There are lots of reasons why fandom is "quieter" now than it used to be. Some theories are more compelling to me than others, and they all have a different scale of impact. We'll never know for sure, of course, but I like to think about it. Thus, this poll.
Of the list below, which reason do you find most compelling or do you think had the biggest impact?
New entrants to fandom don't know the old ways
fandom olds didn't teach the newcomers how to fandom
covid/surge in fandom due to quarantine and lockdowns
"antis" and other harassment campaigns against creators
creators posting complaints about comments (people worry about commenting wrong)
rise of discord popularity - fandom is walled off from each other
tumblr porn ban and other reasons people left the site
capitalism turning fandom into a passive "view and move on" commodity
rules from social media impacting fan culture (eg. don't comment on old posts)
general state of the world / burnout
social anxieties in an increasingly complex online culture
"surveillance state" worries and not wanting to be perceived
Remaining time: 2 days 19 hours
This is an incomplete list, so if your most compelling reason isn't listed, feel free to add it in the notes.
I love you being trans I love you trans women i love you gender exploration I love you self discovery
[link to the Reddit post]
[ID: two screenshots of a reddit post on r/offmychest by user awaythrowjessie, titled "My girlfriend made me realize I'd be happier as a woman". it reads as follows:
I am 33, born male, and have had major self image issues my entire life. I hated seeing myself in mirrors, pictures, you name it. I honestly thought it was kinda normal so I just accepted it.
Now about 3 weeks ago I was at my girlfriends house, we have been dating a little over a year now, and have plans to move in together soon. Now recently she has shaved her head to support of her friends with cancer (side note thenl treatments for that friend are going very well). She had since bought some wigs to wear while her hair grows back out. We were joking around as I have male pattern baldness, and when she went to the bathroom I jokingly threw a wig on and waited. She came our, saw me we laughed for a bit and she said "you know I think you'd make a pretty girl" we laughed some more but those words triggered something in me.
Cut to a few night's ago she asked why I've been acting weird lately and I just told her how i was feeling. She said "alright let's do this " and when I asked what she told me she was going to give me a bit of a makeover and put me in one of her dresses and if i liked it then good. I was nervous and asked what if I did like it would she still be attracted to me. She just responded with "Baby you know I'm bi, guy or girl you're still mine." Her words reassured me honestly i love her so much.
Anyways she finished the make up, fitted a wig on me perfectly and got me in a dress and even helped me put a bra on and stuff in a little so i could see what breasts would kinda look like on me. Now I expected to see myself in the mirror, laugh this off and move on right, but I didn't. She did an unbelievable job, like I looked like I had been born a woman, and when I saw myself in the mirror for the first time in my entire life, I liked what I saw. I probably stared at myself for a good 10 minutes before she finally asked me something. She asked what I wanted to be called. After a few seconds I said Jessie, I always like the name Jessie. She whispered in my ear "well Jessie, you look beautiful." And that was it, I knew this was who i wanted to be.
I'm nervous now though, my friends will accept it but my family are, well let's just say not very progressive. But this is what I want.
[ID: A screenshot of a Reddit post from r/offmychest by user awaythrowjessie, titled “I went out as Jessie for the first time and I was honestly surprised”. The screenshot reads:
Hello everyone, this is an official follow up to my previous post that went viral and caught me off guard.
So me and my girlfriend, (Who has officially agreed to disclose her name lol) Emily, had gone shopping for me to get me outfits and the like. Earlier today i put on one of those outfits and officially faced the world as Jessie for the first time.
To say I was nervous would be an understatement. We went to our local mall and I was almost shaking, thankfully Emily calmed me down and said if anyone said anything mean to me she'd handle it, then playfully threw up her hands like a boxer lol. We stepped inside and started walking around going in stores and I noticed something, no one was staring. Like at all. I live in an area that still has issues with LGBTQ people so I was afraid of staring or aggressive people. But none of that happened. People greeted me, the store workers were kind and nobody looked at me like I was weird. I felt comfortable, and Emily even said she saw someone check me put, though i doubt that.
This was unbelievable to me and honestly I felt like myself. I feels nice that I can go out without worrying about Judging eyes.
To all the supporters of my previous post thank you, you have made me happy. Ill keep this account going to let you join me in my journey and once I'm confident enough I'll post up some pics of me and Emily too :)
end ID]
This is so similar to my wife's story I'm smiling and crying at the same time. I love it every time someone realizes they can live as their authentic self.
I'm obsessed with this chair. The artist takes a flimsy hunk of injection-molded plastic that's been cost-cut to hell and back, and insists that we look at it with fresh eyes and understand its beauty. And they went about it in the most labor-intensive way I can think of.
Absolutely nothing about this design is convenient to execute in wood. Every piece is curved, most have compound curves. This is artisan craftsmanship: it's inherently slow, manual, and skilled. Notice, also, that most features of this chair must be thicker and heavier than on the plastic chairs being imitated. Injection-molded chairs can be produced in this shape in a matter of minutes with far less material at very low cost.
If these flowing, organic curves are so beautiful in polished wood, perhaps they are also beautiful in the mass-produced chairs that are far more accessible. Perhaps we should remember to admire designs that succeed enough to become ubiquitous. I don't know about you, but I'll never see injection-molded chairs the same way again.
I agree with all of this, but YOU HAVE HIT UPON A FORGOTTEN TRUTH OF PLASTIC CHAIRS!!!!!
The standard one-piece injection molded plastic chair is referred to as a "Monobloc", literally just describing it as a single piece. The history of this chair is fascinating, and it all starts back in 1946, with the D.C. Simpson Monobloc.
Douglas Colborne Simpson was an architect mostly active in the 40's and 50's, designing a lot of classic mid-century style buildings in Vancouver, Canada(1). In 1946, as part of a government project to find new uses for materials developed for WWII, he and engineer James Donahue developed the design you see above, simply called the Monobloc(2). Unfortunately, we don't know a lot about this chair as it was only ever a prototype, and no modern examples have survived, nor have most of the records surrounding it(3). To my knowledge, we don't actually know if this was technically injection molded, or crafted some other way. We can't even be sure if it was technically the inspiration for the designs that followed, but no matter the case it has lent its name to the entire genre.
Plastics technology was simply not what it is today back in the 1940's. Most people would have had very little plastic in their homes, most likely just a few pieces of Bakelite (the first commercially viable plastic, made from a formaldehyde based resin in a Bakelizer, the best name for any industrial manufacturing equipment ever). Over the following few decades, however, as a wider variety of plastics were both developed and came down in price to the point of commercial viability, the concept of the plastic chair was revisited, and the first folks to revisit it were Helmut Batzner, in 1964, and Joe Colombo, in 1965.
This, is the Bofinger chair, Batzner's design:
The elements of D.C.Simpson's Monobloc were pretty alien compared to todays mass-manufactured plastic chairs, but here we start to see some more modern elements come into play. The first thing you probably notice is the front legs, which have that characteristic visible 90 degree bend in them for added rigidity, plus a much more comfortably leaned back and slightly scoop-shaped seat. We also see much more support in the back rest, with broad triangles allowing for a more efficient use of materials without losing back support.
Similar to Simpson, Batzner was not an industrial designer, but an architect, and this chair had a very specific purpose. Batzner and his team designed it as part of a project to build a new theater in Karlsruhe, Germany, which required a large amount of additional seating which could be easily packed away into storage or distributed around the theaters rooms by the staff (4). As such, it was designed to be both lightweight and stackable, so several of them could be moved by one person, and they could be stored compactly. This piece of furniture was a huge hit a the theater, and was so popular that 120,000 units would ultimately be manufactured and sold around the world, with each one taking just 5 minutes to produce (4).
Around the same time, Joe Colombo enters the scene with this:
Colombo was an artist in several mediums who, after taking over his families appliance company in the 50's, made the shift towards architecture and interior design, and started designing a wide array of trend-setting furniture(5). The chair shown above is known as the Universale (sometimes referred to as the Chair Universal 4867), designed in 1965. This chair differs pretty greatly from the ones that came after it, it many ways it represents a different path that could have been taken, but it's also very widely referenced as an inspiration for what is broadly considered the origin of the white plastic chair the world over.
Enter: the Fauteuil 300
This is, arguably, the first iteration of the white plastic chair we all know today. Designed by Henry Massonnet in 1972, the Fauteuil 300 and it's imitators are, collectively, the single most widely used piece of furniture in the entire world(6). Before that, however, it was something else entirely: works of art.
What might be hard to recognize in hindsight is that all of these chairs described so far were not everyday objects. They were on the forefront of modern design, they made use of brand new materials and manufacturing processes, and at the time they were each made, they were slick, stylish, and fairly expensive. Despite the speed at which they could be manufactured, these innovative, high-end chairs rose sharply in cost up through the early 1980's due to the sheer demand for them. They weren't cheap spare seating you stuck in the garage, they were placed at dining tables and on fine patios, and they were a wildly popular talking point. That's not to say their expense justified their artistic value, but rather that their expense and popularity was a product of their status as highly contemporary and boundary-pushing designs.
With the price of plastics declining after the 70's, the increasing accessibility of injection molding to manufacturers, and the widespread popularity of these designs, copycats proliferated rapidly, and eventually drove the price down. This era, in the 80's and 90's, is when these chairs became cheap an ubiquitous, and where they became manufactured the world over.
And here is where we reach this piece, "Plastic chair in wood", by Maarten Baas, and a piece of the history I've left out so far. The Monobloc was designed to be made out of wood. Like the the other chairs designed by Joe Colombo, like the chairs that predated the Simpson, the Monobloc was designed with the intention of using laminated plywood, but as the artists and designers behind them began to experiment with new materials they fell in love with the idea of making them from plastic, and so they did. They redesigned and redesigned until they made something that would be impossible to make in wood at a price most people could afford, but which could be made from plastic in mere minutes. The organic curves and thin profiles would take so much time, so much waste material, so much skill and effort to create if made of wood that they could never be furniture, they could only be art. Baas' chair is a perfect, beautiful reflection of that.
That, in brief, is the history of the design of the white plastic Monobloc chair, but it's not all there is to know. In fact, it's kind of just the start. I've linked my sources below, but I would strongly recommend checking out the German documentary Monobloc, by Hauke Wendler. It goes over the history, but it's far more interested with what the Monobloc means, and what it's place is in our world today. The impact it's made, the better and the worse, and what it says about us. It's fascinating, and well worth your time.
to anyone in the areas impacted by the wildfire smoke, my #1 biggest piece of advice as someone whos been dealing with wildfire smoke in the NW united states for years, is build yourself a Corsi-Rosenthal Cube
they perform as well as expensive HEPA air cleaners, and are comparatively VERY inexpensive. all you need is a box fan, 4 air filters, a piece of cardboard, and some duct tape!!!!
i think it took us maybe a half hour to put ours together, if that, and we replace the filters every 3 months. it's really made a HUGE difference, both when the air quality is bad, but also with our allergies
Okay but for anyone who legit wants to know how to calculate it correctly:
The elbow joint on average rests a couple inches higher than the navel, so if you measure how long the distance is from the middle of the shoulder to that point then you have the length of the upper and fore arms!
So if anyone’s wondering about legs too, the simplest rule of thumb is that the length from the top of the leg to the knee is equal to the distance between the top of the leg and the bottom of the pectorals:
And I wanna stress that when i say “top of the leg” i’m not talking about the crotch (please don’t flag me tumblr it’s an anatomical term) i’m talking about the point where the femur connects to the pelvis, which is higher up on the hips:
It’s easier to see what I’m talking about in this photo of a man squatting:
So yeah if you use that measurement when using this technique you should get fairly realistically proportioned legs:
But remember! messing with proportions is an important and fun part of character design! Know the rules first so you can then break them however you please!
I only ever saw the part where people started drawing the limbs outrageously long and genuinely wanted to know how to fix that, so I’m really thankful to see the rest.
fiancé: hey do you want to watch this critically acclaimed movie from a director you love?
me: meh. maybe
mutual: *rb’ing ten gifsets in a row of an obscure quebecoise art film from 1972 available only in 240p on some questionable website guaranteed to give my computer at least five viruses*
me: holyyyy shit holy shit i need to watch this right now
Sponge painting? Makeup sponges are durable and have fine pores for smooth paint finishes. Need a plastic file? Glass nail files are half the price of gunprimer. Want to remove nub marks? Nail buffing/polishing blocks are less than a buck and you can cut them to size. Detail painting? You can get a 100 pack of eyeliner brushes or ultra fine nail art brushes for less than $10. I've had $2 makeup tweezers last me longer than the DSPIAE specialty ones. Paper nail files are even cheaper than sandpaper sheets. A cheap makeup brush set is perfect for weathering and dry brushing.
And if you just happen to find some nail polish that piques your interest while you're there, even better.
If you want to rope in the tabletop roleplaying crowd as well, it's worth noting that most commercially available dice bags are literally just jewellery pouches that've been relabelled and marked up by a couple hundred percent. You'll have a much wider selection of colours and styles than your local game shop's standard black, blue and brown, too; don't you want your dice to feel pretty?
