Guy of Gisborne, Robin Hood (2006 TV Series)
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roma★
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izzy's playlists!
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cherry valley forever
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@piggledy-higgledy
Guy of Gisborne, Robin Hood (2006 TV Series)
Ally: WHY WAS IT UP
me: yeah i guess its not even a kink thing really, like yeah i want a mommy but moreso i just want the kindness i was never afforded in childhood
mob guy: yeah. i undastand dat. my mudda, god rest her soul, was a complicated woman,
STILL ON PATROL
I learned something new and horrifying today which is… that… no submarine is ever considered “lost” … there is apparently a tradition in the U.S. Navy that no submarine is ever lost. Those that go to sea and do not return are considered to be “still on patrol.”
?????
There is a monument about this along a canal near here its… the worst thing I have ever seen. it says “STILL ON PATROL” in huge letters and then goes on to specify exactly how many WWII submarine ghosts are STILL OUT THERE, ON PATROL (it is almost 2000 WWII submarine ghosts, ftr). Here is the text from it:
“U.S. Navy Submarines paid heavily for their success in WWII. A total of 374 officers and 3131 men are still on board these 52 U.S. submarines still on patrol.”
THANKS A LOT, U.S. NAVY, FOR HAVING THIS TOTALLY NORMAL AND NOT AT ALL HORRIFYING TRADITION, AND TELLING ALL OF US ABOUT IT. THANKS. THANK YOU
anyway now my mother and I cannot stop saying STILL ON PATROL to each other in ominous tones of voice
There’s definitely something ominous about that—the implication that, one day, they will return from patrol.
Actually, it’s rather sweet. I don’t know if this is common across the board, but my dad’s friend is a radio op for subs launched off the east coast, and he always is excited for Christmas, because they go through the list of SoP subs and hail them, wishing them a merry Christmas and telling them they’re remembered.
Imagine a country whose seamen never die, and whose submarines can’t be destroyed…because no ones sure if they exist or not.
No but imagine. It’s Christmas. A black, rotting corridor in a forgotten submarine. The sound of dripping water echoes coldly through the hull. You can’t see very far down the corridor but then, a man appears, he’s running, in a panic, but his footsteps make no noise. The spectral seaman dashes around the corner and slips through a rusty wall. He finds himself at the back of a crowd of his cadaverous crew-mates. They part to let him through. He feels the weight of their hollow gaze as he reaches the coms station. Even after all these years a sickly green light glistens in the dark. The captain’s skeleton lays a sharp hand on his shoulder and nods at him encouragingly, the light sliding over the bones of his skull. The ghost of the seaman steadies himself and slips his fingers into the dials of the radio, possessing it. It wails and screeches. A bombardment of static. And then silence. The deathly crew mates look at each other with worry, with sadness; could this be the year where there is no voice in the dark? No memory of home? The phantasm of the sailor pushes his hand deeper into the workings of the radio, the signal clears, and then a strong voice, distant with the static but warm and kind, echoes from the darkness; “Merry Christmas boys, we’re all thinking of you here at home, have a good one.” A sepulchral tear wafts it’s way down the seaman’s face. The bony captain embraces him. The crew grin through rotten jaws, laughing silently in their joy. They haven’t forgotten us. They haven’t forgotten.
I am completely on board with this. It’s not horrifying, it’s heartwarming.
Personal story time: whenever I go to Field Museum’s Egypt exhibit, I stop by the plaque at the entrance to the underground rooms. It has an English translation of a prayer to feed the dead, and a list of all the names they know of the mummies on display there. I always recite the prayer and read aloud the list of names. They wanted to live forever, to always have their souls fed and their names spoken. How would they feel about being behind glass, among strangers? Every little thing you can do to give respect for the dead is warranted.
I love the idea of lost subs still being on patrol. Though if you really want something ominous, let me say that the superstitious part of me wonders: why are they still on patrol? If they haven’t been found, do they not consider their mission completed? What is it out there that they are protecting us from?
@boromir-queries-sean
There’s been something in the water since we first learned to float on it. Not marine life, although there’s more of that than we’ll ever know. Not rocks and currents and sand bars and icebergs either, although they’ve all taken more than their share of human life.
But something deeper. Something Other. Something not natural.
Sailors have always been superstitious.
Not one of them described it right.
You don’t hear about it so much now that we don’t lose ships anymore, really, not like we did at the height of the sea trade when barely an inch of ocean floor didn’t bear some wreck or other. And better ships and GPS and weather satellites have all played their part in that.
But we have protection now that we didn’t before. They don’t interfere with war and battle, even on behalf of what used to be their country, or with rocks and weather and human stupidity. Those are concerns for the living.
But the Other Things, the Things that shouldn’t be there - They can’t get to us now without a fight. It’s a fight They haven’t won in a very long time.
As long as we remember them, as long as we call out to them - not very often, just once a year will do - they will keep protecting us from the Things that go bump in the deep.
More than fifty submarines, Still On Patrol.
I love everything about this, but it’s the last bit that made me say “okay now I’ll reblog it.”
Ghost stories used to be a Christmas tradition, to sit around the fire and while away the long, dark midwinter night.
how to write monsters that actually scare and not sparkle
✦ first rule: don’t over-explain. once you give me the monster’s exact height, weight, claw count, and dental record, it’s not scary anymore. it’s a pokémon. mystery is the muscle. a shadow that almost looks human will always hit harder than a full description of a swamp beast. leave gaps. let the reader’s brain fill them in with their own worst fear.
✦ physics should not apply. horror monsters are terrifying when they break the rules of the world we think we understand. a body folding in ways it shouldn’t. joints bending the wrong direction. silence in a place that should echo. footsteps that sound like they’re coming from the ceiling instead of the floor. once you warp reality, the reader doesn’t feel safe in their own.
✦ chasing is fine. but waiting is worse. scarier than claws, scarier than snarling—try a monster that just stands in the corner and watches. even scarier? it smiles. because predators don’t smile unless they know something you don’t.
✦ let it act like it knows you. a growl is scary, sure, but a whisper of your name in the dark is worse. a hiss of your birthday. a laugh in your mother’s voice. monsters are no longer “other” once they feel personal. they’re invasive. they’re inside your head.
✦ bonus tip: give them wrong appetites. a monster that eats flesh is cliché. a monster that eats wallpaper? horrifying. one that eats memories, so a character wakes up without knowing their own name? disgusting. one that eats reflections from mirrors so you don’t see yourself anymore? revolting.
GBBO: “A s’more is basically just an Italian merengue sandwiched between two ganache-covered digestives”
Americans:
in case anyone in wondering, this is Paul Hollywood's idea of a s'more
You know what, their absolute inability to grasp Mexican foods makes more sense every day
Nodding my head in support of the Americans despite having no clue what a s’more is.
Okay, American immigrant to the UK here to explain all the mistakes from Paul Hollywood happening here: there is one fundamentally American ingredient required to make a s'more correctly but which is basically not available anywhere at all in the UK, and that is graham crackers. A plain digestive biscuit close-ish, but still a very different beast.
From Wikipedia: A graham cracker is a sweet flavored cracker made with graham flour.
The next ingredient (which is also extremely traditionally American but slightly more variable) is typically Hershey's chocolate, but you could probably swap this out in the UK with any plain chocolate bar.
Last ingredient is big marshmallows, the kind you do the chubby bunny challenge with, like the size of your thumb and twice as thick.
A proper s'more, the most traditional possible variety, involves to graham cracker squares, two slab segments of Hershey's chocolate, and one to two marshmallows depending on your preference for filling and gooeyness. You put a slab of chocolate on one of the graham cracker squares. Your marshmallows should be toasted, usually over a campfire but if you're doing them at home over a gas stove burner is fine, but the fire part is critical. You can toast them to whatever degree you like, some people like them nice and golden brown but still kind of firm in the middle, me personally? I want that bitch to CATCH ON FIRE, I want it gooey and sticky as hell in the middle, crispy and burnt on the outside. Slap that motherfucker on your graham cracker and chocolate square, top with the other one so your marshmallow and chocolate are sandwiched together by graham cracker on the outside. You do this with your freshly toasted marshmallow because ideally it will be hot enough to start to melt the chocolate so it sticks to the marshmallow and the graham cracker and, combined with the gooey marshmallow, it keeps the whole thing together, and for that reason some people will let them sit for a hot second to let the melting process happen (especially if like me you have chocolate on BOTH graham cracker squares, not just one, because you're a sugar fiend), but if you are a young child you do not have that degree of patience and you eat that shit immediately, unmelted chocolate and all. Consume your summer camp delight like a tiny club sandwich, get gooey sticky marshmallow and chocolate all over your hands, and enjoy.
Important note: this is a kids treat. It is a traditional summer camping trip dessert. It should be something any ten year old with adult supervision and access to the ingredients can make (and make a mess of). They're called s'mores because kids always "want s'more". If you are using a blowtorch, chocolate biscuits, and merengue, you are so far beyond the bounds of s'more-hood that you have thoroughly lost the plot. If you offered Paul Hollywood's concoction to an American child and called it a s'more, they'd tell you flat out that not only is it not a s'more, it looks dumb and you didn't do it right because it's not gooey.
the point is the mess. the point is getting to make a food, at age seven, whose two basic food groups are 'sugar' and 'fire'. the other point is that this food item is so crumbly, chaotic, sticky, on fire, and prone to being dropped (outside, in the dark, while you are surrounded by other children who are also sticky and on fire) that your supervisors cannot accurately monitor how many smores you personally have consumed. the point is also that you may get away with a smore that is five blocks of chocolate and two marshmallows if you move fast and let nothing stop you.
if you haven't accidentally yet unrepentantly eaten a chunk of twigs or dirt or a bug that got enmeshed in the creative process around smore number 3st, you are too old to have any legitimate input into what makes a smore.
There's 2 other points that I think are important.
The first is that you don't pull the marshmallow off the roasting stick and somehow put it on the chocolate. Your staging area will look something like this, with the graham crackers and chocolate already set out (though not usually on the fire like this, for us it was always someone's lap or a picnic table or something)
And when your marshmallow has reached appropriate roasting perfection, you use the graham crackers to slide it off the stick.
and ideally, as a CHILD you are using a literal stick. Like you walked around and spent time looking for The Perfect Stick off the ground while the adults set up the fire. It has to be thin enough the marshmallow will fit, sturdy enough that it won't bow, long enough that you won't burn yourself roasting your marshmallow. And preferably doesn't have a lot of bark that's sloughing off, OR so much bar sloughing off you can peel it all back and get to the clean stick under it. If you're smart, you might stick the tip into the fire first to "wash" it/burn off anything that was still lingering, but. well, most kids don't.
When you bite in, the marshmallow and chocolate SHOULD ooze out all over you. If you don't kinda look like this eating it, you've probably done it wrong:
The description of the marshmallows as being either brown on the outside but still firm on the inside or fully melted but burned on the outside is missing the true art: fully molten in the middle, without the black burns. Not to say OP is wrong for preferring the burn! But there is a technique for perfection and it goes like this:
You find a spot, not above all the logs where everyone sticks their marshmallows by default, but at the heart of the fire. Ideally between a couple logs already glowing gold. Something like here:
Below the leaping flame. Near the logs. There's probably only one or two spots good enough for this on any given fire, but that's okay because everyone else is up above. They will get their marshmallows faster. They will be either firm or burned or both. That's not your goal.
Rotate the marshmallow slowly. Ideally come in at an angle so the part closest to the flame is the side, not the tip. The spot closest to the fire is the spot that turns a crispy golden brown, and you want that everywhere, on the tip and around the circle.
You keep going, slowly turning, for several minutes. Several people will rotate in and out of the higher sections, getting their fast delight. Eventually, your marshmallow will start sagging badly, risking falling. Maybe it does fall and got start over. But eventually it will be golden brown all over, and so liquid it no longer clings to the stick. It is ready, finally.
You say "who hasn't gotten one yet?" And deposit it onto their waiting graham crackers and chocolate. You've made an excellent marshmallow. It isn't for you. Get another while you're over by the bags and go back to the heart of the fire.
That's your evening. One, slow, perfect marshmallow at a time, given to whomever still wants s'more. You're making art for children to stuff into their mouths cheerfully. You're watching the movement of the fire and the heat of the logs, like you would if you were maintaining it — maybe you would be, maybe you were the one who built it — but right now that's not the goal. Let someone else put more logs on, while you take only the one stick and find the best spot for it to live.
You will, eventually, finish a marshmallow and find that nobody moves to accept it. Maybe they're all eating right now, or maybe they've gone through so many they're hesitating. Eat your masterpiece then. Enjoy it, the hardest and most perfect result from a fun and beautiful moment. Go back in for another, until you've run out of marshmallows and the fire is too low or until even you are done with s'mores, until you have made enough.
"We don't want a gooey mess" pfft even the artistry studied at the feet of my father is inherently a gooey mess. That's the whole point!
roommate texted this to me……..
update on this from my (now former) roommate:
Firefox Extensions I like
UBlock Origin - Adblocking
Chameleon - IP and random agent spoofing
TrackMeNot - Floods web search engines with false queries at a settable interval
Location Guard - Obfuscates precise location
Privacy Possum - Blocks and falsifies information collected by tracking
ClearURLs - Removes tracking elements from URLs
LocalCDN - Prevents third party requests
CanvassBlocker - Prevents fingerprinting
UnPaywall - Circumvents paywalls for research papers
Sci-Hub - Adds a Sci-Hub link to academic papers
ChromeMask - Disguises Firefox as Chrome for Chrome-only websites
FlagFox - Adds a flag next to the URL indicating its origin
Devils den mug I drew and printed today
Imagine Thorin having suspicions of you cheating because you’ve spent less time together recently and he keeps seeing you talking with another male Dwarf. However, it’s all because you’re arranging a special gift for him. And he challenges you about it.
Now a fic here
❤️
Oooh this looks good!
“Take year 3 student Emma Glenfield, who started with a simple question about magpies and wound up conducting some cutting-edge research almost by accident."
Emma Glenfield wants to know why magpies swoop. She's conducting some cutting-edge research — and displaying her results with Lego.
"I watched the people he swooped and I recorded it," Emma said.
"Then I got everything I recorded and I figured out that the people Mr Swoopsalot swooped were male, they were tall, and that they had thin or receding hair."
y'all i don't usually say this shit out loud but please read the link. she got 30 THOUSAND responses to her survey. THIRTY THOUSAND. And she's eight. So learning how to use MS Excel for that data wasn't really an option.
So she made a graph out of Legos. LEGOS!!
This kid is an absolute genius and I am so excited for her.
have you lot heard about the tiktoker who’s taking on the actual government over a parking ticket? because she’s a hero
her name is Zoë Bread and she doesn’t show her face, and she’s a British artist whose videos are basically her fucking with people in harmless ways - like, asking retail workers if they want an “official” picture of King Charles that is in fact a cartoon and filming their bewilderment (the person is never in the video; she films the floor and her shoes while she’s doing this). she also calls up companies who have stuff like “call us to talk about [X]!” written on their products to see if they’ll really talk to her about [X] and if the person at the call centre doesn’t know (“full unedited silence” is a feature in most of her videos), she will dig and dig until she finds someone who can. or, until she gets bored, which. fair. can’t fault that.
I’m currently trying to get a member of the british peerage to give me £50 because we’re distant cousins. I appreciate her.
she travels around for these videos and one day she went to Manchester and parked on a road called Collier Street.
Collier Street has (or had, at the time) another car park at the end of it - the SIP car park. SIP is a private company that runs these. the signage on Collier Street indicated that the payment machine there was where you’re supposed to pay, so Zoë and a fuckload of other people assumed that that was where you got the tickets. Zoë put it on her car and went about fucking with whoever she decided to confuse today
she gets back to her car, has a parking ticket, and is confused
again - she paid for a ticket. she wasn’t trying to get out of paying.
because she’d bought a ticket from the machine that the SIP car park instead of the council run machine that is actually on a different road, she’d been ticketed. and, rightly so, she contests it and the person at the council says that the rules are the rules and there’s clear signage
Zoë: the signage is misleading
council: we don’t believe it is
Zoë: well, I was misled
council: we believe the signage is adequate
Zoë, being Zoë, doesn’t agree with this. she pulls up literal years’ worth of data on the history of that sign, the parking on the road, and the number of people who got ticketed. very early on, she says she’s not actually bothered about her own ticket, but she’s upset that people are being caught out and sees that it’s a money-making scheme for the council. she speaks to parking wardens, who mostly seem to agree that the signage is misleading. she has data. she calls them back. same response.
Zoë, being an artist, makes her own sign. which she puts up below the official one. and then she waits to see how long it is before it’s taken down.
[note: there was a side quest sometime during this - it went on for months - where she put cones in the parking spaces. the council moved them onto the pavement/sidewalk. this made it inaccessible for wheelchair users, people with prams, other people who can’t just move around them, which is illegal. so she called the council repeatedly to complain about the cones and monitored them until they were moved. this took ages - we are talking weeks.]
Zoë’s sign gets taken down.
the signpost it was attached to, with the misleading sign, becomes a point of pilgrimage for British people who appreciate a good bit of humour with the intent of bullying the local government. it is COVERED in stickers.
her sign is taken down. the sign is not changed. more people get tickets.
[there was a second side quest, where Zoë discovers that the SIP car park - the private one - doesn’t have planning permission. she doesn’t let this slide.]
not happy with this, Zoë calls in to the local radio station. which has a Q&A with Andy Burnham. the Mayor of Manchester. she calls in and asks him about this. Andy Burnham says he’s taking her concern into consideration and will look into it, and get back to her if she calls in next week.
she’s not put through next week.
she contacts his office.
no response.
she calls in again and brings it up.
[all this is happening while she’s repeatedly ringing the council to ask them about it]
she has gone from “harmless tiktok prankster” to “calling out government incompetence”. with a MASSIVE platform.
eventually, after her being interviewed by the BBC, Manchester City Council puts up a sign saying where the actual car park for Collier Street is (there is a running bit where a council worker misheard her and thought she said “Collyhurst Street”, which to my knowledge does not exist. Zoë now exclusively refers to it as that, including in her radio appearance and on her phone calls)
she isn’t done. she now has a petition to force the government to change vague signage. the government said no, all their signage is adequate. she’s now fighting with them. in one of her most recent videos, she was on the phone with the House of Commons enquiry department trying to figure out how to contest it. she’s brilliant.
anyway, this is why the art of Fucking About must never be lost. big up Zoë
The Count of Monte Cristo, Alexandre Dumas
some people are afraid to be cheesy. I live my whole life on the charcuterie board
I really dig the official Paralympics logo for the shooting competitions
New disability pride flag
dude.
i knew a surgeon and he once told me “nobodys insides look like how the textbooks say they will. you never know what you’re going to find in there once you open them up” and that was easily the most ominous thing anyone’s ever said to me
when i was taking my first year anatomy lab, we’d occasionally find a cadaver where things would branch off or attach in the wrong order, and when we’d ask our prof about it, he’d just shrug and say “they must not have read the book”
When my friend was in med school one of the cadavers donated for them to autopsy didn't have a belly button, just smooth skin.
In the past 10 years of teaching in an anatomy lab, I have seen:
- A donor with a scrotum the size of my head. When we opened it up, we discovered it was a MASSIVE inguinal hernia and a good 1.5 ft of intestine were trapped down there.
- A donor with situs inversus totalis, whose organs were a mirror image of what we normally see (ie their heart pointed right and their liver was on the left, just for starters)
- A donor whose right common carotid artery branched off the aorta waaay over on the left hand side of the body and crossed alllll the way back across the thorax to get where it needed to be.
- A donor with 4 lobes for their right lung (should only be 3). We named the 4th lobe the Lisa Loeb, but all of the students were too young to appreciate our sparkling wit.
- A shocking variety of penile and breast implants. Y'all would not believe the number of different ways science has come up to counteract gravity.
- A couple of cases of ectopic kidneys, where a kidney didn't rise to its typical position just deep to the lowest ribs and instead stayed in the pelvis.
There is probably some other stuff that I am forgetting. Take home point is: the human body is weird and wonderful and you should learn more about yours!
....duuude.
Spleens Georg
14???????
My contribution: client co pinched nerve in L side of neck. I asked about health hx; she said, “I've got some extra ribs on that side.”
me: “some?” (!!!!!??!?!??!???)
Some was 2, but that’s crazy enough.
Yeah, I don't discover the anatomical weirdness but I've had clients come in with extra ribs, missing ribs, extra vertebra, accessory muscles (that's when you have duplicates - sometimes fine, sometimes not), bones connected where they shouldn't be (spoiler: if your lumbar spine is connected to your hip, it Causes Problems), all sorts of stuff. Bodies are weird!
More from the notes
This made me remember that I had a friend in high school who had one thumb that was like half an inch shorter than the other. Not sure how that happened.
even the things you never think about are a spectrum
Someone close to me was discovered to have two complete uteri. She had a double hysterectomy.
Somewhat on the vibe of "your glorious revolution doesn't exist," I want to talk to you all, especially the young folks, about effective anarchism.
Spoiler alert, it's not blowing stuff up or arson.
I am considered the most anarchical person of all among my friends. Granted, most of my experience has been wreaking anarchy against the systems present in my high school and college, but the principles are the same.
Practical anarchy is not the big, flashy, romanticizable thing people online make it out to be. It's more about the long haul - digging in your teeth and just being a menace that no one can really get rid of.
Everyone's "Why vote when you can firebomb a Walmart" posts (that they don't follow through on) are just not pratical because this is a surveillance society. With CCTV and DNA testing and cell phone cameras and GPS tracking, if you do something big like that, you are GOING to be caught; then that is the end of your anarchical career. And, keep in mind that you might get caught while you're setting up this big event - it's a crime to blow up a Walmart and also a crime to conspire to blow up a Walmart, so your career in anarchy might end before it begins, and then you are permanently out of the game. No matter what causes you were working for that inspired you to do something big and violent that you thought would get someone's attention, you now can't help at all ever again in your entire life. What you did will be a passing headline on the news, and then everything will go back to exactly what it was because big, acute actions can't compare in effectiveness to small, constant actions (just being a thorn in the side of the system, poking and poking, but unable to be dislodged).
This is just the practical side of it too: think about the risk of hurting innocents if you really advocate for doing things like that. You think blowing up a Walmart would really make a dent in that big of a corporation? But if you intentionally or unintentionally kill a bunch of Walmart shoppers, that's going to devastate families that had nothing to do with whatever your cause is.
So all that big talk about violence and destruction: not practical, not effective, not ethical.
The only way I've started to change oppressive systems around me is by justing chipping away from within the confines of the rules of these systems, and/or only stepping just outside them (never breaking rules in a big way that could have allowed said system to easily and "justifiably" get rid of me).
So if you're going to be an anarchist, you need to consider:
Having the longest career in anarchism possible (i.e. being careful enough and judicious with your actions so that you don't get expelled from the system you wish to fight).
And then for any given anarchical plan:
2. Potential consequences.
3. Insurance.
I'll give you an example. I had serious beef with the culture of my college's science department. Students were constantly overworked, and if they expressed their misery outloud or reached out to any of their professors about their struggles, they got apathetic responses if not direct insults to their abilities or dedication. I had too many similar disparaging interactions with professors in one week, and I realized a lot of the responses I was getting were just the result of professors not really knowing how they sounded when they said certain things to students (ex: If someone says they're struggling with a course, don't IMMEDIATELY respond with "change your major," - you can give that as an option, but if you make it your first suggestion, the implication to the student is that if they're having any trouble with the course, they're not good enough for the program).
So I wrote up a flier of examples of good and bad ways to respond to students having anxiety with explanations and distributed it to every professor in the department. Everyone who knew about this perceived it as a great personal risk - that I would get in some kind of unspecified trouble or piss off an important professor, so before embarking on this project, I considered...
Potential consequences: I couldn't really think of any specific college or department rules I could be violating. People postered and handed out fliers in the department all the time. What I was doing fell pretty clearly under freedom of speech. I just shoved the fliers under professors' doors, so I didn't trespass in anyone's office. Worst I could think is that individual professors would get mad at me and make my life difficult, or I'd simply be told to stop fliering in the department.
Insurance: Just in case there were any consequences that I didn't think of and to insure me against the ones I had thought of, I didn't put my name on the flier. It was typed in Word, something everyone had access to. I came in to do it after professors had all left for the day but before I needed to use my ID to get into the building (no electronic record of me being there). I took the elevator to the first floor offices because the stairs require ID swipe after 5pm, but the elevators do not. I found out the building had no cameras by asking about it on the grounds that something of mine had been stolen a few weeks prior. I shoved the flier under the doors of dark offices and left it outside offices with lights on (so that no one would come out and spot me). And here's one of the most important pieces of insurance: I put up a few of the fliers on public bulletin boards in the building. This was important so that if I slipped up and said something that conveyed that I had knowledge of the content of the flier, I would have an excuse for that, i.e., I read it on the bulletin board before class this morning.
And then I did the thing. And surprisingly, it was incredibly well-received by professors. A few who knew that the flier must have been mine (because of previous, similar anarchical actions rumored to be associated with me) told me that everyone was RELIEVED that they finally had an instruction manual from the student perspective on what the hell they're supposed to say when one of their students is panicking. It sparked a real change in the vibe of the department and student experience. Had it instead pissed people off, I would have simply said I could not claim authorship of the flier but had read it and thought it contained good ideas then gone on creating more anarchy while angry people grasped at the zero straws I had left them to pin the action on me.
That's an example of a single action I took that was part of a much longer (~3 years) campaign of mine to change the culture of my department. Everytime I did something in that campaign, I made that consequences vs. insurance calculation to make sure they couldn't expell me from the program, the department, or the school before I succeeded.