rae

fantasy/scifi writer :D genderfluid, any pronouns are fine!

[oxfrnk]

don’t!!! fake!!!! your!!!! interests!!!! to!!!! make!!!! someone!!!! like!!!!! you!!!!

[the-last-d-boy]

don’t!!! bury!!!! your!!!! interests!!! to!!!!! make!!!! someone!!!! like!!!!! you!!!!

[wind-at-your-back]

don’t!!! go!!! wasting!!! your!!! emotion!!! lay!!! all!!! your!!! love!!! on!!! me!!!

[princess-rosiebird]

shes sulking bcause i wont let her walk on my boobs with 7million kg kitty paws

[allthingswhumpyandangsty]

[importantpics]

[luna-azzurra]

FACIAL MICRO EXPRESSIONS FOR WRITERS <3

[allthingswhumpyandangsty]

[theunfortunate-author]

[pantserspen]

How to Fix Underwriting

1. Slow down at emotionally important moments.

Big emotions need space to land. If a scene feels rushed, pause the plot briefly to show how the moment affects the character.

2. Add reactions, not explanations.

Instead of explaining what a character feels, show it through physical responses, hesitation, or small actions that reveal emotion naturally.

3. Ground every scene in the senses.

If a scene feels thin, add one or two sensory details—sound, texture, smell, or temperature—to make the moment feel lived-in.

4. Let thoughts interrupt action.

A line of internal thought can deepen a scene without slowing it too much. Thoughts show stakes, fear, longing, or conflict beneath the action.

5. Expand consequences, not events.

You don’t need more things to happen—you need to show what matters. Focus on how events change relationships, decisions, or self-perception.

6. Strengthen setting where emotion peaks.

The environment should echo or contrast the emotion of the scene. Setting is not decoration—it’s emotional reinforcement.

7. Add specific details instead of general ones.

Underwriting often relies on vague language. Swap “they argued” for one sharp line of dialogue or a specific breaking point.

8. Let dialogue breathe.

Short dialogue exchanges without pauses can feel flat. Add beats—silence, gestures, interruptions—to give the conversation weight.

9. Show transitions between scenes.

If scenes jump too quickly, readers feel disoriented. A brief transition helps establish time, mood, and emotional continuity.

10. Clarify stakes early in the scene.

If readers don’t know what can be lost, scenes feel empty. Make sure the character wants something specific and fears losing it.

11. Use the “what are they feeling right now?” check.

After each major beat, ask what emotion is dominant in that moment. If it’s missing on the page, the scene is likely underwritten.

12. Expand scenes that feel “too clean.”

If a scene resolves too neatly or quickly, it probably needs more tension. Messy emotions and unresolved feelings add depth.

[martinsharmony]

I primarily write non fiction in the form of journaling in a public blog. But I still want my writing to be good. These work for non fiction too.

[luna-azzurra]

Quick tips for writing Sleep Deprivation 

☽ Memory becomes absolute garbage. Like “why am I in the kitchen?” garbage. “What was I saying?” garbage. Their brain is running on buffering screens and regret.

☽ Fine motor skills? Ha. They’re dropping everything. Pens. Phones. Entire moral compass. They’re basically a malfunctioning claw machine.

☽ Hallucinations creep in. That jacket on the chair? Suddenly a person. That noise? Definitely doom. Everything becomes mildly haunted.

☽ Time gets weird. Five minutes feel like a year. A full hour disappears and they swear they blinked wrong.

☽ Irritation skyrockets. They get mad at chairs. At air. At gravity. At the audacity of other humans continuing to exist.

☽ Their voice sounds weird. Slow, scratchy, like they swallowed sand.

☽ They walk like a drunk baby giraffe. Walls suddenly jump closer. Floors rise unexpectedly. Coordination said: “I’m out.”

☽ Zoning out becomes a hobby. They stare at random objects like they’re trying to understand quantum mechanics.

☽ Vision blurs in and out. Like someone smeared Vaseline over their eyeballs out of spite.

☽ Their body just hurts. Not a dramatic pain, just the “why does my skeleton feel like it’s buzzing?” pain.

☽ Food cravings go feral. They’d fight someone for a stale cookie.

☽ Terrible choices. They will absolutely say “I’m fine” while making decisions that end in disaster.

☽ Random emotional implosions. Crying because their sock feels wrong? Yes.

☽ Cold hands. Cold feet. Cold heart. (Okay maybe not the last one, but it feels like it.)

[thewritingrealm]

If you're reading this...

go write three sentences on your current writing project.

[ezzydean]

# my favourite part about this post # is that nowhere does it say to reblog this # but we’re all reblogging it # because if we have to suffer # so do other writers

[thefoundationproject]

Boop

[caffeinewitchcraft]

This post is committing crimes (see y'all later lmao)

[escritorfantasma15-deactivated2]

CARTA #1: ESTOY HABLANDO DE TI CON LA LUNA.

Hay recuerdos fugaces que habitan en la memoria, escenas pequeñas que se almacenan en algún rincón de la mente y que desaparece poco a poco con el paso del tiempo.

Hay también recuerdos imborrables, que permanecen intactos y pase lo que pase tienen hogar en la memoria, porque aunque el chip esté relativamente lleno, consiguen quedarse en la memoria del corazón.

Me pasa contigo, ¿sabes? Mi cabeza está llena de escenas nuestras, llena de esos momentos prometedores que regalan vida. Habitan en mi cabeza nuestras conversaciones nocturnas con cigarrillo y con cerveza. Todavía escucho el eco de nuestras risas y todas nuestras fantasías salidas de la vida. Cuando la luna era nuestra tercera compañía y nuestras canciones favoritas eran el soundtrack de nuestra película.

Estoy hablando de ti con la luna, ésta y todas las noches desde que no estás conmigo, hablo con ella de tu risa, de tu forma de amar y de esa incontrolable forma de abrazar con el alma. Hablo con ella de las veces que me has besado el alma y de las veces que protegiste mi corazón con tu magia. Hablo con ella de ti porque tú eres mi conversación favorita.

[morallysuperiorlips]

10 Ways to Ensure Your Villain's Evil Monologuing Dialogue is as Unsettling as Possible!

1.) Make sure you're mixing body language with the words themselves: You can have your villain saying the most twisted shit, but if they're just standing there like a cardboard cutout, their words probably aren't going to hit as hard. Have them touch your protag. Have them toy with a weapon as if they're going to use it. Have them pace. Have them put together the blood ritual they're ranting about. Keep them moving.

2.) Have them use personal knowledge as a tool: Does your villain have some deep dark dirt on your protag? Don't let that all go in one swoop. Let them hint at it in drops before they open the dam. Maybe they use that knowledge as a bargaining tool to get an upper hand, or use it to send the trapped protag into a frenzy because they love to watch them scream.

3.) When it comes to threats, certainty is key: A threat is a threat, but there's nothing like a threat being spoken as if the villain knows it's going to happen. Whether your villain has already caught your protag, or is in the process of doing so, everything they say they want to see happen to your protag needs to come with absolute certainty. Almost as if it's a certain warning, and not just something they’re saying to be scary.

4.) Contradictions are your friend: Nothing indicates a warped villainous mind more than some juicy contradictions. Your villain might be talking about how they're going to flay your protag's hide after catching them in their dungeon, only to throw in a subtle "but, you're probably safer here with me." Find ways to toss in twisted contradictions that also underline the crazy shit they might be saying.

5.) Mess with syntax: Unsettling dialogue calls for unsettling structure. Incomplete sentences, unforeseen pauses, longwinded explanations broken up by more unforeseen pauses. Whatever it is, keep the rhythm offbeat. Don't give your reader a chance to be able to tell what's coming.

6.) Expectations? Subvert those: Your protag and even your readers might be suspecting one thing from your villain, so throw them a curveball and hit them with the complete opposite. Perhaps you've reached a point in your story where it seems like the villain might kill your protag on sight. But no, have your villain mention exactly why they aren't going to do that, and why they want to wait it out.

7.) Mix quiet confidence and loud assertion: Some might say that the silent seether is scarier, while others might agree that the sudden explosive type takes the bigger unsettling prize. In my opinion, you can really capitalize on the eeriness of villain dialogue by tapping into both. A villain that speaks on with refined confidence before very suddenly exploding, without much warning, can really power up the dread behind their words.

8.) Sometimes, ambiguity is better than being straightforward: Whether it's obvious that your villain has a lot of tricks up their sleeves--or not--leaving things to the imaginations of your protag, and subsequently, your readers is great for building dread. You can use dialogue to make it clear that they're up to something, but never make them fully disclose what that is. They might show it instead of tell it, or it might just never happen. Either way, it'll likely have everyone looking over their shoulders.

9.) There might be times where silence says everything: You might be worried about penning the correct verbiage for your villain's big evil speech, but sometimes, silence speaks wonders. When used correctly, a long pause, or a bout of silence after your protag has said their piece can build a sense of uneasiness more than them actually speaking would have.

10.) Find ways for your villain to mirror the hero: A monologuing villain is better when they're throwing your hero's values and beliefs back in their face. A hero that believes in mercy? Well, have your villain talk about how they'll make them beg for it. A hero that believes in the greater good? Have your villain talk about their idea of a greater good.

As always, GO WRITE SOMETHING TODAY! <3

[whumping-in-the-dark]

List of Ways to (FICTIONALLY) Torture Someone

I genuinely have no idea how to make a content warning for this- just don't do this stuff irl ig

Click here to look for part 2

Caning

Electrocution

Stress Positions

Sensory Deprivation

Degradation

Water boarding

Strangling

Choking

Flaying

Skinning

Nailing

Drugging

Sleep Deprivation

Nudity

Shaving away the hair off their head

Plain ol' beating/manhandling

Public humiliation

Keeping them in a cage

Keeping them in a small dark place

Cutting off a body part

Carving them out with a knife

Whipping

Breaking their bones

Burning them with cigarettes

Poking holes into them with needles

Burning them in general

Forcing them to drink alcohol

Burning off their soles and forcing them to walk

Starvation

Dehydration

Sensory Overstimulation

Forcing them to scream their throat raw

Gagging them

Muzzling them

Crushing them w/ a hammer/mallet

Killing off their loved ones in front of them

Torturing their loved ones in front of them

Burying them alive

Hypothermia

Hyperthermia

Forcing them to hurt a stranger

Forcing them to hurt their loved ones

Forcing them to stay completely silent

Chemical burns

Chinese water torture

Forcing them into dangerous addictions

Forcing them to quit said dangerous addictions with zero support

Overfeeding them

Only feeding them food they are allergic to

Forcing them to vomit

And then punishing them for it

Forcing them to hang from the ceiling by their wrists while

Forcing them to walk on and on on the treadmill (and if they slip, they fall into the-)

Meat grinder. Enough said.

Carve degrading names into their skin

Pierce their body without their consent

Tattoo their body without their consent

Force them to wear humiliating clothes

Dislocate their joints

Dowse them in hot water and force them into a cold environment

Forcing them to get/remain sick so that they can only rely on YOU

Sewing their mouth shut

Only feeding them through tubes

Sewing degrading words into their skin

Branding them with a sign of your ownership

Branding them with degrading words

Forcing them to wear a collar with bells

Forcing them to wear a shock collar

Crucification

Keelhauling

Drag them behind the fast moving transportation of your choice <3

Stabbing them

Vivisection

Cannibalism

Almooost drowning them

Poking holes into their eyeballs with a needle

Ripping out their eyeballs

Ripping out their teeth with a pair of pliers... one by one

Attaching a strong cord to their teeth and ripping them all off at once

Pouring melted glass down their throat

Replacing their organs

Removing their organs

Slowlyyy pulling their limbs apart

Putting heavy objects on them over time

Force feeding

Forcing them to betray a loved one

Denying them medicine

Rubbing salt/other irritant into their wounds

Pouring alcohol/other irritant over their wounds

Rubbing their skin off with sandpaper

Forcing them to clean themself up when they're sick/injured

Denying them medicine

Forcing them to earn their 'privileges'

Denailing (slowly peeling off their nails)

Apply leeches onto their body

Force them into a tub of disgusting bugs (bonus points if they're naked)

Paralyzing them

Trapping rats on top of them and then forcing the rats to escape through their body

Dehumanization

Forcing them to shoot someone, except the barrel turns out to be empty

Feel free to suggest additions! I will try to update it whenever I find/think up of something new

Tysm @electrons2006 and @lettherebepain and @aliencatwafers for your ideas :)

[allthingswhumpyandangsty]

HOW TO WRITE A CHARACTER WHO IS IN PAIN

first thing you might want to consider: is the pain mental or physical?

if it’s physical, what type of pain is it causing? — sharp pain, white-hot pain, acute pain, dull ache, throbbing pain, chronic pain, neuropathic pain (typically caused by nerve damage), etc

if it’s mental, what is the reason your character is in pain? — grief, heartbreak, betrayal, anger, hopelessness, fear and anxiety, etc

because your character will react differently to different types of pain

PHYSICAL PAIN

sharp and white-hot pain may cause a character to grit their teeth, scream, moan, twist their body. their skin may appear pale, eyes red-rimmed and sunken with layers of sweat covering their forehead. they may have tears in their eyes (and the tears may feel hot), but they don’t necessarily have to always be crying.

acute pain may be similar to sharp and white-hot pain; acute pain is sudden and urgent and often comes without a warning, so your character may experience a hitched breathing where they suddenly stop what they’re doing and clench their hand at the spot where it hurts with widened eyes and open mouth (like they’re gasping for air).

dull ache and throbbing pain can result in your character wanting to lay down and close their eyes. if it’s a headache, they may ask for the lights to be turned off and they may be less responsive, in the sense that they’d rather not engage in any activity or conversation and they’d rather be left alone. they may make a soft whimper from their throat from time to time, depends on their personality (if they don’t mind others seeing their discomfort, they may whimper. but if your character doesn’t like anyone seeing them in a not-so-strong state, chances are they won’t make any sound, they might even pretend like they’re fine by continuing with their normal routine, and they may or may not end up throwing up or fainting).

if your character experience chronic pain, their pain will not go away (unlike any other illnesses or injuries where the pain stops after the person is healed) so they can feel all these types of sharp pain shooting through their body. there can also be soreness and stiffness around some specific spots, and it will affect their life. so your character will be lucky if they have caretakers in their life. but are they stubborn? do they accept help from others or do they like to pretend like they’re fine in front of everybody until their body can’t take it anymore and so they can no longer pretend?

neuropathic pain or nerve pain will have your character feeling these senses of burning, shooting and stabbing sensation, and the pain can come very suddenly and without any warning — think of it as an electric shock that causes through your character’s body all of a sudden. your character may yelp or gasp in shock, how they react may vary depends on the severity of the pain and how long it lasts.

EMOTIONAL PAIN

grief can make your character shut themself off from their friends and the world in general. or they can also lash out at anyone who tries to comfort them. (five states of grief: denial, anger, bargaining, depression and eventual acceptance.)

heartbreak — your character might want to lock themself in a room, anywhere where they are unseen. or they may want to pretend that everything’s fine, that they’re not hurt. until they break down.

betrayal can leave a character with confusion, the feelings of ‘what went wrong?’, so it’s understandable if your character blames themself at first, that maybe it’s their fault because they’ve somehow done something wrong somewhere that caused the other character to betray them. what comes after confusion may be anger. your character can be angry at the person who betrayed them and at themself, after they think they’ve done something wrong that resulted in them being betrayed, they may also be angry at themself next for ‘falling’ for the lies and for ‘being fooled’. so yes, betrayal can leave your character with the hatred that’s directed towards the character who betrayed them and themself. whether or not your character can ‘move on and forgive’ is up to you.

there are several ways a character can react to anger; they can simply lash out, break things, scream and yell, or they can also go complete silent. no shouting, no thrashing the place. they can sit alone in silence and they may cry. anger does make people cry. it mostly won’t be anything like ‘ugly sobbing’ but your character’s eyes can be bloodshot, red-rimmed and there will be tears, only that there won’t be any sobbing in most cases.

hopelessness can be a very valid reason for it, if you want your character to do something reckless or stupid. most people will do anything if they’re desperate enough. so if you want your character to run into a burning building, jump in front of a bullet, or confess their love to their archenemy in front of all their friends, hopelessness is always a valid reason. there’s no ‘out of character’ if they are hopeless and are desperate enough.

fear and anxiety. your character may be trembling, their hands may be shaky. they may lose their appetite. they may be sweaty and/or bouncing their feet. they may have a panic attack if it’s severe enough.

and I think that’s it for now! feel free to add anything I may have forgotten to mention here!

[raeofarc]

teachers be like "i can tell by your facial expressions if you're reading the material or not" like oh you think you know me that well? i be reading the most depraved things on ao3 and wattpad with the straightest face possible don't you dare tell me that you know what's going on in my head just by looking at my face. i let you see what i want you to see.

[undercover-grisha]

I like to think Nina is one of those ppl who HATES ppl that hurt her friends, so therefore she is the absolute BITCHIEST abt The Darkling. Like she has her own trauma from being legit IN the palace when he attacked, but she makes the most vile heinous attacks randomly to defend Zoya and Genya even when they don’t ask

like

Genya: “You know, I don’t think red really goes with me today. The… you know” *motions vaguely to her scars*

Nina: “I’m gonna take that red dress, go to Hell, cram it all the way down the Darkling’s throat and wait until he digests so I can rip it out through his stomach like a clown at a magic show.”

Genya: “…ok let’s maybe pump the brakes a little…”

[homunculus-argument]

You know you've fucked up when you go to a doctor and the thing you have wrong with you has been named after an occupation that isn't a thing anymore. Like imagine a doctor looking at you and going "yeah you've got ox-drawn ploughman's disease. We don't even test for that anymore. Yeah the reason you've never heard of it is because the last known case was in 1927 and happened to some guy who was like 98 years old and didn't believe in modern medicine of the time. What the fuck have you been up to."