Love not having a ”””fandom””” specific blog. Something new will just consume my mind and everyone has to accept it. My house

Origami Around

gracie abrams
ojovivo
Lint Roller? I Barely Know Her
RMH
"I'm Dorothy Gale from Kansas"
I'd rather be in outer space 🛸
taylor price

Jar Jar Binks Fan Club
Monterey Bay Aquarium
No title available
cherry valley forever
KIROKAZE
Keni
we're not kids anymore.
Sade Olutola
🪼

izzy's playlists!
hello vonnie
let's talk about Bridgerton tea, my ask is open
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@pigeonpiper
Love not having a ”””fandom””” specific blog. Something new will just consume my mind and everyone has to accept it. My house
collecting all his stories on this and saving them to this post for myself
No I don't think lost boys is telling us to reject found family for blood family I think it's telling us you can choose who your family are, found or blood its up to you who you let in your life and who you think is worthy of your love and time, who will accept you for you and not try to change you.
It tells us family comes in all different shapes and fonts.
But maybe thats just me.
From the 1980s Tron Poster book. pt.2
OKAY to satisfy my own curiosity, after having just seen a series of gifs from the bridge sequence, on here, I tracked down the passage from the making-of book, Lost in the Shadows, where Kiefer discusses it, specifically.
(Holy long sentence Batman)
The way it’s portrayed in Kiefer’s full quote, whether they ever filmed David catching Michael or not, it seems clear he’s just talking about the canon-existing film scenes. Not anything only in the screenplay and/or novelization.
It’s interesting that Kiefer feels this strongly just about what we DO see. But think about it. Michael casually asking, “What’s goin on?” The light and flirty banter.
David putting his arm around Michael’s shoulders. Michael (foolishly) trusting David enough to hang from the bridge, even while believing he might get seriously hurt, or worse.
David sensuously descending into the fog/clouds, soundlessly, and Michael crying out for him.
Not “Help! Anybody!”
Yes, they were probably in a remote area.
But he doesn’t want ANYBODY.
He wants David. And he wants David to be okay.
Just my two cents.
(Well, and counting the pic from the book, also Kiefer’s).
Yori concepts by Jean Giraud from the Tron D.V.D. bonus features.
The Lost Boys (1987)
K so you know how I say Marko doesn't eat food? Like he doesn't enjoy eating human food? PROOF.
Dwayne and Paul eating, like whole face in the container type shit in Paul's case and Dwayne knocking the container back, meanwhile Marko is just poking at it
Marko goes over to David the second he's called like, like he starts looking over instantly rather than waiting even a second to stop paying attention to the food I can't word it properly but HES UNINTERESTED, then he tosses the container down and walks off
What one of my friends said when I was showing her the clip:
"Paul chugging the Chinese and Marko poking at it and walking away uninterestedly"
"*Slams it down and leaves* What did the chinese do to you marko"
""Why am I holding this bs""
Because Marko doesn't like to eat human food. Please.
Watching The Lost Boys (1987) again, for like the third time this month - It took me this long to figure out that the actor that plays Grandpa Emerson is also Walter Gibbs/Dumont from Tron (1982), since I didn’t pay much attention to the opening credits, etc.
Later, I see this in the scene where the Emerson house is first revealed - Dumont??
This might not be an Easter egg, but I am choosing to believe that it is! :D
Brought to you by Lauren (deathbylostboys the beloved) pointing out that Michael only has one line in the Act 1 finale despite being there the entire time and I just wanted to point out again that the vampires don’t really sing because they aren’t human so as Michael begins embracing the vampire he stops singing!!!
I mentioned it in my breakdown of why TLB is horror-comedy depending on if Michael or Sam is the narrator, but the reason we don’t get many Michael songs in the second half is because it’s from Sam’s POV. However, in addition to that, Michael is no longer “human,” thus the audience doesn’t get to see what he’s thinking or feeling.
I forget who— and I am going to search for it so I can properly link them— but one of the writers/script/music people said that the reason it works so well for the vampires to be a band is because they can’t sing about their actual motivations (hence why no Max song until the end when he reveals himself), so they get around that by being a band. The vampires CANNOT sing truthfully, so they either don’t sing (Max) or they’re in a band and that’s their work around.
So how does this apply to Michael? Well, Michael has lots of songs in Act 1 when he’s still human. We hear so much about his inner thoughts and feelings and he is so, so open with the audience. He is our narrator, and we know him through his songs.
And then he starts turning. And that’s when we start loosing him. “Secret Comes Out” is when Michael really starts turning, which is why we only get one line from him. He’s not human anymore, he’s doesn’t get so connect with the audience or sing anymore. So he gets one singular line— about becoming a monster and loosing himself— and then he’s gone. From himself and the audience.
And like @starvedforcontent mentioned in the tags of their reblog of the Horror Comedy breakdown, this explains why we get songs from Star as she grows closer to Michael and starts re-embracing her humanity. Michael is leaving his humanity behind him, so he pulls away from the audience. Star on the other hand, is embracing her humanity and starts connecting with the audience through songs (especially “War,” which is her first proper solo song, where we get to hear so much about how she feels and truly thinks).
TLDR; the vampires cannot sing because they physically cannot connect with the inherent humanity of expressing emotions like that, which is why as Michael turns, he stops singing. Michael pulls back from the audience because he’s no longer human, so we loose his perspective elf things and Sam becomes the narrator. As Michael reconnects with his humanity— eventually becoming human again— he starts singing again and we get his perspective back.
i haven't watched the missing link leaks did they get him off that balcony
Cant have shit in Scala ad Caelum
i'm in a bit of a kh kick and Actually Felt Like Drawing while watching some videos, and tried doodling this the way i draw traditionally, aka not thinking too much. i think i managed to do it, and its simplicity is pretty charming to me. also it's funny cause i drew them from memory and this gives away just how much i drew sora for a doujinshi/kh3 imagine back in high school. you will always, always be famous to me, kh.
"In the future, we are still going to be human beings"
"this is too futuristic!" "what is this master chief"
did y'all forget keyblade armor was always goofy and kinda futuristic? Modern armor (terra aqua ven) seems so sleek but we forgot how clunky the OG Xehanort/Xemnas armor was?
this stuff vibes very well as a natural evolution from the khux armor. In fact it seems more old fashioned to me because of the visual rivets we see. like an old timey diving dress
'it's suppose to be steampunk vibes' idk about you but that's.. def steampunk vibes right there. especially as we get to the mail room. It's not all gears and clocks. steampunk isn't ALWAYS old.
Finally someone brings up the diving suit comparison! I feel this down to the pipes that the suits detach from in the beginning of the intro (with the bubble things). For a bit there I was confused whether the characters were in space or the deep sea since I saw the suits more like diving suits than astronauts.
You know what else looks like both the sky and the sea?
… of course, I might totally be misconstruing the lore since I’m super rusty. But still!
no no we're both onto something because the vast swath of stars that all the worlds floated in was always called The Ocean Between. Sea between worlds. Ocean of stars.
Heartless and darkness has always been compared to water too, I feel. Or maybe I'm misremembering the dark beach that they all kinda sat by in the realm of darkness. But it still makes sense.
But I'm not sure what the tubes would be fore. Surely not oxygen as they disconnect fairly early and don't seem to need them to return (unless they didn't return and they're stuck in quadratum).
There's just.. so much. with this one little detail!!
Omg there’s the circle thingy in the center of Scala ad Caelum from the beta. That circle thing with scaffolding. THE TUBES??
I need to go back and look at the old beta leaks at some point
"this is too futuristic!" "what is this master chief"
did y'all forget keyblade armor was always goofy and kinda futuristic? Modern armor (terra aqua ven) seems so sleek but we forgot how clunky the OG Xehanort/Xemnas armor was?
this stuff vibes very well as a natural evolution from the khux armor. In fact it seems more old fashioned to me because of the visual rivets we see. like an old timey diving dress
'it's suppose to be steampunk vibes' idk about you but that's.. def steampunk vibes right there. especially as we get to the mail room. It's not all gears and clocks. steampunk isn't ALWAYS old.
Finally someone brings up the diving suit comparison! I feel this down to the pipes that the suits detach from in the beginning of the intro (with the bubble things). For a bit there I was confused whether the characters were in space or the deep sea since I saw the suits more like diving suits than astronauts.
You know what else looks like both the sky and the sea?
… of course, I might totally be misconstruing the lore since I’m super rusty. But still!
no no we're both onto something because the vast swath of stars that all the worlds floated in was always called The Ocean Between. Sea between worlds. Ocean of stars.
Heartless and darkness has always been compared to water too, I feel. Or maybe I'm misremembering the dark beach that they all kinda sat by in the realm of darkness. But it still makes sense.
But I'm not sure what the tubes would be fore. Surely not oxygen as they disconnect fairly early and don't seem to need them to return (unless they didn't return and they're stuck in quadratum).
There's just.. so much. with this one little detail!!
"this is too futuristic!" "what is this master chief"
did y'all forget keyblade armor was always goofy and kinda futuristic? Modern armor (terra aqua ven) seems so sleek but we forgot how clunky the OG Xehanort/Xemnas armor was?
this stuff vibes very well as a natural evolution from the khux armor. In fact it seems more old fashioned to me because of the visual rivets we see. like an old timey diving dress
'it's suppose to be steampunk vibes' idk about you but that's.. def steampunk vibes right there. especially as we get to the mail room. It's not all gears and clocks. steampunk isn't ALWAYS old.
Finally someone brings up the diving suit comparison! I feel this down to the pipes that the suits detach from in the beginning of the intro (with the bubble things). For a bit there I was confused whether the characters were in space or the deep sea since I saw the suits more like diving suits than astronauts.
You know what else looks like both the sky and the sea?
… of course, I might totally be misconstruing the lore since I’m super rusty. But still!