So like everyone's talking about Spy x Family chapter 120, so I'm gonna jump on this bandwagon and talk about 120... and the previous chapters too, because what's important here isn't just the chapter. It's the whole arc and what it means.
This narrative arc starts with Yor's mission with her colleagues, the betrayal by one of them who attacks her for not considering her valid for the job, and the fake date to attempt to recover from her injuries. In between we learn more about Yor's life in Garden, and we finally learn her true feelings about Loid, but like in every single one of Endo's arcs, he's using this framework to deal with a much more complex and deeper theme: the different forms that romantic love can take and specifically, how it manifests in marriage.
So let's go back to the beginning: Yor is crossing the forest with Matthew and Hemlock to save those poor deer and the conversation turns to relationships and marriage and expectations about them.
Hemlock and Yor are more or less on the same wavelength: love and marriage are, in the end, just kiss-kiss and make out. For Hemlock, it's also about abandoning your own values and abilities to worry about someone other than yourself, and for Yor it's actually the fire that fuels her motivations and her work within Garden.
Matthew, however, has another point of view: that gray man, of few words and lethal actions is also a married man in a quiet and discreet relationship. With his wife there isn't a relationship of honesty as we would expect, but it relies on deep affection between both parties and in Mathew's case, a space where Mathew is able to forgive himself through the care that he and his wife offer each other. There's not so much hope or passion as there is a place to feel rest.
Then, later on, we find that Millie falls head over heels for Hemlock's physical appearance, and her (married) friends warn her once again not to get carried away by the looks of her new fake partner, because lasting love, as has been said, isn't just superficial making out and kiss kiss smack smack.
Then there's Anya and Damian and their number 1 shipper, Becky. Where Becky puts romantic relationship expectations like the ones she sees on TV (jealousy, crushes, pining, etc.), when in reality it's just Damian unable to behave in front of the girl he likes and Anya, who only sees a friend who makes weird faces and thinks Becky is a bit annoying with all the romance stuff.
And we even have Nightfall at the end, who has always put her work, her romantic expectations, and her dedication to an idyllic image she has of Twilight that doesn't correspond to reality and above all, has no coherence with her own personality. Faced with the idea of actually being Twilight's fake wife, Fiona is relieved not to be chosen for it, which tells us that probably, between the idea and reality, her daydreams have no place.
So this is the main theme, for me, of this arc (and not that love for your loved ones makes you stronger) that connects, at the end of everything, to what for me is the total theme of Spy x Family (as I've explained in other posts): the reconciliation of what we put outside ourselves and the true us beneath the facade.
This union between both parts is achieved through Yor's date with Loid. On this date, for the first time, we see that Yor has no romantic aspirations whatsoever; she just wants to see if with the restaurant's cocktail, she can heal her wound again. That is: she strips away the romantic expectation as a girl and as a wife and focuses solely on a utilitarian character that benefits her real self.
This way, without further aspirations, she can concentrate on discovering Loid from a much more honest point that's aligned with herself. And that allows her to be honest with her relationship and with her own feelings: she sees Loid as a good, smart, and kind man who takes care of them. A man to fall in love with.
But where does Loid fit in all this? Well, Loid has a long road ahead. First, because we still need to know who Twilight really is, what his true "form" is. Second, because, although Twilight and Yor have reached a similar point (doing ugly things to protect others), Yor has done it out of love for her brother and Twilight has done it because he has rationalized his pain for fear that the suffering will repeat itself. And those are two totally different processes that must follow different routes and timings.
So we have a long road ahead, but we'll reach our destination. If there's something I've always been sure of, it's that Loid and Yor will end up together.
Overall, I'm very grateful for chapter 120 because I was about to drop the manga in this last arc: really Hemlock's appearance seemed like a hassle for the plot to me. But I'm glad I stayed: Endo Tatsuya creates beautiful arcs that offer depth and lots of ideas to think about.
I hope this post wasn't too long!