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@morallysuperiorlips
Figured I'd join the masses and post a little about me! Thanks for stopping by this stupid blog, and I hope we can be friends!
✨Find me on:✨
My Website TikTok Twitch Twitter/X Instagram Bluesky Mastodon Art Fight Ko-Fi
🎨 My art and writing comms are currently ON HOLD.
5 Writing Myths I Believed When I First Started Writing (and why they’re bullshit)
Myth: Any type of criticism is good criticism.
Why it’s bullshit: Sometimes, people give criticism that doesn’t have your story’s best interest in mind. They think with their own preferences and not with the overall goal you’re reaching for with your story. This kind of criticism does not serve you.
Myth: You must ensure you never use “said.”
Why it’s bullshit: “Said” should be the default. It slips under the radar and protects the flow of your prose.
Myth: Brutal honesty is just constructive feedback.
Why it’s bullshit: Just being “brutally honest” and telling somebody what’s wrong with their story is useless, demotivating, and offers no learning opportunities. If somebody has “brutal honesty” to give, it needs to come with actionable, constructive ways to fix and learn from it.
Myth: You must be as descriptive as possible at all times.
Why it’s bullshit: Most of the time, concise is key. Being too wordy can easily tire out a reader.
Myth: My first draft must be perfect out of the gate.
Why it’s bullshit: The first draft is for discovery, not perfection. Perfection doesn’t exist, and if it does, it comes with editing. The bestsellers you see on shelves only got that way through editing!
6 Things Writing Fanfiction Has Taught Me About Writing
Hi sorry for the hiatus we got busy in this haus
1.) A lot of peer reviewers are better writers than they are readers—you don’t need to take every bit of advice from somebody you perceive as a “better writer” than you.
2.) The more real your characters feel to you, the more real they’ll feel to your reader—that 200-question OC character sheet is not a waste of time!
3.) Some reviewers review without your story’s best interest at heart and think with their own preferences instead—you can identify this kind of criticism and ignore it.
4.) Any type of writing you do is “real writing”—whether it’s an original story or fanfiction, you’re still putting in words to develop valuable writing skills. It’s never a waste of time.
5.) Adopt the character the original creator didn’t do justice and rewrite them to your liking for your own story—originality is a myth; it’s okay.
6.) You can turn your fanfiction into an original story if you truly want to—it will take some work, but you can do it. Don’t let anyone tell you it’s a bad idea.
(If you like my guides, prompts, writing, or art, consider supporting the blog today! All donations help me keep this thing up and running and all are appreciated <3)
PLEASE Write Your Book!
I'm serious. Please write it. If you need a sign to start, continue, or whatever is inbetween, this is it. Go do it.
I spent the past couple weeks indulging myself in some BookTok recommendations. While some were indeed good (Kings of Sin, my beloved), some were just...I don't need to finish my sentence there.
I DNF'd some books for the first time since I read Lord of the Flies (sorry Golding, you put me to sleep with your descriptions) and I powered through others in hopes that they would eventually get better. The general consensus I ended up getting was that I could not understand for the fucking life of me how these books got published. The writing in some of them was no better than that of a 2010s teen writing Maximum Ride fic on Wattpad for the first time, with the characterization abysmal enough to match.
I don't want to knock any specific author or book here, because I will concede one thing: they finished their books. They got them published. They're successful. For that, I commend them, because I'm still on my way there myself and I can't take that away from them. Jolly good show.
But that brings me to my point: if they can do it, YOU absolutely can do it too.
If some of these Amazon and NYT bestsellers can have prose on a Wattpad level with characters that have enough poorly-written cognitive dissonance to make Deadpool or Walter White jealous, your fleshed out, deeply intuitive, and remarkably creative epic can sit right alongside them no problem. Whether you're writing the next GoT or a romantic slice-of-life, there is a not a goddamn thing on this planet stopping you from rolling up with the big dogs.
If these guys can do it, so can you.
So, stop telling yourself you can't. Stop letting other people tell you you can't. Stop comparing yourself to these authors who, respectfully and bluntly, can't write for shit (or at least need to fire their fucking editors, good lord).
WRITE YOUR DAMN BOOK. PLEASE. WE NEED IT.
(If you like my guides, prompts, writing, or art, consider supporting the blog today! All donations help me keep this thing up and running and all are appreciated <3)
shitting on other books just to uplift inspiring writers is not the energy I vibe with here. do better
I don’t think there’s anything wrong with expressing my distaste for the mediocre literature I’ve read lately while trying to give people the motivation to write their own stories. I purposely didn’t mention any books by name (aside from LOTF), and am just speaking generally; the bar for quality is insanely low nowadays and I want people to know that nothing is stopping them from reaching for the stars when it comes to sharing their work with the world.
I’m sorry you feel this way, and appreciate your opinion. Thank you for giving my blog and post engagement. Have a wonderful day! 🤍
8 Tips for Redeeming Your Villain (Without Pissing Off Your Readers)
I won't lie, I love a good redemption arc for a villain. I love watching a formerly deplorable character atone for their sins and come to terms with the fact that they were wrong, and I especially love it when it doesn't come easy (as it shouldn't!). But I also know some writers might struggle with this, or worry about doing so in a way that won't aggravate readers or come out of left field. So, if you're struggling with this, here are some tips to help!
1.) Hint at redeemable traits early: All villains should be nuanced, in my opinion, but if you're going for a redemption arc, you should really dedicate some time to really showing those softer, redeemable sides of your villain from the beginning. It can be hesitation over their big evil schemes, or moments of really profound kindness in the midst of their cruelty. A villain that is too cruel from the get-go being redeemed will feel forced and likely uncalled for, so make sure you're going out of your way to show that the concept of "I can fix them" is actually possible.
2.) A strong motivation to change is a must: Nobody really makes an effort to change their ways unless they have a drive to do so, and the same should go for your villain. Don't make their mission to become "good" just a fleeting phase they happen to be going through (it's not like being emo, guys). Something needs to happen to them to drive them toward that switch. Maybe they realize the consequences of their actions and hate what they've done. Maybe the one person they want to save can only be saved if they change their ways. Maybe their beloved cat almost gets hurt during a scheme and they make the choice to change for their precious furry friend. You can really go nuts here!
3.) Remember "atonement, not apologies": Sometimes, "Sorry" isn't enough. In the case of a villain who might have done some pretty terrible shit in the past, I would wager it's most definitely not enough. While being remorseful is apart of atoning, it's not enough for them to just say "I'm sorry for trying to launch you into the sun" or "I'm sorry for committing arson on your base." Their actions also need to follow their apologies. They need to actually show that they're sorry, and are taking actions to fix the damage they've done. More than ever, their actions will speak louder than their dialogue.
4.) Remember that some actions are unforgiveable: There might come a moment in your villain's evildoings where they pass a point of no return. Some acts of villainy are just too far gone for chances of redemption. This doesn't mean that they can't have some version of redemption, but this just might come in the form of them accepting what they've done and making peace with it rather than being accepted and forgiven by those around them.
5.) Consequences don't just go away because they're nice now: No matter how kind your villain is choosing to be now, and how far they're willing to go to show that they've changed, they can't erase the past (of course, unless there is time travel at play, in which case...we'll talk). The consequences of their actions should still come back to bite them in some way, shape, or form, and they should still figure out how to work through them. Perhaps the villagers are still terrified of them, and likely will be for years to come. Perhaps the death of a loved one was indirectly caused by their wrongdoings, and they have to live with that.
6.) ...and neither does their core personality: At the end of the day, even though your villain is going through their redemption, they're still the same person they were as a villain. They still need to be the same ruthless or calculating or charismatic or dry or whatever kind of person they were to start. They just have less evil goals now. Write accordingly!
7.) The redemption needs to be EARNED: Redemption isn't something that just happens overnight. It needs to be treated like a practiced discipline. Your villain needs to try, fail, get up and try again, fail again, and keep trying. Maybe they almost give up at some point and try to relapse into evildoings. There needs to be a struggle as they come to terms with their actions, learn the correct way to atone, and find ways to make up for their terrible deeds. That way, when they've finally reached their peak of "good," it feels like it was deserved.
8.) Death does not always equal redemption: From years of reading, I've noticed that a common way to redeem a villain is just...killing them in an act of sacrifice. I feel like this only works if there's been a buildup to it. They can't just go out in a blaze of sacrificial glory and expect to be recounted as a hero when they were forcibly lobotomizing innocent children the day before. If your villains redemption arc does end in their death, the other tips still matter--there needs to be a buildup to it.
(If you like my guides, prompts, writing, or art, consider supporting the blog today! All donations help me keep this thing up and running and all are appreciated <3)
Oddly Specific Romance Writing Prompts Vol. 9: Grocery Shopping
"You're not pushing the cart." "Aw, why?" "Because last time you tried to pop a wheelie and crashed into a wine display. We got banned from that store for 6 months." "...but it was a sick wheelie." "...it was a sick wheelie."
"So hear me out. The grapes are on BOGO so if we get 30 packs now, we can--" "No." "But--" "I don't even want to hear you finish that thought. No."
"You are so bad at picking out carts. How is it that out of the hundreds in the cart hold, you picked the one where half the wheels don't work?" "I always root for the underdog, [NAME]."
"We need to get you a collar. With a bell. Because I spend more time trying to find you than actually shopping."
"Remind me again why we need six types of coffee?" "Because coffee is a love language." "Point taken."
"[NAME] we're just here for the essentials for dinner, don't go throwing random sweets and junk in the cart--" "But...chocolate chip cookies are BOGO." "...okay, we can make an exception."
"I love you, but I really need to stop letting you make the shopping lists." "Why, what's wrong with it?" "Your handwriting sucks."
"Hypothetically speaking, if I ran to the flower aisle and got you a bouquet of roses, would you like that?" "Hypothetically speaking, if you did decide to do that, then yes, I would." "Be right back."
"I want to make us a nice dinner tonight, so I'm thinking..." "Air fryer dino nuggets?" "You know me so well."
"Honey. You know I love you. But can we please get something other than pasta for dinner?"
"What do you want for a snack?" "Um, you, I think."
(If you like my guides, prompts, writing, or art, consider supporting the blog today! All donations help me keep this thing up and running and all are appreciated <3)
PLEASE Write Your Book!
I'm serious. Please write it. If you need a sign to start, continue, or whatever is inbetween, this is it. Go do it.
I spent the past couple weeks indulging myself in some BookTok recommendations. While some were indeed good (Kings of Sin, my beloved), some were just...I don't need to finish my sentence there.
I DNF'd some books for the first time since I read Lord of the Flies (sorry Golding, you put me to sleep with your descriptions) and I powered through others in hopes that they would eventually get better. The general consensus I ended up getting was that I could not understand for the fucking life of me how these books got published. The writing in some of them was no better than that of a 2010s teen writing Maximum Ride fic on Wattpad for the first time, with the characterization abysmal enough to match.
I don't want to knock any specific author or book here, because I will concede one thing: they finished their books. They got them published. They're successful. For that, I commend them, because I'm still on my way there myself and I can't take that away from them. Jolly good show.
But that brings me to my point: if they can do it, YOU absolutely can do it too.
If some of these Amazon and NYT bestsellers can have prose on a Wattpad level with characters that have enough poorly-written cognitive dissonance to make Deadpool or Walter White jealous, your fleshed out, deeply intuitive, and remarkably creative epic can sit right alongside them no problem. Whether you're writing the next GoT or a romantic slice-of-life, there is a not a goddamn thing on this planet stopping you from rolling up with the big dogs.
If these guys can do it, so can you.
So, stop telling yourself you can't. Stop letting other people tell you you can't. Stop comparing yourself to these authors who, respectfully and bluntly, can't write for shit (or at least need to fire their fucking editors, good lord).
WRITE YOUR DAMN BOOK. PLEASE. WE NEED IT.
(If you like my guides, prompts, writing, or art, consider supporting the blog today! All donations help me keep this thing up and running and all are appreciated <3)
Let's Talk About Mentally Ill Villains
I don't see this as often anymore (or maybe I'm just not paying enough attention), but I feel like there was a point in time where everyone thought mental illness was the prime way to provide a villain with motive for why they were doing their terrible deeds. As a result, they end up grossly misrepresenting or totally sensationalizing the mental illness they've given their villain.
Yes, Split, I'm looking at you.
This usually results in said illness being saddled with a negative connotation, which reflects quite poorly on the people who have to deal with those issues every day.
Let me preface this by saying this isn't me telling you that you should never write mentally ill villains. Having a mental illness doesn't exclude you from being a villain in somebody's story, even when that story is fiction (and I'm saying this as a mentally ill person myself--if you have beef, talk to my Lexapro, Xanax, and Adderall).
However, if that is the route you're planning to take, you need to have some tact about it. You need to approach the chosen illness you've given your character with a sense of respect and understanding in order to ensure you're writing the ailment as realistically as possible. You HAVE to conduct research. You HAVE to talk to people who have the ailment you want to write about. You HAVE to do your due diligence to avoid pulling a Split where you not only inaccurately portray the illness, you sensationalize it to the point where it negatively affects those real people with the illness.
And if you're going to go this route, I would highly suggest that you try to not make your villain's disorder be the sole reason they're a villain. I feel like people are quite quick to saddle a villain with an ailment like psychopathy/sociopathy, or something like schizophrenia or psychosis, and letting that be the primary reason they've resorted to committing acts of villainy. Perhaps those reason exacerbate their choices, but you should aim to avoid it being the main driving force.
(If you like my guides, prompts, writing, or art, consider supporting the blog today! All donations help me keep this thing up and running and all are appreciated <3)
A Short Guide for Writing Plot Twists (That Don't Come Out of Left Field)
They're cool. They're fun. They're spicy. They're absolutely terrifying to write. They're plot twists.
Regardless of what genre you're writing, every writer wants to ensure that their twists and turns blindside a reader without totally coming out of nowhere. Here's my short guide to help you tackle the monster that is A Good Plot Twist.
1.) I know it's cliche, but foreshadowing: You're probably gonna come at me with a bat because you've heard it a million times, but I'm telling you anyway. The groundwork to a solid plot twist is foreshadowing, because it allows you to lay down the breadcrumbs that lead to your gingerbread house of bullshit (I say affectionately). Check out my short guide for foreshadowing for more information on how to tackle this effectively.
2.) Red Herrings. Use them: Probably something else that you've probably heard before, but I do mean it! This ties a little bit into foreshadowing, but specifically for plot twists, Red Herrings can throw your readers off its scent and keep them guessing about what's to come.
3.) Make sure everything is within the scope of the world: Even if you're operating in some fantastical world, a plot twist loses its momentum and might subsequently feel like it comes out of nowhere if it defies the logic of your worldbuilding. If you've established that the inhabitants of your world can only use blood magic, and that no other magic type exists, don't root your plot twist in the idea that someone can now access fire magic. Keep your twist believable for your world!
4.) Overuse kills a good plot twist: Too many large twists can tire out a reader pretty quickly and lessen their blow. If you want to have a hard-hitting turn, but you're still keen on multiple twists, try to ensure you're using said twists to serve the final one. Time them so they're not happening back to back, and order them from least impactful to most.
5.) And most of all...give readers a reason to give a shit: You could have stellar foreshadowing and a perfect use of Red Herrings, but if readers don't care about the characters or stakes at hand, none of that means anything--and could result in a reveal that falls flat. On top of dropping hints and telling your tale at a good pace, you need to keep the reader invested in your characters, their relationships, and their ties to the plot and subsequent plot twist.
Now, go write!
(If you like my guides, prompts, writing, or art, consider supporting the blog today! All donations help me keep this thing up and running and all are appreciated <3)
The Morally Superior Guide to Foreshadowing
Foreshadowing. You probably hear the word and nod excitedly. Or, you shudder in fear. Whatever your relationship is with the concept, I'm here to break it down for you.
So, how do you foreshadow?
1.) Start by pinpointing what it is you want to foreshadow. Whether it's a huge plot twist or a conflict outcome, you should always know what your end goal is, and what you want to be prepping your readers for.
2.) Then, figure out what type of foreshadowing you're interested in using. Consider the following:
Direct: You explicitly state what is to come. This might come in the form of a prophecy, or a character stating their fears for the future, etc.
Indirect: You hint at what is to come with small details and actions that eventually build up into the final point. This might come in the form of subtle imagery, symbolism, and other literary devices.
Invisible: A variant of indirect foreshadowing, you present information as not seeming pertinent to what you're foreshadowing, only for it to make sense once your foreshadowed event happens.
Parallel: You craft scenes throughout your story to mirror the final outcome.
3.) From there, come up with what you want to do to convey these points. Ask yourself the following:
Can my character say something that hints at an outcome?
Is there an in-story item I can use to point toward an outcome?
Are there setting details that I can focus on that might convey an outcome?
Are there ways I can throw a reader off if things start to become too obvious (also known as Red Herrings)?
Once you have the answers to these questions, find places in your plot that you can work them into.
4.) As you're working your foreshadowing into your story, utilize repetition wisely. You can reinforce your dropped hints here and there by revisiting them in different contexts throughout your story. Try your best to make sure your drops aren't too close together, as too much repetition of the same idea in a short stretch can botch your reveal. Find different aspects of your desired reveal to point toward throughout your story, as to ensure you're not focusing on the same detail over and over again.
5.) Use those Red Herrings to subvert expectations. Even in the case of direct foreshadowing, like an explicit prophecy or comment, Red Herrings can help build a sense of anticipation. For more indirect foreshadowing, it can throw your reader off your outcome's scent, making it a much bigger reveal when it happens.
I hope this short guide helps you foreshadow the most foreshadowable stuff! Which reminds me...GO WRITE.
(If you like my guides, prompts, writing, or art, consider supporting the blog today! All donations help me keep this thing up and running and all are appreciated <3)
12 Traits to Give Your FMC That Are GUARANTEED to Make Her More Interesting!
She has an unlikely set of skills: Stick her with a set of skills or talents that might not pair well with her occupation or personality. Maybe she's a hellish warrior who's a beast at knitting. Maybe she's a wallflower with a four-octave singing voice. The combinations are really endless, and this is a great and easy way to inject some extra charm into her.
She doesn't exactly conform to societal norm views: And I mean this more than just not adhering to traditional gender roles. Maybe, in the scope of your world, she has a set of views that many might consider unorthodox, or maybe she's just a little more "off the wall" with her opinions than the other characters around her.
Identity crisis, identity crisis, identity crisis: Have her balance different roles that seem like they have no business mixing together. Have her face a trial that makes her question everything. Have her wrestle with the skeletons in her closet (literally or figuratively, whatever you think fits her situation better). Not only will this help make her more relatable, but its a great way to give her some internal strife.
She doesn't know who to support: Is she stuck in between two warring families? Or, maybe the will of her superior vs. the will of her beloved? Whatever the struggle is, giving her a sense of uncertainty around who to support can go a long way in terms of her own conflict and keeping reader interest.
A strong sense of justice goes a long way: I LOVE a girl who has a strong moral compass. Give us the girl who's up in arms about serving justice in the way she believe is right. Bonus points if she will do absolutely anything and everything to defend her ideals. Extra bonus points if her sense of justice doesn't exactly seem "kosher" on paper...
...or maybe it's ever changing: But, on the flip side of that, a more flimsy sense of justice--one that almost appears to change with the tide or time of day--can also pique some interest. This is more than just plain grey morality; this is morality that can flip for any reason.
Traits that don't seem to match up: Like the skills suggestion, this encompasses general personality traits rather than skills. Give us the fiercely independent woman that absolutely craves human touch, or the high IQ genius who has no sense of emotional intelligence, or the fearless leader who wants nothing more than to fall to the background. You can really go nuts here, too!
She's obsessed with SOMETHING: Whether its an obsession or an addiction, this is something I feel like I don't see a lot of in female characters. It could be a substance, or a person, or even a concept. Bonus points if she compromises whatever she might be doing to touch on this obsession. Drive it home for us, writer.
Double life, maybe?: Whether its metaphorical or totally literal, this trait is a great way to dig down to her depths and tack on some intrigue with her character. Is she really hiding a secret identity? Or is she trying to reconcile two contrasting parts of herself?
She's confident in her femininity: Look, I love me a woman who defies gender norms and goes against the grain of femininity, but in that regard, I feel like there isn't enough writing about characters who embrace it. That doesn't always have to be falling into gender roles, but maybe she's really in tune with her nurturing side. Maybe she's the picture of grace. Maybe she just really likes dolling herself up and looking pretty. There's nothing wrong having any of these traits, so having her be confident in them could be a breath of fresh air!
She knows her tastes and she knows them well: Is she goth? Is she coquette? Is she all glam? However she rolls, she knows how she wants to look, and she sure as shit embraces it in her overall aesthetic.
She's a leader...and an imperfect one at that: Yes, this is a dig at the classic "Strong Female Lead." The fact of the matter is that even the best leaders are imperfect, so if your FMC finds herself at the front of a rebellion or an organization, really emphasizing her imperfections can give her some nuance that doesn't make her seem totally and completely untouchable.
As always, gooooooooooooo fucking write something today <3
(If you like my guides, prompts, writing, or art, consider supporting the blog today! All donations help me keep this thing up and running and all are appreciated <3)
Sorry for the sudden halt on posting; the holiday season was a little bit hectic for me this year! Planning to get back to our regularly scheduled posting by next week 🤍
I hope everyone had a great holiday themselves, and cheers to more writing and art in 2025 🥂
More turning-my human-OCs-into-Pokemon nonsense. This was some of my early art of my OC, Odette, as I was trying to turn her into a Mawile for a PMD-based campaign. Her second pair of jaws is possessed by her demonic Pokemon partner and continuously spews her intrusive thoughts throughout the campaign 🤡
You can read more about human!Odette in my Pokefic, White Swan, Black Swan here!
My art commissions are ON HOLD.
Art trade piece I did of my friend's darling OC, Laura from the fanfic Different Eyes. She's a Pokemon trainer and my friend wanted her in something she could wear as a Gym Leader 😊 You can read her story here!
My art commissions are ON HOLD.
I Keep a Quote Book of the Shit My Friends Say to Help Practice My Dialogue Writing. I'm Turning the Best Quotes Into Writing Prompts, Vol. 2
Person A: Explain your status. Who rejected ye?
Person B: Job rejection letters.
Person A: Aw, from who?
Person C: [prounoun] got rejected by sügdis.
Person A: I heard it was a hard place to get into honestly. Surprised candice made it and not B.
Person B: Sawkon got in too.
Person A: He told me he prefers to go by “Sukapon.”
Person D: I love how we're all in our 20s and we're making middle-school tier jokes to each other. Reminds me of Dan.
Person C: Who?
Person D: You know.. Dan... Dangling my nuts in your mouth.
~
Person A: If regular horny gets you sent to horny jail, what does giga horny get you?
Person B: Horny waterboarded.
~
Person A: B is like a bucket of crabs.
Person B: What?
Person C: What the fuck are you talking about?
Person A: You know how when there’s crabs in a bucket, whenever one tries to climb out the rest try to pull it back? B is the bucket of crabs.
~
Person A: Who would we replace C with?
Person B: C is too...unique.
~
Person A: Y’all ain’t interesting enough to write fic about
Person B: YOU TAKE THAT BACK NOW.
Oddly Specific Romance Prompts Vol. 8: Cooking Together (OT3/Throuple Specific)
Person A: Have either of you boiled potatoes before? Ever?
Person B:
Person C:
Person B/C: No.
Person A: Alright then.
~
Person A: Why can't you just do all the cooking, and we sit here and admire your beauty and skills?
Person B: I like that idea a lot, actually. Dinner and a show.
Person C: Ha. Nice try, losers. Get some aprons on, and get over there and chop those damn onions.
~
Person A: Uhhh, B, what was I supposed to set the oven temperature to...?
Person B: 350, why?
Person A:
Person C: Did you burn the bread?
Person A: <running to the kitchen> I think I burned the bread.
~
Person A: It's all ruined! It's all fucking ruined! I burned the casserole, the steak still isn't thawed, and I bought the wrong butter, and--
Person B: Sh, sh, it's okay, A. Breathe. You're doing way too much for one person.
Person C: All of these things sound fixable. Tell us what we need to do to help, and we'll do it.
~
Person A: Okay, B, you're on sauce duty.
Person B: Right on.
Person A: And C, you're on...
Person C: Please say frosting duty, please say frosting duty...
Person A: You're on frosting duty.
Person C: LET'S GO!
~
Person A: AH!
Person B/C: What happened?
Person A: I just...burned myself a little on the stove.
Person B: Here, run it under some water.
Person C: I'll go get the aloe.
~
Person A: Holy fuck, I need to give you both lessons on how to use knives. You're killing me.
Person B: What you don't chop like this?
Person C: Or this?
Person A: If you both want to lose your fingers, sure!
~
Person A: B and I got dinner covered. You can just sit at the counter and be...
Person C: Moral support?
Person A: Moral support!
~
Person A: I might have...accidentally left some eggshell in there.
Person B: It's okay, we can make it work.
Person C: Soufflé, now with extra crunch.
~
Person A: I need the strainer! Where is the strainer?
Person B: In the drying rack, A.
Person A: ...okay, then I'll need the breadcrumbs!
Person C: In the spice cabinet, A.
Person: ...what about the--?
Person B/C: In the freezer, A.
Some assorted doodles of my BG3 Tav, Odette. I love her deeply.
My art commissions are currently ON HOLD.
