told you guys i was only good w furries
hello vonnie
Cosimo Galluzzi
taylor price
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Interview Vampire Daily
noise dept.
Sade Olutola
The Stonewall Inn
occasionally subtle

shark vs the universe
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🩵 avery cochrane 🩵

roma★
PUT YOUR BEARD IN MY MOUTH

❣ Chile in a Photography ❣
Aqua Utopia|海の底で記憶を紡ぐ

blake kathryn
almost home
Cosmic Funnies
Lint Roller? I Barely Know Her

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@petrodragmagnepocalypse
told you guys i was only good w furries
Susie is a fantastic character for a million reasons but another one is that most portrayals of eating disorders are a skinny fem girl worried she isn't pretty enough or less often some autistic twink that lives off of coffee. Susie very obviously has pica and likely heavy food insecurity from poverty/neglect and we see it often whenever she interacts with food. She is also an awesome baddass butch lesbian who learns the power of friendship. You don't see characters like that with eating disorders very often and it's great representation
Pink Flamingos (1972) - dir. John Waters
This statement has never been more poignant! Destroy purity culture! Fuck censorship! Be a faggot! Be a perv!
Is the guy in the cuck chair supposed to stay quiet or is he allowed to clap and cheer
he's supposed to take notes and make an intrigued hum when an interesting plot point occurs
one is getting cucked by the bottom and the other is getting cucjed by the top. Subject matter experts discussing the sex like a sports panel
One cuck always lies, the other always tells the truth. You have one question to determine who’s a top and who’s a bottom.
bat opens up their little bat wallet to find they are all out of moths. A worthless $100 bill flies out for emphasis
From top-of-frame, a month flutters into the wallet. Confused, the bat looks "up" to see an equally-confused human standing "above" her, holding an open wallet containing a single $100 bill.
Camera rotates to reveal bat has been hanging upside down above a human doing the exact same visual gag and each ruined the other's bit.
Laugh track.
All so true. Why is the human Jon Arbuckle
just got kicked out of the omelas DEI office for asking why there are no former torture kids on the board
they told me they had a "lived experience" subcommittee but it was just the torture kids' parents. tf.
the differences between alcohol, tobacco, and anything else in america is kind of absurd and it’s hard to wrap your head around without going kinda insane
you can drink alcoholic drinks in public if you want BUT ☝️ only in some places. you can smoke cigarettes almost fucking anywhere though, even though that makes the environment way worse for everyone around you. however you cannot smoke cannabis anywhere. you can’t even have it at all in a lot of places. having open containers (i.e. a bottle of liquor you’ve drank from before) of alcohol in your vehicle is illegal EVEN IF you’re sober as a nun. you can smoke in your car. everything has so much caffeine in it that sometimes a drink just hospitalizes or kills you. you can buy caffeine pills to stay awake at drugstores and gas stations. you need a drivers license to get decongestants and you have to jump through hoops and bark like a trained seal to get any kind of hrt or psychiatric medication. they sell cigs literally everywhere. they wreck your life and finances and make you smell horrid and give you cancer but a bunch of rich people are dumping so much money into keeping them legal that seemingly the only thing the government can do is “ehhh they give you cancer but we can’t BAN them.” cannabis has well-documented medical properties but old white people think smoking it makes you a satanist because of racist government propaganda. hell world
you ever see a thumbnail so deeply irritating that you wish you could block youtubers in the same way you can block people on social media
Pet peeve but i honestly get so annoyed when someone makes a post along the lines of "i'm tired of allonormativity in fandoms two characters can be friends and not lovers and still care for each other" and someone responds with "yeah ! they can be family !" that's not what the post says. the post said friends. they can be friends. you don't need to be family to care about someone either you can be friends. he's not their fun uncle and she's not his caring mother and they're not their older sibling they're friends who protect each other and are there for each other. placing platonic love below family love still isn't better than placing it below romantic love you are still acting like a familial bond is somehow stronger than "just" being someone's friend
hot ones seems tailormade for a hitman mission. important person eating poisonable food in public, bald guy to impersonate, its all there. presumably some kind of clockwork dollhouse of employees to surveil and subvert somewhere offscreen in the black void
light pollution making it impossible to see the stars should be considered a literal crime against humanity and im not joking this shit is fucked
#oh my god did gallagher just discover the term dank this is so exciting #does he know it's a weed thing?? there's no way right
Of course Peter Gallagher knows that "dank" is a weed thing. He also knows that "in heat" is a sex thing and that when aliens "probe" someone it's in the anus.
These are words, not things. Heathcliff is a comic about symbols.
You're never going to get a comic where an alien actually probes someone any more than you're going to get a comic where the Man-Eating Giant eats a man. You're just going to get a dozen comics where aliens like the word "probe".
Heathcliff wears the ham helmet because it's the helmet you wear when you eat a ham. You can tell it's that helmet because it says "ham" on it. The helmet's function is determined not by its form but by its label.
summer = beach = sand = desert = mummy and thus there is the Summer Mummy. Because of symbolic associations that do not otherwise cohere.
Robots don't wear clothes but the mere act of labeling them "nude" makes them nude. And once a painting is a nude painting there has to be a fig leaf because a "nude" without a "figleaf" is "indecent".
A "ham" is a ham even when it's a car. A yam can be a ham can be a car because "yam" sounds like "ham". Symbols have overtaken things.
This is certainly true, but it's important to note that the fundamental act of a Heathcliff comic strip is for a character to remark on the fact that the symbol has overtaken the reality. The meat store invites the existence of a meat container, which invites the meat tank (tank both the vehicle and the bowl) which invites the enthusiasm of children for powerful mechanical objects. However, the gesture of the strip is not complete until the human identifies the irregularity which has occurred and states it aloud for us. The human does not question it, but they do name it. "Children love the meat tank"
It's important that Heathcliff is not the one speaking. Heathcliff is the character who dives the furthest into symbols, but he does not have a voice to speak of them. He is the avatar of the symbols and he is only spoken about. We must imagine the speaking characters in Heathcliff strips as the rebellious voices of the material crying out against the tyranny of the symbolic. At every moment once we've stepped into the treacherous world of Heathcliff, we are at risk of being pulled away by the tides of free association and similarity. However, the voice calls us back. It shows us when we have slipped too far, names the distance between us and the particular and specific which we have nearly lost. Symbols in Heathcliff are powerful; they can take you almost anywhere they want to go, but that power can be revoked simply by identifying what has happened. By explaining it. Heathcliff reassures us that the physical can win out, if only we are wise enough to perceive and to speak it, against the encroachment of the symbolic. Once we stand together and name the world truly, Heathcliff is merely a cat.
Some music is just only capable of being written and performed by a bald person
your circle should be logged onto tumblr pure salivating over some middle aged guy named Stu rn
the best piece of writing advice I got was from my creative nonfiction professor when I turned in Kill Yourself (a transgender metaphor, one of my favorites) which amounted to saying I'm not committing hard enough. The piece was somewhat gory and kinda painful but I wanted it to be visceral and he was literally the only one to see that. Every other person and professor would have said to make minor changes here and there but he was the one seeing I was holding back for the sake of the assignment. So, he told me to stop being scared and just write exactly what I wanted to say, to commit as hard as possible to the idea instead of testing the waters to see if im even allowed to. So I did, and he was right. The original lacked the conviction required to make the idea work, and the revision brought it to the level that truly let it shine