“Black Cloud” for the exhibition “The Accursed Hour” by Carlos Amorales at Fondazione Adolfo Pini | Ph: (1&2) Andrea Rossetti (3) Alessandro Spadoni
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“Black Cloud” for the exhibition “The Accursed Hour” by Carlos Amorales at Fondazione Adolfo Pini | Ph: (1&2) Andrea Rossetti (3) Alessandro Spadoni
Some ceramic trinket dishes from last month!
These are slightly curved inwards to help contain items from teabags to jewellery. :)
I have unsold work from my last market so the remainder of these dishes will be available via my online store along with plenty of other functional and sculptural wares, 3pm est tomorrow!
its rude to reblog things from people you arent mutuals with fyi. :/
💀 my brother in christopher
it's true and you should say so louder
I don't know any of you, hitting the reblog button.
All fantasy authors wish they had a bigger bathtub in their house. You can tell by every bathing scene ever written into a fantasy novel
In Defence of Buttercup
Buttercup’s supposed passiveness is the crux of most critiques of The Princess Bride. But I’d argue that Buttercup acts in her own interests throughout the movie, making moves to secure her own future from her position of powerlessness. For the entirety of the movie barring the first and last scenes, Buttercup is a captive. She has to marry Humperdink in accordance with the law- she has no choice. In this moment we see her at her most passive. She’s accepted that he will marry her regardless of her feelings and she seeks her happiness in other places. Then she gets kidnapped. From that moment to the end of the movie Buttercup gets passed back and forth as the trophy everyone fights over. However, she doesn’t sit idly by. She attempts to escape Vizzini by jumping overboard into eel infested waters. That’s a brave move. She doesn’t know who is on the other ship she swims towards. She only hopes they won’t kill her like Vizzini plans to. Her failure doesn’t negate the bravery of her actions. Then she defies Wesley before she knows his identity. She tries to kill him by pushing him down the hill. He turns his back for one second and she makes a move against a man who she thinks will likely kill her. She saves Wesley when they exit the forest. Yes, it backfires, but she doesn’t know that. From that point on, Buttercup makes deals and argues with Humperdink in an attempt to get out of her betrothal. She uses any argument in her arsenal. It doesn’t work because she doesn’t know what he has planned for her.
Do you notice a theme? Because as I wrote this I noticed that Buttercup makes moves without context, which is why her escapes never work. She is a character acting without the information to succeed. That’s not her fault. That’s not passivity. That’s plot. The plot actively works against Buttercup freeing herself. So maybe we cut her some slack.
The world demands I make good choices on no information, and then blames my maidenhood for my mistakes, as if my maidenhood were responsible for my ignorance. Ignorance is not stupidity, but it might as well be. And I do not like feeling stupid. - The Curse of Chalion
Considering the possibility of Holmes being related to the Addams Family, probably on Morticia's side for the Frenchness
Primarily based on these images
But also because I want Holmes and Morticia to speak French, and for him to fence with Gomez, and teach the kids about poisons and criminals
(The family all adore Watson and find him absolutely fascinating, of course)
“Here’s a letter for you, old man,” I announced as I sifted through the morning post one grey day in October. “Not a lot else, I’m afraid.”
Holmes folded down the top of the newspaper he was reading so he could see me. “A letter from whom?”
“Not sure.” I turned it over to study it as best I could. The envelope was thick and expensive, postmarked from America. The ink was rich and black, and it smelled unexpectedly floral, with an odd sulphuric note underneath. “Looks to be a woman’s writing, I’d say.”
“If you would.” He held out a pale hand. I passed him the envelope and he neatly sliced it open with his pocket knife. A single page slipped out onto his breakfast plate. He unfolded it with a flick of his wrist, then smiled. “Ah! Morticia.”
“Morticia?”
“Addams. She is my second cousin.”
I was immediately intrigued, for Holmes so rarely talked about his relatives. It had taken several years after our meeting for him to bring up the subject of his elder brother, who lived and worked barely an hour’s walk away. I wasn’t surprised that a second cousin in America had gone unnoted until now.
“Unusual names run in the family, I see.”
Holmes smirked. “Her grandmother was my great-aunt Séraphine, who met and married a quite singular gentleman named Algernon Frump while travelling. They settled over in the States many years ago, and dear Morticia now resides there with her husband.”
“Why does she write you?”
“She is arranging a sort of family reunion on All Hallow’s Eve. Apparently it has been far too long since we have all seen each other.”
“How long is that?”
“Several years at least. It was certainly before you and I met.”
“And will you oblige her?”
“I suppose I will.” He folded the letter and placed it neatly back in its envelope, tucking it into his inside pocket. “You’ve been angling for a holiday, my boy. Would this satisfy you?”
“Wouldn’t it be terribly rude?” I asked, startled. “She has invited you, not me.”
He tutted. “Nonsense, Watson! Morticia knows we live together, of course.”
“How?”
“She will have read your book.”
“Oh! Well that is kind of her. But a family reunion, Holmes, I am not—”
“You are my partner and intimate friend. I assure you there are members of the Addams clan with far more tenuous connections, and many of them also of no blood relation. You will not be out of place, and they will be glad to meet you.”
What an intriguing person.
THE SHADOW SOVEREIGN 昭阳公主 China, 2026.
today i learned that the finnish word for ‘hazardous waste’ is ongelmajäte, which can also translate as ‘problematic garbage’ and my roommate and i immediately agreed this is a word that belongs on tumblr.
Your fave is ongelmajäte
in german it’s Sondermüll which means special trash and that too belongs on tumblr
One man’s ongelmajäte is another man’s sondermüll.
The way I want to import Liu Yuning’s character from AJTL into Overdo and lay the law on all these people:
Almost every Overdo character needs to hear this:
This man could make bank running a psych counseling session for all the Overdo nutters.
i am often tempted to write pointless fics of cdrama leads in therapy. for overdo the fic would end with the therapist quitting their profession and opening a tea shop at the seaside somewhere.
The AJTL crossover would be hilarious. In this instance, the therapist would definitely use a sword for emphasis
Ms. Marvel #5, by G. Willow Wilson & Adrian Alphona
[Good is not a thing you are. It’s a thing you do.]
#this is the most important panel in the history of comics
Oh, it sounds like we're going to the theater. Minus the Playbill.
4.01 "Valles Marineris" STAR TREK: STRANGE NEW WORLDS (2022–)
So, Master Shen... will you share my bed every night from now on? THE SHADOW SOUVEREIGN 昭阳公主 China, 2026.
Head empty only thoughts of the rogues being approached by Batman and the Batfam on their nights off to help take down other rogues.
The Riddler, out for cocktails wearing the Moschino 1994 Question Mark Coat: Oh my fucking god, what do you want?
Batman, stood in the strip club: The Joker left me a riddle.
The Riddler, slamming down his cosmo: His bitch ass did what? Give me that shit.
Steph: He's kidnapping kids and selling them to militias-
Penguin: No, I heard what you said. I don't fuck with human trafficking. I'll have the docks cleared in the hour. Just leave that Black Mask bitch to me.
Poison Ivy, opening her apartment door: Harley isn't here, Red.
Jason: Yeah, I want you to settle a debate for me.
Poison Ivy: I get one day off and you-
Jason: Dried or fresh herbs?
Poison Ivy: What the fuck? Fresh obviously.
Jason, into his cell: Do you hear that, old man?
Batman: I'm making a stew. Agent A said-
Poison Ivy, snatching the cell: Answer me this, Bats. Would you taste better fresh or dried out like jerky, huh? Tell you what, call up Big Blue and ask him.
Batman:
Jason:
Poison Ivy, covering the phone: Oh don't look at me like that, Red. Even Catwoman said they're fucking.
Overdo: a summary
HBO Rome has its share of problems as a a historical show but they don't often bother me because a. I had fair warning beforehand so could adjust my expectations accordingly b. I don't know that much about the political aspect of the era so there are definitely some major inaccuracies that I just blissfully don't notice 😌😌 and c. its representation of just the general flavor of Roman culture delights my shallowest expectations so much that it makes up for most the show's other shortcomings.
There's graffiti on every wall and a shrine on every corner, Pullo is negotiating transactional favors with the gods, people can't get work bc slaves'll do it for free, there's elaborate religiously-tinged swearing, despite installing himself as dictator Caesar still has to get the priests on his side so they'll make sure the bird-movements they interpret are favorable to him, "uuugggh we conquered Gaul and made it part of Rome but we never considered the fact that those ugly dirty Gauls would actually end up in Rome afterwards," the news announcer with his oratory gestures and sponsorship messages keeping a mostly-illiterate crowd informed, getting to see the shiny religious/political center of the city as an artificially maintained island in the midst of a surrounding seedy, smelly, swampy, under-structured and overpopulated reality (something something "Greece's republic vs Rome's shithole" or however that quote goes), the glimpses of larariums in the houses and people attending to them in the background, Rome only functional because it can make a new colony to parasite from every 3 years but then everyone loathes the idea of having to live in The Provinces, uh-oh sister-in-law got wasted at your party and knocked over the bust of Janus now your business is hexed and you'll have to do a bunch of sacrifices if you want that sorted out, Servilia is out here cursing her ex with erectile dysfunction, slavery is mundane and normal and comes in every flavor-- from Atia's slaves who she beats and berates only to cry on Merula's shoulder like a child, while the latter definitely has some sort of genuine loyalty and affection for her mistress (if, perhaps, only pityingly), Caesar and Posca and Servilia and Eleni and their close relationships bordering on genuine friendship, Pompey telling his slave he must be "lucky" not to have to make his own decisions and Octavian telling that young prostitute he feels sorry for her having been taken from her home and made a slave by Rome but having no qualms or questions at all about the process/institutions that caused it, the antagonistic, friendly, competitive, conspiratorial relationships between the slaves themselves, within and without various households-- you've got people who are devoutly religious and people who definitely aren't and people who are ritually devout while living dogmatically outrageous lifestyles and people who absolutely think a host of gods and spirits control every facet of the world and life but still don't care and Octavian with his "some sort of divine cosmic power definitely is at the root of everything but it has no real interest in us or our lives" and Gaia confessing to murder on her deathbed even though she knows it will tarnish her relationship and memory forever because she genuinely believes the gods will torment her for her crime if she doesn't--
They really, really committed to trying to show people in the past dealing with the same insecurities, appetites, and big-and-small-scale woes as modern people while still representing them as living in a vastly different world from our own-- and one represented through huge, beautiful, detailed, living-feeling sets and set dressing 😍 -- with hugely different attitudes and mores and didn't feel the need to strip that layer of alienness to make things more easily digestable or "believable" (which is, frankly, tv talk for "not challenging to an ignorant viewer's ill-informed historical understanding," something I consider unforgivable) to a modern audience. They did that so much that I think the only time I've seen it done better was in The Northman (which is craaaazy to say) and there are few other shows or movies I can think of that come close to matching that effort. It's what I love best about the show and I think one of the things that made it such a standout and has made it a classic since.
SEBASTIAN STAN as THE WINTER SOLDIER | CAPTAIN AMERICA: THE WINTER SOLDIER