Gift for @yushauwu
Continuation on Ao3

oozey mess

❣ Chile in a Photography ❣
NASA
Aqua Utopia|海の底で記憶を紡ぐ

if i look back, i am lost
Mike Driver
sheepfilms

blake kathryn
RMH
Cosmic Funnies
occasionally subtle
untitled
Three Goblin Art
"I'm Dorothy Gale from Kansas"
Keni
todays bird

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Jules of Nature
$LAYYYTER

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@smillingfishii
Gift for @yushauwu
Continuation on Ao3
fantasy: Vetinari is so smart and cunning and has everything perfectly under his control
reality:
So I finished Jingo and they are NOT beating the old man yaoi allegations
I am using Discworld to figure out how to use Procreate. Also...it was nice challenge to draw just dialogue scene in slapstick way. Ughhh...I would love to spend year or two drawing Feet of Clay graphic novel, I love that book so much x_x ...and I have no job just now...I should ask around...about how licences works or something.... .
absolutely delighted by this photo of terry pratchett
Today is the day of thinking about Discworld visual novel...
what if it was women
a lil smth extra 👇
Terry Pratchett started his career as a crypto-monarchist and ended up the most consistently humane writer of his generation. He never entirely lost his affection for benevolent dictatorship, and made a few classic colonial missteps along the way, but in the end you’d be hard pressed to find a more staunchly feminist, anti-racist, anti-classist, unsentimental and clear-sighted writer of Old White British Fantasy.
The thing I love about Terry’s writing is that he loved - loved - civil society. He loved the correct functioning of the social contract. He loved technology, loved innovation, but also loved nature and the ways of living that work with and through it. He loved Britain, but hated empire (see “Jingo”) - he was a ruralist who hated provincialism, a capitalist who hated wealth, an urbanist who reveled in stories of pollution, crime and decay. He was above all a man who loved systems, of nature, of thought, of tradition and of culture. He believed in the best of humanity and knew that we could be even better if we just thought a little more.
As a writer: how skillful, how prolific, how consistent. The yearly event of a new Discworld book has been a part of my life for more than two decades, and in that barrage of material there have been so few disappointments, so many surprises… to come out with a book as fresh and inspired as “Monstrous Regiment” as the 31st novel in your big fantasy series? Ludicrous. He was just full of treasure. What a thing to have had, what a thing to have lost.
In the end, he set a higher standard, as a writer and as a person. He got better as he learned, and he kept learning, and there was no “too late” or “too hard” or “I can’t be bothered to do the research.” He just did the work. I think in his memory the best thing we can do is to roll up our sleeves and do the same.
This post seems to be making the rounds again so here it is on the word blog
GNU Terry Pratchett
Discworld Heritage Post
not allowed to say Harry Potter, but what was your book series obsession as a teen
mine was definitely Eragon
Detritus: I think dem rioters about done. Dem's all calling for a cab.
Littlebottom: They're chanting "ACAB", Detritus. It means "All Coppers Are Bastards"
Detritus: Heh. Well, they ain't wrong. I know I am, and Mister Vines would say he is.
Littlebottom: What about Carrot?
(thinking at Troll Speed)
Detritus: Well, ok. But then again... Nobby is bastard enough for two coppers.
Very precise Ahnk-Morporkian rioters: ACAOTAOBE!*
*All Coppers Average Out To Approximately One Bastard Each
Sam Vimes and the universal experience of being embarrassed by one's younger self
commission for @sirkai , a toast to not quite health
important gossip between heads of state
Is Lord Vetinari hot?
Yes
No
I wouldn't call Pratchett's writing unhorny. He's just a tease. He absolutely loves to imply that horny things are happening just offstage where you can't see. Discworld is soaked in love and sex, but the books are about one guy trying to solve a dwarf murder.
I think one of my favorite jokes he ever makes is the timeskip where it's implied that Carrot learns what sex is.
Every time Vimes looks at Lady Sibyl: "I think I hauve covid"
Angua watching Carrot accidentally deescalate an international conflict by organizing a football match: "I am going to fuck him until my pelvis fractures."
Pratchett understands that Horny isn't just when there's two hot chiseled conventionally attractive people doing cool shit. Pratchett understands that the horniest state a human can be in is "Oh god I can't not fuck them" and sometimes that means two married middle-aged schlubs going at it like rabbits in heat. You look me in the eye and tell me that Vimes and Sibyl don't fuck nasty.
I will say, prattchett is very good at disguising his hornyness with humor. He has quite the talent for describing explicitly horny things in hilariously non-erotic terms. Like we know that BDSM exists in discworld, because of that scene where a kink closet gets blown up and a dog runs away with a vibrator in its mouth.
Discworld Heritage Post
Janeway said support your local libraries
more witchesss
“It is said that, during the fantasy book in the late eighties, publishers would maybe get a box containing two or three runic alphabets, four maps of the major areas covered by the sweep of the narrative, a pronunciation guide to the names of the main characters and, at the bottom of the box, the manuscript. Please… there is no need to go that far. There is a term that readers have been known to apply to fantasy that is sometimes an unquestioning echo of better work gone before, with a static society, conveniently ugly ‘bad’ races, magic that works like electricity and horses that work like cars. It’s EFP, or Extruded Fantasy Product. It can be recognized by the fact that you can’t tell it apart form all the other EFP. Do not write it, and try not to read it. Read widely outside the genre. Read about the Old West (a fantasy in itself) or Georgian London or how Nelson’s navy was victualled or the history of alchemy or clock-making or the mail coach system. Read with the mindset of a carpenter looking at trees. Apply logic in places where it wasn’t intended to exist. If assured that the Queen of the Fairies has a necklace made of broken promises, ask yourself what it looks like. If there is magic, where does it come from? Why isn’t everyone using it? What rules will you have to give it to allow some tension in your story? How does society operate? Where does the food come from? You need to know how your world works. I can’t stress that last point enough. Fantasy works best when you take it seriously (it can also become a lot funnier, but that’s another story). Taking it seriously means that there must be rules. If anything can happen, then there is no real suspense. You are allowed to make pigs fly, but you must take into account the depredations on the local bird life and the need for people in heavily over-flown areas to carry stout umbrellas at all times. Joking aside, that sort of thinking is the motor that has kept the Discworld series moving for twenty-two years.”
— “Notes from a Successful Fantasy Author: Keep It Real” (2007), Terry Pratchett. (via the-library-and-step-on-it)