[marywollstonecraft]

i'm sorry gyns imma start unfollowing whenever i see any discourse. if i followed you until now it means i think you have good takes, i just can’t w radblr energy in general. it’s not personal

[brucespringsteencomments]

[senatortedcruz]

The dead horse beats me

[folklorespring]

Arctic National Wildlife Refuge photographed by Acacia Johnson

[kablolukulaklik]

[lenalenouilleisblogging]

You got any unpopular opinions?

All my opinions are unpopular and everybody wants to kill me

[loveridden1999]

[ouilavie-deactivated20191107]

Alex Webb. USA. Erie, Pennsylvania. 2010.

[junglejim4322]

467 days have passed in the last week. Many don’t know this

[loveridden1999]

what if it all worked out in my favour

[marywollstonecraft]

someone haaas to do a study on white white collar liberals making their emoji skintones darker than their actual skintone

[zlonamerna]

please stop getting married omg

[lamignonette]

[dewildegurl1313]

A barn swallow village

[inwardhardar]

[makomoriz]

has everyone heard the about the fennell wuthering heights test screening or do i have to be the cursed/blessed messenger of this too

[makomoriz]

https://www.worldofreel.com/blog/2025/8/5/emerald-fennells-wuthering-heights-gets-frosty-reception-at-first-test-screening

Audience reaction inside the theater was largely mixed, with some visible restlessness, while others were won over. The film, described by one attendee as aggressively provocative and tonally abrasive, leans hard into Fennell’s now-familiar brand of stylized depravity. It’s a deliberately unromantic take on Brontë’s novel, stripped of emotional nuance and full of salacious detours that serve shock value. There’s hyper-sexualized imagery — far more explicit than any previous adaptation of this material. The film opens with a public hanging that quickly descends into grotesque absurdity, as the condemned man ejaculates mid-execution, sending the onlooking crowd into a kind of orgiastic frenzy. A nun even fondles the corpse’s visible erection. Later, a woman is strapped into a horse’s reins for a BDSM-tinged encounter. There are several masturbation scenes shot in that now-signature Fennell style—intimate, clinical, and purposefully discomforting. The camera lingers on suggestive textures: egg yolks running through fingers, dough being kneaded with quiet aggression, a slug sliding slowly down glass. [...] The adaptation reportedly diverges significantly from the source material, playing out much as one might expect from Fennell reinterpreting a literary classic via her increasingly polarizing lens.

[artemisbarnowl]

There IS hope for women! There is you.

[drikariu]

Respeita a mãe

Guache e nanquim sobre papel / Gouache and Nankin on paper

35 cm x 30,5 cm

2015