sorry for being weird and evasive. i was raised to believe that having wants and needs was a moral failing

ellievsbear
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@kratiecat365
sorry for being weird and evasive. i was raised to believe that having wants and needs was a moral failing
Bitches will say they want a "fairytale wedding" and then get offended when I show up uninvited and curse their firstborn.
feelin like a dying tamagotchi rn
I've been thinking about this all day.
Crystals for banishing someone:
Any of em if you throw em hard enough
This here’s my banishin’ rock.
Item: Crystal of Banishment, 2d8 Bludgeoning damage
Canadian Nightmare
JESUS CHRIST WHO THE FUCK LET THAT EXIST
The Canadian regionalization DLC for Nyan Cat looks amazing.
This is nothing I wanted and yet everything I ever needed
Bless you Canada and your gigantic dinosaur snowplow monsters
Woo woo, motherfucker!
@a-mahariels-travels
Goddamned Mezolithic Megafauna’s what that is. Goddamned warranty expired on those things centuries ago, but do they care? Do they go decently extinct, like the ground sloth, gigantopethicus, or wooly rhino? Fuck that, they’re doing downhill runs on your favorite skiing course is what. Because Fuck it, is why.
Now I understand why moose are built the way they are.
It’s so they can gallop untrammelled through six-odd feet of snow.
Jesus Christ I read those mother fuckers could run 55km an hour but seeing it is another thing especially plowing through the snow
DASHING THROUGH THE SNOW GET THE FUCK OUT OF THE WAY
i remember adults telling me, as a kid, to listen to doctors and get my flu vaccine and any shots i could because they remembered Before.
then they started fighting Covid precautions.
i remember adults telling me, as a kid, that the ozone was disappearing and the earth was dying and we needed to recycle and save the planet.
now my parents think climate change is a myth.
i remember adults telling me, as a kid, that racism was a plague, that we had to love and accept everyone, that we should never judge before walking a mile in their shoes.
then they told me that protesting for my Black siblings was wrong.
i remember adults telling me, as a kid, that we needed to give to the poor. working at soup kitchens. making quilts. collecting food and money and supplies. building houses. because it was the christian and just plain right thing to do.
now they look at me, on food stamps with their grandchildren, and lament the "welfare state".
i remember adults telling me, as a kid, that it was easier for a camel to pass through the eye of a needle than a rich man to enter the Kingdom of Heaven and that any rich man, especially an immoral one, should never run our country.
you can guess who they voted for.
i remember adults telling me, as a kid, so very much.
when did they forget?
Time to bring this back. Again.
Apparently this is evergreen. Dammit.
I remember adults telling me, as a kid that girls can be equal to boys in all fields including athletics. Now, they consider girls to be delicate flowers who could never hope to compete against boys.
if my kids were like “i cant draw. i’m just gonna make ai art” i would be like shut the fuck up and pick up the pencil u are gna draw some one eyed anime bitches with their hands behind their backs
A reminder to all my lovely fellow writers: progress is progress, even when it isn't. Writing four thousand words in a session is progress. Writing a hundred words in a session is progress. Removing an entire scene because it doesn't flow well is progress. Rethinking your plan for the plot in order to get unstuck is progress. Development looks different for every writer and every story.
Me: Okay, Brain. Think about what happens next in this chapter.
Brain: *Skips three chapters ahead*
Me: No, no. This one, this chapter, the one we are writing right now.
Brain:.......*47 scenes forward*
Me: NO
🟢 You are still a writer even when you haven't written in a while.
🟢 You are still a writer even when you feel like you aren't writing enough.
🟢 You are still a writer when you feel like your work isn't good.
🟢 You are still a writer when other people don't like your work.
🟢 You are still a writer when you aren't published.
🟢 You are still a writer when you only have works in progress.
🟢 You are still a writer if all you write is fanfiction.
Seeing people reblog this with "I needed this today" in the tags always makes me smile.
You are all amazing writers, and I believe in you <3
How to Write OCs With Trauma
Just as I had shown with the 3 love posts for this series, there are a ton of ways that trauma can be shown through character behaviors or even speech patterns. Different people react differently when it comes to trauma, and you should also keep in mind what kind of trauma the character had gone through and what they were like before it occurred before deciding how they would be like now.
In the following post, I will be giving some different responses to trauma that your characters could display.
I. The “IDGAF Anymore” Trauma Response
Perhaps one of the most used responses to trauma that you see in characters in media is the character that blocks off their emotional responses to anything thereafter. They may fall in love with someone but they’ll never admit it because they don’t wish to be hurt. They may find a new family to love them but they shut themselves off from expressing said love because they are afraid of being hurt again.
Essentially what this response boils down to is a fear of being hurt again. Most people that shut down emotionally have been abandoned or abused or betrayed by someone they once trusted in some way; sometimes the thing that makes them feel betrayed isn’t even the other person’s fault such as an older sibling moving out of the house and away from their family once they get older or the death of a loved one.
II. The “Anger Issues” Response
I have known 2 people personally really well that have had this response to trauma. This response is where a person is so emotionally shut down (much like the last response spoken about) that they won’t allow themselves to show any emotion other than anger.
I once had a therapist tell me “usually when a person is angry, there is another emotion behind the anger, whether it is fear or depression or otherwise.” So the first question you should ask yourself when making a character with the rage response is… why are they angry? What emotion is being masked by the explosion of their anger? What are they trying to hide from? What traumatic experience is making them feel this way and how do they really feel about said experience? Depending on your answers and the kind of character you’re writing about, the angry outbursts can be different.
Some people will yell, some will get violent, some will punch holes in walls and doors and furniture… some will scream into a pillow… some will storm away in the middle of a conversation or hang up the phone if someone says just the wrong thing. Really think about what your character is like, how they respond to tense situations, before you lean into their anger response because some anger responses do not fit certain personality types.
III. The “Sensitive One” Response
Some people, when dealing with tense situations, become intensely emotional. They may cry easily when someone just looks at them cross-eyed. They might go quiet when they’re anxious. They might get really defensive at the smallest things. The Sensitive One can be shown in many, many ways, as there are lots of different types of sensitivity, so really consider your character and what they’ve been through before you decide which type of sensitive person they are.
IV. The “Unmasked Hero” Response
Not all heroes wear capes… that’s the saying, right? These people are the activists. These are the people that will talk to anyone for hours and hours just to talk them down. These are the people you always hear saying “I never want people to feel the way I felt when I went through this.” These are the people that become therapists to help others going through their issues. The Unmasked Heroes live their lives to make it so that no one has to experience the pain that they felt, if they can help it.
V. The “Rebel” Response
I do what I want. That’s the theme song of the Rebel. They lash out, usually acting like the victim no matter what happens (sometimes they really are, but sometimes they aren’t). Trauma can completely rewire a person’s brain, but with the Rebel, they often felt repressed before or like they were unable to fully be themselves and when something traumatic happens, something snaps in them to trigger that “I don’t give a flying fuck” response in their brain and suddenly they’re doing anything and everything they ever wanted to do (and sometimes even didn’t want to do) just to spite the rest of the world and if you don’t like it, you can kiss their ass. This can also be shown through a runaway after something traumatic happens.
This is another very common, often used trauma response.
VI. The “Mental Breakdown” Response
As a mentally ill woman myself, I want to emphasize: not all who go through trauma get mental illnesses and not all with mental illness went through a mental break. That being said, it is very common for an extremely traumatic experience (or life, in some cases) to give someone a mental illness. Or rather, to bring it out of them. There are illnesses like Bipolar, PTSD and more that come to the surface after an extreme mental break, PTSD being the more famous for this very situation.
What is important here is that there is no one situation that will cause a mental break. Depending on the person, it can be something that would be nothing to one person but would completely break another down while a third person might be going through 5 things all at once and seem to be handling it well. There are so many different illnesses out there, and a lot of them are very similar, so what I think is most important is that you do your research before you write an illness you have not personally seen or experienced. If you know someone with an illness you want to write about, ask them if you can run some idea by them and make sure it isn’t stigmatizing the illness, as mental illness gets stigmatized left and right in media.
VII. The “Class Clown” Response
Another common thing that is shown in media - and I’ve noticed is very common in real life - is the depressed clown. There are so many people that listen to society telling them it isn’t okay to not be okay, so they laugh and clown around to make others laugh and just like a lot of people need others’ compliments to feel validated, these people often need laughter to feel validated.
Some people that become the Clown type will deflect their sadness by making dumb jokes. Maybe, if you write about your character texting or on social media, you can show them in a downward spiral and just get on their social media page to post a dumb pun to negate the negativity. Or make a joke at their own expense, which is also common. A lot of people will make others feel bad for not being able to laugh at themselves, and these people are [often] great at doing exactly that, even if they end up in tears later on when they’re by themselves.
VIII. The “Angsty Artist” Response
As I’m sure a lot of you are aware, a lot of artists have a lot of emotions they are processing and a lot of them will use their art (whether it be visual or writing or otherwise) in order to process it.
You may have a teenager writing angsty fanfiction or poetry. You may have a young adult opening their first blog where they write about their life beginning adulthood. You may have a person that is drawing dark, gory artwork. Whatever it may be, the art can either directly reflect the way they feel, such as the dark artwork, or they may do the opposite and write about their personal idea of a utopia and use art to escape. Either way, the art is a means to process and understand themselves better and/or escape from reality for however long they do it.
The only good and bad thing about using this response is that a lot of people that use art end up getting lost in it. They end up becoming obsessed and never cease to work on the art or think about the art and may become consumed by their own processing creativity.
IX. The “Addiction” Response
Addiction can come in so many forms. It can be the typical drugs, cigarettes, alcohol… or it can be addiction to getting lost in a hobby (see #8: The “Angsty Artist”)… or it can be becoming a workaholic. Honestly, anything can become an addiction if you let it consume you, so keep that in mind. It could even be something such as them becoming a hoarder because they are afraid to let their past go, so they won’t let anything go.
There are so many other responses to trauma. There are billions of people in the world, and tons of them have trauma in their lives. To say that it all boils down to these responses would be silly, but these are some common responses to trauma that would be a great starting point if you’re trying to figure out how to have a character of yours going through trauma.
How to Write Characters in Realistic Polyamorous Relationships
Earlier this week, an anonymous follower asked: Any advice for writing a REALISTIC poly relationship?
Friend, you are in luck. As a polyamorous person, I’m always looking for more stories that include good poly representation! So first, we’re going to dig into some information about what poly is and what it isn’t, go over some vocabulary, and discuss how polyamorous relationships function in the real world, and then I’ll get into some dons and don’ts for writing polyamorous relationships. Read on under the cut!
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How would one write a realistic argument?
How to Write a Realistic Argument
Everyone argues.
Whether it be with a friend, sibling, parent, or coworker—arguments usually break out whenever there’s a stark contrast in opinion over certain things, which can happen a lot.
There are a variety of different kinds of arguments involving a wide range of people with different tempers. Because of this, writing arguments can be a bit difficult, but fear not, for this post is here to help!
1. Know The Writing Style of an Argument
For a very serious argument, the characters probably won’t stop and listen to what their opponent has to say.
It’s quick, choppy, and broken—each character shoving their emotions at one another and trying to get their point across without bothering to understand the other side’s opinions.
There should be a lot of em-dashes and italicized words for emphasis, and if it’s between two people, you want as few speech tags as possible; because there’s going to be a lot of back and forth, speech tags can serve to trip up the flow of the argument rather than help them.
When you do want speech tags or if there are multiple people arguing at once here’s some examples you can use:
Roared
Screamed
Yelled
Bellowed
Barked
Hissed
Shouted
Accused
Interrupted
Growled
Snarled
Spat
Screeched
Shrilled
But you also must know that your characters won’t just be standing stock still and yelling at one another; they’re going to be moving around, so here are some things you can describe your character doing during an argument
Expression contorting
Eyes narrowing
Speaking through clenched teeth
Baring their teeth
Lips twisting (into a sneer/into a snarl)
Hands balling into fists
Trembling
Breaking things/knocking stuff over
Pointing accusingly
Shoving
Spittle flying from their mouth
Stamping their feet
Face getting hot
Vein in forehead popping
Blood roaring in their ears/heart pounding
And if you want, to build tension you can put it in a dangerous place, like at the edge of a cliff or something—so you know fully well that if one of them goes too far it may end up with the other’s accidental death.
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Writing Enemies to Lovers
Enemies to Lovers is perhaps one of the most popular romance tropes of all time, and it's not difficult to see why. There's something alluring about seeing two people with unrivalled hatred and animosity fall in love with each other.
Here are some of my tips for writing your Enemies to Lovers story.
Make your readers wait. And make the wait worthwhile. Two of the biggest mistakes you can make while writing Enemies to Lovers are (i) making the couple overcome their enmity unnaturally quickly, and (ii) making the dynamic between the characters drier than overcooked chicken when they eventually get together.
Let your readers feel the slow-burn—the peaks and troughs of emotions that your characters experience over the course of your story. People in real life are never quick to change their feelings for each other, and your characters should feel real.
Let your characters maintain their fun dynamic even when they become a couple, the feisty and passionate parts of their relationship should remain the same.
Throw your readers onto the emotional rollercoaster (i.e. their relationship). Enemies to Lovers is complex—you need to be able to effectively portray the transitions your characters go through, all the while maintaining a steady pace and keeping your readers engaged.
To really draw your readers into the story, put them in the shoe of your characters as much as you can. When they hate each other, immerse your readers into that hate. When they start to develop feelings for each other, give your readers that opportunity to see the change.
When your characters hate each other, give them a strong reason to do so. Go beyond superficial causes. Look towards conflicting morals, values, opinions, and other qualities that go beyond the surface. Let your readers see why their conflict is such a big deal from the eyes of your characters.
Heighten the tension with more problems, and really emphasize upon the dynamic your characters possess with each other and the fundamental differences that constantly put them at odds.
When your characters begin to develop feelings for each other, highlight their commonalities, or show an interaction which involves a level of communication that they've never shared before. Maybe they bond over their common love for something? Maybe they share their feelings and emotions, in a moment of vulnerability? Maybe the rivalry is too much for one of them to take? Whatever it may be—allow it to serve as a vessel for them to communicate and get rid of their misunderstandings and animosity (at least partly).
Lastly, they won't be perfect lovers immediately. This would not only be impractical but would also lead to your readers losing interest in them. Conflicts, arguments, and fights are a common occurrence in most relationships. Throw obstacles at them, which are driven by the differences between them. Show readers how they go through those tough times together.
Still really useful since I've started writing again