dirt enthusiast

Discoholic 🪩

祝日 / Permanent Vacation

ellievsbear
Sweet Seals For You, Always
he wasn't even looking at me and he found me

Kaledo Art
RMH

Product Placement
will byers stan first human second
i don't do bad sauce passes
wallacepolsom
Today's Document
Lint Roller? I Barely Know Her

Andulka
Cosimo Galluzzi
2025 on Tumblr: Trends That Defined the Year
occasionally subtle
KIROKAZE
Not today Justin

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@phranao
Some wacky illustrations for a short dissertation I wrote for my Masters, exploring the relationship between medieval illuminations, marginalia, and online ads.
Markers on cartridge paper.
UBI needs to happen. via antiwork
I think most importantly, it would give us the leverage to say “no”. To walk away from bad jobs and abusive managers. To refuse to work in unsafe environments. To demand better pay.
To demand better, because the options are no longer “suck it up” or “die”.
The counter-argument: Not having UBI is in the interests of those in power who want to do anything to the people they are in power over in order to remain in power.
If the greed of the few should come before the need of the many.
1,025 days left
This is why we can never let local news die. Commitment to the bit as an art form must survive
recently my friend's comics professor told her that it's acceptable to use gen AI for script-writing but not for art, since a machine can't generate meaningful artistic work. meanwhile, my sister's screenwriting professor said that they can use gen AI for concept art and visualization, but that it won't be able to generate a script that's any good. and at my job, it seems like each department says that AI can be useful in every field except the one that they know best.
It's only ever the jobs we're unfamiliar with that we assume can be replaced with automation. The more attuned we are with certain processes, crafts, and occupations, the more we realize that gen AI will never be able to provide a suitable replacement. The case for its existence relies on our ignorance of the work and skill required to do everything we don't.
I like how the lack of spacing here implies that the helpline is there for those addicted to eating raw flour, dough, or batter, like a gambling helpline or something
“First season of LEVERAGE - so he's 21 years old - he shows me his watch designs. I'm expecting, y' know, celebrity strap branding or faces. No, it's engineering schematics of GEARS and shit. Pages of them. Even then, there were none so cool.” - John Rogers
More images from Tsutomu Nihei’s Megalomania
"Neighborhood Watch"
as a birdwatcher, i registered a certain familiarity with how the entire neighborhood converged with their horns and whistles to drive away the threat. this is definitely a rough piece, but i had to get it out of me.
something something the poetry of science etc
woah
yeah
Shepard during the destruction of the Normandy
You talk a lot of about how time is the most important resource, and I think you've mentioned the pressure to get the project done before. How did the pace of work evolve over the development of the game?
Time is the most expensive because how much it costs to keep things running. So if you were to think about how much the studio costs to run with wages and any subscription fees etc, it gets expensive fast. Tom and I did the bulk of the work, so usually it was two wages we had to cover and our own materials, but if something took a month extra suddenly you're having to pay several more grand to finish something up. And with a large project its very very easy for lots of little things to take longer which can make the project months longer than initially stated which, if you can imagine, can add up to tens of thousands that we needed to ask for that wasn't in our initial budget to the publisher. The work was very very hard at the end, and part of it was my own fault for not being so careful with my own time management, and also not realising the size of the game we were making (we added bosses and larger levels that wasn't in our initial pitch). At the end of the day though we wanted to make a -good- game. So we put in what it took (in our minds) to make it good, and axed things that seemed cool, but not necessarily adding to the experience beyond what was already there.
Pre-production felt great, production was hard. End of production was the toughest. We finished the redesign of the Duchess boss battle two days before it was released on steam (we had @aruudlay testing the game basically whatever hours they were able to right up to the last minute) and tom uploaded the final build to steam 30 minutes before it went live.
Scope creep is very real, and managing a project to completion is absolutely its own entirely separate skill that is not at all dependent on how good of a programmer/artist/musician/etc you are. It's something I try to tell to developers who are starting their first ever project!
tumblr ruins the quality of my image like shit
National Geographic October 1984
this is a great time of year to buy from native stores or donate to native organizations. you can figure out who's land you're on here, and below i've listed some (of many) businesses you can support ♡
B.Yellowtail --- jewlery, clothing, and home goods designed by Bethany Yellowtail, citizen of the Northern Cheyenne Nation and from the Apsáalooke (Crow) Nation
Cheekbone Beauty --- sustainable, low-waste beauty products from Jenn Harper, an Anishinaabe artist based in Canada
Trickster --- atheletic products from Tlingit and Deg Hit’an Athabascan siblings (Alaska)
NativeHumboldt on Etsy --- the artist, Shayna McCullough, and their fiancé make designs inspired by traditional designs from their culture; she is from the Yurok tribe and descended from the Hupa, Karuk, Redwood Creek, Pit River, Yuki, Wintun, Pomo (tribes in California), and Chetco tribe (in Oregon)
OklahomaThirtyNine on Etsy --- they mostly sell beaded work, particularly earrings, as well as some necklaces
xBeadsByMandyx on Etsy --- handmade beaded earrings, from a Cherokee veteran
food products, from wine to sauces to teas to mixes to fish to jerky and nuts, sorted by store with details beside each store
My favorite shoes in the winter are my Manitobah mukluks, which are Metis-owned and participate heavily in community initiatives with other indigenous nations to train and support artists. They also partner regularly with artists from other nations on their shoes to create custom editions. Currently they are collaborating with Rosa Scribe (Cree), Janae Grass (Sac & Fox), Atheana Picha (Salish), and Melissa Peter-Paul (Mi'kmaw). They also host an indigenous market that showcases and promotes indigenous artists.
Plus they're warm as hell and the sheepskin lining means I don't have to wear socks, which is extremely nice sensory comfort. So that's nice as well.
Eighth Generation (Snoqualmie Tribe) has some beautiful stuff - I've bought a huge beautiful beach towel and cool socks from them personally, but they have jewelry, art, housewares, lots of great work.
image is one of my favourite blankets from Eighth Generation
Beam Paints --- watercolour paints by Anong Migwans Bean, M'Chigeeng First Nation (located in Ontario), who was taught to harvest pigments by their parents ((recommended by @airbenderinalbion))
Beyond Buckskin --- created by Jessica Metcalfe, who is Turtle Mountian Chippewa, they feature and sell works such as moccasins, jewelry, clothing, and blankets from over 40 artists --- featured is a beaded Yakima Plateau bag ((recommended by @sassytail))
Haipažaža Pĥežuta --- a couple, Lakota and Dakota, from Ocheti Sakowin Tha Makhoche (Sioux Nation) who make soaps, shampoo bars, bath and body products, salves, & more herbal products, incorporating traditional knowledge and using minimal packaging + natural ingredients ((recommended by @wittywallflower))
Sequoia Soaps --- soaps, candles, lotions, body mists and body scrubs, founded by Michaelee Lazore, who is Kanien'kehá:ka (Mohawk) from Akwesáhsne and Northern Paiute (in Nevada) ((recommended by @trialofasphodel))
a couple new additions:
Only Child Handicrafts --- beadwork created by a 30-year-old beadworker, which they learned while growing up near the Great Lakes from the Anishinaabe; their paternal family is Ojibwe from Fort William First Nation & their patterns are both based on traditional patterns & contemporary ((recommended by @fruityshirts))
Sage & Oats Trading Post --- based in Montana, but selling products from native artists across the country, including beadwork, candles, foodstuffs, books, textiles, jewelry, & so much more ((recommended by @samwisegamgeeee))
Sea Wisdom Design --- jewelry by łlilawikw ("gatherer of the people"), who is Kwakwaka’wakw, from the Pacific Northwest, whose beautiful historical designs are featured in her art ((recommended by @fruityshirts))
middle picture: blanket made by Rachel Twoteeth Pichardo, a Little Shell artist from North Carolina
It's not a small creator, but Prados Beauty is indigenous-owned and partners with indigenous designers. They're pretty mainstream now but I've only heard good things about their corporate practices.
Discover Prados Beauty, featuring high-quality cosmetics at affordable prices. Embrace all of your beauty with ethically made cosmetics, too
Thunderbird Skin --- skincare made Mooretown Rancheria Maidu women from Northern California, who now live in the UK. they also make products specifically for eczema & psoriasis & have trial sizes of nearly all their products ((recommended by @a-wild-haggis))
Mistahiminis Beadwork --- beautiful art, beaded earrings & embroidery works & sewn bags, made by a nonbinary Nehiyawak (Cree) beadworker in Canada ((recommended by @thymeforeverything))
Choke Cherry Creek --- clothing created by Angela Ikūalasaash ("persistence"), a Apsáalooke (Crow) & Pikuni (Blackfeet) woman who incorporates symbols from her heritage into her work ((recommended by @alcidesire))
Good Medicine Clothing --- an Apsáalooke-owned (Crow Nation) clothing store, founded by a Native American dancer & hip hop artist (his music links here) ((recommended by @alcidesire))
The Wandering Bull --- they carry a huge variety of pow-wow supplies & whatever anyone might need to make their own pieces ((recommended by @lugarn))
Medicine Man Crafts --- goods made by people on/near the Eastern band Tsalagi Nation (Cherokee), such as traditional baskets & jewelry, craft supplies, masks & pottery, & so much more ((recommended by @lugarn))