show us the mgs yaoi
Brother. You can find the mgs yaoi by playing the game normally
so true evil shadow clone
Mike Driver
No title available
styofa doing anything
tumblr dot com
Peter Solarz
No title available
wallacepolsom

izzy's playlists!
Today's Document

Product Placement
Jules of Nature

if i look back, i am lost
AnasAbdin
Keni

@theartofmadeline
Lint Roller? I Barely Know Her

No title available

Love Begins

Kaledo Art
dirt enthusiast
seen from France

seen from Singapore

seen from Spain
seen from United States

seen from Türkiye

seen from France
seen from Spain

seen from United Kingdom
seen from United States

seen from France

seen from Kazakhstan
seen from Canada
seen from Belarus

seen from Philippines
seen from Türkiye
seen from Finland

seen from Malaysia
seen from Peru
seen from Germany
seen from Belarus
@roll-fizzlebeef
show us the mgs yaoi
Brother. You can find the mgs yaoi by playing the game normally
so true evil shadow clone
THE ARISTOCATS (1970) ⌊ dir. wolfgang reitherman ⌉
Shut up. That’s hilarious. I hope each and every cop involved has to personally give him $5000
I will post non-doodle non-joke art eventually 🤕
what’s on your mane, dad
while i understand where people are coming from i think its funny when people romanticize the old internet
"the internet now is so damaging to kids"
remember when it was like extremely easy to accidentally stumble upon beheading videos
i love the tags on this post because it's a mix of people acting like im exaggerating and people being like "i watched 1 guy 1 jar at a slumber party when i was 10 years old"
Speaking with the benefit of having been exposed to both beheading videos and 2girls1cup as a tween, I don’t think anyone is arguing the old internet was some kind of halcyon age with no problems- it’s that the problems were different, and they could largely be avoided by developing good habits on an individual basis
I, for example, learned not to click links from unfamiliar sources, and that if I did, I might see weird porn. And if I didn’t feel comfortable potentially seeing weird porn, I didn’t click unfamiliar links. Also, I didn’t know a single adult who thought the internet was safe for kids. When I got left alone with the computer it was because I got old enough to sneak around
The modern internet is largely bad in institutional ways that are impossible to avoid without a doctorate in computer security or becoming a mole person. The way data harvesting and algorithms damage kids, the way parents have been conditioned to think parts of the internet are somehow ‘kid-friendly’- I think there’s a clear difference between those things, and I know which one worries me more
Piraputanga jumps out of water to pick fruit off a overhanging tree in the jungle rivers of Brazil
I bet giant isopods are sooo delicious broiled in butter the whole thing is like lobster meat
This you?
Idk someone find me an isopod expert who could compare the tissue found in them to other shellfish and i will let you know but superficially Yeah Babey i will eat that bug like burger
That only applies to the tiny ones on land. The deep sea ones, which are that big, absolutely taste like crab or lobster and are in fact fished in some places. Apparently they also sometimes just get caught in lobster traps; they aren't necessarily restricted to the abyss!
Sudoku on the train home
He is like. Really good at it.
its of utmost importance you have sound on while watching this
TIL that Gothic literature makes a distinction between “terror” and “horror.” Terror is the sense of dread and apprehension that precedes an experience, horror is the sense of revulsion after an experience.
via ift.tt
Someone described the modern difference as such: Fear is knowing that a werewolf is hunting you. Terror is when you see it and it charges at you. Horror is realizing that your feet are stuck to the floor.
lust is
I’d like to thank the brave sniper that stopped that final comment
people will be like dom/sub kimharry but fail to consider that harry will be like “kim have I been a good boy 🥺??? do I deserve 👉👈 points” and kim will be like “sigh. yes. you have been a very good boy and you get a point” and then harry [secret task complete] [+10 XP] [skill point available] and immediately levels up his authority and flips them over and pins kim’s wrists to the bed
Hector Barbossa & Elizabeth Swann | Parallels & Developments
#These two had such an impact on each other–in a weird way it’s Platonic!Hades and Persephone #where she learns to become a better king of the dark sea and dead men than he ever could and he comes to almost admire her for it. #Just… y'all have been sleeping on this relationship. #Elizabeth didn’t retain shit from Jack Sparrow–Will did. She learned from Barbossa. (via @theimpossiblescheme)
THIS. Not only is Barbossa far more of a Proper (Cinematic) Pirate than Jack (with the outgrown Errol Flynn hair to prove it!), but he absolutely plays the role of Hades in Curse of the Black Pearl.
While Elizabeth first boards the Black Pearl (here functioning as both Hades’ chariot and Charon’s ferry) more or less voluntarily, Barbossa/Hades does indeed kidnap her and take her to the “land of the dead”—the Isla de Muerta. The Black Pearl also serves as a kind of limbo, holding men halfway between death and life. Much like Pluto of old, CotBP!Barbossa is strongly associated with both wealth and death, even more so than the other pirates. When they get to the “Underworld”, we see that the cursed crew members require a blood sacrifice to regain (permanent) corporeality, paralleling the shades Odysseus encounters who require blood to regain the ability to speak (Odyssey 11.24-50).
By the time At World’s End rolls around, Elizabeth has begun to catch up to Barbossa in terms of piracy and command. She visits another, more literal Underworld at Barbossa’s side; he knows the way, and she has more than learned from her previous experiences. It was Elizabeth thinking more piratically—thinking like Barbossa—that made the trip to the Locker necessary, after all.
In the end, she eclipses Barbossa in power and is crowned King, with her own beloved ferrying souls between worlds as she sails the seven seas. Like Persephone, Elizabeth straddles worlds and holds power in both, and it was Barbossa/Hades who first helped her get there.
(Anyway, this series owns my entire ass, follow for more irregularly scheduled Pirates content and hmu if you want a longer essay on how the Locker journey in AWE is a classical katabasis narrative with a sweet twist on Orpheus’ in particular. Also Barbossa quotes the Aeneid.)
Some lovely tags submitted to me by OP/@charlesdances:
#and I believe in a way Elizabeth makes Hector realize that it is possible for pirates to be masters of their own fate again #and had no problem in the end after her speech that the ‘maid’ from long ago #is now his king #and now he’s this amalgamation of weird mentor/uncle/man she asked to marry her and the love of her life #and i love how she KNOWS that he’s the only one brave/insane enough to guide them through that maelstrom #and when he responds with gusto she gives this GREAT BIG SMILE #as if to say ‘THERE’S the one and only pirate I know. There’s Captain Hector Barbossa.’
Elizabeth and Barbossa’s relationship is so underrated, I think this is the first time I’ve ever seen any of it put into words. The Hades/Persephone parallel is one I haven’t seen before but hoboy am I here for it.
I’ll blame a lot of factors for why people don’t really seem to understand the dynamics of these four characters. First of all, Jack is not the protagonist (the failing of OST is, in my opinion, that they forgot this little detail). Will and Elizabeth are the protagonists. Jack and Barbossa are secondary supporting characters, whose purpose in the plot is to drive the development of those two. Their influences on Will and Elizabeth are very specific. And when you analyze the relationships, you definitely see a very distinct pairing up. Will and Jack, Elizabeth and Barbossa.
Will needed Jack, because Will needed to learn how to put himself first sometimes, needed to learn to see things from more than one angle and that things aren’t as black and white as they seem. Will needed to see someone strange and confident and dangerous who could inexplicably do good things, who had a good heart (and, originally, Jack absolutely did; the fourth and fifth movies absolutely decimated this aspect of his character, and I will die mad about it) but was still able to be a little selfish. Because Will? Will had no concept of selfishness. Will was perfectly ready to sit and pine over Elizabeth for the rest of his life, to let a lazy, sloppy drunk take credit for all his hard work, to fade into the background and let life happen around him. That was how things were supposed to be. That was how the world worked. Black and white. Right and wrong. At least once more, Miss Swann, as always. I practice three hours a day so that when I meet a pirate, I can kill it. My father was a good man. Will is a good man, but he needs to learn to be a bit of a pirate. A bit selfish. A bit dangerous. And in the end, Will is cursed to captain the Dutchman, a twisted take on the immortality Jack has sought. His companions are dead men, his ship is a ghost. He is a legend. So, in a way, he surpasses Jack.
Elizabeth, though? Elizabeth had no need for lessons on shades of grey. Elizabeth likes pirate stories. Elizabeth loves the blacksmith’s apprentice, and flirts openly with him in front of her own father. Elizabeth is constrained, not by her desires, but by her station, by expectations. By love for her father, because it’s obvious in the film that her desire to please him is out of love, not obligation. What Elizabeth needs is to be shown how to take what you want. How to choose the rules you wish to follow, and hang the rest. She’s a natural leader, born into a world where no one would ever let her lead. Jack is a lot of things, but a leader, he is not. He inspires no loyalty, except in the form of debts to be paid. He keeps secrets from his crew, tells them nothing, trusts no one, and in return no one trusts him. Barbossa, meanwhile, was able to win over all but one member of Jack’s own crew and get them to turn on him. Barbossa had these men follow him for ten years, trusting that in the end, he would save them. Barbossa inspires confidence. He’s honest with his men, and honestly no crueler than is necessary to keep pirates in line. This is why Elizabeth is the King, because she respected Barbossa, watched him, learned from him. And, yes, surpassed him.
There’s something to be said, I think, for the fact that in the end, Will and Elizabeth both matched the two pirates, and then went beyond what they’d both accomplished.
Collecting these