Why do all minotaurs in media have nipple rings. Who's piercing their nipples. and How do I qualify for this job.
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almost home
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if i look back, i am lost

shark vs the universe
KIROKAZE
"I'm Dorothy Gale from Kansas"
TVSTRANGERTHINGS

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occasionally subtle
Monterey Bay Aquarium

@theartofmadeline

Kaledo Art

Andulka
Jules of Nature

Product Placement
trying on a metaphor
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#extradirty
Cosimo Galluzzi
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@renaltair
Why do all minotaurs in media have nipple rings. Who's piercing their nipples. and How do I qualify for this job.
Salam Akil
A gashadokuro, or giant skeleton yokai, from the Studio Ghibli film Pom Poko (1994).
if you dont decouple your drive to create from your desire for attention you will go insane. simple as. you will never feel satisfied b/c you will always want more and you will feel perpetually bitter that you did not get what you are “owed”
It’s an unpopular opinion but it is absolutely and completely true. I’ve never seen someone who creates for engagement happy with the engagement they get. I posit they can’t ever be happy that way because it will NEVER be enough
I agree with OP and Manka so very much.
You have to rest in your own desire to create.
But, because I see statements like this turn into a sort of general notion of “it’s bad to want validation or attention or engagement”, and to me, that’s not what this means.
It’s perfectly valid to want people to like and engage with what you create. In a general sense, when you create anything, you do it to share with other human beings. Art, craft, food, anything you create is a way to connect with others through our shared humanity.
And wanting someone to like you fanart or read your fanfic is part of that.
the words used by OP is decouple, and this is important. Nothing wrong wanting engagement. But it cannot be tightly coupled with the drive to create.
its silly but it amuses me when a media has a masked character and its built up as a big mystery what they look like under the mask and then 3 seasons in they take off the mask and they look like: a normal brown haired guy. like well i don’t know what i expected i guess but thanks for the build up i guess.
i do understand the appeal of reaction videos because in a way it simulates the experience of showing your friend a thing you like and watching them laugh at all the funny moments. and you get to go haha yeah i knew youd laugh at that part. i feel so correct about liking this. feed my ego mr freeman.
me when i see a man buried alive and out of water and air and food with blood all over his upper body and blind and blue and choking on his own bulging tongue with a big fat snake curled around his torn open throat : is this guy dead
one of my least favorite tropes is when a character has a crush that is explicitely unrequited and hopeless, yet in the timeskip epilogue they inexplicably get married. like bro if you fruitlessly pine after someone and they show no interest for the whole 3 year run of the story and then suddenly change their mind. i think theyre settling for you. quite frankly both of you need to learn some self respect. get divorced immediately.
My latest cartoon for New Scientist
To be clear, this isn't a bit. This is what they actually did. "Its too late" is the new "Climate change isn't real"... And its still a lie!
Every serious climate scientist agrees that there is no such as thing as too late, just as there is no such thing as too early. We should have done a lot more than we have to fight climate change, and the world will suffer for our inaction, but there is no point of no return. We can always work to reduce the amount of suffering that occurs, and eventually turn things around to the point where our planet is healing once again. Do not believe anyone who says it's "too late".
They. They forgor
They were opened in AUGUST 2001. Oh my god. That's both hilarious and tragic.
this is a fucking futurama bit
are there palm tree Ents