she’s so iconic, her lines served so hard.
Sweet Seals For You, Always
NASA
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RMH
hello vonnie
we're not kids anymore.
macklin celebrini has autism
Cosimo Galluzzi
I'd rather be in outer space 🛸

Discoholic 🪩
Fai_Ryy

Origami Around

Kiana Khansmith
EXPECTATIONS

Product Placement
cherry valley forever
let's talk about Bridgerton tea, my ask is open
The Bowery Presents

❣ Chile in a Photography ❣

JVL

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@our-lady-aphrodite
she’s so iconic, her lines served so hard.
You know it. You're no fool and yet you choose not to see it.
HOUSE OF THE DRAGON (2022–) Season 1, Episode 5 | Season 3, Episode 3
I've said it before and I will say it again. For Aegon to become King in the best case scenario, absolutely no one needs to die.
For Rhaenyra to truly become Queen in the best case scenario, all of Viserys's sons need to die and all of Aegons sons and potentially his daughter needs to die.
Blood MUST be spilled for Rhaenyra to become Queen in her best case. In Aegons best case, no one needs to die whatsoever.
Otto was simply the one who understood the truth of the matter. His grand children and great grand children would all die and he isnt wrong for preparing his family to accept to fight against that.
And Rhaenyra herself has proven him to be right. No matter what people say, Otto saw things how they were, but his daughter... oh well, not so much. Congrats, Alicent.
Lucanis Week Day 1 - Rook's Tarta de Limón
For @datvcompanionweeks' Lucanis week, I've gone rogue. Not only am I not doing a cross-stitch pattern this time (after all, Lucanis is a knitter, not a stitcher, and I don't know how to knit!!) but I'm pretty much taking the day one prompt of "Leisure" and running with it for the whole week! And of course Lucanis loves to do nothing more in his free time than cook for his friends <3
For day one, I've made the special dessert he makes for a tea-loving Rook, Tarta de Limón! This came out soooo well and was so delicious that I'm making it again right away! It is creamy, tangy, and sweet, and also it's no-bake, which is very appreciated in the summer.
I used this recipe, which I have also added under the cut below, because recipe sites are of the devil.
how many times must olivia cooke endure this? and i don't simply mean alicent as a character but olivia as an actress. why are the writers so intent on using her body to simulate so many instances of sexual violation and humiliation for not only her character but she herself as well? lord jasper is executed for an entirely different reason so why was it necessary to have that scene? truly what purpose does this serve narratively? i am already so sick and tired of sexual assault being used as a plot device because i think it's lazy and ends up fetishising and perverting women's pain to the benefit of a male audience, but especially in this scenario because it is literally to no end. nothing comes of this! who and what the fuck was that scene for? free my girl!
secondly, i don't know that i've ever made this clear but i quite despise rhaenyra's character. and yes, i've read the books. i understand she's worse there. and what if i told you i don't care? her characterization in this show is fucking pathetic. why is she more sympathetic to the people that started this entire war than to her own allies? why is she not allowed to be vengeful? to be mad? to be cruel to the people that have taken so much from her? why does she somehow have more venom for the people trying to protect her and fight for her cause? why must every other character be stripped of everything that makes them who they are in order to make her look more magnanimous and sympathetic? when in the end, she justifies every reason as to why there is belief that she should not rule.
it's already bad enough that the effects of rhaenyra's mistakes are pawned off to other characters to sanitise her while the mechanics behind the most critical, pivotal moments of the plot have all been resigned to mishaps and misunderstandings of those other characters because now can anyone point to a single fucking person in this show and tell me, with conviction, what is their motive to do any of the things they do?
i'm supposed to believe alicent, who we've seen slash rhaenyra's arm for the injustice aemond suffers, who has told aegon "living or breathing, you are the challenge", who shields him with her own body when meleys emerges from the dragon pit, who answers "you idiot" to aegon questioning whether or not she loves him because it's so obvious and inevitable as the knowledge that the sun rises in the east—this is who i'm supposed to believe is selling out both sons to die by the hands of the woman she has spent decades detesting? she is suddenly so frightened and horrified at the reality of war only WEEKS IN that she forfeits her own children's lives? if anything, why does that not make her more intent on ensuring their survival?
alicent is nothing if not dutiful. she was once ambitious and righteous but #that man stripped her of that, set fire to her agency and cunning and then called it feminism and we all mourned. she may not be the most emotionally intelligent mother. she may not know how to show them she cares but she bleeds as they bleed. she cries for helaena because of what they've done to her girl. she sees aegon burned and broken and she asks if her son is going to die with so much fear and despair in her voice. why is rhaenyra the only mother on this show allowed to consider her children? allowed to fester in her own grief? although i have to admit that even then, they won't allow her to let that ebbing harden and be honed, as is of characteristic of grief, because the writers ,for some reason or the other, think angry, rageful women are impossible to sympathise with and this episode proved it.
helaena, most egregiously, is largely unaffected by jaehaerys' death. unlike her book counterpart, she does not desire to be queen nor she does not sink into such debilitating despair after b&c that she loses grasp of reality. but what then is left of her? and the answer is absolutely nothing. there is no grief, there is no urgency, there is no rage. there is quite literally nothing at all. the writers want me to believe this is innocence but frankly, i think it's cruelty. this just makes it seem like she had no regard for her son at all.
and in all of this, rhaena, baela and house velaryon are still who i grieve for most. i do not understand how any of them are still on rhaenyra's side and why the writers seem to hold their black characters in such contempt if not complete disregard. baela doesn't even really mourn jace and we're already setting her up with that loser ass baldie??? she brought jace back five minutes ago. why is she just #fine?
rhaena, by definition, was the only truly innocent targaryen in the dance. and it's not simply because she didn't have a dragon. book helaena took dreamfyre to the skies on her coronation day and wrote to rhaenyra asking her to swear fealty to aegon. she did not object to her half-sister's usurpation. but they're setting up rhaena of all people as the one who is to blame for jace's death (book rhaenyra ordered jace to fight in the gullet btw). they're using rhaena as a scapegoat for what was originally rhaenyra's orders and whitewashing helaena of her allegiance to rhaenyra's usurper at the cost of rhaena's innocence. i think this is the most upsetting thing to me because why can they not let a black female character exist as a beacon of feminity and gentleness as she was in the written material? even nettles, who was fierce and loud and brave, was not foolish or even morally grey. they've taken two beautiful and capable female characters, despite being nothing alike, merged them, and then turned the audience against her when neither of those characters were even remotely unlikeable to begin with!
they've also robbed rhaena of lady arryn's genuine care and consideration when contrary to the bullshit they put on my screen, even show lady arryn would have more reason to take rhaena in, after rhaenyra was incredibly disrespectful and did not uphold her side of the deal with the vale. rhaena is the king consort's daughter. who genuinely believes she's at any real risk of death?
this episode annoyed me more than any other in the whole show, i think. it was so anticlimactic and cheap for how fucking long they've been building up to this.
Here’s my problem with this scene:
We’re supposed to view Helaena agreeing with Alicent as proof that her decision to betray the Greens is completely justified.
Problem is C&H have written Helaena to be a simpleton, not a voice of reason and common sense. This isn’t even me being rude, it’s a fact. By implying she’s on the spectrum (in the most ableist way imaginable I might add) they have created a character who views the world through the eyes of a child and has no concept of the real world.
Helaena has only known a life of wealth and privilege, her romanticising the idea that she can “keep chickens” is the exact same poverty porn Marie Antoinette did with her fake village. Neither queen knows the first thing about keeping chickens or living in abstract poverty, it’s just play pretend for them.
So this scene doesn’t actually prove Alicent right, instead it highlights just how stupid she truly is to genuinely think two noblewomen with 0 life skills could hack it in the real world.
It’s honestly just another example of C&H being such a terrible writers the audience once again had the exact opposite reaction to what they intended 🤷🏽♀️.
Ryan Condal and his hatred of Alicent: constantly punishing her sexually.
Ryan Condal only does this specifically with Alicent. He doesn’t subject the other female characters to the same kind of repeated sexual violence and humiliation - only Alicent.
Aliceny is SA’d by everyone, got incest SA’d by her own son and was sexually humiliated just to blame her for B&C (even Ryan Condal doesn’t hide his bias toward the Blacks, saying that in the books Blood and Cheese is TG propaganda against Rhaenyra, which is why that scene was adapted the way it was.) Olivia Cooke talked in interviews about how heavy and uncomfortable some of Alicent’s sexual content has been to film. It really raises questions about how sexual violence is used in HotD, especially when it keeps happening to the same character in ways that can start to feel repetitive rather than narratively necessary.
Condal just hates Alicent because she’s prudish. And I think that speaks the misogyny disguised as “criticism” of prudishness, religiousness, or traditional behavior in women by using their sexuality to punish them. So you hate Alicent because she’s… religious? Because she’s prudish? I know modern audiences, with 21st-century lenses and zero knowledge of history dislike women who don’t express sexuality or power in a “liberated” way, but that doesn’t justify sexually humiliating them this is very disturbing and disgusting.
At the same time, you have Rhaenyra, who is written with a much more openly “sexually liberated” energy and is written in a way where her sexuality is not used against her in the same punitive way. That contrast is what makes the treatment of Alicent stand out more.
And what makes Rhaenyra sexually liberated? Because her so called sexual freedom or extramarital affairs were literally the fallout of Daemon’s grooming? Isn’t it true that he groomed her for his own ends, “liberating” her to sleep with him and others, and in doing so destroyed her own reputation & claim to the throne? And because it looks “exotic” or “liberated” next to the fantasy Catholics coded Alicent?
Bk!Alicent is certainly written within a world that is hostile to women, especially women at court, but her arc is not around sexualized punishment or humiliation as a thematic goal. She’s actually one of the more politically respected women of her position.
Condal need to understand that for a noblewoman living in a quasi-medieval world chastity wasn’t just a matter of personal morality it was political. Her reputation affected her family’s standing, her husband’s authority, and her children’s legitimacy. A scandal could damage her entire house, and even a rumor could cost her safety, influence, and dignity. Modesty wasn’t simply “prudishness” in that world, it was a strategy for survival. So why punish that kind of character through sexual humiliation in the narrative?
When a character is repeatedly written through sexual punishment or humiliation while another is written through sexual empowerment, it just shows the biased written of who gets to be “liberated” and who gets to be degraded and humiliated.
Condal could easily make Alicent more sympathetic by showing how her religion functions as one of her few sources of identity and stability. As queen, her piety could also be shown through genuinely compassionate actions - like giving alms, supporting motherhouses, and helping women and children under the Faith - rather than relying so heavily on sexual humiliation to define her arc.
These leaks about Alicent have got me more furious than I thought I could be. How is it the third season and the writers are still using SA as a meta narrative to punish, humble and humiliate her?
She was pimped out by Otto, raped by Viserys, and blackmailed by Larys in S1, blamed for B&C because she was having consensual sex for the first time in S2. Now in S3 she’s going to be kissed by her own son and Jasper Wylde is going to SA her?? This is literally more than all the other female characters combined. Forced to be a child bride and teen mum, paraded at the funeral, attacked by the smallfolk, in obvious pain from moon tea and/or miscarriage, her relationship exposed and ridiculed, constantly bathing and naked and her body “atoning for her sins” - I could go on and on.
You’re telling me even after her (terrible) “redemption” in S2, Alicent still needs to be assaulted multiple times by multiple men, when in the past this has been used to prove just how wrong she was for siding with them?? Except HOTD changed it so she had no agency in any of that anyway. She’s excluded from the green council, misunderstanding Viserys’s last words, and selling out her family to finally support the “right” side - so what exactly is there left for Alicent to be “punished” for in S3?
Like in what world does anyone feel comfortable inventing this amount of assault, perversion and obsession with a woman’s body, and continue to frame it as righteous punishment and redemption?
Alicent is simply their morality tale for “bad” women, but who wants SA as a “gotcha” moment even for people they don’t like? Because it’s not even standard for GRRM’s world - every single instance is a show invention. It’s the kind of thing you wouldn’t wish on your worst enemy. And yet the writers have the gall to claim this is a feminist retelling of F&B.
Was going to watch S3 for shits and giggles but this is genuinely veering into some of the most gleeful misogyny I’ve ever seen on screen, and there seems to be nothing left for Alicent but to repeatedly apologise and continue to be assaulted in spite of it
Garrus & Shepard
(so I got bored and decided to finish this piece, make it more lively)
Do you think it's immoral to use chatgpt for college assignments? I think it's unfortunately unavoidable.
It is absolutely immoral, completely counterproductive to the goal of learning things, and turns out incredibly subpar work.
As for unavoidable….you understand that the vast majority of people who have ever graduated college throughout history did so without ever once using AI, right? You understand that?
You understand that the point of writing papers isn’t just to have a paper with words on it, right? You understand that the entire point is to do the mental work necessary to put your learning into organized words, such that you actually learn it? And that if you outsource that to AI you are not learning?
Rhaegar couldn't have known House Stark would be pissed off by his running off with their betrothed daughter! (Even though Brandon had to be physically stopped from attacking Rhaegar at Harrenhal for Crowning Lyanna, thus compromising her reputation.)
Rhaegar couldn't have known it would be hurtful to both Elia's feelings as his wife and position as his consort to crown another woman his queen of love and beauty! (Even though we have the famous tale of how valiant prince Aemon had to save poor Queen Naerys Targaryen from the exact same public insult by her husband who was literally called "the unworthy".)
Rhaegar couldn't have known House Baratheon would not be pleased with his crowning of their future Lady and then running off with her! (Even though Lord Lyonel Baratheon had already raised a rebellion against House Targaryen over a broken betrothal by a Targaryen crown prince, and so poor princess Rhaelle had to be bartered to make peace, which is the whole reason why Robert has a Targaryen blood claim to the IT.)
Rhaegar couldn't have known his insane father, literally called the Mad King, wouldn't react well to the political disaster Rhaegar had created and then dumped on him to deal with! (Even though there was already gossip all over the seven kingdoms that Aerys distrusted Rhaegar so much that he was considering disinheriting him and declaring Viserys his heir.)
Rhaegar couldn't have known that Elia and their kids would be unsafe in the Red Keep without a single Kingsguard to protect them! (Even without the threat of the rebels and Tywin's treachery, Aerys was going to raze the whole city to the ground with wildfire, including Elia and Aegon and Rhaenys.)
Rhaegar couldn't have known Jaime wouldn't protect Elia and the kids! (Jaime was literally a child hostage himself, Aerys always kept him close for that very reason, and Rhaegar didn't even once ask Jaime, who was the only Kingsguard left in the city due to Rhaegar's own actions, to protect his wife and kids. Jaime feels bad for Elia and her kids' demise because this is another way he thinks he failed as a Kingsguard.)
Rhaegar couldn't have known creating a political crisis so big that it brought down his family's dynasty, would worsen and endanger not only his wife's and kids' life, but his mother's as well! It's Aerys' fault for what Rhaella suffered! (Rhaegar knew his father was a madman who liked to r*pe his poor wife after burning people alive. He absolutely could have showed a smidge of consideration to the poor woman who was forced to birth him at age of thirteen, and whose life had been just one trauma after another ever since. Rhaegar absolutely could have. If he wanted to. He clearly didn't want to, for he seems not to have spared Rhaella's suffering a single thought, else he would prioritize getting rid of his evil father over getting into Lyanna's pants.)
Rhaegar couldn't have known that House Martell would see his abandonment of their only princess as a grave dishonor! (I wasn't aware that House Martell had no personal sense of honor or self preservation. In fact, didn't we read that Doran was pissed off and reluctant to send aid because of Elia's horrible treatment by House Targaryen?)
Rhaegar couldn't have known it's diabolical to take your mistress to honeymoon in your wife's homeland, while the wife and kids are being held hostage by insane grandpa! (Then why was Rhaegar hiding in a super secret love shack in Dorne, instead of openly parading Lyanna around?)
Rhaegar couldn't have known Rhaenys would look to him for protection in her last moments alive! (This one I completely agree with, he was barely there for the three years that poor child got to live, Rhaenys most likely only knew about him from what her mother told her.)
There is a whole lot more stuff that Rhaegar's own stans say he couldn't have ever known or saw coming.
If I tried to list them all, I'd be here all day.
I'll just end with this -
I get it Rhaegar stans. Your favorite was a total idiot, who never knew anything. Ever.
Truly, he most certainly is Jon You Know Nothing Snow's biological father.
ELIA MARTELL ☼ ☾ LYANNA STARK
“The ʻhaunting the narrativeʼ trope involves a past character, event, or presence that continues to shape the present story. Whether through memory, trauma, or supernatural means, this presence must significantly impact the current plot or characters’ arcs, influencing their actions, emotions, or development. It's not just background—it actively echoes through the narrative.”
Rhaegar, Ellia and Lyanna comm! <3
lyanna in another world where she’s free from rhaegar and marries a good man
So my beta reader for the Big Fics is an astrophysicist, right. Who is currently also writing a hard sci-fi novel about the exploration of Phobos (more power to them, I cannot with the physics required for that, best I can do is soft sci-fi/fantasy and that reminds me I should finish that story).
Anyway I was bitching about how hard it is to come up with feasible planets in Star Wars because sometimes you need a new planet from scratch and sometimes you need to know more about a planet than the 'has jungles, is probably a moon technically' than Wookieepedia will give you, and they're like 'oh yeah I can do something about that'.
So they've written (in Matlab but they swear it will run as a .exe as well and I may be conscripted to embed it as a web tool at some point) a star system generator.
You input what you know about the planet (ecosystem, population, sun colour, does it have liquid water, does it have a moon or moons, is it a moon or moons, temperature averages, atmosphere, you get me) and it will give you the... everything else about the star system, in obedience to real-universe physics. And if you input nothing you get a randomly generated star system.
And I’m like oh I know people who will be into this with a vengeance, and they're not on Tumblr, so this is me seeing who exactly would be keen on, and I cannot stress this enough, a real-physics comprehensive star system generator.
It's still in the debugging phase (last error fixed: every planet wants to have a population of exactly 5000 regardless of other factors, turned out to be a missing equals sign somewhere), but I'm psyched for this and trying to gauge interest for how high a priority 'make this an accessible web tool' needs to be.
Reblogging to drag this project over here, this is killing my notes on main so I'm giving it its own URL. Follow over here for updates on the star system generator and only the star system generator, and not on my Star Wars bullshit.
Will go through and tag interested parties when things calm down below 100 notes an hour.
So a couple days ago, some folks braved my long-dormant social media accounts to make sure I’d seen this tweet:
And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.
So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years. These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing. They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it. It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face. Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing. And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc. NOT beginner friendly, is what I’m saying.
Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres. What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female. I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one. They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO. If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone. Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered. I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.
I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all. I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole. That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three. And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.
And it changed the face of costuming. People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries. And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.
So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart. This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.
(Oh, and for anyone wondering: yes, I’m over 40 now, and yes, I’m still making costumes. And that armor is still in great shape after 17 years in a hot attic!)
In 2018 I developed a method to bind fanfiction into hardback books. Like penwiper, I was also literally working in my kitchen by myself and trying things out. This solo work was a meditative experience that allowed me to think deeply about the implications of what I was creating and what my ethics and philosophy should be. I got around to the idea that the knowledge I was building should be spread far and wide, so that together, many of us fans could bind all the wonderful fics that made our lives better in a million tiny ways, and wherever possible, create a copy to give to the authors themselves. In 2019 I wrote How to Make a Book From An AO3 Page, a free manual for how to format and bind fanfic, as a gift to fandom as a whole. It took off during the 2020 lockdown and has been going strong ever since.
Now, through the efforts of so many wonderful people, Renegade Bookbinding Guild has developed out of the Discord server I originally created just to answer questions about paper, fonts, printers and such. I figured there would be no more than 15 people joining. We have surpassed 3000.
I hope in another 20 years time my little tutorial still be kicking along out here, my bad photography and potty mouth sitting forever at the foundational level of an exploding practice of radical generosity and community, preserving the best of fanfiction from the ravages of time and digital threats and censorship, and giving authors the best thank you I know how to give.
ArmoredSuperHeavy, March 2026
i need to get into fanbinding tbh
I feel like some Akotsk fandom members are in dire need of being reminded of this very important piece of dialogue's existence...