Let me preface this by saying I did check your FAQ but I didn't see this there yet I still find it hard to believe no one has asked you this at least a thousand times so if they did and I just missed it I'm sorry and you can delete this ask but—
You write such beautiful, detailed fics with lots of foreshadowing that often starts from the very beginning of the story. I think you made an author note once about only posting the first chapter of a fic after you've written the whole thing (or maybe that was Andie...?). If so, is the time between updates just you going through and rereading / editing like 100k words?
Basically, I want to ask: what is your fic planning process like? From the moment you get a first idea to posting the last chapter, what does I look like? I think you're a really, really amazing (one of the absolute best if not THE best) author but I cannot fathom how one human being can write such mammoths of fanfiction and stay motivated enough to finish them.
Also you're already planning Halloween stuff ?? You plan things literally half a year in advance?? Are you even human? We don't deserve you. 😭
You called yourself lazy in the webcomic post but I think you must work unbelievably hard to make such high quality stuff and without even getting compensation for it. You're amazing and I'm very thankful to exist in the right timeline and fandom to read your work. :,)
(oh my god this became such a ramble I'm sorry)
Oh Ari. 🥺 Hello.
I update as I write! So that was probably Andie, lmao, who’s definitely the better example to follow when it comes to plotting/completing a fic. 🥺 She’s amazing and if I could fashion myself after any other writer in our niche, it would be Andie hands down!
But okay, let’s get into it. 📝
A little disclaimer, before we start; I did not go to school for any of this lmfao. The most relevant education I have behind me is a extra-circular literature class I had during my last two years of high-school. The only reason the following works for me is because I’ve cobbled it together from years of trial and error. You can read advice and watch youtube videos about the writing habits of famous authors, but you have to tailor everything you hear to suit you and the way you work. The best advice in the world from the highest paid author in the world won’t work if you’re not wired in the same way! You have to take everything about yourself and what you like and what you want into account!
Part I—first we take Manhattan
start ur fic lol
First thing’s first; I’m a plotter. I don’t pants. If I pants, I lose interest—I need to have the final vision in front of me, even if it’s just a bullet point. I have to know what I’m working towards. That is crucial to literally everything I do. Every fic you see on AO3, every WIP I’ve mentioned working on or wanting to work on—I have always known two things about them, immediately: the hook that gets us in there, and how they end.
So for fics in particular, the start might look something like—I get an idea (I want Reader and Bakugou to kiss). And then I sit there and I brainstorm to myself (What’s stopping them from kissing? Why does Reader want to kiss someone so rude when there’s so many other nice boys out there? Is Reader particularly kissable?). And then, if I’m lucky, I think of an ending (Reader and Bakugou finally kiss, but he’s the one that initiates it, because he’s always wanted to, because he likes that Reader always wears a yellow coat to work—it’s ugly and it sticks out among the black and tan ones of the crowd but he comes to associate it—and thus Reader—with routine and his mornings going well).
This is often the most fragile time of an idea. That hook (Reader and Bakugou kiss) might fall apart with a bit more prodding (why would they kiss? Reader’s a stranger to him; most of us don’t go around kissing random strangers just because we like their coats). Or maybe the hook sticks (they spend almost years in orbit around each other, a constant near-miss) but the ending doesn’t work (I don’t know how to move Bakugou to a position where he can kiss Reader, where he has the opportunity to). For every idea you see in action, or listed, there’s like three more that died during this stage and are now being cannibalised for spare parts.
Part II—running up that hill (a deal with fic)
work work work
If our idea survives, we then move to the “throw everything at the wall and see what sticks” stage; which manifests itself in this case as a doc, where I’ll just write any and all ideas I have for this little world so far.
For fanfics, it’ll generally look like—
TITLE
SUMMARY: Bakugou and Reader kiss.
(in which Bakugou first notices you because of your ugly yellow coat)
📝 Reader is allergic to diary products; for ages Bakugou thinks of her as That Cheesy Extra, because of the colour of her coat. She laughs when she eventually learns about this. (“I can’t even eat cheese,” you complain)
📝 Reader stops walking past the coffee shop Bakugou gets his coffee at, one day; moves??? Leaves the city to help a friend out for a few months. Despite himself it throws Bakugou off-kilter, and when he sees someone (not Reader) in a yellow coat during a villian attack, he momentarily loses focus—gets injured???? The news of his injury makes the news, Reader sees it in Bumblah nowhere.
📝 Her coat is donated accidentally by a roommate, in a mix up, for a charity she’s volunteering at; when Reader returns to the city, she has to make do with a new one, a more neutral colour. Bakugou recognises her anyway and that’s when he realises it was never about the coat (!!!!)
Like, this is actually a pretty good approximation of what all my current fics have looked like, at that stage, before I tidied them up and refined them into proper outlines. Because that’s what will happen next, once we have a rough idea of what we want! Things get moved, or removed—tightened. A rough plot outline takes shape! If I get any ideas for a sequel or a spin off that I might want to do, I’ll note them here (Reader’s roommate, Roomie, who’s working at a charity—eventually meets Shinsou, who’s working on a case. She thinks he’s homeless; he doesn’t realise. They carry on like this for a while.)
Once I have a rough outline (rough meaning in bulletpoints), I’ll start on my more in-depth outlines—I do these chapter by chapter! I say this a lot, but they’re basically a really rough version of said chapter. So it might look like:
Reader’s walking to work; it’s cold enough that’s she’s wearing her coat. There’s a new coffee-shop opened on the corner—it’s full, popular, you think it might be because it’s at a crossroads between two different Pro Hero agencies. Reader glances at the window, interested, but then a friend calls out and you hurry along. Bakugou, inside the coffee-shop waiting for Half and Half to get his order, is affronted; your coat is ugly as shit, and he complains loudly about it to Shouto, who mentions something about Baku. having no room to complain about ugly colour choices.
The swap between Reader/You happens a lot because I’m not using my brain properly, at this stage—I’m just shovelling the sand I need into the sandbox. Once I finish my shovelling, I go back and I rewrite it—but better, LMAO. I flesh things out, I throw things away as needed, I add things in. It’s basically really, really intensive handholding and I would not recommend it for anyone who’s already daunted by the idea of plotting; I do it because if I don’t have a chaperone there (aka my outline) then I’m prone to getting distracted. I am basically the fanfic equivalent of the undiagnosed ADHD kid at the back of the class that only gets work done when they’re sat right in front of the teacher (and even then, there’s like a 50% chance it’s not actually work that’s happening but doodles of that weird pointy S thing over and over again).
Once it’s done, though, we have a completed chapter! I then post it and wait like a little crab under some rocks for people to be tricked into being nice to me, and then I dig back in and think nice thoughts about repeating this process to get chapter two. Eventually I will—and viola! Another chapter! We repeat that over and over until we get to the end of our original outline and we have a finished story. 😌📖
Part III—you’re on your own kid
motivation
No one ever likes this part, or what I’m about to say, because at best it sounds like saccharine fodder and at worse it’s out of touch with most people’s experiences in fandom, but—the only way to stay motivated when doing a long-haul fic is that you have to do it for yourself.
People are so kind to me, about the fics I’ve done; it’s part luck and part what I choose to write and part how I write it. And I mean—I share them because I want a little bit of attention, lmao, that’s natural because we’re humans, we all want attention. But here’s the thing, here’s the secret—I take these fics 110% deadly seriously. LOL. That sounds like a joke, but I do! I do that because it’s how I’m built and how I keep myself interested in them—because taking them seriously means I’m more invested in realising the ending I’ve imagined for them since day one.
If other people stopped being so nice about what I was writing, I would be sad—anyone would. 🥺 We all want to be told that we’ve done a good job. But I’ve had the ending for the Deku fic, for example, in my head since it’s predecessor was on-going. That is literal years of knowing how I want Izuku and Scribble’s story to end. If everyone disappeared tonight I would sulk, hardcore, and then I would finish that last chapter anyway. I would finish it because I’ve spent so much time and energy working on that story that not finishing it is a disservice to the world I built around those characters and most importantly to myself. I probably wouldn’t stress as much about it, LOL, if the audience shrunk back down to just me, but I’d still do it. 🥺
I write—and try to finish—these fics because I deserve to see them finished. I want the completed tick, on ao3. I want to look at it and know that I can do it—that I can start something as simple as Bakugou hating on some rando’s yellow coat, and bring it to the finish-line where they finally come together, and see each other, without the yellow coat or through a coffee-shop window.
And this is what I mean by like, tailoring things to suit you—because I know others might be perfectly content to imagine the ending for themselves, without writing it. Or maybe they don’t want to treat fic seriously, because it’s fun escapism. Maybe disappointment that it’s not received like they thought it would be sours the whole experience of fandom for someone—there’s no right or wrong to this. I know I can write for an audience of just me because I’ve done it before. The satisfaction has always come back to the same thing—knowing I finished it, and wrapped that world up as best as I could. You have to pick and choose your poison—and then you have to run with it.
I hope that answers at least some of your questions, Ari. 🥺 Thank-you for such a thoughtful ask; for being so sweet. 🥺 You’re amazing, and I’m the thankful one—I’m glad we’re here, together. 🌷🌾✨📖
