
Love Begins
Cosimo Galluzzi
dirt enthusiast
Keni
Cosmic Funnies
he wasn't even looking at me and he found me
we're not kids anymore.

⁂
TVSTRANGERTHINGS
todays bird

Origami Around

oozey mess

pixel skylines
noise dept.

★
Show & Tell

tannertan36
Aqua Utopia|海の底で記憶を紡ぐ

祝日 / Permanent Vacation

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@rosencrantznewblue
Every person need to be taught disability history
Not the “oh Einstein was probably autistic” or the sanitized Helen Keller story. but this history disabled people have made and has been made for us.
Teach them about Carrie Buck, who was sterilized against her will, sued in 1927, and lost because “Three generations of imbeciles [were] enough.”
Teach them about Judith Heumann and her associates, who in 1977, held the longest sit in a government building for the enactment of 504 protection passed three years earlier.
Teach them about all the Baby Does, newborns in 1980s who were born disabled and who doctors left to die without treatment, who’s deaths lead to the passing of The Baby Doe amendment to the child abuse law in 1984.
Teach them about the deaf students at Gallaudet University, a liberal arts school for the deaf, who in 1988, protested the appointment of yet another hearing president and successfully elected I. King Jordan as their first deaf president.
Teach them about Jim Sinclair, who at the 1993 international Autism Conference stood and said “don’t mourn for us. We are alive. We are real. And we’re here waiting for you.”
Teach about the disability activists who laid down in front of buses for accessible transit in 1978, crawled up the steps of congress in 1990 for the ADA, and fight against police brutality, poverty, restricted access to medical care, and abuse today.
Teach about us.
Oh! Oh! I got one! Meet Edward V. Roberts-
Ed Roberts was one of the founding minds behind the Independent Living movement. Roberts was born in 1939, and contracted polio at age 14, two years before the vaccine that ended the polio epidemic came out (vaccinate your kids). Polio left Roberts almost completely paralyzed, with only the use of two fingers and a few toes. At night, he had to sleep in an iron lung, and he would often rest there during the day as well. Other times of the day, he breathed by using his face and neck muscles to force air in and out of his lungs.
Despite this being the fifties, Roberts' mother insisted that her son continue schooling. Her support helped him face his fear of being stared at and ridiculed at school, going from thinking of himself as a "hopeless cripple" to seeing himself as a "star." When his high school tried to deny him his diploma because he had never completed driver's ed, Roberts and his mother fought the school and won.
This marked the beginning of his career as an activist.
Roberts had to fight the California Department of Vocational Rehabilitation for support to attend college, because his counselor thought he was too severely disabled to ever work or live independently. Roberts did go to school, however, first attending the College of San Marino. He was then accepted to UC Berkeley, but when the school learned that he was disabled, they tried to backtrack. "We've tried cripples before, and it didn't work," one dean famously said. The school tried to argue the dorms couldn't accommodate his iron lung, so Roberts was instead housed in an empty wing of the school's Cowell Hospital.
Roberts' admittance paved the way for other disabled students who were also housed in the new Cowell Dorm. The group called themselves "The Rolling Quads," and together they fought and advocated for better disability support, more ramps and accessible architecture like curb cut outs, founded the first formally recognized student-led disability services program in the country, and even managed to successfully oust a rehabilitation counselor who had threatened two of the Quads with expulsion for their protests.
After graduation from his master's, he served a number of other roles- he taught political science at a number of different colleges over the years, served on the board for the Center for Independent Living, confounded the World Institute on Disability with Judith E. Heumann and Joan Leon, and continued to advocate for better disability services and infrastructure at his alma mater of UC Berkeley.
Roberts also took part in and helped organize sit ins to force the federal government to enforce section 504 of the Rehabilitation Act of 1973, which stated that people with disabilities should not be excluded from activities, denied the right to receive benefits, or be discriminated against, from any program that uses federal financial assistance, solely because of their disability. The sit-in occupied the offices of the Carter Secretary of Health, Education and Welfare building in San Francisco and lasted 28 days. The protestors were supported by local gay rights organizations and the Black Panthers. Roberts and other activists spoke, and their arguments were so compelling that members of the department of health joined the sit in. Reagan was forced to acknowledge and implement the policies and rules that section 504 required. This national recognition helped to pave the way for the Americans with Disabilities Act in 1990.
Roberts died of cardiac arrest in 1995 at the age of 54, leaving behind a proud legacy of advocacy and activism. Not bad for a "hopeless cripple" whose rehab counselor thought he was too disabled to ever work.
Visit the post for more.
Here is a great online course for disability history!!
“Black Panthers saved the 504 sit-in.” – Corbett O’Toole, participant in the 1977 504 protest in San Francisco
”Along with all fair and good-thinking people, The Black Panther Party gives its full support to Section 504 of the 1973 Rehabilitation Act and calls for President Carter and HEW Secretary Califano to sign guidelines for its implementation as negotiated and agreed to on January 21 of this year. The issue here is human rights – rights of meaningful employment, of education, of basic human survival – of an oppressed minority, the disabled and handicapped. Further, we deplore the treatment accorded to the occupants of the fourth floor and join with them in full solidarity.” – Black Panther Party media release on the protest, from website Disability Social History (click thru to see pictures of BPP news about the success of the protest!)
According to disability rights activist Corbett O’Toole, these advocates “showed us what being an ally could be. We would never have succeeded without them. They are a critical part of disability history and yet their story is almost never told.”
They were running a soup kitchen for their black community in East Oakland and they showed up every single night and brought us dinner. The FBI [guarding the building entrance] was like, “What the hell are you doing?” They answered, “Listen, we’re the Panthers. You want to starve these people out, fine, we’ll go tell the media that that’s what you’re doing, and we’ll show up with our guns to match your guns and we’ll talk about who’s going to talk to who about the food. Otherwise, just let us feed these people and we won’t give you any trouble” – and that’s basically what they did.
Please read up on the Black Panthers' involvement in the 504 movement, they were integral to the occupation lasting as long as it did and were INCREDIBLY ACTIVE PARTICIPANTS! They are more than a footnote in that part of disability history, and I want more people to know this part of their legacy!
Read about Bradley Lomax (and his aid and fellow organizer Chuck Johnson, who I've struggled finding sources on outside of articles on Mr. Lomax :( ) here and here! Together the two were integral in bringing Black Panther Party organizing and activism to the disability rights movement!
I wish there were more information on Mr. Johnson, as his work is dear to my heart as someone who also requires caregiving. ;3; <3 Considering how little information there even was available online for Mr. Lomax just ten years ago I am hoping we get more coverage of Mr. Johnson's contributions to this important part of disability history sooner rather than later. I do not want his activism ignored!
Do not let the full richness of our history be whitewashed! The Black Panthers kept the protestors fed, they HEAVILY publicized the protests in their paper The Black Panther and agitated on the protest and protestors behalf, and paid organizers' way to Washington to pressure the HEW secretary to actually sign the damn act. In turn, the Panthers did this because the Oakland ILC did outreach to them, and helped Mr. Lomax with transportation. This is solidarity buried under focus on the white organizers. Please please please cherish it. Keep it close to your heart, read about it, celebrate it, share it!
Obviously there were more Panthers who helped but I have already lost the first draft of this and I'm starting to fade -- here's two more detailed sources to read for more, and I highly recommend you do!
The Intersections and Divergences of Disability and Race
Lomax's Matrix: Disability, Solidarity, and the Black Power of 504
I absolutely love the direction they decided to go with the black goo from Prometheus and how it ties into the themes of the film and the franchise.
Rook and Weyland wanted to use the black goo to make humanity better at colonization by ridding humanity of its weaknesses and limitations. But as a result, it creates a human without any humanity.
You even see that same theme in the chip that Andy used to "upgrade" himself with. He wanted to use it to better help the people he cared about, and yet in doing so he lost the care he had for them and tragically ended up becoming more like the cold machine that Weyland-Yutani wanted him to be.
Both the chip and the black goo are perfect metaphors for how people try to obtain, use, or embrace certain things to make themselves "more perfect" or gain more status and power in the system or society they're a part of. And yet by doing so, they lose the things that make us human and become more like mindless machines that think of nothing but serving a system that doesn't care about anything or anyone except those who benefit from it the most.
"How do I plot a book" You don't. You start writing. You make notes about ideas you have while writing. When you're finished, you bring everything together like a puzzle. You fix potholes, you delete dead scenes, you bring in funky dialogue. You let someone else read it and put some patches on it. Tada! There's your book.
I'm a professional FT writer who plots all my stories. Short stories, novels, fanfics, all of them.
Some people like to wing it. But here's info for those who, like me, prefer not to.
A link to a very rudimentary guideline.
But I suggest, very strongly, that you get yourself to a library and check out books about how to write a novel.
If your library doesn't have many, or any, you can ask the librarian for an Inter Library Loan (ILL). You can borrow a book from anywhere in the country, sometimes from other countries, for free.
Some examples:
Getting into Character by Brandlilyn Collins
The Writer’s Journey by Christopher Vogler
Story Structure Architect by Victoria Lynn Schmidt
20 Master Plots and How to Build Them by Ronald B. Tobias
90 Days to Your Novel by Sarah Domet
From First Draft to Finished Novel by Karen S. Wiesner
Make a Scene by Jordan E. Rosenfeld
Writing the Breakout Novel by Donald Maass
How to Write and Sell a Christian Novel by Gilbert Morris
The Fire in Fiction by Donald Maass
Self-editing for Fiction Writers by Renni Browne and Dave King
I highly recommend The Art of Dramatic Writing by Lajos Egri. This is about writing plays, but it also is perfect for writing prose.
If you're writing in a particular genre -- fantasy, sci fi, mysteries, romance -- you can find books about writing those.
If you don't have a local library, you can buy used books on ebay or on Abebooks. Just buy ones in "acceptable" condition, which are the cheapest. You don't need them to look new, only to be readable copies. You can always buy good copies later if you want to. Also check out any used bookstores in your area.
Professional novelist Alexa Donne has a good video on this. Check out her other videos as well.
Good writing!
looney tunes as pics I had saved on my phone
bugs bunny:
daffy duck:
elmer fudd:
foghorn leghorn:
marvin the martian:
pepé le pew:
penelope pussycat:
porky pig:
tasmanian devil:
yosemite sam:
This deranged fellow (whom I love)
He caught a glimpse of a most singular thing, what seemed a handless arm waving towards him, and a face of three huge indeterminate spots on white, very like the face of a pale pansy. Then he was struck violently in the chest, hurled back, and the door slammed in his face and locked. The Invisible Man, Ch. 3 - A Thousand and One Bottles
I loved the imagery here, and even though I had to look up a pansy flower, I think if you knew what it looked like it's a very apt comparison. The three splotches corresponding to the nose and eye holes in Griffin's bandages.
“The Anti-Transcendentalism of Moby-Dick” by Michael J Hoffman [x]
niche and self indulgent valentines that cater to me specifically (if they cater to you as well, i will be so happy)
Someone today will read Shakespeare’s hamlet and say omg he’s just like me fr. Another person will read moby dick and proclaim Ishmael as an adhd king.
A person grieving for their recently deceased lover reads the iliad and they watch as Achilles rages and rages and god how righteous anger fueld by love is so devastating that it’s ramifications still affect the world several thousand years later.
We might one day settle down and read the epic of gilgamesh and watch as a king has to accept the death of the person he loved the most. One of the very first stories ever written and it was about coping with death, and how to grieve.
We don’t read classics because they’re old, we read them because they remind us that we are never alone. That a character created over 500 years ago struggled with the exact same problems we all still have today. That even a king from centuries past had to deal with death just like me. That’s what makes stories so powerful–they prove to us that we are never truly alone in what we are feeling.
See here’s the thing. It’s not that Secret of NIMH is a bad movie. It’s not that themes about believing in yourself, or about The Power Of A Mother’s Love, are necessarily bad.
It’s that–
It’s that the book is so much bigger and so much smaller. So much more.
It’s that We All Help One Another Against The Cat. And that saves an entire civilization, in the end. And it saves the life of a single little boy. And those things are equally important in the end.
In Mrs Frisby And The Rats Of NIMH, everything, the whole world, comes down to this in the end: No act of kindness, no matter how small, is ever wasted.
An elderly mouse sets up shop as a healer, charging nothing, asking nothing in return. The frightened single mother gets free medicine from him. Because she has a doctor to go to, she’s in the right place at the right time to see a very young crow tangled in string, and stops despite the danger to free him. Moved by her patience and courage, Jeremy refuses to abandon her and risk her being killed by the cat whose attention his struggle has caught. He is gracious and polite and humble as he flies her to her home, so she swallows her irritation at his youthful foolishness and speaks to him respectfully, so a friendship is forged between them that lasts longer than a single mutual rescue, so she tells him about the danger her son is in, so he vouches for her to an owl. The owl is interested enough by her nerve and the unlikely bond of friendship between them that he gives her his genuine time and attention and speaks to her for long enough that Jeremy calls out to her by name to see if she’s safe, which means the owl recognizes the name, which means he can send her to the rats–
Simple, understated, mundane, none of them coincidences. All of them a choice. To do what’s right and not what’s safest. To do the hard thing and not the comfortable one. To act with compassion even when you’re annoyed at the deviation from your plans.
Justin opens a cage door for eight little mice who mean nothing to him, who he’s never met before. Nicodemus sees the smaller, lighter mice in mortal peril and reaches out instinctively to grab one, two, and the rest are gone before anyone even has time to react. The entirety of A Group having seen what comes of carelessness grimly throws themselves into keeping these two vulnerable mice alive, bracing them with their bodies, holding them close, anchoring them to safe points. Mr. Ages, not Nicodemus, proposes using a screwdriver as a pry-bar. Jonathan crawls through a hole too small for rats and frees them all. Justin burns hours they cannot spare to venture back into the tunnels–
(Having escaped, having reached freedom and safety against all odds but knowing others were left behind, he turns back–)
–Calling, hoping, and they find no one and it was still worth the risk, even if no one was saved, because they might have been. The care he shows for the mice means Jonathan and Mr Ages stay with them past the escape, form a friendship that lasts years. That gives his name such respect among them that when they hear it, they drop everything to care for his wife and son.
Dragon cannot be drugged because they have no mice to run the risk anymore. The rats decide there’s nothing for it–they will work in the open. Risk not only their lives but the discovery of their entire civilization if caught, in order to move a cinder block eight inches to the right, to save the life of a single tiny child, their dead friend’s son. The child’s mother volunteers to run the risk for them. A human boy says wait, don’t let the cat in yet, I’ve caught a mouse because human boys are loud and big and clumsy and it’s traumatizing and she’s hurt but Billy Fitzgibbon saw a tiny vulnerable thing and wanted to keep it safe. And so she remains in the kitchen, and hears about the death of Jenner’s team, and is able to warn the rats just barely, barely in time.
Because Jenner was not a villain, because he was never cruel. Because he disagreed with his oldest friend but Jenner and Nicodemus never hated one another, so they never wanted anything but the best for each other. So Jenner and his supporters defected peacefully. So their terrible, fatal mistake happened in the public eye, not too far away, because there was no hostility between them. Because they only ever wanted one another to be safe and happy, in the end.
And the surviving rats escape, save for one who stumbled and fell as he ran from the gas, and one unnamed who might have been Justin, who might not, and does it matter whether it was someone we knew, does it matter, should we mourn him less if he wasn’t, does his name matter more than that he was kind and brave and died for it? That after being kinder and braver than anyone had any right to ask, he dragged one last brother out of a cloud of cyanide and then went back?
They escape, they survive, just as surely as Timothy will grow up strong and healthy and the Frisbys can now return every year to a safe, warm home and never have to leave it. A civilization deep in the forest, safe and secure and entirely their own, because Mrs. Jonathan Frisby was in the right place at the right time to tell them to hide their machines and run–
Because she was kind to a crow.
Because she had a neighbor who dedicated his life to helping others.
Because her husband died helping the rats build a home that was their own, that he would never share in.
Because they were his friends, because he opened a grate for them once, because they held him close and shielded him with their bodies when he was too small.
Because a rat named Justin opened a door.
Because kindness is hard and scary and hurts sometimes, but it’s always worth it, it’s never wasted, compassion finds its way back to you in the most unlikely ways and even when it doesn’t, when you get nothing in return, it was still worth it to try.
Because we all help one another against the cat.
And how dare Don Bluth look me in the eye and try to say that isn’t good enough.
How dare you try to tell me that isn’t magic.
I’m running an Introductory Animation Workshop with creative arts students this Saturday (August 20, 2016) for The School of Creative Arts Open Day at Melbourne Polytechnic’s Prahran Campus. I’ve rotoscoped and broken down some of the greatest dance gifs to their basic poses and we’re going to collaboratively design characters then MAKE THEM DANCE!!
Come down, check out the campus and say HI!
I can’t wait to see the weird animated goofs that result from this workshop, I’ll post them in a couple of days so we can all be in awe of their hilarious spontaneity!
This was such a fun thing to make and do! YOU SHOULD MAKE ONE!!
The Invisible Man, Ch. 2 - Mr. Teddy Henfrey's First Impressions
I thought this chapter illustrated well Griffin's basic tendencies and how he tries to force himself into niceties when he knows that's how he'll get what he needs. Whereas in the first chapter Griffin was dismissive of Mrs. Hall's attempts to draw out information, here Griffin willingly gives her what she wants:
columns of kelp underwater are so gorgeous. absolutely one of my favorite things in the natural world
these are equal parts underwater city and underwater forest
And underwater cathedral too. This is where I go to absolve my sins.