Let the radiation take me too. I'll lie in the ground next to you and next to mom. I am one tiny life. What difference does it make whether I live or die?
SUPERGIRL (2026) dir. Craig Gillespie

Game Changer & Make Some Noise
YOU ARE THE REASON
Fai_Ryy

izzy's playlists!
The Stonewall Inn

Love Begins
d e v o n
Cosimo Galluzzi
occasionally subtle
todays bird
Monterey Bay Aquarium
đ©” avery cochrane đ©”
Cosmic Funnies
ojovivo

Jar Jar Binks Fan Club
Noah Kahan
noise dept.

Andulka
Xuebing Du

pixel skylines

seen from United States
seen from United States

seen from Malaysia
seen from France
seen from Malaysia
seen from Singapore

seen from China

seen from France

seen from Australia

seen from Canada

seen from TĂŒrkiye
seen from United States
seen from Togo

seen from Netherlands

seen from United States

seen from Malaysia
seen from United States
seen from India
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seen from Malaysia
@sarahexplosions
Let the radiation take me too. I'll lie in the ground next to you and next to mom. I am one tiny life. What difference does it make whether I live or die?
SUPERGIRL (2026) dir. Craig Gillespie
Cookie Monster's interview with JD and Boog. Someone get me that Shota photo. [8/4/26]
then & now âĄ
Strange racists and homophobes on the internet seem to have access to an alternate way cooler version of TV than me. "every white character on TV is in an interracial relationship" "every show has a gay couple in it" "main characters keep having to secretly be bisexual and nonbinary" "every show has gratuitous full frontal nudity" like damn promise?? What channel???
as a black gay person real like where y'all be finding this stuff pass the name
for real though, those DO NOT WATCH OR YOU'LL CORRUPT YOUR CHILDREN lists put out by conservative christian family groups is where I find all the stellar tv shows. Like, shit I didn't know half of those existed, thanks for finding them for me, gonna go watch 30 hours of gay tv now!
I think I know how this works.
For personal context, before I went to the '98 Burning Man festival, one of the things I'd read from a couple different journalists was that "everybody" runs around naked. Which, fine by me, I'd already spent a lot of time in clothing-optional spaces, I'm not fanatic about it but it's nice.
So I got there early and set up a public shade structure on one of Black Rock City's main roads and spent most of each afternoon just watching the crowds go by. I don't remember seeing more than one actually naked person the whole week. I think a topless woman passed by my intersection maybe every half an hour, sometimes once an hour. So why in the hell were people, normally pretty smart and observant writers, coming away with the impression that everybody was naked?
Then I remembered an unrelated passage from Joel Garreau's great book about the history of the outer-ring suburbs, Edge City. Mall developers told him flat-out that they tried to keep the crowds in their malls less than 5% black. Not because they themselves were racist, but because they had determined, experimentally, that if more than 5% of the people in the mall are black, the median white shopper will wrongly describe the mall as at least half black, as mostly black. And not a few of them would describe it, at 6% black, as a mall where "only black people go." Why?
Because, emotionally, they were still upset over the last one when the next one came into view.
Same as the journalists describing Black Rock City as all naked. Same as the right-wing religious culture warriors describing television as entirely mixed-race and gender non-conforming. Not because it's even vaguely true, we know that, but because they haven't gotten over their discomfort over the last one by the time the next one comes along. The anger, not the stimulus, is the part that's continuous, so their mind lies to them that it's "all" the thing they can't get over.
â«See, someone's got to tell the tale Whether or not it turns out well Maybe it will turn out this time On the road to Hell On the railroad line!â«
In the morning the storm had ceased; but of the ship not a single fragment could be seen. The sun rose up red and glowing from the water, and its beams brought back the hue of health to the princeâs cheeks; but his eyes remained closed. The mermaid kissed his high, smooth forehead, and stroked back his wet hair; he seemed to her like the marble statue in her little garden, and she kissed him again, and wished that he might live.
I knew you before we met.
HADESTOWN
"SUPERGIRL" 2026, dir. Craig Gillespie
âPrecious opal fossilized woodâ on ebayÂ
religion is so fucking funny the world is just too beautiful there must be a higher entity behind all this. lets oppress women
The key to understanding history and geopolitics is to remember: just because one side is bad, doesn't mean the other side is good
Just because an official narrative is suspect doesnât mean the most popular counter narrative is automatically true
just because something bad happened to a group of people does not mean they themselves cannot do bad things to other people
SAME OLD STORY, WHAT'S THE USE OF TEARS?
WHAT'S THE USE OF PRAYING WHEN THERE'S NOBODY TO HEAR?
TURNING, TURNING, TURNING THROUGH THE YEARS
Being myself doesn't make me feel more normal. And it never will. Because my normal life ended the second my parents put me on that ship. And that makes me... so... mad.
SUPERGIRL â "Red Faced" (1.06) / SUPERGIRL (2026)
one gifset per song  âĄÂ any way the wind blows
when your body aches to lay it down, when youâre hungry and there ainât enough to go âround, ainât no length to which a girl wonât go. any way the wind blows...
Cookie Monster with the 7th inning stretch! [8/4/26]
First date â€ïžđ§Ą
Would you go on a date with Greymon? đ·