quickening, rallying, rousing, significant, stimulating, simulative, stirring, stunning, touching, awe-inspiring, energizing, exhilarating, fascinating, heart pounding, heart stopping, inspiring, riveting, thrilling

Need:

compulsion, demand, desperate, devoir, extremity, impatient longing, must, urge, urgency / desire, appetite, avid, burn, craving, eagerness, fascination, greed, hunger, insatiable, longing, lust, taste, thirst, voracious, want, yearning, ache, addiction, aspiration, desire, fever, fixation, hankering, hope, impulse, inclination, infatuation, itch, obsession, passion, pining, wish, yen

Pain: 

ache, afflict, affliction, agony, agonize, anguish, bite, burn, chafe, distress, fever, grief, hurt, inflame, laceration, misery, pang, punish, sting, suffering, tenderness, throb, throe, torment, torture, smart

Painful:

aching, agonizing, arduous, awful, biting, burning, caustic, dire, distressing, dreadful, excruciating, extreme, grievous, inflamed, piercing, raw, sensitive, severe, sharp, tender, terrible, throbbing, tormenting, angry, bleeding, bloody, bruised, cutting, hurting, injured, irritated, prickly, skinned, smarting, sore, stinging, unbearable, uncomfortable, upsetting, wounded

Perverted: 

aberrant, abnormal, corrupt, debased, debauched, defiling, depraved, deviant, monstrous, tainted, twisted, vicious, warped, wicked, abhorrent, base, decadent, degenerate, degrading, dirty, disgusting, dissipated, dissolute, distasteful, hedonistic, immodest, immoral, indecent, indulgent, licentious, nasty, profligate, repellent, repugnant, repulsive, revolting, shameful, shameless, sickening, sinful, smutty, sordid, unscrupulous, vile 

Pleasurable:

charming, gratifying, luscious, satisfying, savory, agreeable, delicious, delightful, enjoyable, nice, pleasant, pleasing, soothing, succulent

Pleasure:

bliss, delight, gluttony, gratification, relish, satisfaction, thrill, adventure, amusement, buzz, contentment, delight, desire, ecstasy, enjoyment, excitement, fun, happiness, harmony, heaven, joy, kick, liking, paradise, seventh heaven 

Rapacious:

avaricious, ferocious, furious, greedy, predatory, ravening, ravenous, savage, voracious, aggressive, gluttonous, grasping, insatiable, marauding, plundering

Rapture:

bliss, ecstasy, elation, exaltation, glory, gratification, passion, pleasure, floating, unbridled joy

Rigid:

adamant, austere, definite, determined, exact, firm, hard, rigorous, solid, stern, uncompromising, unrelenting, unyielding, concrete, fixed, harsh, immovable, inflexible, obstinate, resolute, resolved, severe, steadfast, steady, stiff, strong, strict, stubborn, taut, tense, tight, tough, unbending, unchangeable, unwavering

Sudden:

abrupt, accelerated, acute, fast, flashing, fleeting, hasty, headlong, hurried, immediate, impetuous, impulsive, quick, quickening, rapid, rash, rushing, swift, brash, brisk, brusque, instant, instantaneous, out of the blue, reckless, rushed, sharp, spontaneous, urgent, without warning

Thrust:

(forward) advance, drive, forge, impetus, impulsion, lunge, momentum, onslaught, poke, pressure, prod, propulsion, punch, push, shove, power, proceed, progress, propel

(push hard) assail, assault, attack, bear down, buck, drive, force, heave, impale, impel, jab, lunge, plunge, press, pound, prod, ram, shove, stab, transfix, urge, bang, burrow, cram, gouge, jam, pierce, punch, slam, spear, spike, stick

Thunder-struck:

amazed, astonished, aghast, astounded, awestruck, confounded, dazed, dazed, dismayed, overwhelmed, shocked, staggered, startled, stunned, gob-smacked, bewildered, dumbfounded, flabbergasted, horrified, incredulous, surprised, taken aback 

Torment:

agony, anguish, hurt, misery, pain, punishment, suffering, afflict, angst, conflict, distress, grief, heartache, misfortune, nightmare, persecute, plague, sorrow, strife, tease, test, trial, tribulation, torture, turmoil, vex, woe

Touch:

(physical) - blow, brush, caress, collide, come together, contact, converge, crash, cuddle, embrace, feel, feel up, finger, fondle, frisk, glance, glide, graze, grope, handle, hit, hug, impact, join, junction, kiss, lick, line, manipulate, march, massage, meet, nudge, palm, partake, pat, paw, peck, pet, pinch, probe, push, reach, rub, scratch, skim, slide, smooth, strike, stroke, suck, sweep, tag, tap, taste, thumb, tickle, tip, touching, toy, bite, bump, burrow, buss, bury, circle, claw, clean, clutch, cover, creep, crush, cup, curl, delve, dig, drag, draw, ease, edge, fiddle with, flick, flit, fumble, grind, grip, grub, hold, huddle, knead, lap, lave, lay a hand on, maneuver, manhandle, mash, mold, muzzle, neck, nestle, nibble, nip, nuzzle, outline, play, polish, press, pull, rasp, ravish, ream, rim, run, scoop, scrabble, scrape, scrub, shave, shift, shunt, skate, slip, slither, smack, snake, snuggle, soothe, spank, splay, spread, squeeze, stretch, swipe, tangle, tease, thump, tongue, trace, trail, tunnel twiddle, twirl, twist, tug, work, wrap 

(mental) - communicate, examine, inspect, perception, scrutinize

Wet:

bathe, bleed, burst, cascade, course, cover, cream, damp, dampen, deluge, dip, douse, drench, dribble, drip, drizzle, drool, drop, drown, dunk, erupt, flood, flow, gush, immerse, issue, jet, leach, leak, moisten, ooze, overflow, permeate, plunge, pour, rain, rinse, run, salivate, saturate, secrete, seep, shower, shoot, slaver, slobber, slop, slosh, sluice, spill, soak, souse, spew, spit, splash, splatter, spout, spray, sprinkle, spurt, squirt, steep, stream, submerge, surge, swab, swamp, swill, swim, trickle, wash, water

Wicked:

abominable, amoral, atrocious, awful, base, barbarous, dangerous, debased, depraved, distressing, dreadful, evil, fearful, fiendish, fierce, foul, heartless, hazardous, heinous, immoral, indecent, intense, mean, nasty, naughty, nefarious, offensive, profane, scandalous, severe, shameful, shameless, sinful, terrible, unholy, vicious, vile, villainous, wayward, bad, criminal, cruel, deplorable, despicable, devious, ill-intentioned, impious, impish, iniquitous, irreverent, loathsome, Machiavellian, mad, malevolent, malicious, merciless, mischievous, monstrous, perverse, ruthless, spiteful, uncaring, unkind, unscrupulous, vindictive, virulent, wretched

Writhe: 

agonize, bend, jerk, recoil, lurch, plunge, slither, squirm, struggle, suffer, thrash, thresh, twist, wiggle, wriggle, angle, arc, bow, buck, coil, contort, convulse, curl, curve, fidget, fight, flex, go into spasm, grind, heave, jiggle, jolt, kick, rear, reel, ripple, resist, roll, lash, lash out, screw up, shake, shift, slide, spasm, stir, strain, stretch, surge, swell, swivel, thrust, turn violently, tussle, twitch, undulate, warp, worm, wrench, wrestle, yank 

[olis-inkwell-symposium]

The Taste of the World: Writing Food as Storytelling

Food is never just food. It’s culture, history, survival, and, perhaps most importantly, a language that characters and worlds use to speak when words fail. The way food is grown, prepared, and consumed reveals the structure of a society—its priorities, its fears, and its memory. And in storytelling, the smallest detail about what’s eaten or how it’s shared can carry a world’s worth of meaning.

When used well, food becomes a subtle but powerful tool. It can reflect emotional tension without anyone saying a word, or quietly thread deeper themes through the narrative. It doesn’t have to overwhelm your story with excess description; it works best when it’s an organic part of the world, shaped by the same forces that drive everything else.

Let’s break down how to think about food as more than a detail, crafting it as an integral part of the characters, the setting, and the stakes.

Why Food is Fundamental to Worldbuilding

Culture and Identity

Food defines a culture as much as its language or traditions. The ingredients people rely on are determined by the land they inhabit, the technology they have access to, and the values they hold. It’s not just about what is eaten, but how—and why.

Think About:

What ingredients are unique to this region, and how did they come to rely on them?

How is food served—shared communally or divided by status?

Are there specific rituals tied to preparing or consuming meals?

These questions help frame food not as a decorative detail, but as a way to demonstrate how a culture lives and interacts with its environment.

Food as Survival

Food exists on a spectrum from abundance to scarcity, and its availability often tells the story of who holds power and who doesn’t. This doesn’t need to be stated outright—simple contrasts in what’s on the table (or missing from it) can highlight social divides or tensions.

Consider:

What foods are considered everyday staples, and what are reserved for moments of celebration or mourning?

How do people preserve food in harsh climates or through difficult seasons?

What compromises are made when survival is at stake?

Survival shapes cuisine, and cuisine, in turn, shapes the people. Food that may seem unremarkable to outsiders can carry in-depth meaning for those who rely on it to live.

Food as Memory

Meals are tied to memory in ways that few other experiences can match. They evoke places, people, and moments that might otherwise be forgotten. For characters, food can serve as a reminder of what was lost or what still needs to be protected.

Ask Yourself:

What does this food remind your characters of?

How does this memory shape their present choices?

What foods do they miss, and why can’t they have them anymore?

The emotional weight of food often lies in its connection to something larger—home, family, or an ideal that has slipped unreachable.

Integrating Food Into Your Narrative

The Subtle Art of Symbolism

Food works best as a storytelling element when it doesn’t announce itself. It’s not about drawing attention to the dish for its own sake but letting it naturally reinforce the scene or the character’s state of mind.

Example in Practice: A meal served quickly, with little conversation, could underscore a sense of unease or urgency. Meanwhile, the deliberate preparation of a dish might reflect care, control, or tradition.

It’s less about describing what’s on the plate and more about how the act of eating—or not eating—interacts with the story.

Building Tension Through Meals

Sharing food is inherently social, and like any social act, it can carry undercurrents of conflict or connection. Meals can be settings for negotiation, subtle power plays, or suppressed resentments. What’s not said during a meal can matter more than what’s served.

Think About:

Who prepares the food, and what does that say about their role or status?

What’s the mood at the table? Is the act of eating itself a kind of performance?

Are there unspoken rules about who eats first, how much they take, or what they avoid?

Food as tension is about the surrounding interaction, not the food itself.

Grounding the World in Small Details

Food is a powerful tool for grounding your world in a sense of place. By focusing on how ingredients are sourced, prepared, or consumed, you create an ecosystem that feels real without needing an info dump. A brief reference to a seasonal delicacy or the preparation of a daily staple can communicate volumes about the setting.

Use Sparingly: The best world building happens in glimpses. A short mention of pickling methods during a harsh winter or the fragrance of a common herb can paint a vivid picture without dragging the narrative down.

Applying Food to Character Development

What Food Says About Relationships

Meals are a social construct as much as they are a necessity. Who characters eat with, what they share, and how they interact during a meal reveal their connections—or lack thereof.

Consider:

Do your characters share food equally, or does one person dominate the meal?

Is a meal an act of kindness, a manipulation, or an obligation?

How does the way they eat reflect their personality?

Preferences, Habits, and Rituals

The foods a character gravitates toward can say as much about them as how they speak or dress. Perhaps a soldier instinctively chooses ration-style meals even in peacetime, or a merchant avoids exotic imports as a quiet protest against their origins.

Ask Yourself:

Does your character have a ritual or habit when it comes to food?

How do they react to unfamiliar dishes?

What’s their relationship with food—joy, necessity, or something else?

The Absence of Food

Every so often, what’s missing can be more telling than what’s present. A lack of food could signify poverty, oppression, or desperation. Even in abundance, what isn’t served can carry weight—certain foods might be taboo, seasonal, or too painful to prepare because of their associations.

The absence of food doesn’t need to be highlighted directly. Instead, its weight can be felt through the absence of conversation, the careful rationing of resources, or the visible strain it places on characters.

Final Thoughts: Food as a Storytelling Tool

Food is one of the most powerful yet understated tools in your storytelling arsenal. It connects your world to its people and its people to each other, revealing layers of culture, memory, and emotion without needing to over-explain.

When used thoughtfully, food doesn’t just flavor your story—it deepens it, grounding your world in something tangible and human. Instead of asking, What do my characters eat? ask, Why does it matter? Because when food becomes more than sustenance, it transforms into something far greater—a story in itself.

TAGLIST - dm or reply to be added 🫶🏾

@slenders1ckn3ss @lucistarsfire @fond-illusion @p00lverinecentral

[imastoryteller]

Writing Angry Scenes: Tips to Avoid Melodrama and Make It Real

Anger can be one of the most intense, relatable emotions to read—and one of the trickiest to write. When handled well, an angry scene can pull readers deep into the emotional world of a character, building tension and driving the story forward. But when handled poorly, anger can easily slip into melodrama, making the character’s feelings seem overblown, forced, or even cringe-worthy.

So how can you avoid these pitfalls and write anger that feels real and compelling? Here are some tips to make angry scenes powerful without overdoing it.

1. Understand What Fuels Your Character’s Anger

To write anger authentically, you need to understand its roots. People get angry for complex reasons—fear, frustration, betrayal, grief, and even love. Ask yourself what’s truly driving your character’s anger. Are they afraid of losing control? Do they feel abandoned or misunderstood? Are they hurt by someone they trusted? Anger rarely exists in isolation, so dig into the deeper emotions fueling it.

When you understand the core reasons behind a character’s anger, you can weave those nuances into the scene, making the anger more relatable and layered. Readers will feel the depth of the character's rage, not just the surface heat of it.

2. Show, Don’t Tell—But Don’t Overdo It

“Show, don’t tell” is classic writing advice, but it’s especially crucial in angry scenes. Don’t rely on generic phrases like “She was furious” or “He clenched his fists in anger.” Instead, look for unique ways to convey how this specific character experiences anger. Maybe their voice drops to a deadly calm, or their eyes narrow in a way that makes everyone around them uncomfortable.

That said, showing too much can backfire, especially with exaggerated descriptions. Over-the-top body language, excessive shouting, or too many “flaring nostrils” can tip the scene into melodrama. Use body language and physical cues sparingly and mix them with subtler reactions for a more realistic portrayal.

3. Use Dialogue to Reveal Hidden Layers

People rarely say exactly what they feel, especially when they’re angry. Angry dialogue isn’t just about yelling or throwing out insults; it’s an opportunity to show the character’s deeper thoughts and vulnerabilities.

Consider using controlled, icy responses or unexpected silences. Maybe your character says something hurtful in a low voice rather than screaming. They might express sarcasm, avoidance, or even laugh at the wrong moment. Anger often carries hidden layers, and using these nuances can help your character’s dialogue feel genuine, even haunting, without falling into dramatic clichés.

4. Control the Pacing of the Scene

The pacing of an angry scene can be the difference between a powerful moment and a melodramatic one. In real life, anger doesn’t always erupt instantly; it can simmer, spike, or deflate depending on the situation and the character’s personality. Experiment with different pacing techniques to create tension.

You might build the anger slowly, with small signs that something’s brewing. Or maybe the character explodes suddenly, only to calm down just as quickly, leaving a chill in the air. Controlling the pace helps you control the reader’s emotional engagement, drawing them in without overwhelming them.

5. Avoid Clichéd Expressions and Overused Reactions

When writing anger, avoid falling back on clichés like “seeing red,” “boiling with rage,” or “blood boiling.” These phrases have been overused to the point that they lose their impact. Instead, get creative and think about how your character’s anger might feel specifically to them.

Maybe their skin feels prickly, or their jaw aches from clenching it. Think about details that are unique to the character and to the moment. By focusing on small, unique sensory details, you’ll help readers feel the anger rather than just reading about it.

6. Let the Setting Reflect the Emotion

The setting can be an effective tool to amplify a character’s anger without overstating it. Small details in the environment—such as the hum of a refrigerator, the slow ticking of a clock, or the distant sounds of laughter—can create a sense of contrast or isolation that heightens the character’s rage.

For example, imagine a character seething in a peaceful park or a quiet library. The calm of the surroundings can make their anger feel more potent. Or maybe they’re in a crowded, noisy room where they feel unseen and unheard, which fuels their frustration further. This use of setting can add depth to the scene without the need for dramatic gestures.

7. Let Consequences Speak for Themselves

An effective way to avoid melodrama is to let the consequences of the anger show its intensity. Characters don’t always have to yell or physically react; sometimes, a single choice can convey more than any outburst.

Perhaps your character cuts off a close friend or says something they can’t take back. Maybe they throw away a meaningful object or walk out in silence. By focusing on the consequences of their anger, you can reveal the impact without over-explaining it.

8. Let the Emotion Simmer After the Scene Ends

Anger is rarely resolved in a single moment, and its effects often linger. When writing an angry scene, think about how it will affect your character moving forward. Are they holding onto grudges? Do they feel guilty or exhausted afterward? Does their anger transform into something else, like sadness or regret?

Allowing the anger to simmer in your character’s mind even after the scene ends creates a more authentic and layered portrayal. It shows that anger is complex and doesn’t just disappear the moment the scene is over, adding emotional weight to both the character and the story.

[martyr-inthedark]

Misplaced guilt.

They should have done something (in a situation where they couldn't).

They should have known (there was no reality where they could have known).

They should've been better (they were so young).

They have to apologize in every possible moment (they shouldn't apologize for anything).

They deserve to be punished for their mistakes (they had no choice in making them).

Just. Guilt complexes. Yes please.

[literaryvein-templates]

Writing Worksheets & Templates

will update this every few weeks/months. alternatively, here are all my tagged Writing Worksheets & Templates

Chapter Outline ⚜ Character- or Plot-Driven Story

Death & Sacrifice ⚜ Magic & Rituals ⚜ Plot-Planning

Editing: Sentence Check ⚜ Writing Your Novel: 20 Questions

Tension ⚜ Thought Distortions ⚜ What's at Stake

Character Development

50 Questions ⚜ Backstory ⚜ Character Creation

Antagonist; Villain; Fighting ⚜ Protagonist & Antagonist

Character: Change; Adding Action; Conflict

Character: Creator; Name; Quirks; Flaws; Motivation

Character Profile (by Rick Riordan) ⚜ Character Sheet Template

Character Sketch & Bible ⚜ Interview your Character

Story-Worthy Hero ⚜ "Well-Rounded" Character Worksheet

Worldbuilding

20 Questions ⚜ Decisions & Categories ⚜ Worksheet

Setting ⚜ Dystopian World ⚜ Magic System (AALC Method)

Templates: Geography; World History; City; Fictional Plant

Writing References: Worldbuilding ⚜ Plot ⚜ Character

all posts are queued. send questions/requests here.

[literaryvein-references]

Writing Notes & References

Alchemy ⚜ Antidote to Anxiety ⚜ Attachment ⚜ Autopsy

Art: Elements ⚜ Principles ⚜ Photographs ⚜ Watercolour

Children ⚜ Children's Dialogue ⚜ Childhood Bilingualism

Character Quirks ⚜ Cruise Ships ⚜ Dystopian World

Culture ⚜ Culture Shock ⚜ Ethnocentrism & Cultural Relativism

Emotions: Anger ⚜ Fear ⚜ Happiness ⚜ Sadness

Emotional Intelligence ⚜ Genius (Giftedness)

Facial Expressions ⚜ Laughter & Humour ⚜ Swearing & Taboo

Fantasy Creatures ⚜ Literary & Character Tropes

Fight Scenes Part 1 2 ⚜ Kill Adverbs

Food: Cooking Basics ⚜ Herbs & Spices ⚜ Sauces ⚜ Wine-tasting ⚜ Aphrodisiacs ⚜ List of Aphrodisiacs ⚜ Food History

Genre: Crime ⚜ Horror ⚜ Fantasy ⚜ Speculative Biology

Hate ⚜ Love ⚜ Kinds of Love ⚜ The Physiology of Love

How to Write: Food ⚜ Colours ⚜ Drunkenness

Jargon ⚜ Logical Fallacies ⚜ Memory

Magic: Magic System ⚜ 10 Uncommon ⚜ How to Choose

Moon: Part 1 2 ⚜ Related Words

Mystical Items & Objects ⚜ Talisman ⚜ Relics ⚜ Poison

Realistic Injuries ⚜ Rejection ⚜ Structural Issues ⚜ Villains

Symbolism: Colors ⚜ Food ⚜ Numbers ⚜ Storms

Thinking ⚜ Thinking Styles ⚜ Thought Distortions

Compilations: Plot ⚜ Character ⚜ Worldbuilding ⚜ For Poets

all posts are queued. will update this every few weeks/months. send questions or requests here.

[omegaversetheory]

Whole bunch of good stuff

[writers-potion]

List of Interesting Latin Phrases

A list I made just to satisfy my vain cravings for resonating mottos for a secret society I'm working on. Enjoy!

abi in malam crucem: to the devil with you!

ad astra per ardua: to the star by steep paths

ad augusta per angusta: to honors through difficulties

aegis fortissima virtus: virue is the strongest shield

amor vincit amnia: love conquers all things

animo et fide: by courage and faith

arbitrium est judicium: an award is a judgement

aut mors aut victoria: either death or victory

aut vincere aut mori: either victory or death

bello ac pace paratus: prepared in war and peace

bibamus, moriendum est: let us drink, death is certain (Seneca and Elder)

bonis omnia bona: all things are good to the good

cede nullis: yield to no one

cito maturum, cito putridum: soon ripe, soon rotten

consensus facit legem: consent makes law

data fata secutus: following what is decreed by fate (Virgil)

durum telum necessitas: necessity is a hrad weapson

dux vitae ratio: reason is the guide of life

e fungis nati homines: men born of mushrooms

ego sum, ergo omnia sunt: I am, therefore all things are

pulvis et umbra sumus: we are but dust and shadow

quae amissa salva: things lost are safe

timor mortis morte pejor: the fear of death is worse than death

triumpho morte tam vita: I triumph in death as in life

tu vincula frange: break your chains

vel prece vel pretio: for either love or for money

verbera, sed audi: whip me, but hear me

veritas temporis filia: truth is the daughter of time

vero nihil verius: nothing is truer than the truth

vestigia nulla restrorsum: foosteps do not go backward

victus vincimus: conquered, we conquer (Plautus)

sica inimicis: a gger to his enemies

sic vita humana: thus is human life

─── ･ ｡ﾟ☆: *.☽ .* . ───

💎If you like my blog, buy me a coffee☕ and find me on instagram! Also, join my Tumblr writing community for some more fun.

💎Before you ask, check out my masterpost part 1 and part 2 

Reference: <Latin for the Illiterati: a modern guide to an ancient language> by Jon R. Stone, second edition, 2009

[aurascope543]

And the whispers lingered more than the screams

You looked around and you saw a world that couldn't imagine that you could exist. Yet you did. You felt the southern air in your face. You felt the water in the ancestral pond with your fingers. You lit the lamps in the temples as the tranquility crept through your head, through the strands of your dark hair decorated with jasmine. Heard the bells ring and heard the desperate pleas in each syllable of your own prayers that could never escape your  thoughts to the outside world.

And as you walked back, on the path to your home, laid almost as a second thought  in the middle of a paddy field, you found that the birds were flying towards their own little nests,in the background of an endlessly setting sun.

And you wondered how you could exist. Nestled in this little coastal town, with the oil lamps flickering as the decorated deity danced through the flames, the clanging of bells,the banging of drums, the awe of viewers as the divine danced among them. The deity held people's hands and asked them if they were well. Told them that they had always been considered children, benefactors to the favours of the previous generation. Forever given a hand when they were in need. Then took your hand as well and told you the same. Not a breath different.

You were like the others after all. You weren't rotten enough to not be held by hand. Wanted enough to be lent help. Not too wretched to receive prayers from.

And as you breathed, it remained years later, the silent prayer echoed back from the future

"If you ever existed, I wish the hatred you had for yourself was burnt in the pyre, years before you were laid there yourself."

[kiriti-savyasachin]

On friendships, loss and fathers forever beloved

Inspired by this piece by the lovely @dreamer-in-sleep on her writeblr @whimsical-birdie . Go check it out if you haven’t yet!

An eternity ago, as a young, lonely girl who desperately wanted friends of her own, you saw a quote that resonated deeply within you.

It said: “Friends are like stars, they come and go, but the ones that stay are the ones who glow.”

It spoke to you, the little girl who dreamed of fantasies, of friends so inseparable that you would be soul-bonded to each other, the Dog Star in each other’s firmament.

And so, you decided, that one way or the other, you would forge friendships and connections, through your ideas, your words, and your dreams.

And that for someone who needs a star that glows, you will give them your light, wholeheartedly.

So you began writing, finding solace in friends born out of a shared imagination, of legendary writers (and, if you’re flattering yourself, a little bit of your own flights of fancy as well).

At first, all seems well. There are people who love the words you weave, people who want to talk to you. And for the little girl who spent years of her life lost and alone but for her beloved parents, it is a fresh, bustling new sky, galaxies adorned with beautiful stars.

Friends are like stars, you tell yourself, talking to your newly made friends, held close to your heart. The ones that stay are the ones who glow.

You laugh, glorying in the adorned, glittering beauty of the expansive skies that seem limitless.

In your quest to be the star that glows, you give them all you can. Your time, your words, your heart. Your tears and laughter. You tell stories of theirs to your father, the unblinking, steady, North Star of your sky.

He glories with you, rejoices in your joy. Yet he adds a note of caution. He knows his daughter, you see, far better then you had, back then. He knows that she is innocent, and has too soft a heart.

In your joy and your glee, you take his hand still, but laugh his caution away. “I trust them,” you say. “I trust their friendship, and I trust mine. You have my heart forever, but they have a share of their own.”

In your joy and your glee, you forget.

You forget that the sky, too, has a limit. And stars that glow incandescent, are often too bright to hold. That words sometimes, are not a binding soul-bond, but less substantial then wind.

Riding high on the euphoria of having a firmament of your own, you glory in every second of it. Seconds that, unbeknownst to you, are ticking away, slow and steady, the sands of time eroding the stars you created in your mind.

Because remember that you wanted to glow? To give all of yourself that you can? You stayed yourself, open and earnest, but those you gave your heart to grew. They grew mature, and had no space in their skies for a little girl who dreams of ideals and stars that glow. In their mature, calm light, you shone too bright, you were too much. You hurt their eyes.

One star fades out, and then another. You seek solace in those you think still remain, laying your heart bare. You can only watch bewildered when they, too, hurl accusations at you, of long-term, manipulative, emotional abuse, out of a single sentence expressing your pain.

It slowly sinks in, as your cherished firmament slips through your hands. Perhaps you are the problem, that you shone so bright, that you brought so many together, bound initially by the fact that you knew them, now bound anew in the fact that you mean little and less to them. (Oh, they say still that they love you, but you do not understand, what sort of love is this, that they’d break you into pieces, knowing they do so?)

You pick up the pieces, wondering if it is worth it, after all, if there is so little worth in you, that you have next to no one who is yours after all. One glance North is all it takes to wear a smile that hides your tears, because there He shines, your North Star, clear and bright, and yours.

You cling to him, evermore, picking up the pieces, knowing that he loves his daughter’s innocence, her laughter, her thoughts that make her different and unloveable to so many. Knowing that is enough for you, at that moment, to claw at the reserves of courage to go on. Perhaps friends are but shooting stars, you muse, here one day and gone the next, while your father, your greatest gift, is he who stays, he who glows, who laughs at your light and holds you close.

But you are your father’s daughter and you will not give up, not be the reason a tear shines in his beloved eyes.

So you dare to hope anew, to inch close. To stars new, to friends once more.

Hope shines in your eyes, innocence too, innocence they could not root of you, because it is a part of what makes you who you are. Perhaps that is all you can do. Cling to who you are. Friends you shall find, and perhaps they will stay, but you have your North Star for yourself till the end of your days.

(My heartfelt thanks to @hum-suffer @themorguepoet @vishnavishivaa @abstractmarshmallow @selkiesstories @starlightasteria @chaanv @chairoses and @whimsiquix for being there during various parts of this admittedly rocky journey of putting myself back together!)

[sassycolortheorist101-blog]

some fucking resources for all ur writing fuckin needs

* body language masterlist

* a translator that doesn’t eat ass like google translate does

* a reverse dictionary for when ur brain freezes

* 550 words to say instead of fuckin said

* 638 character traits for when ur brain freezes again

* some more body language help

(hope this helps some ppl)

[kiriti-savyasachin]

An Archive of Our Own, a project of the Organization for Transformative Works

Updating the War That Outlasted Christmas!

@selkiesstories and @starlightasteria just in case. :)

[heywriters]

Resources for Writers - creative writing blog

Starting writing Blank Page Blueprint 5-Minute Freewrite More than a Muse A Field Guide to Your Imagination Write-alongs Idea Help 100 Story

This site looks wonderful? Copied their link list below for anyone who'd rather stay on Tumblr to preview what they offer.

Starting writing

Blank Page Blueprint

5-Minute Freewrite

More than a Muse

A Field Guide to Your Imagination

Write-alongs

Idea Help

100 Story Ideas

100 Flash Fiction Prompts

52 Romance Story Ideas

30 Scene Ideas for Plot Development

30 Scene Ideas for Character Development

30 Scene Ideas for World Development

Idea generator

Story Building Tarot Spread

Genre Help

Choosing a genre

Genre mindmaps

Plotting Help

How to use a Plot Formula

How to write a novella

One Page Novel Plot Formula

The Fool’s Journey

Escaping a tight spot

Plot hole worksheet

Plot twist worksheet

Ticking clock

Mini-quests

Try/fail cycles

Increasing conflict

Adding action

Creating suspense

Writing Help

How to finish your novel

Opening scenes

Creating mood

Creating metaphors and similes

Generating title ideas

Deciding point of view

Scene writing

Dialogue help

Writing a synopsis

Creative writing reading list

Blogging while writing

Novel in a month notebook

Google Docs for writers

Creative writing toolkit

How to export your Scrivener timeline

Character Help

Quick character creator

30 scene ideas for characters

Character quirks

Killing characters

Love your antagonist

Character motivation

Making trouble for characters

Couples worksheet

Naming characters

Choosing a narrator

Writing emotions

Expressing thoughts

Creating villains

Making decisions

Character occupations

Worldbuilding Help

City building

Technology worksheet

Creating magic systems

Politics

Rites and rituals

World history

World geography

Setting

Writer Help

Becoming a writer

Differentiating yourself

Creative writer worksheets

Creative writing syllabus

Writer’s self assessment

Getting unstuck