Rarepair enthusiast (mainly azutara), also somehow a Hahn atla fan. Fandomwise I love atla, spop, lok, ultraman, the pitt, DC, bg3, and rgu. Outside of fandom I really like fish and other cute animals :) He/Him
I also think that the strength gap is at least partially manufactured women would in fact be stronger overall if little girls were encouraged to do physically taxing games and activities and eat their fill while they’re growing vs having to constantly diet and be sedentary indoors (or god forbid do intense cardio while under-eating). The amount of adult women honestly afraid to lift weights bc they think they’ll get bulky as though bulking isn’t a full time job that athletes have to spend all their time on and anyone on earth gets shredded from just using their adult muscles for their intended purpose, girl your bone density 🥀
if you say women are intentionally nerfed from birth in 2026 people look at you like you’re insane and start condescendingly telling you about how women are just better at different things (but not during their periods haha) but this was a completely basic feminist talking point I grew up with like “girls can do it too! [shot of little girls climbing and running with boys]” nickelodeon commercial tier base level I hate it how is everyone suddenly dumber than the average 7 year old
I really do think Entity! Nikki is a childish existence and on top of it I think that's why it feels so bad to see her becoming traumatized from being with Bear when his wish ripped out parts of her that made it impossible to love him. Not! Nikki exists as sparknotes of her former self with the missing pieces filled in by Bear's own personality and habits, but she's still being traumatized because fundamentally Nikki and Bear's relationship is defined by her saying no and him not caring. It why I see the ending scenes of the movie as really nauseating because Not! Nikki is this new being without life experiences gauging her personality and behavior off of Bear's reaction and she starts to associate her genitals with violence. Entity Nikki is crying in the corner and starts to force herself to sleep at night and give Nikki full control because before that scene E! Nikki has the real Nikki's nightmare about how Bear raped her. It makes me feel sick since she's like a child that can't comprehend what's happening or why this is all hurting, and why she feels terrified by someone she loves. She doesn't understand why she feels so violated when one of the scenes with her and Bear is her assuring him he didn't violate her cause that's what Bear wants her to be telling him
Dude I don’t care if Sarah is a pick-me girl and a bad friend, I wouldn’t wish Bear on her. That’s another thing I don’t understand about what I’m hearing and seeing from audiences that saw Obsession 😅
The “if only he’d given Sarah a chance” and “Sarah could fix him” makes me nauseous. The entire movie is about this entitled coward using a woman as a way of feeding his ego and filling the empty void of his life to her severe detriment. And you would allow another woman to be sacrificed to sustain him?
Sarah being tied up and naked, legs tied open, and a shell of herself, is what Freaky Nikki believes what Bear likes because he is using Nikki without her consent/ she isn’t there.
Nikki threatens to shoot herself in the vagina and actually pulls it out of there and limps. Because he cares about having sex with her, not her as a human being. It also emphasizes that the demon associates her vagina with violence bc of Bear’s SA on nikki
So I did go see Obsession again last night and made sure to pay extra attention to Bear’s little opening monologue when he’s practicing his love confession to Nikki.
Bear doesn’t say a single thing about Nikki as a person in his speech. He doesn’t say that he loves her kindness and how she cares for others, he doesn’t talk about how he loves her creativity or care-free spirit, he doesn’t talk about what he likes about her.
He talks about nice things she’s done for him. He talks about what she means to him. He talks about her being there for him, and how he likes how she’s treated him.
And while I won’t pretend that those things aren’t important, they are the only things Bear mentions in his big vulnerable romantic speech.
Bear’s “confession” tells us literally nothing about Nikki other than that she’s been nice to Bear in the past.
But in a subtle way, his “love confession” tells us a LOT about Bear and his actual feelings for Nikki.
He likes that she’s been nice to him. That’s it.
He likes that she’s been nice to him, and whether it was an unconscious process or not, Bear has responded to Nikki’s being nice to him by becoming obsessed and infatuated with her.
To the point that, once he’s (albeit initially unwittingly) in a position of power over her, he completely disregards her personhood and begins to feel entitled to her and her body.
That’s another layer to Obsession that I find absolutely chilling. That so often just being nice or polite to someone won’t lead to them showing you that same kindness in return, but will instead lead them to feeling entitled to you.
gonna go watch obsession in theaters. very excited to have meta thoughts after experiencing it on the big screen. for now i just wanna say that bear killing his cat through the negligence of his poor choices (re: leaving opioids lying around) is a BRILLIANT metaphor and piece of foreshadowing for like. literally Everything that's going to happen in his relationship with nikki.
I think the thing that is the most disturbing to me about Obsession is just how quickly it becomes totally clear that Bear not only never loved Nikki, but that he never even liked her.
In the little time we spend with Nikki before she becomes possessed “freaky” Nikki, Obsession goes to great lengths to establish Nikki as a person.
In just the first 15 minutes of the film, we learn that Nikki loves writing, she’s laid back, and that she cares very deeply for others. We see that she’s funny, she likes to gently tease her friends and joke around. She has ambition and wants to pursue her writing seriously. She has her own goals and thoughts and opinions.
She’s also characterized very well by her wardrobe, how she talks, her body language and expressions (courtesy of Inde Navarrette’s absolutely STUNNING and brilliant performance).
In a VERY short amount of time, the audience is given a VERY clear picture of Nikki’s personality and usual behavior.
Which makes her “transition” into “Freaky” Nikki all the more horrific when Bear makes his wish.
Because even if we give Bear some grace, and acknowledge that he couldn’t have known that the One Wish Willow would do what it did, and even if we treat his kissing her on the first night she comes over as morally grey (although in my opinion he absolutely did take advantage of the fragile mental state he believed her to be in), there is no way to excuse Bear blatantly ignoring that Nikki changes so drastically from the person Bear claims to be in love with.
After the wish, Nikki starts speaking differently and using a higher pitched voice, she starts dressing completely differently and wearing more traditionally “feminine” clothing. She suddenly drops her plan to quit working at the music store and pursue writing, she stops showing any care towards her other friends and the people in her life. She defers to Bear in every situation, with the only exception being any time Bear shows any sign of moving away from her emotionally (or physically).
After the wish, Nikki becomes a completely different person.
And Bear does not care or show any concern regarding this at all.
Everything that makes Nikki who she is, everything that makes Nikki, Nikki, is just gone after Bear uses the One Wish Willow.
And Bear couldn’t be happier.
We get a whole montage of Bear and “Nikki” as a “happy couple” hanging out together and ignoring everyone around them.
It’s not until Bear starts seeing actual consequences to his wish, such as “Nikki” causing a scene on their date or feeding his dead cat to him, that he begins to worry about her behavior.
And even then—EVEN THEN!!!!—Bear STILL adamantly refuses to accept that Nikki is not behaving rationally or how she used to in any way. While he eventually acquiesces to canceling his wish, he first tries to just “alter” it to make it so Nikki still loves him, but is just less intense.
He would rather use “Nikki” to satisfy his own desires and ego.
If Bear loved Nikki, hell, if he even just LIKED her for who she is, he would be horrified by “freaky” Nikki. He would have recognized and acknowledge extremely early on in their relationship, that something was deeply wrong. He would know that the woman he was with was not Nikki.
But Bear would rather have a bootleg version of Nikki that he can feel validated by, than have an actual relationship of any kind with the real Nikki.
He does not love Nikki. He does not even like her.
He likes the idea of Nikki. He likes the image of Nikki that he’s constructed of her, the image of her that only exists in his head.
He likes the fantasy of what Nikki would provide to him emotionally and physically.
From the beginning of the film, Obsession shows us exactly who its villain is. Nothing that “Freaky” Nikki does horrifies me as much as Bear’s treatment of Nikki and his refusal to see her as an actual person with autonomy.
For me that’s the most disturbing element of Obsession. That the people you trust the most and care about may be so obsessed with the version of you they’ve created in their mind that they’ll actively ignore your personhood and autonomy.
God. Obsession is so fucking good. I love film. I love cinema. Thank you Inde Navarrette. Thank you Curry Barker. Film of the year, if god hates horror fans why do we keep winning.
reading the original screenplay for obsession. i see why they cut this because it’s so in-your-face but godddd nikki (originally nicky) was basically telling bear what would be the moral of the movie and he just can’t absorb any of it
if i think too hard about nikki’s experience in Obsession i feel physically ill. imagine one second you’re just walking up to your house after a night out, and then the next, you’re looking out of your own body, but you’re not longer in control. you’re a prisoner to a terrible, unnatural version of yourself that only exists because of a choice someone else made. when you scream, nobody listens. when you claw your way out for long enough to explain that this isn’t you, nobody listens. when you beg the man who trapped you in this situation to put and end to it, to set your free, he just. doesn’t. listen. and then when you do finally regain control, all your friends are dead, and you are covered in their blood. because of a choice someone else made
on my second viewing of obsession, i had the realization that nikki’s story at the party wasn’t the movie using incest as an easy shorthand for making the audience uncomfortable or creating a general “things are off” vibe but was another way the real nikki was crying out—a metaphor for the fact that nikki, like gretel, is being made to fuck her “little brother” (bear) under duress, at the behest of an external magic (the witch’s spell in her story; obviously, bear’s wish)
One thing about Obsession (2026) that I enjoyed was that it almost asks you to feel empathy for the entity possessing Nikki as well as the real one. Like, obviously the things she's doing are horrific and fucked up, but I think the scene where Bear is asking her to "just be Nikki!" and she eventually just desperatly screams "I can't be Nikki!" does a really good job of showcasing the entity's inner feelings. She's been created with the sole purpose of loving this guy more than anyone else but no matter how perfect it is or how much he claims to love her, its not her that he loves, its Nikki. And any time she stops pretending to be Nikki, he reacts (albeit rightfully) with disgust and horror. She can't be Nikki because Nikki would never love Bear, and so Bear will never love her.
Predictions for Dungeons & Dragons under Hasbro's management in the coming years:
Uma Musume style horsegirls introduced to the Forgotten Realms; setting's lore revised so that they've always been there.
Advancement rules now stipulate per-session XP bonus based on lifetime D&D Beyond purchase history.
Compendium of exclusive feat trees for specific gender and sexual identities. Bisexuality receives no feats of its own, being mechanically implemented as "half gay"; the resulting synergies are disgusting.
Editorial error in revised Dungeon Master's Guide accidentally refers to Dungeon Masters as Hasbro's employees.
"Noble savage" coding of barbarian class walked back, refocused on European folkloric touchstones such as the Ulster Cycle; all barbarian characters become Irish stereotypes.
AI-based DM service trained exclusively on work of Ed Greenwood launched; withdrawn a week later citing "guiderail issues".
Expanded discussion of navigating player expectations frames "not showing up at all" as a valid playstyle.
Dragon-blooded sorcerer subclass revised to state that one of the character's ancestors was "very good friends" with a dragon.
Hasbro has indeed spent the last several years pushing back against dragonfucking jokes so hard that they've gone as far as to revise some of the setting lore to imply that dragons don't even fuck each other, but they haven't yet had the guts to pull the trigger on taking the option of literal dragon ancestry off the table for sorcerers.
(The 5.5E writeup for dragon-blooded sorcerers does list "making a bargain" with a dragon above the actual-ancestry option, though, which is funny as hell. Yeah, I'll bet it was a mutually beneficial exchange!)
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