When you follow aesthetic/fandom blogs but also social issue blogs

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@loopsloo
When you follow aesthetic/fandom blogs but also social issue blogs
My memory of The Birdcage (1996) is always that it's more dated and more difficult to watch than it actually is. You hear "drag-themed comedy from the 90s based on a musical from the 80s based on a play from the 70s" and you brace yourself just a little, right? But the film has a strong gay perspective, so the fruity fag jokes mostly come off as warmly affectionate. There is a surprising amount of poignancy in Robin Williams' portrayal of Armand, grudgingly agreeing to his beloved son's request that he go back into the closet for an evening ("do me a favor and don't talk to me for a while"). The drag club's staff attempting to redecorate the apartment with stuff straight people might like (a taxidermy moose head, an enormous crucifix, and Playboy magazine) is extremely funny. Albert's histrionics are a point of tension because he does often come off as a stereotypically pathetic/comic figure, but towards the end of the movie he makes it very clear that he's aware of how people see him, and asserts that trying to copy a stoic masculinity he doesn't possess for the sake of social approval would be more pathetic. In the 1983 musical adaptation, they give "Albert" (Albin) the only good song in the whole show, "I Am What I Am", which Gloria Gaynor covered to the delight of gays everywhere. Apparently Nathan Lane wasn't (publicly) out yet in 1996, which is amazing because it means that at one point in this movie you're watching a gay man playing a straight man playing a gay man playing a straight man, in a movie about how it's important to be yourself, an absurdity that does seem to encapsulate the state of gay America in the 90s.
I'm seeing a couple of posts circulating about the gay 90s and this movie. The above is a very good summary, and I think it's worth adding a few other points.
This movie got made because Robin Williams said yes to it (and it's important that Gene Hackman did as well). Williams in the 90s was a mega-star of a type that's not present in the current media environment (maybe Tom Cruise, but I personally think that's echo from his salad days). Even his flops made money on the back end in the video rental market, which also doesn't exist anymore (streaming is different). Hackman was on the other side of his A-list career but still Hollywood nobility if not full royalty.
Playing gay was considered career suicide in the 90s. There had been a number of actors who put lie to that belief stretching back decades, but this was Williams and Hackman (yes, being on screen next to a gay character was enough to get you blacklisted) saying "screw that" and doing it anyway.
Being gay and out was career suicide in the 90s.
Nathan Lane had a really nice gig going for himself. The Lion King put him into the Disney rep company with people like Williams, Bette Midler, and Whoopie Goldberg (check their IMBD list from the 90s--they were making bank at Disney).
Lane didn't come out until several years later (nice summary: https://deadline.com/2024/06/nathan-lane-robin-williams-advice-coming-out-birdcage-1235975010/).
I don't want to imply that this was a Sorkinized moment where everything changed because of one thing, but this was a very important movie that caused real movement in the needle on queer acceptance.
It also proved that there was a market for films with gay characters, which had the knock-on effect of gay filmmakers being able to find distributors of their gay-themed films. Which meant that more people than ever (queer and non-queer) got to see representation on-screen.
If I had a nickel for every time a Type A history teacher saved a gunslinging ex-soldier from being hanged with her questionable negotiating skills during an enemies-to-lovers roadtrip in search of a mysterious city... I'd have two nickels.
Art by @wingly-coded
This is exactly what I wanted to see in the finale. The film was completely devoid of any emotion. They deserved at least an embrace. A desperate, long-awaited one, full of love, the desire to protect, and to love forever… Perhaps with tears, but tears of relief, as well as the longing from a long separation...
Me too. Me too.
“bits to use in everyday conversations”
Calling this done. I started and restarted it so many times. I suck at drawing likeness when making paintings. I tried haha. Anyways, Lucy is awesome! Love her!
art imitates art
You know I am truly one of the biggest Jonathan Sims Defenders you’ll run into. Like if you let me I can spend a genuinely annoying amount of time ranting about how he was consistently blamed for things that he was not at fault for, put in a truly impossible position and forced to make decisions that no person should ever have to make, and that almost every choice he ever made was entirely understandable given his circumstances and the available knowledge to him at the time. I stand by the fact that Jonathan Sims’ biggest flaw is that he is so devastatingly Human even when everyone around him insists that he is not a human at all anymore. Man was consistently unknowingly demonstrating his humanity until the very end POST becoming the antichrist of the apocalypse and if that makes sense to nobody but me then so be it.
THAT BEING SAID.
I am Also only human.
and I ALSO, frequently, upon witnessing Jon Simsing it, have to put my head in my hands and think, “Oh my god, what an idiot.”
there is no discourse between gen z and millenials. we are siblings. come on lil bro, ill take you to amc. yeah we can go there early and play the arcade games before the movie starts.
Can we get popcorn and a drink to share :)
we sure can buddy, we sure can
Why do the two reblogs read like a soldier dying in their friends arms and talking about when they’ll get back home to give them a bit of comfort before they die
because have you seen the economy and society lately
"they should be in a healthy relationship with good communication" they should be obsessive freaks who stalk each other and have zero boundaries
After doing that Kinger doodle the other day, I decided to illustrate some more quotes from Frankenstein I thought were Relevant. The moral of the story is: if you make a sentient abomination and then abandon him, he's probably going to have some emotions about it, SMH. I think I just like how Caine is a sort of "Frankenstein's monster in clown shoes," trapped in a way that's both horrible but also ridiculous— Mary Shelley in comic sans. [and let me know in the replies/in my askbox if there are any other Frankenstein lines you think are Relevant and I might illustrate them as well!]
Yeah, well...How 'bout a boat that's not a boat. You know what I mean? Of course, you do. You take out one plank...boat's the same as it ever was. It's just got a— a hole in it, that's all. You take out a— a lot of planks...and all of a sudden, you gotta ask yourself...what— what the fuck am I looking at? This ain't no boat. It's just a— a pile of wood, man. It's just a fսckin' pile of wood.
Walton Goggins as The Ghoul/Cooper Howard Fallout (2024—) 2.03 "The Profligate"
Electro’s power can not be contained.
I love how tumblr users are still dragging around the corpse of this 12-year-old advertising campaign as a reminder to other companies not to try to advertise here.
Try to make money with tumblr and we will dance on the ruins of your attempt for a decade
1.02 ⏭ 1.08
Nerdy Prudes opening: I'm dead I'm bleeding out in the bathroom I was brutally murdereeed highschool sucks Black Friday opening: BUY BUY BUY SPEND SPEND SPEND UGLY GREEN BASTARD GO! TGWDLM opening: We all HATE this fucking guy come and see why
This is what Willem Defoe was writing on his detective pad