Personal bookshelf

Hi! hello! I stored here some stories I read and loved on Tumblr. Feel free to read some too <3

[inkskinned]

she is a princess and you are a dragon. she will be married tonight. do not keep standing outside of her room like that, go inside. go get her. that is what proper dragons do.

not that you have ever been a good or proper dragon. when you hatched out of your egg, your eggtooth was too smooth. the other dragons were rough with you, put little holes in your wings.

you were not bold. you were odd. you liked rippling water and the shine of chitin when bugs scuttle and of course the movement of the stars. those were all acceptable interests albeit maybe not traditional. perhaps you had inherited these through some great-great-uncle or something. certainly a dragon may be wise, or clever, if they are not bold.

yes, you have been a great deal of a puzzle to the other dragons. your body is smaller and rather more soft than it ought to be. so speed should have been yours, perhaps - your mother said it would be like fighting a shadow. if a dragon is not aggressive, it may instead be cruel, sly; a backstab. but alas your scales - so iridescent that they almost shine like the moon at night, a glow from within - you are not a shadow, you are a beacon like the flash of a knight's blade. your father has said at least you would make a fine egglayer, a nice mate to a good male. a dragon like you may still be a good mother perhaps; and that is a fine thing to be; although of course it would have been better if you'd been a trove-hoarder instead.

what a dragon must not be is kind.

you have watched her now for six moons. what a good and proper dragon would do is to go inside and to snatch her. a very proper dragon would have kidnapped her many times over, but you will be the delight of your brood to princess-snatch even at all. when you catch her in your jaws and bring her home, they will love you, then. they don't think you're capable of it, but you are, because you're a proper dragon. you can show them that. if you go in, now, right now.

you are rather too glossy to hide in the shadows, so instead you have learned how to appear flat and round, a puddle of light. (how your siblings would mock you! a dragon should be matte, to blend with the night). you dapple your flank with mud. you perch in odd angles atop of trees, scuttle like the bugs you love - hither, tither, frantic.

what you must not do is fly with your wings full-out. alight, you will be limned by the moon's corona. you will be a beacon. you must remember this when (not if) you snatch her.

____

you found her because of the lake. this lake in particular was your favorite - nestled deep in the woods, between two mountains. it is very quiet; there is nothing to horde there so no other dragon bothers you. a gentle waterfall spills over into a deep cove, and there are many mossy caves you've spent your afternoons napping in. while it is not proper for a dragon to prefer such things, you like to lay in rolling tenure just under the water. you have become excellent at holding your breath, can do it for hours. it is the easiest way to appear as a patch of sunlight.

she was not sunlight. she was the night's joy. the dark press of water. her face at first concealed by many diaphanous layers. her breathing quick and quiet.

she had pulled them back to drink from her water flask. and there she had been: a princess. your first very-real princess. right there, only the reach of a single talon from you. if you had simply lunged then, you would have been able to take her easily, in one single movement.

but you did not take her.

she had startled you a bit; you'd been daydreaming about music, which you'd just discovered, and rather liked. you'd heard it from a little house while you snuck in and stole their sheep.

but you knew the sound of fear, of being followed. you'd been chased too many times, you knew what it looked like. the rapid jolt of fear.

you smelled her then; cinnamon and onyx, and perhaps that was what had blinded you. perhaps your mouth was just watering. whatever the case, you waited until she had fled back into the forest; and then you waited a bit longer. in her wake, a garrison of men, their hands rough.

oh. so they were not knights. they were just men chasing a young woman through the woods. perhaps they did not even know a real princess had been running from them. well, that was a relief. you are not good at fighting with knights, who have swords instead of cudgels. these were just men, so you rose from the water in the quiet way you'd learned from the fish. they did not hear you coming.

and besides. proper dragons do violence so well.

___

once you had smelled her you could find her, although such things have always been easier for you than for the others. you spend a great deal of time studying things - it allows you to analyze them. you have tried to explain to the other dragons that sometimes it is best to slow down, but of course no dragon should be slow.

at first you did not understand the confusion of the people's umwelt. they relied so much on their communication (only words and actions!) and what they could see with their eyes. you and the other dragons did not use these as much; but you liked prying out the little sonic differences between hello that means "i like you" and hello that means "i don't like you."

so it took you a while to learn that you were responsible for what had happened to her. men had gone missing, and even bad men going missing makes a big fuss. (you know that if it had been girls missing, it would be okay. many proper dragons steal girls because it will not bring a knight to their door). for a while she had been trapped on the palace grounds. it was determined that it was no longer safe for her to be just a princess, she must undergo some human transformation and become a wife.

and then you saw her descending from the window of a castle, quick and agile, moving like a whisper, clad almost entirely in black. you could see her quite well of course, although you were not seeing her; but instead her heat and her smell and her sound and all the other sensory noise all humans give off.

you followed her, keeping yourself in a cloud so you appeared as if mist. she stole off into the woods. you were interested in that, and watched her scuttle - although of course you could have taken her then. she did not seem to do much in the woods, only run around cry into her little hands.

she appeared to be looking for something. she did not get far that first night; scurried back to her bed. over and over this happened - she would run as far as she could, only to go back again. it seemed rather boring to you, but of course you had been free your whole life.

and then one night - finally, she arrived at the lake. she sank to her knees then, her hands pressing into the water. her head tilted to the sky. her dark hair spilling in a caught breath behind her.

this is how you heard her voice for the first time. when she came again the next night, she did so more quickly, more assured. straight to the lake, as if it had called her.

she had skipped a pebble over the surface of the water. this action was dangerous, because it almost hit the sail of your wing. you had structured yourself very finely to look like a rockslide.

"three months." her voice was like her: it was deep and smooth and dark, a low violin string. "they want me to marry that bastard in three months."

and then she cried into her hands again, and the sound of it almost broke you.

so you followed her maybe more than a proper dragon should, then. more than back to the castle. you hid along her daily walks and watched her in the throne room and saw her out riding horses. she was good with dogs and nice to her people and very much a proper princess, although you know a proper princess ought not to slip out at night and run around barefoot through the woods.

you discovered she is terrible with directions. you have often had to make a path more clear so she could get home again. she cannot hunt better than an egg; you have had to kill fish and push them subtly up to the shore.

but she appears to love the lake as much as you do. you have seen her read by candlelight (how foolish. the entire woods saw her each time). you have seen her build little paper boats to float along the surface. you have seen her strip her many layers and dive in, have seen her lay with her belly to the sky, floating like she is suspended by the hands of darkness itself.

oh. so she loves the stars, as well, then.

__

you must go in. she will be married tonight. that is a human thing, but you have learned what it has meant. she will go to somewhere else, and you will not see her again, maybe ever. and then how will you be a proper dragon? go!

you have made yourself in the form of a gargoyle, hiding in the white stone. you can see into her room; and the tapestries that seem unlike her. everything in her room is very bright, which is bad for a proper dragon. there are many knights in the hallways and in their rooms, and their smell is itchy and repugnant to you.

her dress is white, which does not seem like her. you have only seen her wear black. she is sitting at some kind of desk, and she is crying again. she smells of cinnamon still, but moreso of grief. you can feel the heartbreak in her as if it was inside of you.

you cannot watch her cry anymore. you have watched too often without moving. that is shameful.

you nose the door open. you can move quiet, because you are not very big. she is within a cave of you, then a wingtip, and then she is standing up, looking into your eyes.

"it's you." her hand on your jaw is warm. "i thought i was imagining you, you know. i turned around that day. i saw what you did to those men. i have been looking for you since. i told everyone that i had an angel to protect me. they locked me in here anyway."

you are not an angel, you are a dragon. you have to keep your wings locked tight or you would explode the walls of this place. it makes you feel big, suddenly. you are not used to that sensation. you do not like to be locked in a tower. you believe maybe the princess does not like to be locked in a tower either.

you take her in your jaws. she is very small, and does not resist you. although you are not a strong flyer, you must take off in a single push. any other movement would be too slow. you must also hold your breath so you do not smell her, the clove and cinnamon and little bird of hope. your mouth would water and you would drop her.

against the full moon, you do the thing that is impossible. you stretch yourself out all the way, a bold and beaming arrow, and you fly. you can hear them cry about you now, loudly. a banner that would strike pride even into your father: dragon. dragon. dragon.

on the eve of her wedding, you snatch the princess from her tower.

an arrow whisks for you, and then dozens, and then hundreds. you are not afraid of pain. you have learned long ago how to fly with holes in your wings. you hold her very gently still, and you push past the smell of your blood.

in the night you are a star. someone somewhere could look up and see you and make a wish.

there will be another lake, you decide. you can find another lake. somewhere very, very far from here. however long you must fly, however long you must hold your breath: you will take her home, because you are a proper dragon.

___

sometimes they come for her, your treasure. you have built her a little castle here, deep in the forests off the map. and of course for you: a silver round lake like the shift of her iris. you bring her books and she brings you bugs to study. you let her saddle you, and together you ride through the clouds and fog banks. she is a shadow on your back; a warm and velvet thing. she makes you music and lives the way she should; free in the night like a promise.

but they do come. you have stolen a real princess, and they do not want her to be a princess. they want to make her into a brood mother, or into bait, or into prey. they always look into the caves first; into the places proper dragons stay. they are real knights, not just men with sticks. they are loud and their smell still makes you itch.

but she has made you brave now, and cunning. if a dragon is not big, it should be cunning. and since you are a proper dragon, and since your treasure is your most precious thing, you lay in wait.

let them come. you will let the light drip off of you, and then you will pour through them.

afterwards, your princess will tell you a story around the fire. she will patch your wounds as she did that first time. she will sing to you.

and in that moment, neither of you will be a title nor a story. she will just be herself, and you will just be you.

[dontlistentothemmoose]

nasa employee: oh hey u guys are back early  astronaut: moon's stuck in a time loop.  nasa employee: what?  astronaut: *loading a pistol and getting back on the rocket-ship* moon’s stuck in a time loop.

nasa employee: oh hey u guys are back early  astronaut: moon's stuck in a time loop.  nasa employee: what?  astronaut: *loading a pistol* moon’s stuck in a time loop. do you have extra ammo? this won’t be enough. nasa employee: enough for…what? astronaut: *finding extra clip of ammo, pocketing it, and getting back on the rocket-ship* don’t worry about it!

nasa employee: oh hey u guys are back early  astronaut: moon's stuck in a time loop. nasa employee: what?  astronaut: *emerging from supply closet with a space harpoon, getting back on the rocket-ship* moon’s stuck in a time loop.

nasa employee: oh hey u guys are back early  astronaut:   oh hey u guys are back early astronaut: moon's stuck in a time loop.  nasa employee: what?  astronaut: what?  nasa employee: how did you know what i was going to say?  astronaut: *punching in key pad code for base evacuation signal, getting back on the rocket-ship* i told you…moon’s stuck in a time loop. *red warning lights begin flashing*

nasa employee: oh hey u guys are back early  astronaut: moon's stuck in a time loop.  nasa employee: what?  astronaut: *rifling thru bookshelf of operating instructions, selecting one that says “AIRLOCK MANUAL OVERRIDE INSTRUCTIONS,” getting back on the rocket-ship* moon’s stuck in a time loop.

nasa employee: oh hey u guys are back early  astronaut: moon's stuck in a time loop.  nasa employee: what?  astronaut: moon’s stuck in a time loop. hey, do you have anything to eat? i’m starving. *opens random drawer, finds nothing, closes it* nasa employee: a time loo- uh, we don’t have food in here…we can’t…eat in the control room, only the break-room. astronaut: *sighs* nasa employee:…my lunch is in like 10 minutes, though, and if my lunch is actually STILL THERE and not STOLEN, AGAIN, i can share it with yo- astronaut: nah, that’s ok…no time. *loading a pistol and getting back on the rocket-ship* or…too much time. but thanks, anyway. OK, bye! *alarm begins blaring* nasa employee: you’re…welcome? wait, a TIME LOOP?!

nasa employee: oh hey u guys are back early  astronaut: yup. nasa employee: …?  astronaut: *sitting down next to nasa employee* so…do you ever like…wonder what the meaning of life is? the secrets of the universe? nasa employee: aren’t you supposed to be ON the MOON?! *alarm begins blaring* nasa employee: hey, what the hell is that? astronaut: that’s the code red override klaxon. moon’s stuck in a time loop. oh, and there’s an explosion imminent. But don’t worry, we can deal with that tomorrow. So, you have any siblings? *pulls beer out of space suit, cracks tab* want a drink?

nasa employee: oh hey u guys are back early  astronaut: do you know frank in IT? nasa employee: what?  astronaut: do you know frank, who works in IT?  nasa employee: yeah, but why are you guys back so early?  astronaut: moon’s stuck in a time loop. call frank, tell him there’s a virus in the security patch and the system’s compromised. then get the hell out of the base.  nasa employee: wait what? what? where are you guys going?  astronaut: *loading a pistol and getting back on the rocket-ship* back to the moon. it’s stuck in a time loop. call frank!  nasa employee: *picks up phone* ugh, straight to voicemail. i wonder wha- *alarm begins blaring*

nasa employee: oh hey u guys are back early  astronaut: *grim silence* nasa employee: i said, you guys are back early…hey, what are you…?  astronaut: *randomly opening drawers until they find a pair of scissors and some duct tape, getting back on the rocket-ship* moon’s stuck in a time loop.

nasa employee: oh hey u guys are back early  astronaut: moon's stuck in a time loop.  nasa employee: what?  astronaut: *loading a pistol and getting back on the rocket-ship* moon’s stuck in a time loop. *sticks head back out the door of the rocket-ship* by the way, if you go to the break-room in exactly 2 minutes and 45 seconds, you’ll catch the person who’s been stealing your lunches for the past two weeks. nasa employee: what?! WHO IS IT?! *alarm begins blaring* nasa employee: *running for the break-room* FUCK!!!!

nasa employee: oh hey u guys are back early  astronaut: moon's stuck in a time loop.  nasa employee: what?  astronaut: *sits down, sighs, pulls a beer out from their spacesuit* moon’s stuck in a time loop. nasa employee: …ok, and? hang on, how did you get a beer? you can’t have that in here. astronaut: what do you know about project floyd? nasa employee: I mean, the usual amount? i’m not really on the project anymore, why?  *alarm begins blaring*  astronaut: COME WITH ME TO THE ROCKET-SHIP, we don’t have ti-

nasa employee: oh hey u guys are back early  astronaut: yeah. moon's stuck in a time loop.  nasa employee: what?  astronaut: *loading a pistol and getting back on the rocket-ship* moon’s stuck in a time loop. see you tomorrow. maybe. nasa employee: WHAT?!

nasa employee: oh hey u guys are back early  astronaut: moon's stuck in a time loop.  nasa employee: what?  astronaut: *sighs, rubs hands over face, and loads pistol, before getting back on the rocket-ship* moon’s stuck in a time loop. and, uh…you should call your mother like you’ve been meaning to. and tell her you’re not actually mad and that you will come to dinner tonight. you’re gonna be hungry. nasa employee: wait, what? WHAT?? how do you know my mom?! why am i gonna be - *alarm begins blaring* 

nasa employee: oh hey u guys are back early  astronaut: moon's stuck in a time loop.  nasa employee: what? astronaut: *grabbing two pistols, an extra box of ammo, a pair of scissors, some duct tape, a space harpoon, and a booklet of operating instructions that says “AIRLOCK MANUAL OVERRIDE INSTRUCTIONS,” starting to get back on the rocket-ship, but dropping everything with a horrendous clatter* FUCK! goddamn moon’s stuck in a time loop. *alarm begins blaring*

nasa employee: oh hey u guys are back early  astronaut: moon's stuck in a time loop.  nasa employee: what? also, hey, where’d you get that duffel bag? astronaut: *grabbing two pistols, an extra box of ammo, a pair of scissors, some duct tape, a space harpoon, and a booklet of operating instructions that says “AIRLOCK MANUAL OVERRIDE INSTRUCTIONS,” shoving them into the bag, and getting back on the rocket-ship* moon’s stuck in a time loop.

nasa employee: oh hey u guys are back earl-  astronaut: *grabs nasa employee and kisses them passionately*  nasa employee: what? WHAT?! astronaut: *loading a single pistol and getting back on the rocket-ship* moon’s stuck in a time loop, sweetheart.  nasa employee: what?!? astronaut: a time loop!!! i love you!!! get out of the base!!! stay alive!!! nasa employee: *presses fingers to lips, confused but intrigued, as alarm begins blaring* 

nasa employee:…. nasa employee:… nasa employee: ho hum what a regular day at the office *alarm begins blaring* nasa employee: what the hell is that?!

nasa employee: oh hey u guys are back earl-  astronaut: *grabs nasa employee and kisses them passionately*  nasa employee: what? what?! WHAT!?!? also, hey, where’d you get that duffel bag? astronaut: *grabbing two pistols, an extra box of ammo, a pair of scissors, some duct tape, a space harpoon, and a booklet of operating instructions that says “AIRLOCK MANUAL OVERRIDE INSTRUCTIONS,” shoving them into the bag, then cupping nasa employee’s cheek with free hand* moon’s stuck in a time loop. nasa employee: the moon’s stuck in a what?! astronaut: a time loop, sweetheart, but we don’t have much time ourselves, so you have to listen to me RIGHT now nasa employee: *faintly* …“sweetheart”?! astronaut: in 2 minutes and a few seconds, you need to go into the break-room and find frank. nasa employee: wait, frank from IT? astronaut: yes. nasa employee: how do you know he’s gonna be in the break-room? i can’t just call him at his desk right now? astronaut: how do i know this?! because, one, time loop, ok? and…also…because…heismaybetheguywhohasbeenstealingyourlunchfortwoweeks nasa employee: that BASTARD i KNEW it astronaut: BUT THAT’S NOT WHAT’S IMPORTANT RIGHT NOW. hey! listen to me! go in there, catch him red-handed with your burrito, and tell him lunch is on you FOREVER if he goes RIGHT NOW and checks the last security patch - because there’s a virus and the whole system’s compromised. then you need to get the hell out of this base, ok? nasa employee: …ok. ok. and…and what about you? astronaut: *cocking pistol and getting back into rocket-ship with duffel bag* me? i’m gonna shoot for the moon.

EPILOGUE:

nasa employee: so, how many loops in total? astronaut: i mean, it was hard to keep track. somewhere around six months, if i had to guess. nasa employee: damn. astronaut: yeah. nasa employee: and in those six MONTHS, the best zinger you came up with was “shoot for the moon”? astronaut: hey, you know what, i had some other stuff on my mind! nasa employee: i mean, i guess. it sounded like you found time to flirt with me each time. astronaut: yeah, like i said. other stuff on my mind. *they look at each other, blush, and look away* astronaut: sooooooo. you’re sure your mom is cool with me coming over for dinner? nasa employee: can’t make the day any weirder. plus, i owe you for ratting out frank, right? astronaut: he did help us save the world; we can’t be too mad at him. nasa employee: you’ve had a little while to get over it, i might need some more time. and it wasn’t even your food! astronaut: ok, that’s fair. what if i buy you lunch to make up for it? nasa employee: hmm, when? astronaut: tomorrow? nasa employee: well, i’ll have left overs from my mom, and you might too if you play your cards right. day after tomorrow? astronaut: honestly, anytime is good for me.

*FADE TO BLACK*

[remnantglow]

LINK: tinyurl.com/oldgaySF

I'd like to share with y'all a project I've poured my heart and soul into over the last couple of years: a database cataloguing every single older queer science fiction book I've managed to track down, consisting of just over 200 titles with LGBT characters/themes & by LGBT authors, spanning over a century (1880-2000) 🚀

The database can be filtered by representation, subgenre, whether the book is currently in print, and more; additionally, it includes my own ratings & brief thoughts on the ones i have read, if anyone needs a suggestion on places to start! (or feel free to shoot me an ask for a more personalized recommendation)

[profiterole-reads]

This is amazing!

It has a category for single-gender societies and you all may know that it's a little pleasure of mine. <3

Also, it explains how to easily scroll left-right in Notion, which is such a boon: hold Shift while using your mouse scroll wheel.

[oldtvandcomics]

This is worth gold, THANK YOU SO MUCH.

The only two I was aware of were A Voyage to Arcturus, and of course The Left Hand of Darkness. I have read exactly zero of these.

[teland]

Reblogging again: You guys. You GUYS. Do not sleep on Samuel Delany and Octavia Butler, both of whom I thank for keeping me invested in fantasy/sci-fi after years of stumbling over nothing but racist, misogynistic, homophobic *shit* that might as well have been designed to say: "These worlds are NOT for you, queer brown girl."

They were putting out the most wildly original, thoughtful, trippy, freaky, sexy -- just go read. Just do it.

[sadoeuphemist]

A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” said the frog. “You’d sting me if I let you on my back!”

“Be logical,” said the scorpion. “If I stung you I’d certainly drown myself.”

“That’s true,” the frog acknowledged. “Climb aboard, then!” But no sooner than they were halfway across the river, the scorpion stung the frog, and they both began to thrash and drown. “Why on earth did you do that?” the frog said morosely. “Now we’re both going to die.” 

“I can’t help it,” said the scorpion. “It’s my nature.”

___

…But no sooner than they were halfway across the river, the frog felt a subtle motion on its back, and in a panic dived deep beneath the rushing waters, leaving the scorpion to drown.

“It was going to sting me anyway,” muttered the frog, emerging on the other side of the river. “It was inevitable. You all knew it. Everyone knows what those scorpions are like. It was self-defense.”

___

…But no sooner had they cast off from the bank, the frog felt the tip of a stinger pressed lightly against the back of its neck. “What do you think you’re doing?” said the frog.

“Just a precaution,” said the scorpion. “I cannot sting you without drowning. And now, you cannot drown me without being stung. Fair’s fair, isn’t it?”

They swam in silence to the other end of the river, where the scorpion climbed off, leaving the frog fuming.

“After the kindness I showed you!” said the frog. “And you threatened to kill me in return?”

“Kindness?” said the scorpion. “To only invite me on your back after you knew I was defenseless, unable to use my tail without killing myself? My dear frog, I only treated you as I was treated. Your kindness was as poisoned as a scorpion’s sting.”

___

…“Just a precaution,” said the scorpion. “I cannot sting you without drowning. And now, you cannot drown me without being stung. Fair’s fair, isn’t it?”

“You have a point,” the frog acknowledged. “But once we get to dry land, couldn’t you sting me then without repercussion?”

“All I want is to cross the river safely,” said the scorpion. “Once I’m on the other side I would gladly let you be.”

“But I would have to trust you on that,” said the frog. “While you’re pressing a stinger to my neck. By ferrying you to land I’d be be giving up the one deterrent I hold over you.”

“But by the same logic, I can’t possibly withdraw my stinger while we’re still over water,” the scorpion protested.

The frog paused in the middle of the river, treading water. “So, I suppose we’re at an impasse.”

The river rushed around them. The scorpion’s stinger twitched against the frog’s unbroken skin. “I suppose so,” the scorpion said.

___

A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Absolutely not!” said the frog, and dived beneath the waters, and so none of them learned anything.

___

A scorpion, being unable to swim, asked a turtle (as in the original Persian version of the fable) to carry it across the river. The turtle readily agreed, and allowed the scorpion aboard its shell. Halfway across, the scorpion gave in to its nature and stung, but failed to penetrate the turtle’s thick shell. The turtle, swimming placidly, failed to notice.

They reached the other side of the river, and parted ways as friends.

___

…Halfway across, the scorpion gave in to its nature and stung, but failed to penetrate the turtle’s thick shell.

The turtle, hearing the tap of the scorpion’s sting, was offended at the scorpion’s ungratefulness. Thankfully, having been granted the powers to both defend itself and to punish evil, the turtle sank beneath the waters and drowned the scorpion out of principle.

___

A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” sneered the frog. “You’d sting me if I let you on my back.”

The scorpion pleaded earnestly. “Do you think so little of me? Please, I must cross the river. What would I gain from stinging you? I would only end up drowning myself!”

“That’s true,” the frog acknowledged. “Even a scorpion knows to look out for its own skin. Climb aboard, then!”

But as they forged through the rushing waters, the scorpion grew worried. This frog thinks me a ruthless killer, it thought. Would it not be justified in throwing me off now and ridding the world of me? Why else would it agree to this? Every jostle made the scorpion more and more anxious, until the frog surged forward with a particularly large splash, and in panic the scorpion lashed out with its stinger.

“I knew it,” snarled the frog, as they both thrashed and drowned. “A scorpion cannot change its nature.”

___

A scorpion, not knowing how to swim, asked a frog to carry it across the river. The frog agreed, but no sooner than they were halfway across the scorpion stung the frog, and they both began to thrash and drown.

“I’ve only myself to blame,” sighed the frog, as they both sank beneath the waters. “You, you’re a scorpion, I couldn’t have expected anything better. But I knew better, and yet I went against my judgement! And now I’ve doomed us both!”

“You couldn’t help it,” said the scorpion mildly. “It’s your nature.” 

___

…“Why on earth did you do that?” the frog said morosely. “Now we’re both going to die.”

“Alas, I was of two natures,” said the scorpion. “One said to gratefully ride your back across the river, and the other said to sting you where you stood. And so both fought, and neither won.” It smiled wistfully. “Ah, it would be nice to be just one thing, wouldn’t it? Unadulterated in nature. Without the capacity for conflict or regret.”

___

“By the way,” said the frog, as they swam, “I’ve been meaning to ask: What’s on the other side of the river?”

“It’s the journey,” said the scorpion. “Not the destination.”

___

…“What’s on the other side of anything?” said the scorpion. “A new beginning.”

___

…”Another scorpion to mate with,” said the scorpion. “And more prey to kill, and more living bodies to poison, and a forthcoming lineage of cruelties that you will be culpable in.”

___

…”Nothing we will live to see, I fear,” said the scorpion. “Already the currents are growing stronger, and the river seems like it shall swallow us both. We surge forward, and the shoreline recedes. But does that mean our striving was in vain?”

___

“I love you,” said the scorpion.

The frog glanced upward. “Do you?”

“Absolutely. Can you imagine the fear of drowning? Of course not. You’re a frog. Might as well be scared of breathing air. And yet here I am, clinging to your back, as the waters rage around us. Isn’t that love? Isn’t that trust? Isn’t that necessity? I could not kill you without killing myself. Are we not inseparable in this?”

The frog swam on, the both of them silent.

___

“I’m so tired,” murmured the frog eventually. “How much further to the other side? I don’t know how long we’ve been swimming. I’ve been treading water. And it’s getting so very dark.”

“Shh,” the scorpion said. “Don’t be afraid.”

The frog’s legs kicked out weakly. “How long has it been? We’re lost. We’re lost! We’re doomed to be cast about the waters forever. There is no land. There’s nothing on the other side, don’t you see!”

“Shh, shh,” said the scorpion. “My venom is a hallucinogenic. Beneath its surface, the river is endlessly deep, its currents carrying many things.” 

“You - You’ve killed us both,” said the frog, and began to laugh deliriously. “Is this - is this what it’s like to drown?” 

“We’ve killed each other,” said the scorpion soothingly. “My venom in my glands now pulsing through your veins, the waters of your birthing pool suffusing my lungs. We are engulfing each other now, drowning in each other. I am breathless. Do you feel it? Do you feel my sting pierced through your heart?”

“What a foolish thing to do,” murmured the frog. “No logic. No logic to it at all.”

“We couldn’t help it,” whispered the scorpion. “It’s our natures. Why else does anything in the world happen? Because we were made for this from birth, darling, every moment inexplicable and inevitable. What a crazy thing it is to fall in love, and yet - It’s all our fault! We are both blameless. We’re together now, darling. It couldn’t have happened any other way.”

___

“It’s funny,” said the frog. “I can’t say that I trust you, really. Or that I even think very much of you and that nasty little stinger of yours to begin with. But I’m doing this for you regardless. It’s strange, isn’t it? It’s strange. Why would I do this? I want to help you, want to go out of my way to help you. I let you climb right onto my back! Now, whyever would I go and do a foolish thing like that?”

___

A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” said the frog. “You’d sting me if I let you on my back!”

“Be logical,” said the scorpion. “If I stung you I’d certainly drown myself.”  

“That’s true,” the frog acknowledged. “Come aboard, then!” But no sooner had the scorpion mounted the frog’s back than it began to sting, repeatedly, while still safely on the river’s bank.

The frog groaned, thrashing weakly as the venom coursed through its veins, beginning to liquefy its flesh. “Ah,” it muttered. “For some reason I never considered this possibility.”

“Because you were never scared of me,” the scorpion whispered in its ear. “You were never scared of dying. In a past life you wore a shell and sat in judgement. And then you were reborn: soft-skinned, swift, unburdened, as new and vulnerable as a child, moving anew through a world of children. How could anyone ever be cruel, you thought, seeing the precariousness of it all?” The scorpion bowed its head and drank. “How could anyone kill you without killing themselves?”

[ospreyonthemoon]

A scorpion, not knowing how to swim, asked a frog to carry it across the river.

“To be honest,” said the desert rain frog. “I’m the wrong kind of frog for that.”

“Oh,” said the scorpion.

“I was hoping to find someone to carry me across, myself.” It admitted.

“Oh,” The scorpion said. “Well, we can wait together.”

And they sat, and spoke, and when a turtle happened to pass along, they both ventured together, and the scorpion was too busy sharing words to ever think of stinging.

—

“Actually,” said the scorpion, as it climbed onto the frog’s back, “My sting is harmless.”

“Oh really?” Said the frog, as it began to swim.

“Yes,” the scorpion waved the small stinger about. “The poison is useless to anything larger than a beetle. I can’t threaten you with it at all, you see, so you don’t really need to worry about it at all.”

The frog, now freed from the fear of death, began preparing to dive.

“Although,” the scorpion continued as it felt the frog slow down, “do not think me entirely defenceless.”

“Why not?” Said the frog. “All you have is your claws. And they aren’t sharp enough to pierce my skin.”

“No, they are not,” agreed the scorpion, getting a good hold of the frog’s shoulders. “But they are strong. They need to be, to hold my prey so my weak venom has time to work.”

“But they will not kill me.”

“No. But there are other ways to hurt.” The scorpion tightened its grip, letting the teeth of its claws sink into the skin.

“You will drown me, of course, but my claws will remain locked. My drowned corpse will hang over your shoulders, right here, claws buried in you. And everyone who sees you will see it. And they will see my frail little body, and my weak little stinger. And you will drown me, yes, but for the rest of your life everyone will know that you took the life of a creature that was no danger to you for no greater sin than that you did not want to grant them passage. You will never escape the weight of me on your back, waiting to be carried to the afterlife you delivered me to.”

The frog was silent, for a while, before it continued to swim. “I think I would have preferred you with a stinger that worked.”

The scorpion relaxed its grip. “And I would have preferred to not have to use it.”

—

“Do you know how many times we’ve done this?” Asked the frog, eyes flicking back to its passenger. “I can’t remember how long it’s been.”

“A million lives.” Purred the scorpion, claws nestled up to the frog’s neck. “A million lives now, with this one. And it never matters until we’re here.”

“I’m glad it’s us.” Said the frog, letting the tide sweep it away. “I’m glad even after a million lives, we always find each other.”

The scorpion clung tight, even as the water seeped into its carapace. “I’d never die with anyone else, my love.”

Hopelessly entangled, they faded into oblivion.

—

A chicken stood at the edge of a road, watching the cars go by.

“Is this all there is?” It asked.

“I don’t know.” Said the fox across from it, brushing some grass from it’s foot.

“But it might be nice to find out.”

—

-but no sooner had the frog gotten halfway across the river did a great catfish rise up, mouth so wide they could not escape.

“Oh, foolish frog and foolish bug.” It said, voice full of pity as it swallowed them both. “Your eyes glued to the most obvious threat, did you never think there were greater things to fear in a river as deep and wide as this?”

And the catfish swam off, to find more frogs to devour.

—

“Sorry?” The scorpion paused, confused. “Sting you? Why on earth would I do that?

"Well,” said the frog. “It’s in your nature to, isn’t it?”

“No, not at all!” The scorpion said, voice tinged with insult. “We don’t run around stabbing everything we see. That’s a good way to start a fight you can’t win. A stinger is just for catching food and fending off predators, really. It’s no more my nature to sting everything as it is your nature to drown everything. And you don’t do that, do you!”

The frog scowled, petulant at the tone. “Well, the scorpion I usually see here almost always stings me…”

“That seems like you’re projecting problems with one scorpion onto every scorpion you meet.” Said the scorpion. “I’m not really sure I trust you to take me across the river, frankly. Do you know if there’s another frog who could help?”

The frog grumbled, and slipped into the water.

—

The chicken stood on the banks of the river with it’s children. A fox sat on the other bank, with a bag of corn.

“Hoy, chicken.” Shouted the fox. “Do you ever think you might be stuck in a rut?”

“What’s it to you?” The chicken said, flapping a wing in annoyance. “My life is my own business, fox.”

The fox shrugged, pawing at the corn. “I just feel like I can’t get out of this cycle,” it said with a sigh. “Like my life is stuck on rails.”

—

“On rails?” The scorpion asked. “What do you mean?”

“My whole life is just this river-”

—

“This road-”

—

“This boat-”

—

“And it feels like it doesn’t change. It feels like I’m always just here. In the river, with you.”

—

“Is it such a bad place to be?” Asked the fox.

“With me?”

—

“How long do you think the river has been here?” Asked the scorpion.

The frog thought about that until the poison had seeped into its bones.

“As long as us,” it whispered, as its lungs gave out. “As long as we’ve needed it.”

—

“You’re not swimming right.” Said the scorpion, pinching the frog’s arm.

“You need to kick round with the back legs, push with the front, like this-” gently, it pushed the frog’s limbs into the correct position.

“Oh, thank you.” Said the frog. “I’m no good at this. I’ve never been a frog before.”

“You’re doing brilliantly, my dear.” The scorpion said, trying to reassure. “I would have taught you earlier if I could have.”

“And I would have taught you to walk.” The frog laughed, kicking much stronger now. “If only I’d known you didn’t know! I saw you stumbling over the sands there.”

“I’ve never had so many legs!” The scorpion wailed. “How do you manage them all? And the eyes!”

They were not making it across the river very fast.

“I don’t mind only having two eyes.” The frog admitted. “I could get used to it.”

Despite the tutoring, the frog was getting exhausted, weak muscles failing in strong currents.

The scorpion tried to kick at the water, but its frail carapace only dredged in the currents, dragging them both down further.

“Oh, we’re no good at it this way around.” The scorpion said with a shake of its tail, claws clinging so strongly to the frog’s gossamer skin that it ripped open, spilling the entrails like ruby ribbons into the depths.

The frog laughed, choking on the water it didn’t know how to breathe. “I can’t swim, and you won’t sting! Oh, how our natures fail us still!”

And the river claimed them both once more.

—

“Do you remember a time before the riverbank?” Asked the fox.

“Do you remember anything after it?” The Chicken countered, head stuck in the bag of corn as it ate its fill. “Is there anything but the pursuit of what we will never grasp?”

“Maybe we will grasp it,” the fox’s voice was tinged with hope, tail tucked tightly around its legs. “Maybe one day, we will be more than our natures, and we will not have to cross the river again.”

“I like the thrill of it.” Said the chicken. “I’d miss the thrill of it.”

The fox sighed, and lowered its head down to the chicken, already doomed to bite. “But still, wouldn’t it be nice?”

—

But alas, the rains had been heavy, and the river bank had become swollen and wide.

The frog kicked for what felt like an eternity, the scorpion holding steady on its back.

Eventually it could swim no longer, and its legs seized up, as it gasped for air.

“I’m sorry, my love-” the frog wheezed. “I don’t think I can make it-”

“It’s okay.” The scorpion’s voice was soft with sadness, knowing now that it was doomed to die. “I didn’t know it would be so hard. I’m sorry I did this to you. I’m sorry I couldn’t help.”

“It’s not your fault,” said the frog, as the currents began to sweep them both downstream. “I wanted to help, I- I really thought I could get you there, I, we were so close -”

“We really were, weren’t we?” The scorpion’s hold on the frog was loosening, as its head swam from lack of oxygen. “We almost made it, we really did…”

The frog wailed in grief as the scorpion’s body was torn away, swallowed by the churning rapids.

—

A scorpion walked across an old riverbed. The smooth pebbles had long laid bare, the river dried up thousands of years ago.

It paused in the middle, overcome with a strange pain in its chest, and decided to turn back.

It felt wrong to cross this river alone.

—

“Where do you think the cars go?” Asked the fox.

The chicken watched a car drive by, seeing the shadowy shapes move within. “I try not to think about it. I want to be happy with my lot in life.”

—

-and no sooner had the frog gotten halfway across the river when the scorpion tapped its stinger against the frog’s back to get its attention.

“Hey,” said the scorpion. “I’m not really in that much of a rush, and it’s a beautiful day. Why don’t we just go up the river instead? I’ve always wanted to try standing on a lilypad.”

“Sure, if you’d like.” Said the frog. “I don’t have any plans for the day.

And while the river remained uncrossed, neither of them were unhappy about this.

—

"When did you know you loved me?” Asked the turtle, as the scorpion clung onto its back, hiding from the deep currents of the river.

The scorpion winced as a wave shook them. “Oh, from the start.” it said, shaking water from its tail. “Or near enough. I’d never met a frog before. And even though you didn’t know me, you laid your life on the line for me. For hope that the impossible was possible.”

The turtle considered that, thinking back across its many lives.

“I don’t think I knew I loved you until recently.” The turtle admitted, lifting its head from the water so its voice could be soft. “It took time, I think, to know. But that said, why else would I come back, time and time again to the same spot of the same river?”

“You have a world of rivers you could be in, my love.” The scorpion agreed. “And yet I always wait for you here. And you always come.”

“I’ve never been as vulnerable as I’ve been with you.” Even as the water licked up its shell, the turtle continued to swim. “I’d never trust my life to anyone else.”

“Here’s to us,” said the scorpion, raising its stinger. “And the river.”

“Here’s to us.” Said the turtle, raising a flipper to sting. “I hope we always find each other.”

—

“Well here we are,” said the frog to the scorpion. “The other side.”

“Here we are.” The scorpion agreed, slowly climbing off its back. “Thank you, for all of this.”

“Thank you for choosing me.” Said the frog. “Thank you for chaining my lives together. For helping me remember the infinity of Us.”

The scorpion didn’t answer, simply looking up, letting the sun warm its carapace.

“I’ve never really left the river.” The frog took another step onto the bank. “It’s… nice.”

The scorpion turned. For a moment, the frog felt the surge of adrenaline as it felt a pinch on its skin, only to find the scorpion had clasped its claw around their hand. “Come with me.” It pleaded, voice soft with urgency. “Come with me, and don’t say no. I won’t leave this river without you. We can see the other side together.”

Those claws could slice, but they were only firm. The river was only the river. But from the banks the frog could see a jungle of lush green, vibrant with life beyond its knowledge. It laughed. “I’ve always wondered what it was like out there.”

—

And the river was silent, with no moral questions to burden it.

[caffeinewitchcraft]

AITA for telling my boyfriend’s coworkers that he’s lying about his body count?

I (35f) have been dating my boyfriend (32m) for four years. It’s honestly been the best relationship until last Friday when it all went down. I feel like I’m in the right, but now I’m wondering if I overstepped.

For context, my boyfriend has been a professional Slasher for about eight months now. He’s always really admired Cryptids, Monsters, and Nightmares so when his application was finally accepted, he was over the moon even if he was starting in a lower position than he initially applied for.

At his company, being a Slasher requires a lot of travel which we knew when he accepted the position. The end goal is for him to get a promotion to at least regional Nightmare (he wants Cryptid, but that position doesn’t have a lot of turnover) but to get that he needs to be in role for at least 12 months OR meet his goals for three months in a row. Once he promotes, we plan to relocate to his new region and “start talking about our future.”

(Side note: no this isn’t about him not popping the question yet. We are both in agreement that marriage comes after financial stability. I run a small business doing scare consults and, while it’s been growing, I wouldn’t call it stable yet. So neither of us are ready.)

I told him it’s completely normal for it to take a whole year before he’s ready to promote and he really should focus on adjusting to the company before thinking about next steps. I used to work for a competitor (I’ve been retired for five years now) and I know it can be hard to go from only taking the occasional human life to having to take over half a dozen a week. It’s not a light workload, no matter how easy it looks in the movies. One of my best friends Slashes part-time and she still only averages about five lives a week despite having done it for years. Especially these days, it can be really hard to meet quota. Humans are getting smarter, no matter what the Council wants us to think.

Anyway, boyfriend didn’t do as well as he thought he would in his first couple months. Totally understandable, of course, which I told him. I suggested he ask his boss if he could be put on a couple team assignments or even a duo until he got the hang of it. That was our first real fight. He thought I was doubting his ability to kill. He brought up how I told him it would take over a year to promote and how I said that this job wasn’t for everyone (His first assignment ended with a 0% kill rate, but that’s a different story). He said it felt like I didn’t believe in him and he said that if that was the case then maybe we shouldn’t be thinking about marriage so soon.

It got pretty messy after that. I felt like he was forgetting that I’d worked in the same field and, arguably, had a lot more experience (not to brag, but I averaged a 98% kill rate). Also, four years is NOT too soon to talk about marriage. He said I didn’t understand how he needed to focus on his career right now. I told him I thought he was taking Slasher too lightly just because it wasn’t Cryptid. He accused me of not respecting him and then things spiraled from there.

We both said a lot of things we didn’t mean and I’m embarrassed that it turned into a bit of a fang measuring contest. I ended up sleeping under the bed for a few nights until he coaxed me out to apologize.

It was a rough patch, but we talked it out. We agreed that, going forward, I wouldn’t offer advice unless he asked and he would try not to take so much of his frustration home with him. He took a weekend off and we went on a recreational haunting trip in the Montana woods.

Things did get better after that. I tried not to give him consults every time he came back from a work trip. He started bringing me souvenirs like roses and cursed puzzle boxes his work said he could have. It became easier just to hang out with each other and it felt like we were back to normal.

But then, four months ago, he came home super pissed because his boss put him on a PIP. (A performance improvement plan.) Apparently, boyfriend had not been doing better at work, he had just stopped telling me when he had a bad assignment. I saw the paperwork he got (he left it in the dungeon under the house, I didn’t go through his stuff) and he’s been missing quota by a LOT. As a junior Slasher, he was supposed to be executing at least 6 people a week, but he’d been lucky to be maiming half that.

Obviously, I had to talk to him about that. We rent our house and, even though I could have afforded the rent on my own, I didn’t want to jeopardize the investments I was making in my business (I was in the process of hiring an assistant to handle my scheduling). Plus, we agreed from day one that we would be 50/50 on rent and I would take care of the rest of the bills because I earned more. I felt that if his financial situation was in jeopardy, he needed to talk to me about it.

I tried to approach him a bit differently than last time. I asked him if there was anything I could do to help. I told him about my slasher friend and how maybe she could give him advice if he didn’t want any from me. But he said he needed to figure stuff out on his own and that if he couldn’t get himself off the PIP then he would go back to work for his dad’s janitorial company.

I let it go. I was worried but I didn’t want to fight again just after patching the holes from the last blow out. It really bugged me that he thought I didn’t believe in him so I committed to giving him the benefit of the doubt. I said okay and asked him if he needed me to meal prep for both of us that week. He offered me grocery money, but I said it was fine since I’d had to deal with a lot of humans breaking in lately and I still had some leftover in the dungeon.

Fast forward a month. Boyfriend got off the PIP super fast. He worked his way off of it over Spring Break and started taking on a lot of extra assignments. In just four weeks he went to Miami Beach twice, New York City twice, and to three separate summer camps. I missed him and it was hard not having him around but I remembered how he said he needed to focus on his career and I tried not to nag.

It was hard not to nag though. With him gone, all the housework fell on me. We rent a 19th century manor, and its upkeep really does need two people. Doing all the chores plus running my business started to really drain me. Even when he was home, he forgot to banish the ghosts (my chore is to kill all invading humans, and his chore is to banish their ghosts) and he never took out the trash. I think he cleaned blood off the dungeon walls once, but then I had to basically redo it because he missed a lot of spots.

But still, I didn’t say anything because he was doing really well at work and I didn’t want to ruin that for him. Even when Humans started breaking in every week, I didn’t complain even though it interrupted my work day.

Last month though, I did ask him if we could move somewhere that needed less maintenance. There were just way too many Humans breaking in and I didn’t have the time to deal with them anymore. Even if I don’t do all the theatrics I used to as a Cryptid, killing humans through fear still takes a lot of time. He asked me if I didn’t appreciate the free meat, and I said I would appreciate it more if I wasn’t the only butchering it.

He said he didn’t want to move because he was really close to getting promoted to regional Nightmare and he didn’t want to take time off work to move. I was so surprised that I couldn’t hide how surprised I was. He saw and got offended. He asked if I still didn’t believe in him. I said that I did, but it was a huge jump to go from an 8% kill rate to getting promoted.

He got even more mad at me for bringing up his stats and he said that he had nearly 80% kill rate since being put on the PIP. I asked how many humans a week he was slashing and he told me I was being too nosy and that was proof that I didn’t believe in him.

I asked him if we could at least hire a ghoul then to keep the humans out of my office and he said he didn’t want to waste the money that we should be saving for our new house. I asked him what he wanted me to do then? I had to take phone calls for my consulting business and it was really hard to stalk humans all around the house while trying to sound like a professional to my clients.

He asked me to be patient for one more month. He said if he met quota for one more month, his boss said he’d get promoted. So I said fine and let it go.

Fast forward to now, almost a full month later.

Last Friday, I attended the Eldritch Conference. For those not in the scare field, the Eldritch Conference is the most prestigious event in our industry. It’s invitation only and is a chance to network with all the big players in the field. Mothman, the Jersey Devil, Bloody Mary and Bigfoot all spoke this year and both my former company, Grudge Industries, and my boyfriend’s current company, Forgotten Summer Solutions, were invited.

I was surprised to get an invite as a solo contributor to the field. However, my consulting firm has really been doing well and I did land a seasonal contract with the Yeti Co-op which I guess is how they heard about me. Plus, I’ve been a speaker before so I think the organizers knew I would behave myself.

I was planning on telling my boyfriend that I was going, but he was out of town on a co-ed sleepover assignment. He usually doesn’t have his phone on during his assignments, so I didn’t bother calling him. I just figured it’d be nice if we ran into each other at the conference if he made it back in time.

Which brings me to what actually happened (apologies for the long post).

So everything went great for my part of the day. I got to network with a lot of individual businesses and even got to reconnect with Blood Mary who I knew back in my Cryptid days. I told her I was dating a Slasher from Forgotten Summer Solutions and invited her to come with me to check out their booth. I thought it would be fun to grab dinner with her after since I assumed if my boyfriend was there, he’d be going out with coworkers which he often does. Plus, I admit, I was showing off a little. I don’t often get the chance to brag about my Cryptid days.

She agreed and we went over to see if my boyfriend was there.

I introduced myself to the people manning the booth. My boyfriend wasn’t there, but a few Slashers recognized my name and greeted me. They were definitely in awe of Bloody Mary (she came in full uniform) and invited us to look at their displays. They had portfolios for each Slasher on the desk as a sort of preview of what their services looked like.

While Bloody Mary looked through the portfolios, I chatted with my boyfriend’s coworkers. They said they were thrilled to work with him and that, even though he had a really rough start, it was impressive how quickly he started meeting his goals. Something about how they talked about his work kind of didn’t make sense. They were talking like he was killing a dozen humans a week, but he’d told me that he was at 80% on his assignments which typically only offer about ten humans each.

I asked them about it and they said that he’d been Slashing during After Hours which is a new goal supplement program his company launched a few months ago. Basically, anyone can sign up for After Hours and the company counts human kills done in uniform as part of their quota. I asked them if this was available to them while they were on assignment and they said no, it had to be done when they had down time. I asked them how my boyfriend was part of that when he was traveling all the time and they looked confused. One of them said that my boyfriend is still getting one assignment per week and is then supplementing his kill rate with After Hours.

At that point, I was even more confused. It sounded like my boyfriend had been lying to me then, because he told me that he was getting at least two assignments a week. If he was only getting one, then where was he going when he said he was traveling?

Bloody Mary interrupted before I could say anything and asked how their Slashers did their kills. They said that every Slasher at their company is required to use a standard issue weapon (like a machete or axe) for their kills to count. They said their company doesn’t count accidents as part of their quota (like falling or heart attacks).

Bloody Mary pulled me aside and showed me the portfolio she was holding. She said that she was going to give me a chance to explain without them overhearing and showed me the book. She said that a bunch of kills in it looked Cryptid kills. And she said, specifically, it looked like the kills I made when I was a Cryptid. I took the book from her and flipped through it and she was right, they really did look like Cryptid kills. Worse, I recognized a few of the Humans from the past few weeks. They were actually my kills!

Kill stealing is a major taboo in our industry.

I told her I didn’t know anything about this. She looked really relieved at that and said that even though I wasn’t a Cryptid anymore, it would look really bad for me if I was caught helping a Slasher cheat at their job. It could affect my business which she’d only heard good things about.

I’m embarrassed to say that I tried to defend him. He’s new to our industry so I thought it might be a mistake. He might not be trying to cheat, this could be a misunderstanding.

She said she didn’t think so because a mistake would be one or two of my kills mixed in with his, not the entire book.

I counted up how many photos were in the book and, all told, of the 146 kills, at least 100 were mine. I couldn’t really say it was a mistake at that point and I was just staring at his portfolio like an idiot. Bloody Mary asked me what I was going to do because, mistake or not, this looked really bad and could damage my reputation if it got out.

At that moment, another man walked up to booth and asked us if there was a problem. I knew that if I said anything, I would be jeopardizing my boyfriend’s job, but if I didn’t say something, I was jeopardizing my business.

I told my boyfriend’s coworkers that he was lying about his body count. I said I didn’t think that they knew he was doing it, but over half of the kills in his portfolio weren’t his and I suggested they remove it from their display before another Cryptid came by and realized it.

The other man thanked me for bringing this to his attention and asked how we knew. Bloody Mary said that she knew another Cryptid’s kills and I had to tell them that I was that Cryptid, though I was retired now. He asked me if I knew my boyfriend was doing this, and I told him no.

I told him I really didn’t want to get my boyfriend in trouble and suggested that maybe he didn’t know those kills didn’t belong to him because they happened in our house. I was grasping at straws and Blood Mary even looked sad for me. His coworkers looked skeptical but tentatively agreed. The man – who turned out to my boyfriend’s boss – said that they would investigate this thoroughly and apologized personally for his employee’s misconduct.

I was spiraling at that point so I thanked him and said I wasn’t mad, I was just looking out for both of our reputations. He promised to keep it between us and I agreed.

Then I apologized to Bloody Mary because I didn’t feel like eating dinner anymore. She said she understood and wished me well.

I went home and did a quick perimeter search of the property. Sure enough, there were human summoning stones ALL OVER the yard. Which means my boyfriend was intentionally luring humans to our house to get me to kill them so he could take credit. It wasn’t a mistake at all.

My boyfriend came home later that night in his work clothes. As soon he got inside he started yelling. He said he was suspended without pay and that all his hard work was for nothing.

I said I knew he’d been stealing my kills and he almost ruined my reputation. He said they still counted as his kills because he did all the work of luring the humans to our house.

I told him that wasn’t how it worked and he knew it. He said it was the same as setting a trap and I was taking this too seriously. I told him that, as a Slasher, he has to use a weapon to get his kills, not me. He said I was basically the same thing since I had such a high kill rate. I asked him if he was calling me an object.

(My parents exploited me by selling me as a haunted doll through a lot of my childhood and he knows I’m sensitive to being called an object.)

He backpedaled at that point and asked if I didn’t want to buy a house together. He said he was doing it for us and I should’ve understood and not said anything. I told him that when I was a Cryptid I had my pride and would’ve never done this.

He said I needed to tell his boss that he was the one who made all those kills. I said it wasn’t me who recognized them as Cryptid kills and now his boss knew too. He accused me of thinking I’m better than him because I have telekinetic powers and can move through shadows and can possess people, while he’s basically a human himself. I told him of course not and that I worked hard for those powers unlike him.

He got really mad at that and actually charged at me with his machete raised. I don’t think he was going to actually hit me, but I reacted like he was. It was all instinct. I disarmed him and I swear I heard a crack when I grabbed his wrist. I shoved him into the wall.

 He crumpled to the floor and started crying. He said sorry and sort of curled up around his wrist. He said he didn’t ever feel like he was enough for me and he didn’t even know why I was still with him. He called himself a bunch of names and said I would be better off without him.

I sort of awkwardly stood there for a minute. On one hand I wanted to assure him that he was enough and that I loved him, but, on the other, I wasn’t sure I could forgive him. He nearly ruined my reputation, and he embarrassed me in front of Bloody Mary. Plus, I still didn't know where he’d been going all those times he said he was on a business trip and apparently wasn’t.

So I ended up not saying anything. I went to our room and started packing a bag. He followed me. He was still crying as he begged me not to go. He said he would own up to his kill steals at work and he would make it right. He pleaded for me not to leave him and that he would give up slashing.

I told him I needed space to think. He tried to grab me, but I shadow walked out of the house. I heard him screaming from outside and I hurriedly drove away.

Now I’m at my friend’s house and I told her everything. She agreed I did the right thing walking away from him, but when I asked her what I should do she hesitated. She said that my boyfriend wasn’t right to kill steal but, as a fellow Slasher, she understood what he was going through. She said I wouldn’t understand the pressure to meet quota because I was always surpassing mine when I was in the field. She said that a Cryptid could never understand a Slasher.

She also said that nobody would have found out about his kills if I hadn’t brought them to his boss’ attention. She said the only time kills are on display like that is at the Eldritch Conference and by the next one, he’d have had kills of his own. She thinks that if I’d just confronted him at home, he wouldn’t be on suspension.

So now I’m worried that I overreacted when I told my boyfriend’s coworkers that he was lying about his body count.

AITA?

----

Thanks for reading! Several amazing supernatural citizens (aka my Patrons) gave great advice to our poor OP over on my Patreon! Please go check them out here (X)

(I will definitely be posting some of them here in the near future!)

My next supernatural AITA is already up to my patrons!

It's called "AITA for divorcing my vampire husband because he lied about his human job?"

Patrons get to see many of my stories a week ahead! If that interests you please check me out here (X)!

[darinaethelaianprophet]

Op the Asshole ?

Yes.

No.

I think there's more to this !

I'm bald.

Voting ended onOct 20, 2024

[powerfulwizard]

i love in fantasy when its like “king galamir the mighty golden eagle and his most trusted advisor who would never betray him, gruelworm bloodeye the treacherous”

[feynites]

When my sister and I were kids we had this one action figure, who was actually a brutalized batman doll without his cape (the dog chewed half his head, too), who we dubbed ‘Evil Chancellor Traytor’. The idea was that in the fictional society of our toys, ‘chancellor’ just came with the word ‘evil’ in front of it, as a matter of ancient tradition. Like ‘grand’ or ‘high’ or something along those lines.

Anyway, the running gag was that the king (an old Power Rangers knock-off doll) had absolute and unwavering faith in Evil Chancellor Traytor, who basically comported himself like a mix between Grima Wormtongue and Jafar from the Aladdin movies. Everyone was always sure that Evil Chancellor Traytor had something to do with the nefarious scheme of the day. The dude even carried around a poisoned knife called ‘the kingslayer’.

The additional twist on the joke, though, was that he never was behind anything. The king was actually right. Evil Chancellor Traytor was the most devoted civil servant in the entire Action Figure Dystopia. He spent his nights working on writing up new legislature to ensure that broken toys had access to mobility devices, was always on the lookout to acquire new shoeboxes for expanding city infrastructure, and drafted a proposal that once got half the ‘settlement’ in my sister and I’s closet moved to the upper shelf so that vulnerable toys were less likely to be snatched up by the dog.

The knife, as it turned out, was as symbolic as the ‘evil’ in his name. See, Action Figure Dystopia had a long history of corrupted monarchs getting too big for their thrones and exploiting the underclasses. The job of the Evil Chancellor was to always remain vigilant, and loyally serve a good ruler - or, if the regent should became a despot, to slay them on behalf of the people.

But since killing the king would be a terrible crime, the Evil Chancellor had to be the kind of person who would willingly die to spare the people from the plight of a wicked leader; because the murder would be pinned on them, in order to keep the ‘machinery of politics’ working as smoothly as ever.

Anyway, Evil Chancellor Traytor had a diary, in which my sister I would take turns writing out the most over-the-top good shit he’d done behind the scenes. Usually after everyone else had finished talking shit about him. I don’t know why but we got the biggest kick out of being like:

Barbie With the Unfortunate Haircut: Oh that Evil Chancellor Traytor! Why can’t the king see how wicked he is?!

Charmander From the Vending Machine: Char!

Jurassic Park Toy of Jeff Goldblum With Disturbingly Realistic Face: At least if someone puts a knife in the king’s back, we’ll know where to look!

Evil Chancellor Traytor’s Diary: Today I was feeding ducks at the park when I noticed another legless action figure sitting by the benches. I put a hundred dollars into his bag while he wasn’t looking. I really need to increase budgeting to the medical treatment centers. If only we had enough glue, I think we would see far fewer toys trying to get by without limbs… *insert iconic evil laugh*

Anyway, Evil Chancellor Traytor eventually fell victim to one of my mom’s cleaning sprees, and she decided he was too busted up to keep and tossed him out. My littler brother, who tended to follow my sister and I’s games like he was watching a daily soap opera, cried so hard that we had to do a special ‘episode’ where one of the toys found the Evil Chancellor’s diary, and so he got a big huge memorial and the king threw himself into the empty grave and then ordered the toys driving the toy bulldozer to bury him so that ‘Traytor’s grave would have a body’ (this seemed very important for some reason).

And then we had the Quest For a New King. Somehow or another that ended up being a giant rubber snake called ‘Tyrant King Cobra’.

[callmebliss]

::closes tab, shuts off computer, and proceeds to have the best day ever just by knowing this exists::

[fierceawakening]

i will always reblog Evil Chancellor Traytor

[hey-its-puddlesock]

google search why am i sad

google search how to not be sad

google search does going outside help with depression

google search nature parks near me

google search bus routes

google search hiking shoes

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google search ergonomic hiking shoes excludesite: amazon.com

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google search screaming woods

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google search nature park map

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google search how to tell which way is north

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google search how to outru

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[inkskinned]

my arch nemesis cynthia is, of course, at the bank, because we both were sent like clockwork to pick up the checks of our husbands. she is wearing a lovely long green gown, which i know was on behalf of me, because, as my husband will tell you, our house abhors green and glamour. already the tellers look at each other under their little hats, for they love our tirades, i’m sure, although not more than i hate them. 

“oh, is that your knitting?” my arch nemesis cynthia peers her eyes at my hands. “is it some kind of… sock?” everyone knows she and i used to be close before we were married and our husbands, smartly so, have introduced us to the idea of true vengeance.

“it is a scarf,” i say. i want to tell her that when the time comes and the world gets cold it will go over my mouth and i will breathe warm air and it will fill my lungs and i will be able to run around with my love even in the dark night. “it is not,” i say, “over surprising that you should be caught unawares of a scarf,” i say, “as i’m sure enjoying winter festivities are too beneath the handsome qualities your husband prefers.” pompous ass.

the tellers pass each other eyes for now it has started and they are delighted.

my arch nemesis cynthia thrusts out her hand. a white bottle. “rat poison,” she says. “i would expect the whole town knows about your little problem.” stage whisper. “such a shame, my dear.” then she rustles her long green skirts - which i know she wore on behalf of me - and she shimmies herself out of the room like royalty. oh, she floats everywhere she goes, beautiful black hair behind her. the bottle in my palm is cold. i will devise how to get her back starting first thing tomorrow.

the week, as always, is a long week, for there is much to make and do and knit and be. my husband comes home and i love him for who he is; for he never comes home without checking the state of the house up and down. he is the kind who loves his home so completely and sets each room like a stage for a great band to come playing. i am too ashamed to tell him why so many of the rats go missing, only make him a stew the next morning to celebrate. his favorite, although not mine, i’m afraid. plenty left over.

my arch nemesis today - of course - in a green the color of rotting. a bruise is uncarefully covered on her cheekbone, so striking against all of her dainty. her husband would say it was for her ungraceful nature, and i know mine would agree. i strike first, already delighted by my master plan, shoving over our best picnic basket tied with a bow. “i made you and yours a stew,” i say, “for beneath all that you carry” all that horrible wealth of your husband  “it seems you’re getting rather skinny.” i can’t resist one last comment. “i am worried you’re about to waste to nothing.”

She plucks it out of my hand. “yes, if it weren’t for you and your husband’s dwindling wealth,” her sarcasm is biting, “i’m sure i will be nothing in, oh, 5 weeks time.” she arches a brow. “so long from now.”

“i am counting the days,” i tell her. her lips purse. the tellers behind me make a choked titter. perhaps, by their estimation, i have won this round quite completely. i go home to my husband smiling. he asks where i have been and i tell him i’ve been at the bank, but he checks anyway because i like to get up to tricks and he doesn’t like to fall for it. it is a good game we play. at night, when he is asleep, i am so in love that i must convince myself to pull the covers over my nose and practice breathing. how silly to wake him up for a young girl’s feelings. 

the first week of five: she gives me a solid, ugly ring that requires three knuckles to hold. “i feel so badly for your status, and i must remember to practice charity,” she says. “it such a small thing, but do be careful amongst all that thin pine furnishing of your house, which dents so easily.” my husband appears at the bank’s front door. just checking. so lovely to be picked up by him. at night, in a rage, i try it - beneath the table bends easily. i scuff out the scratch with walnut before my husband can see. i pull the covers over my face in bed and breathe.

the second week: i wear her ugly ring and give her more stew, this time hearty with meat. her dress is a meadow. my heart each time it sees her collapses on itself. she hands me clothes for my husband, since his wealth continues to go missing, and the charity of her heart is so loving. i am so ashamed i bury them far by the old tree, where all my shames go hiding. again, the covers. it, by now, helps me sleep. i have gotten so good at it that i can simply shimmy my shoulders to be perfectly toasty and buried.

the third week: she asks how comes my knitting. i tell her it’s nearly complete. she asks how comes my husband, whom she must know has been ill recently, and who is doing quite badly. i go home to him, shaking. even sick he is a good housekeeper, who comes home examining for dust and dinge so i do not fall behind on my chores. who checks to be sure i spoke to only him and no one more, for fear a man might snatch me. tell me, who else has a man so involved, in this day and age?

the fourth week she is envy green. i shove a whole heaping of stew at her, for now her husband has gotten it. i say it will return him to spirits, she laughs, a sudden, beautiful sound, even in the quiet of a bank. everyone stares. maybe it is the stress that is making her quite improper. i feel the same way. so much is happening and it always seems she knows. she says she heard he has left me nothing in the will, which everyone already knows. she says she doubts either of us can dig upwards from the hole we’re both in. i look at the bruise on her nose. i tell her to mind her own husband, and be careful where she goes.

the fifth week: so final. her, garishly lime green. and i in black, to pick up a check that hardly seems the effort. it will be enough to cover my husband’s funeral. she smiles at me and hands me a silver bottle. she says quietly: now that i am destitute, there is one thing for it all, and everyone would understand quite completely. it would be quiet, and quick, and complete.

it is the night of the new moon, so dark no man can see in it. i receive notice her husband has died, and i am sorry to say i find a terrible joy in it. the air has changed cold. i have left a note asking to be buried in my scarf, the last thing i have made on this earth. i go through each perfect room, but there is nothing else to take with me, for the house has always been his and his alone, and now aches to be gone of him. i would not serve as a good tender for it. having spent so many nights watched carefully, the silly girlish freedom i’d gain would surely set the house ablaze.

i follow her instructions. quick, quiet, complete.

the horrible rustling is what does it. like a million green skirts. and then it is dark, and i am in my own coffin, eerie with pine. my head hurts but i must be quick and quiet. they have listened and buried me with my scarf. i shimmy my shoulders just-so and get it over my face. bring my arms up, ugly ring heavy, and begin to hit as hard as i can, over and over, the thin wood of my husband’s favorite furniture, the cretin. it would be pine, of course - he left me no money to be buried in any nicer recourse.

the wood splits so horribly, and then it is very hard to breathe, harder than under the covers, and i have to remind myself to be patient and continue to dig upwards, while my throat closes and my heart beats so loudly and the whole thing is so heavy it is a universe. the shifting of gravedirt is loud, and loud, and i feel i will be turned into a worm, and i fear everyone has forgotten about me, or i have gotten the timing wrong, or i will really die down here in the dirt and the cold

but then her hand, and my hand, and we are both digging towards each other, and she lifts me so easily from the ground like a plucked turnip and holds me against her, us both panting and muddied. we can only stay like this for so long, here in my pauper grave, and then we are both running to the old tree where we met, and unburying a second thing; my lovely box of shame, and men’s clothes, and all of my husband’s dwindling fortune i have slowly been squirrelling away.

my love and angel cynthia, who has black hair like a curtain and a mind so fast i sometimes am in frank awe at it, who is, even now and dirty and raw: even now the only sun in my life.

like this, i a man in an almost-dawn, and us cleaned by the river, and her smiling so widely, and only a faint bruise on her, and our pasts behind us in ugly garish colors. and her delicate hand and beautiful nose and when i finally get to kiss her it feels like green feels; my favorite color, all warm and nature and sunny grace and grass and lying awake so filled with love it makes you shake.

i hold her, and she holds me, and our future is a love like a dream unburied.

[derinthescarletpescatarian]

Breakfast Time

My son’s stuck in a time loop again.

He thinks I don’t know, of course. He’s never told me that this happens to him (or that he can do this, possibly; I’m not sure which it is.) Maybe I’m a bad mother, if I haven’t proven myself worthy of that trust. But there is only so many times that one can watch their son trudge through a day with bored impatience, anticipating everything you say just a little too quickly and showing no surprise to even the most surprising event, and then come downstairs the next day disoriented but rejuvenated and with a new zest for life and a tendency to get blindsided by even the most predictable things, before one makes the obvious connection.

I don’t think he’s lived through this day too many times yet, because he’s not frustrated by my good morning joke but not surprised by the monster attack being announced on the news. He eats his toast makes polite conversation that sounds just a little too rote until his sister comes down, and he puts his toast down in that distinctive way that make her eyes widen in sudden realisation, a reaction I never would have noticed if I wasn’t looking for it. He told her about three time loops ago, I think, although it might’ve been earlier and I just never noticed the signal until then. I make sure to keep the smile on my face as I push a plate of toast towards her.

The thing on the news is some kind of flying beast, and my son’s eyes don’t leave the TV screen. I expect that calm, solid determination that I usually see in his expression on days like this, but instead he watches it only with a wary sort of calculation. I suppress a sigh – it looks like I won’t be remembering today, then.

The pair exchange glances and look to me. “Hey, mum, I figured we should go to school early. We’ve both got these big tests coming up and – ”

“Yes, fine, whatever. Go.” I know what you’re thinking – obviously they’re off to do something dangerous, and obviously they’re far too young for this sort of thing, and obviously I shouldn’t enable this, and I’m a terrible parent for letting them run off to maybe get themselves killed someday. But I put this to you:

How, exactly, do you expect me to stop them?

As my son heads for the door, though, I almost stop him. I consider, not for the first time, just telling him what I know, what I’ve figured out, and asking him to explain everything, to say where he’s going and what he plans to do about that thing and if his sister is involved and if they at least have help, to put my mind at ease. I don’t, though. Because, logically… I must have done that before, right? In at least one of the countless days that never happened. I must have gotten worried or angry or just fed up with this ridiculous charade and told him that he wasn’t as good at hiding as he thought he was. He has to know that I know, right? And yet, he still chooses to let it play out like this.

Or, perhaps, he told me once. That must have happened, right? I must have been there to help, to patch his wounds and dry his tears and listen to him confess his fears or his worries or his regrets about this big responsibility, about whatever he’s doing out there. He must have told me, at some point, at least once, in one of those nonexistent days. And afterwards, he chose not to tell the me that stuck around. Meaning that I must have given him some reason to keep this secret.

What did I do to him? What did I say to him? How bad a confidante must I have been, that he chooses instead to keep me in the dark?

They leave, they ‘go to school early’, and I start on the dishes. As I wash my daughter’s breakfast crumbs away, the plate slips from my fingers and shatters on the tiles at my feet. I sigh, and turn to get a broom.

Then stop. Pick up all the other dirty plates. And shatter them, one by one, on the tiles.

Then I leave the mess behind me, pull a full tub of rocky road ice cream out of the freezer, and resolve to spend the day eating junk and watching youtube videos. After all, it’s not like it’s going to matter tomorrow, right?

[asimovsideburns]

Sherlock Holmes modern adaptation but the main characters (Sherlock, Watson, Mrs. Hudson, Irene Adler, and maybe even Lestrade) are all vampires and they’ve just been doing their thing since the time period of the original books

Irene gets to be from New Jersey like she is in canon and she’ll occasionally show up and help Sherlock with a case but they don’t ever date or hook up or anything

[asimovsideburns]

OR… Lestrade isn’t a vampire, but there’s been generations of Lestrades, and they all have to deal with this guy

[asimovsideburns]

the latest one isn’t even a cop she works nights at the 7-11 and Sherlock keeps coming in at 2am to slam two gallons of Monster Energy and ask her what what the fuck an “amogus” is (it’s case related) and tell her how much better she is at lateral thinking than her tragically straightforward ancestor and also is her girlfriend still going to school to be a defense attorney, how’s she handling the workload

[anais-ninja-bitch]

okay, but who turned them and when? bc there is a lot of delicious angst and goofiness to be exlored if say:

irene has kids before being turned and is invested in her descendants

john was already with mary and has to see her age and pass

mrs. hudson is the vampire queen

the lestrades are like. the opposite of the vanhelsings. generational disinterest in vampires, but the holmes enclave keeps roping them back in.

[asimovsideburns]

1) Irene adopts and yes she is The Cool Grandma for generations of children forevermore

2) Mary is also a vampire, she got turned at the same time as John, she and Sherlock have Wine Wednesdays every third Saturday of the month

3) Mrs. Hudson is immortal but she’s not a vampire and nobody can figure out what her deal is

4) absolutely 100% correct

whenever anybody asks how they got turned the response is something along the lines of “that was like. Over five years ago. How do you expect me to even remember that.” or “idk man I just woke up like this” or “got bitten by a mosquito on a case” and it’s never the same twice

[asimovsideburns]

Yes the Sherlock Holmes books exist and whenever they’re brought up Watson gets very upset that this dude stole his writing and considers him his archnemesis despite the fact that Doyle is a totally normal human and dead as hell

[anais-ninja-bitch]

imagine Watson’s frothing rage at the Doyle estate insisting Holmes can never be shown having emotions. like he didn’t personally watch Sherlock weep during the moon landing.

[asimovsideburns]

Holmes and Watson are embroiled in a legal battle against the Doyle estate and have been for almost 100 angry, angry years

this is only ever mentioned in passing for comedic effect

[iamthedukeofurl]

Okay, but consider The Problem (Aka Sherlock Holmes) doesn’t hit ALL The Lestrades, only those that Holmes can rightfully refer to as “Inspector Lestrade”.  Obviously, police inspectors and detectives are affected by The Problem (as family lore refers to Holmes) but, like, subsequent generations have learned how loose the definition is.  Our latest Lestrade, let’s call her Billie, gets called up by her boss one day, and her boss is like “hey, Corporate says somebody at the store needs to know about health regulations and stuff. If you take a couple night classes and get this certification, we’ll give you a bonus on your next paycheck, and one of your jobs will be to sign off that we don’t have mold everywhere”. And Billie is like “Sure, sound good, whatever” and goes to the night classes and takes the test at the end and the tired bureaucrat who runs the course is like “Okay, congratulations, you’re now a Certified Health And Hygiene Inspector (Class D-Small Retail Food Storage and Service)”  And Billie just freezes and is like “Ummmm, is it possible to get something different? Maybe I can be a Health and Hygine Expert? And the bureaucrat is like “No, you passed the test, you’re now a Certified Health and Hygiene Inspector (Class D- Small Retail Food Storage and Service)”   And Billie is just SWEATING as she leaves the building, because she knows about The Problem, but maybe this wouldn’t count? Like, it’s not like she works for the government or anything. It’s just a dumb piece of paper that says she’s allowed to fill out other dumb pieces of paper. That can’t count. It’s not like her JOB changed or anything.  But, as soon as she steps out into the night and makes her way to the Bus stop, a slim figure steps out of the shadows and falls into step next to her. “Ah, Inspector Lestrade, congratulations on the promotion. I have a few questions for you about-” And Health And Hygiene Inspector (Class D- Small Retail Food Storage and Service) Billie Lestrade repeats the three words that have become motto and mantra for her family.  “Go Away Holmes”. 

[writing-is-a-martial-art]

You meet god and she's mostly dead fish. You ask her why and she says most of the world is dead fish, and she's made herself to appeal to the most common denominator, the everyman funnyman comedy show that runs for eleven seasons but with the entire universe in mind. You ask her how much of the dead fish is your fault, she says it's far less than you'd think, in the grand scheme of things. You ask her if you matter at all. If you can do anything. She shrugs her rotting shoulders and says mattering is a made-up concept, like life, but sure, you can matter if you want to, on some scale. She has many scales. She doesn't know what you mean by 'anything', but you can do everything you can. You ask her if it's enough. She says there's no base requirement for deserving to exist. She's smoking a joint and the smoke filtering out of her gills gathers and forms gas giants and red dwarfs. You ask her if there's any hidden secrets of the universe you should know and she says it's not a secret if she tells, plus it's fun to let you figure it out yourself. You ask her if any of your questions were right questions and she says you worry about being right so much it might keep you from fucking around, which is as close to meaning of life as she ever bothered to make. You don't ask but she says she loves your hair, also your whole being, also your planet. She says she figured out what love is yesterday and is trying it out, which explains the ten thousand rainbows and sudden influx in rains of fish. She offers you a drag of her joint and you wake up half past midnight behind a chain restaurant clutching a smoked salmon. The new stars are winking like they're in on some joke and you're sure if you try hard enough you'll remember what it is.

[writing-prompt-s]

A loving, married couple wake up one day to find that they have returned to their high school days, when they were the most popular student and the class geek.

[pitviperofdoom]

(CW: bullying, including homophobic and ableist language, mentioned drug use, gender dysphoria, depression)

When Angelique Lancaster dumped a backpack and a brown-bag lunch on their table before sitting down with a huff, all Erin could do was stare.

First off, she’d never seen Angelique wear a backpack before. Erin didn’t even know she owned one. It wasn’t like she needed one—there wasn’t a single freshman boy at Chapman High who wouldn’t have carried her textbooks for her, and paid for the privilege.

Second off, Angelique wasn’t wearing makeup, aside from eyeliner that looked at least two days old. She was wearing a T-shirt and jeans, for fuck’s sake—again, since when did Angelique Lancaster own T-shirts?

Since when did Angelique Lancaster even look at this table, much less schlep over and sit at it?

Maybe it wasn’t actually her. Maybe her less cool long-lost twin had just transferred. Just to check, Erin craned her neck to look over at the Shithead Patrol’s usual spot, clear on the other side of the cafeteria. Nope, no fashionable backpack-less doppelganger, just a table full of popular kids staring back with just as much fear and confusion as she felt.

Erin turned back and met Raph’s eyes on the other side of her own table, partly to communicate the sheer what-the-fuck of the situation, and partly to make sure her best friend was handling Angelique fucking Lancaster sitting next to him without panicking or shutting down. Raph’s appetite was always the first thing to go on a bad brain day, and he’d barely touched the soup in his thermos. The last thing he needed was whatever psychological warfare this was clearly supposed to be.

But instead of shrinking into his oversized hoodie like the world’s floppiest turtle, Raph took one look at Angelique and raised an eyebrow. “Well that didn’t take long.”

Erin watched, mouth agape, bracing herself for the queen of Chapman to rain venomous hell down on her best friend’s head for daring to speak to her.

Instead, she looked downright defensive. “What’s that supposed to mean?”

“You do realize you tanked your rep just by sitting here, right?” Raph said. “You mean to tell me you couldn’t stick it out for one day?”

Afficher davantage

[writing-prompt-s]

You were once the demon king. “Defeated” by the hero, you went into hiding to pursue a simpler life. Today the “hero” has appeared, threatening you family to pay tribute, not realizing who you actually are. Today you show them what happens when you have something worth fighting to protect.

[caffeinewitchcraft]

You are told at seven that you won’t ever do anything good in your life. You grow up knowing that it doesn’t matter that you help your younger sister make her letters properly or that you’re the one who stays up late with mother when too many custom orders come through the tailor shop. It doesn’t matter that you don’t want to hurt anyone or control anyone or anything of the sort. It doesn’t matter that your name means Light in your mother’s native language because as soon as they realize that you’re the Demon King, no one ever calls your name again.

You are chased out of your village the moment your powers bloom at fifteen years old, and the skies turn black with your fear. A rock hits you between your shoulder blades just as you make it to the main road and you stumble, falling to your knees in a mud puddle at the very moment the skies open up.

“She’s cursing us!” the midwife who delivered you screams over the thunder. “She’s damning us with her!”

Your mother is crying, but she doesn’t raise a hand to help you. She did everything she could, keeping your Role a secret all these years. She won’t risk anymore with another little girl to take care of.

No one tells you that you have a choice. No kind stranger drags you out of the rain and into the warmth of their home where a wise sage tells you it is not how we are born, but what choices we make.

Instead, you take the little pack your mother hid for you in the depths of the forest and sling it over your shoulder. There’s money, provisions, and more wraps to cover the evil mark on your left bicep.

“Your destiny will find you,” your mother told you only hours ago. “I forgive you for it.”

She meant the words as a comfort, but you only heard condemnation in it. Without having killed so much as a fly, she is already blessing you with forgiveness.

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[halcyonhue]

Day 2 in the Middle School Time Loop: you remember that last time, everyone ignored you at recess because they were talking about a TV show that you hadn’t watched. This time, you lie and say you’ve seen it. They ask you who your favorite character is, and you don’t know any of the characters, and so you’re tongue-tied. They think you’re weirder than ever, or maybe a liar, which is worse (and true).

Day 3 in the Middle School Time Loop: you tell your parents that you feel ill. They let you stay home while they’re at work. You spend the whole day watching past episodes of the TV Show.

Day 4 in the Middle School Time Loop: Recess again. The same person asks you who your favorite character is. This time, you're ready. You eagerly tell them, and supplement your reasons for liking them with solid evidence from all 4 seasons of the show. But! Tough luck: you’re now too invested. The atmosphere turns uncomfortable. They go back to ignoring you like they did on the Day 1 that you didn’t know was Day 1.

Day 5 in the Middle School Time Loop:

You decide to try a different approach and update your style. You've noticed that Ashleigh, who’s blonde and constantly surrounded by friends, always wears pink stripey sneakers. You try wearing a pink dress. Someone says it’s cute, but you know from how they say it that it isn’t the good cute.

“I thought that pink was cool,” you protest, more to the uncaring universe than to anyone in particular.

Your interlocutor shrugs. “Maybe on someone else.”

Day 6 in the Middle School Time Loop: You keep your head down, but still surprise the teachers by somehow knowing the correct answers to every spontaneous question they throw out to the class. You study the outfits of your classmates more closely. You realize that it wasn’t the color, so much as the brand that made the difference. It proves the shoes were expensive. You note down Ashleigh's sneaker brand in smudgy ink on the back of your hand, and then after school you take half a year's saved-up allowance and buy a matching pair at the mall. Your mom raises her eyebrows but doesn’t stop you.

Day 7 in the Middle School Time Loop: Today you make it to lunch before anything major goes wrong. You think that the sneakers have protected you, and stare down at them lovingly, watching the Barbie-pink plastic stripes reflect the tube lights on the ceiling as you turn your feet this way and that. But then at lunch, Ashleigh comes up, arm and arm with a friend. Her eyes are a little pink, but only a little.

“Ashleigh wanted me to tell you that she’s really hurt that you copied her sneakers,” the friend informs you, nobly, as if it would be too unpleasant for Ashleigh to have to say this herself. Her mouth is solemn but her eyes are gleeful.

“I didn’t…” You start to deny it automatically, even though it’s true. And yet, something won’t let you apologize. Doesn’t she see your imitation for what it is: the most sincere compliment you know how to bestow? This is your Hail Mary.

As you meet her eyes, you realize she does know, but this only makes her despise you more.

“I think a lot of people have these sneakers,” you stammer, in the end, and they just sniff and turn away. You go back to eating your lunch alone.

Day 8 of the Middle School Time Loop: even though you do well in every class, you must be so much more stupid than your classmates, to be missing whatever detail it is that they seem to have caught. How do they do it so quickly? Before recess, before the end of homeroom, even, they all just know. You’ve had endless chances to do this day over and yet you never seem to be able to catch up with them. Running to stand still, you’ve heard your mother say, when she’s busy at work. That’s you. Running to stand still.

Day 9 of the Middle School Time Loop: you pretend to be sick again, and you realize that if you want to, you can pretend to be sick every day. It's easy to convince your parents: you look tired and unhappy, your eyes small within their dark circles, like some underground creature. You stop watching that TV Show that you never really wanted to watch in the first place, and instead dream your way through all your favourite childhood movies. Disney, Pixar, Studio Ghibli. You retreat into jewel-colored landscapes, where everyone is magical or beautiful or at least funny, and the heroes always win in the end.

Day 10 of the Middle School Time Loop: You notice that most of the Pixar heroes, the Disney princesses look more like Ashleigh than you. Long hair. Pale eyes. Button noses. And all of them, so thin.

Day 11 of the Middle School Time Loop: you go to school, but you don’t talk to anyone. You don’t even answer your name at roll call. Your teacher asks you if anything is wrong at school, or at home perhaps. You shake your head, but that evening you hear your father taking a call. You shrug off his worry: it’ll be forgotten tomorrow anyway.

Day 12 of the Middle School Time Loop: an unexpected development: your apathy almost seems to make your classmates like you more. When you say, truthfully, that you don’t care much for the TV Show that eternally dominates the recess chatter, some people look impressed. They ask you what you think is better. But you’re wise and don’t admit to liking anything. "Mysterious," someone says appreciatively.

At the end of recess, the girl who told you off for copying Ashleigh nudges you. “Hey. Look, Robert has an Up shirt. Kind of cute, that he’s still into that stuff, right?”

You know that it’s not the good cute.

You stare at her coldly. “The shirt just has a dog on it. It doesn't say he's from Up. So you must have liked the movie enough to remember him.”

She flushes scarlet, and hurries to catch up with Ashleigh, throwing you a dirty look. Robert glances at you gratefully but you don’t return his smile. He won’t remember that you did this for him. Anyway, you didn't, really. Do it for him, that is.

Day 13 of the Middle School Time Loop: You tell your parents you’re sick again. Today, you watch the second tier of Studio Ghibli movies, the ones that your parents always say, self-consciously, that you’ll find dull. Only Yesterday, Princess Kaguya, When Marnie Was There. You’re only a few minutes into Marnie when there’s a line that pulls you up short:

“In this world, there’s an invisible magic circle. There’s inside and outside. These people are inside. And I’m outside.”

The relief that washes over you is so profound that you almost cry, and then, when the movie's over, you do cry. Ugly sobs that make you sound like a toddler throwing a tantrum at the mall, that make your head pound with a dehydration headache. But behind the tears, there's relief. There it is, the truth that you were searching for, through all these do-overs. There’s an invisible magic circle. Of course there is.

But here’s the thing about circles: the inside is small. The outside is scary, and lonely, but it’s huge: huger than you could ever have imagined before you turned around and looked.

When your dad gets home, he asks if you’re feeling better. “Much,” you say, and it’s true.

Day ?? of the Middle School Time Loop: Sometimes you go to school, but ditch class and go to the library or the playground and do your own thing even if teachers yell at you. Sometimes you wander around the neighborhood. Sometimes you ask your parents crazy things, like to take you to work with them, or to the beach, or to DisneyWorld. Sometimes they say no. A surprising amount of times, they say yes. You wonder if maybe they’re trapped in a time loop too.

Sometimes you sit quietly in other classrooms than the one you’re meant to be in, until they shoo you out or even send you to the principal. (He finds you baffling. You feel a deep, slightly mournful affection for him, like you would for an very old and tired dog). It’s surprising, the amount of different things that are getting taught in one school in one day. It takes you a long time to work your way through them all.

You watch a frog getting dissected a few times before you start to feel bad and don’t go back to that classroom again. Your favorite class to crash is art, because the teacher always clocks that you’re not meant to be there but smiles and lets you stay anyway. When you meet her eyes, it feels like you’re sharing a secret.

Day One-Hundred And Something of the Middle School ...Wait.

At some point, time started moving again, and you didn’t even realize it.

For so long, the reprimands you received about your future seemed so empty, so laughable. There was no future. Only a more- or less-bearable present. But now, your classmates remember the unhinged things that you do; now, your teachers’ and parents’ worries about the future have the full juggernaut weight of reality behind them.

You thought that you’d be more terrified. For so long, you’ve dreaded this forward momentum. No loading screen, no mini-games, just one single, awful, pulsating life. But things are different now. Time’s moving again, and here you are, so far outside the invisible magic circle that you’re not even sure that you'd be able to see it any more. You can still feel its power, but faintly, like the pull between two magnets when they're an arm's length apart. Easy to ignore.

“Are you ready?” Robert says, catching your eye over the kitchen table. He comes here first thing so you can get the bus together. At some point, during the time loop, you started to seek him out. He was outside the circle, too, you realized. But even more importantly, not once, on any of those grimly looping days, did you see him try and push someone else out to make a space for himself. In this crab bucket, that’s something that counts for a lot.

“Our final day of middle school,” he sighs, half to himself. “Never thought I’d see it.”

"Me either," you reply, getting up to put on your talismanic pink sneakers. They’re scuffed and dirty after years of wear, and certainly Ashley would never be caught dead in them these days. Maybe that’s what you should have told her, all those loops ago: that no imitation, let alone one as unskilled as yours, can ever be perfect, and that indeed the very imperfection renders it an original work in its own right. Time and thought and human care transforms even the most diligent copy into something else entirely.

But you’ve been through enough time loops to know that that sort of explanation wouldn’t go over very well.

[charlataninred]

Love how tumblr has its own folk stories. Yeah the God of Arepo we’ve all heard the story and we all still cry about it. Yeah that one about the woman locked up for centuries finally getting free. That one about the witch who would marry anyone who could get her house key from her cat and it’s revealed she IS the cat after the narrator befriends the cat.

[meraarts]

Might I add:

The defeat of the wizard who made people choose how they’d be to be executed

The woman who raised the changeling alongside her biological child

The human who died of radiation poisoning after repairing the spaceship

[eater-of-hopes-and-dreams]

The adventures of a space roomba

Cinderella finding Araura (and falling in love)

I don’t know a snappy description but the my nemesis cynthia story certainly lives in my head

[blitzlowin]

hilariously, these are almost all in my fic tag. so, a compiled list from the notes (and some extras):

The God of Arepo (graphic novel 1 / 2 / 3) (ebook)

The Monster of Sentan

The Witch’s Cat

Raise Both Children

Stabby the Roomba (honorable mention)

Cinderella Marries the Prince (comic)

My Arch Nemesis Cynthia

Pirates and Mermaid

Eindred and the Witch

The Demon King

The Cornerwitch

Grandmother Beetroot

Apocalypse Daycare Worker

Grandmother Accidentally Summons a Demon

New Year Saga

A Story About Changelings

Ranger in the King’s Forest

The Difference Between a Hare and a Rabbit

Goblin Men (Canines)

[charlataninred]

I am in love with you /p

[the-thread-of-the-infinite]

What about the one with the princess locked in a tower learning to become a wizard? That’s lived in my mind for years and I haven’t seen it in a long time

[death-of-the-endless]

Oh, love that story, adding it to the list: 20. Princess Talia and adding a few more contenders 21. Thyme 22. The Monster under the Bed 23. A Meaningful Death 24. Humans are unstoppable…until they aren’t 25. The Monster under the Fridge 26. Antler Guy 27. Cleric slamming healing spells

[death-of-the-endless]

Adding a few more I remembered:  28. The Frog and the Scorpion 29. HSTHETE 30. The First Witch in the World 31. Imagine that Oceans were replaced by Forests  32. A Faerie taking a Name  33. The Dragon on the Farm  34. Synovus & Menace  35. Raising the Anti-Christ  36. Aliens vs. Flora & Fauna of Earth (pretty sure there are even more additions to the original post but I had this one saved)  37. Doctors without Borders…in Space!  38. The Villain-Wrangler  39. The Last Contact  40. The 100 Parent-Point Children  41. And the Heavens Wept  42. The Night Gentleman  43. The Serpent God and their Priestess 

[knottahooker]

44. No One Showed Up for the Last Storytime

[adamskiiii]

Wow! @writing-prompt-s contributing to like half of these!

[writing-prompt-s]

I can hardly take any credit for these stories! But I love sharing them. Unfortunately I cannot read all the prompt responses so please tag me if you want me to reblog a story that resonated with you so I can give it a little boost :)

[ospreyonthemoon]

Doctors without Borders in space link is broken btw

[foone]

There exist another dimension called The Empty World. It's very much like ours, in fact it seems to have been identical up until a few weeks ago, but it always seems that way. If you go there today, it was identical in late february, and if you go there this october, it'll have been identical until september.

It's empty, as you might guess. There's no humans, and no animals bigger than a cockroach. The sky is grey, and it slowly rains ash. It's colder than our world by a bit, enough to require a jacket even in summer. The streets are empty, the cars parked neatly in their garages or in lots, but they're all empty and abandoned, their doors locked like they expect their owners to return any minute now.

The newspapers left on stands don't mention any oncoming disaster. We have no idea what the TV or internet would have said: the power is out. The power is very, very out. Not just the grid, but batteries are drained. The cars won't start, the emergency lights are out, and anything with solar panels seems to be getting less energy than you'd expect, even with the perpetually overcast sky.

It's a very silent world, like the calm after a snowstorm. Sounds don't seem to echo as much as they should, nor does sound seem to travel as far. The radio spectrum is empty except for static, there's no one transmitting on any frequency.

There's fewer fires than you'd expect. Even places you'd expect to soon catch fire without human intervention are still standing, undamaged. Campfires can be lit but with difficulty: something is keeping them from burning as they should. Even if you pour kerosene on a campfire it'll barely grow, it's like something sucked the energy out of everything.

All the locked buildings are still locked. Alarms don't sound if you break in (understandable, given the power situation), and of course no one comes to investigate. So The Empty World is your oyster: you can break in wherever you want (provided you can physically do it: some doors are pretty hard to pry open even with tools), take whatever you want, and bring it back here.

Everything resets when you leave. You always enter The Empty World like it's your first time there, like this just happened and you're late to the party... but the party keeps getting rescheduled. You can even take something multiple times if you want.

When you enter The Empty World you get there at the same relative position as you are on this world. If you're in New York, you show up in the empty New York. If you're in Topeka, you show up in empty Topeka. So you have to travel around this world to get to where you want, and you can't just appear in the middle of a bank vault... unless you break into the vault from this world. (So it's great if you work at a bank and want to steal from your employer without repercussions, but not so useful otherwise).

You don't just have to take things, you know. You can take computers and files and books and diaries. You will have to deal with recharging laptops and breaking through any security when you get back, but it's doable.

So, imagine you've just gotten access to The Empty World. What are you going to do with it? What will you take, and where will you go?

[foone]

This is a writing prompt if you want it to be. Feel free to write/draw/whatever about this setting!

And don't worry about "canon": there's something enough weird going on with this setting that's enough to justify variation in the setting. Maybe when you go there, you eventually find out what caused the death of the world. Maybe that doesn't agree with what I find out when I go there. Maybe your world isn't as empty as it seems! This is partially based on a reoccurring dream I had, and in one instance the "empty" world was full of people hiding. Hiding from what? I never found out. Maybe you will.

Just stick "based on/Inspired by The Empty World by Foone" somewhere in/on anything you make about it. Otherwise go nuts.

[foone]

Some things that might be fun to explore, ones I intentionally didn't nail down: (I have theories but I don't want to make any of them concrete)

What's all that ash in the air? You could stick it under a microscope/Gas chromatograph. What it is could be a big hint as to what happened to this world

I mention in one of the reblogs that two or more people can go there at a time, but there's only one return trip. What happens to people left behind?

The power is out, and this extends to batteries. Sure, maybe the coal plants and nuclear power aren't running anymore, but what about hydroelectric power? Why isn't the hoover dam still making power?

As multiple people have suggested, what if you go above the ash cloud? What if you launch a balloon or a rocket?

I mention the newspapers not saying what happened, but maybe this just happened too fast for them to get a new issue out? Maybe you could go to a TV station and get their computers running again (bring in your own batteries, or bring their computers back to our world). Maybe they did cover what was happening.

There's lots of straightforward ways to get rich by stealing and/or duplicating things using The Empty World. What's the most interesting thing you could do by its ability to let you travel into places you couldn't normally get to (because of guards and locked doors)?

Here's a thought: rescuing recently destroyed/stolen things. It's based on the world of a few weeks ago, right? What if the Louve burns down, and a lot of priceless art is destroyed. If you jump into The Empty World anytime in the next couple weeks, they'll still be there, untouched. You could "steal" them and return them to this world.

You're in The Empty World and you hear a scream in the distance. You brought no one with you. Do you run towards the scream or do you get out of there immediately?

Did you wear a respirator into The Empty World? Have you been breathing in all that ash? Maybe that has repercussions.

You arrive, and someone has written a message in the ash. A warning. For people like you.

[foone]

You know what keeps me up at night, almost literally (since this is in part based on a nightmare I had)? The cars. The cars!

If everyone just disappeared with no warning, there'd be cars in streets and on highways, as they were in motion when the people vanished. If there was some great disaster that people were warned about, you'd think people would try to flee. Even if they couldn't realistically get to safety, some people would panic and flee to... Somewhere! Or they'd at least try.

But no. The Empty World has all the cars nearly parked away. This makes my hair raise on end.

It's like this world saw the end coming and spent their last hours on earth making the bed so as not to leave a mess. This is a world that knew it was going to die and didn't panic, it instead spent a while cleaning up. The masses didn't run, they didn't try to get to loved ones to spend their final hours together, they didn't crowd the churches and mosques and temples to ask for protection or forgiveness, they just... Tidied up? They put away their tools and toys and ensured not to leave a big mess for the no one to come afterwards.

What kind of end of the world is that? That's not one I can really conceive of (even though I guess I literally did).

Like I can imagine all kinds of apocalypses: Nuclear wars. Solar flares. Gamma ray bursts. Alien invasion. Out of control science experiments. Zombies. Raptures. Elder gods awakening. False vacuum collapse. Giant asteroids. Climate change. Societal breakdown. Deadly plagues. And many more!

All of these leave Earth in different states, but none of them leave it tidy.

What the fuck happened here? Even if it's not an apocalypse and no one died or disappeared, like if it only has no people because it's a copy of the universe or just planet but people weren't copied along with other things, it still wouldn't be tidy. This is like the world went to its school photo day, and wanted to be sure it had its best appearance before it was copied.

That's my biggest question. Not what's the ash, why are the batteries dead, or any hope to steal or duplicate valuable things or spy on classified government files.

How did this world die? There's no corpses but the one, big one. The whole damn planet.

[foone]

I was thinking about this again and what would happen if it went public, and basically everyone had access. Specifically I was wondering about how capitalism would survive in a world where anything you can carry is suddenly free, other than like fresh food and charged batteries.

Optimist answer: it doesn't. We instantly switch to a post scarcity utopia a-la Star Trek.

Pessimist answer: we just drop cash. Money is entirely digital now. Lots of stores and industries die out but others survive. Companies take anti-Empty-World measures: electronic safes and such.

Weird answer: we switch to using alkaline AA batteries as money. Stores have to check that they're charged to take them.

Anyway the real realization was that the empty world is the perfect way to murder someone. That'd be the real impact.

You stab someone, drag them into The Empty World, drop off the corpse. You take off your bloodstained clothes and replace them with the duplicate ones in The Empty World. You step back into our world, and now you've committed the perfect crime.

Hell, if you could trick them into coming with you to The Empty World, you could just leave them there. No reason to get your hands dirty.

[writing-prompt-s]

Two identical infants lay in the cradle. “One you bore, the other is a Changeling. Choose wisely,” the Fae’s voice echoed from the shadows. “I’m taking both my children,” the mother said defiantly.

[dycefic]

Once upon a time there was a peasant woman who was unhappy because she had no children. She was happy in all other things – her husband was kind and loving, and they owned their farm and had food and money enough. But she longed for children.

She went to church and prayed for a child every Sunday, but no child came. She went to every midwife and wise woman for miles around, and followed all their advice, but no child came.

So at last, though she knew of the dangers, she drew her brown woolen shawl over her head and on Midsummer’s Eve she went out to the forest, to a certain clearing, and dropped a copper penny and a lock of her hair into the old well there, and she wished for a child.

“You know,” a voice said behind her, a low and cunning voice, a voice that had a coax and a wheedle and a sly laugh all mixed up in it together, “that there will be a price to pay later.”

She did not turn to look at the creature. She knew better. “I know it,” she said, still staring into the well. “And I also know that I may set conditions.”

“That is true,” the creature said, after a moment, and there was less laugh in its voice now. It wasn’t pleased that she knew that. “What condition do you set? A boy child? A lucky one?”

“That the child will come to no harm,” she said, lifting her head to stare into the woods. “Whether I succeed in paying your price, or passing your test, or not, the child will not suffer. It will not die, or be hurt, or cursed with ill luck or any other thing. No harm of any kind.”

“Ahhhhh.” The sound was long and low, between a sigh and a hum. “Yes. That is a fair condition. Whatever price there is, whatever test there is, it will be for you and you alone.” A long, slender hand extended into her sight, almost human save for the skin, as pale a green as a new leaf. The hand held a pear, ripe and sweet, though the pears were nowhere ripe yet. “Eat this,” the voice said, and she trembled with the effort of keeping her eyes straight ahead. “All of it, on your way home. Before you enter your own gate, plant the core of it beside the gate, where the ground is soft and rich. You will have what you ask for.”

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