Three Goblin Art

Andulka

roma★

Origami Around
$LAYYYTER
macklin celebrini has autism
Peter Solarz
taylor price
Cosimo Galluzzi

shark vs the universe

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Monterey Bay Aquarium
noise dept.

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we're not kids anymore.
Show & Tell
tumblr dot com

izzy's playlists!
Sade Olutola
Cosmic Funnies
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@silveragelovechild
Superman Everyday
Superman Everyday
(Dumb! The woman clearly walked into traffic. What about the truck driver who was probably severely injured when the truck hit an immovable object?!? Why would the writer/artist even think this was okay?)
Wonder Woman '77 - Chase in the Alps (fan comic)
Short 4-page comic that I made based on the 70s Wonder Woman TV show starring Lynda Carter as Diana Prince/Wonder Woman and Lyle Waggoner as Steve Trevor, which I and many fans always believed should have had an episode in a ski resort, a staple of the 70s!
Below some character sheets I created and used as reference for the art:
The Traveler by Joseph Eckert
I listened to a new audio book - “The Traveler”. I enjoy time travel stories, so I thought I’d give it a try. The description reminded me of “The Time Traveler’s Wife”. In that novel, a man spontaneously travels in time through his own lifetime. In “The Traveler”, a man spontaneously travels forward in time, first one day, then two, then four, etc. Soon he moves forward in time years, then decades, millennia, epochs…
Fairly quickly, the story became repetitive - the man moves forward in time, bemoans the breakup of his marriage, and missing seeing his son grow up. Then the next jump, and he bemoans it again, and again, and again.
I started skipping forward a little. By chapter 19, the man had moved far enough into the future that the story became post-apocalyptic - not a genre I particularly enjoy. And there were still another 9 hours to go!
I began skipping entire chapters. The story evolved into several other genres. (Survivors in the far future consider the man a messiah or a harbinger and a religion develops.) I was reminded of a dozen different Twilight Zone episodes.
The ending wants to be profound. It wasn’t.
With the popularity of super hero comic book movie, I tried to image what a Legion of Super Heroes might look like. I’ve done several different versions of the team members. More tomorrow!
Kings of Atlantis by Darryl Young
Superman Everyday
Hugh Jackman became a huge movie star with the release of “X-Men” (2000). His character Wolverine was so popular that he took over the franchise with a major storyline in 8 movies. The character was killed off in “Logan” (2017). But comic book characters never stay dead, and Jackman returned 7 years later in “Deadpool & Wolverine” (2024), which made over a billion dollars.
I was curious how successful Jackman’s non-Wolverine movies did at the box office. A movie typically needs to make 2 to 2.5 times its production budget at the box office. Why? The theater chains keep half of the receipts, and advertising can cost as much as the production budget.
Based on that, Jackman’s last ten movies have mostly lost money. (Figures from Wikipedia.) Jackman is 58, how much longer can he continue playing Wolverine?
(Budget/Box Office)
2015 - Eddie the Eagle ($23M/$46M)
2017 - Logan ($127/$619)
2017 - Greatest Showman ($84M/$472M)
2018 - The Front Runner ($25M/$3.3M)
2021 - Reminiscence ($64M/$16M)
2022 - The Son - $6M/$3.8M
2024 - Deadpool & Wolverine ($533M/$1.33B)
2025 - Song Sung Blue ($30M/$58M)
2026 - Sheep Detectives ($75M/$128M)
2026 - Death of Robin Hood ($20M/$5M)
Gunn set up Supergirl for failure when he introduced her in the cameo at the end of Superman. Supergirl was depicted as drunk and rude. And the trailers were more of the same. No thanks.
Then the film opens with Krypto peeing on a photo of Superman. Soon Supergirl sits on a toilet to pee. Later a henchman decides to pee on screen. None of this was needed nor funny.
Worse, Lobo called Kara “tits” at one point. Ugh!!!
Then I’ve read the screenwriter didn’t understand the end of the comic, so she made it worse by having Supergirl #### someone. The fact that Gunn and the director kept that in the film further proves none of them understood the character of Supergirl.
Gunn’s THE Suicide Squad was a box office failure. Safran company produced Blue Beetles and it was a box office bomb. Why were they put in change?
Coming away from testing, DC knew there were hurdles ahead. The response to Supergirl was 'good, not great,' and that's not super.
Although I loved David Corenswet in his Superman movie, I can’t say I was too excited about Supergirl, who appeared in a brief scene at the end of the movie. She was rude and obnoxious. So I wasn’t looking forward to seeing more of her. My negative feelings intensified when I heard Lobo would be in the movie too. (Ugh!) Lobo was created in the comics in the 1980s to mock all the ultra-violent characters introduced at the time.
A week ago, I read an online article that theorized that Supergirl’s bad attitude was due to her experiencing firsthand the destruction of her people and the death of her parents. This contrasts with Clark leaving Krypton as a baby and growing up in a wholesome environment with the Kents. That explains their different outlooks… one hopeful, the other not so much.
So based on that interpretation, I decided to see it despite my misgivings. Before sharing my review, I should mention two comments I overheard at the end. A guy behind me said, “It wasn’t that bad.” His friend replied, “It wasn’t that good either.” I thought it was somewhere in between.
The plot is simple… Supergirl (aka Kara) is away from Earth, partying on a planet without a red sun, where she can feel the effects of booze. But an evil alien shoots Krypton with a slow-acting poison. So she needs to track down the alien and get the cure. Along the way, she meets a young girl who wants to find the alien and kill him because her murdered her family.
Krypto is mostly only in the beginning and the end. Which is good because a little of him goes a long way.
I liked Milly Alcock as Kara/Supergirl. While she isn’t “hopeful” like her cousin Clark, you can feel her potential. She carries the movie and makes it worth seeing. I also liked Eve Ridley, who played the alien teen. She’s a good counterpoint to Kara’s bad attitude.
Belgian actor Matthias Schoenaerts plays the alien villain, the head of a gang that kidnaps women and girls to make them sex slaves. He never felt like a real threat. His “look” is meant to be scary/grungy, but he comes across looking comical.
Jason Momoa as Lobo, an alien bounty hunter, doesn’t add anything to the plot. He feels shoehorned into the movie. All of his scenes could be cut, and it would make no difference to the plot. Worse, Lobo could have been played by anyone. Momoa’s voice sounds like it was heavily processed, the makeup hides his face, and it even looked like he had rubber muscles. They probably wanted Lobo to be the next Wolverine… but he comes across more like another generic villain. To make Lobo edgy, he even refers to Kara as “tits”— ugh!!!!
I liked the flashbacks of Kara’s origin. As in the comics, her father saved hundreds of people from the destruction of Kyoto by using a force field. But over the years, the same atomic reaction that caused Krypton to explode caused the ground beneath the city to turn into Kryptonite. Kara’s father sends her to Earth to save her life.
I’ve always enjoyed the glimpses of Krypton in the comics, the cartoons, and movies. But Krypton’s “culture” in this movie doesn’t jibe with the evil-alien-overlords depicted by Bradley Cooper in Corenswet’s movie.
Early parts of the film are heavily influenced by the cantina scene in Star Wars. Some of the weird aliens are cool or cute, but many look like CGI. There are a number of fight scenes throughout the movie that all look and feel the same.
Kara disappears from the plot for 10 minutes towards the end to give Jason Momoa some screen time. But he doesn’t do anything useful.
Kara finally confronts the evil alien while Lobo/Momoa looks on using binoculars. (I told you he was useless.) Then Kara does something that I think lots of fans will hate. I was “okay” with it, but maybe instead Lobo could have stepped in and actually helped.
The director and writer must think urinating on screen is a thing nowadays. It’s “shown” three times.
AND it was nice seeing David Corenswet a few times.
3.5 out of 5 stars.
Doc Sampson
Mysa
Shrinking Violet has questions. By Gene Gonzales.
How much money did they make?
I was listening to Matt Belloni’s “The Town” episode where it is discussed how profits “Obsession” would be distributed. Curry Barker’s horror film is the rare exception of an independent film to actually make a profit (estimated at less than 2%).
The budget for “Obsession” is estimated at $750K. It was purchased by distributor Focus Features at a festival for $15M. That’s a guaranteed amount with more due if the movie is successful.
The movie has broken multiple records - making more money each successive weekend than opening weekend. This is incredibly rare. Its current box office is $250M.
An art director in the film recently complained online that she only got paid less than $10K for her work on the film. That’s what triggered the conversation of the podcast.
Rather than the movie be a star on her resume, she complains. One comment the podcast emphasized was that the real rewards for the stars (who were paid union scale) and the director - is what they will be offered in the next film. I know I’m not being sympathetic to her complaint, but the art director comes off as naive.
Anyway, with a box office of $250M, the theaters keep 50%. The vast majority of the remaining money goes to the distributors and producers (and the countless number of agents and attorneys who got involved as various deals were negotiated).
It’s estimated that Curry Barker, the director, will make $10M to $20M of the $250M total. The lead actors may have received “points” - a percentage of future profits. (When you hear about a point as a percentage, in Hollywood, a point is actually a 1/2 of a percent of the profit). So a point on “Obsession” is estimated to be about $150K on a movie that made $250M to $300M at the box office.
Barker is already working on his next film, “Anything but Ghosts,” which stars Aaron Paul (from Breaking Bad) and Dallas Bryce Howard. Apparently, he’s agreed to direct a “The Texas Chain Saw Massacre” reboot— which I think is a mistake— but apparently it’s one of those films that sparked his interest in horror.
Podcast Episode · The Town with Matthew Belloni · June 12 · 41m
Apparently in a Chinese cut of “Disclosure Day” film, subtitles reveal the message the aliens had Emily Blunt deliver at the end.
“你们是虫子”