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Show & Tell
Peter Solarz
Xuebing Du
titsay
ellievsbear
Cosimo Galluzzi
Sweet Seals For You, Always
Product Placement
oozey mess
sheepfilms
dirt enthusiast
❣ Chile in a Photography ❣
YOU ARE THE REASON
d e v o n
Andulka
Sade Olutola
Misplaced Lens Cap
Not today Justin
seen from Portugal
seen from Canada
seen from United States
seen from Türkiye
seen from United States
seen from Ukraine
seen from Germany
seen from Saudi Arabia
seen from United States
seen from Germany
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Brazil
@mapleowl18
All named clones plus a couple of extras in the 212th attack battalion I could find in the phase 1 armor starter set from Star Wars legion. I got as close as I could get to everyone’s armor. Cody in my head cannon adds his visor after this. I have the clone commanders miniature pack now so I’ll try that for a second version. I’ll get around to adding slick on a the speeder bike and the 501rst next.
“you’re such a ray of sunshine!” thanks! one day i chose to act happy and then i kept choosing it over and over and over and over until the neurological pathways formed like desire paths in the thicket. i dug and clawed my nails into the grooves of my brain and carved out joy. i retouch it every day.
[Video description: Gritty is turning the crank on a flagpole to raise the Progress Pride Flag. He gesticulates angrily that the flag is not blowing in the wind, then gestures offscreen. The flag begins blowing. As Gritty begins raising the flag more, the camera pans out to show a man in a suit and sunglasses, looking like a stern Secret Service agent, is holding a leafblower that points at the flag. End description.]
Thirty-year-old Tamara Rees shows us what trans empowerment looked like in 1954. She fought Nazis, taught parachuting, and traveled the world... but her biggest challenge came when the press learned of her identity.
1950s news coverage of Tamera Rees' transition shows a time before the trans moral panic. Most stories regarded her as brave or heroic for her openness. National newspapers even celebrated her wedding in 1955.
The New York Daily News, which now hosts daily anti-trans editorials, ran a shockingly respectful series on trans people in the 1950s. Tamara Rees's narrative was among the longest and most detailed. She thoughtfully implored the public to respect not only her identity, but also other trans people like her.
Tamara wasn't the first famous trans woman of the 1950s, nor was she the best known. However, she had a unique opportunity to share her own story. You can read Tamara's 1955 autobiography, Reborn: A Factual Life Story of a Transition from Male to Female, at transreads.org/reborn
at some point in your life you will be boiling fruit, water, sugar, and lemon juice in a pot to make a syrup or jam. the instructions will tell you to simmer for a certain amt of time. your timer will go off and you will look at the pot and go, "hm, this doesn't look thick enough. maybe i'll let it go for another 10 minutes." this is the devil speaking. it's only so liquid right now because it is at boiling point. it will thicken when it cools down. learn from the follies of my youth and do not let this happen to you
at some point in your life you will be making a sauce or a stew in which you need to add cornstarch to thicken it. and you will prepare a slurry of starch in cold water and think "this looks like way too little starch to thicken this amount of liquid." this is the devil speaking. cornstarch instantly polymerizes at 95°C and if you add too much it will turn into an impossibly thick goop.
at some point in your life you will be making some sort of cream based dessert that requires gelatin to thicken it. and you will soak some gelatin sheets in water and think "this is too few gelatin sheets for this amount of cream." this is the devil speaking. it will thicken in the fridge and if you add too much you will end up with milk jelly
at some point in your life you will be baking cookies. you will take the sheet out after twelve minutes as the recipe instructs and the cookies will still be glistening and soft. "these don't seem cooked enough," you will think to yourself, "i should place them back into the oven until their edges are nice and golden." this is the devil talking. this is how you get dry, overdone cookies. the cookies will continue to bake on the warm sheet for several more minutes and then harden up after sitting on a rack for a while. trust the process. trust the process.
at some point in your life you will be adding a small pasta to a soup and you will think "that is not enough small pasta." this is the devil talking. the pasta will absorb the stock and expand. this is how you end up with a soup that is a solid mass of soggy ditalini.
At some point in your life you will be adding garlic to a dish and you will think "that is not enough garlic." These are angels speaking. They are correct. Add more garlic.
Reblog to give mutuals a break from whatever they're been going through
Lilac
HAND CRANKED AND TWISTED
favorite part of the episode tbh
Jessix Week 2026 Day 7
A Day in the Life of a Medic
One of Kix's favourite parts of the day was when he could savour a cup of caf; uninterrupted.... well—MOSTLY uninterrupted 😏.
(Jesse's "surprise" hugs WERE definitely his favourite part of the day.)
Tiny art Tag list: @loverboy-havocboy @earlgreyci @elismor @nooneherebutaghost @whiskygoldwings @indira-korr
Also on AO3
@jessixweek
Pose reference from loonicaro on Pinterest
[Video description: Gritty is turning the crank on a flagpole to raise the Progress Pride Flag. He gesticulates angrily that the flag is not blowing in the wind, then gestures offscreen. The flag begins blowing. As Gritty begins raising the flag more, the camera pans out to show a man in a suit and sunglasses, looking like a stern Secret Service agent, is holding a leafblower that points at the flag. End description.]
"father. I have a bomb."
Commander Bly and Aayla Secura from The Clone Wars.
happy it's spring, sir!
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
